Rose of the Rancho (1914 film): Difference between revisions

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Revision as of 17:29, 5 June 2014 edit Tjmayerinsf (talk \| contribs) Pending changes reviewers 58,637 edits No edit summary ← Previous edit		Revision as of 17:31, 5 June 2014 edit undo Tjmayerinsf (talk \| contribs) Pending changes reviewers 58,637 edits No edit summary Next edit →
Line 4: \| caption = \| director = [[Cecil B. DeMille]] \| producer = Cecil B. DeMille<br>[[Jesse L. Lasky]] \| writer = [[David Belasco]]<br>Cecil B. DeMille<br>[[Richard Walton Tully]] \| starring = [[Bessie Barriscale]] Line 10: \| cinematography = [[Alvin Wyckoff]] \| editing = Cecil B. DeMille \| ~~distributor~~studio = Jesse L. Lasky Feature ~~Play Company<br>[[Paramount Pictures]]~~Plays \| distributor = [[Paramount Pictures]] \| released = {{film date\|1914\|11\|15}} \| runtime = \| country = United States \| language = [[Silent ~~with~~ film\|Silent]]<br>English intertitles \| budget = \| gross = $87,028 Line 22 ⟶ 23: ==Plot== Esra Kincaid (La Reno) takes land by force and, having taken the Espinoza land, his sights are set on the Castro rancho. US government agent Kearney (Johnston) holds him off till the cavalry shows up and he can declare his love for Juanita "The Rose of the Rancho.". ==Cast== Line 41 ⟶ 42: [[Lee Pate]] (uncredited) [[Mary Wilkinson]] (uncredited) ==Preservation status== A 35mm print of this film exists in the [[George Eastman House]] film archive.<ref>[http://www.silentera.com/PSFL/data/R/RoseOfTheRancho1914.html ''Rose of the Rancho'' at SilentEra]</ref> ==Remake== The film was remade in 1936 by Paramount and starred [[John Boles (actor)\|John Boles]] and [[Gladys Swarthout]]. "As a vehicle for the cinema debut of Contralto Gladys Swarthout, a revival of David Belasco's famed stage success recommended itself for obvious reasons. Born of U. S. parents and reared in Deep Water, Mo., Miss Swarthout has a Latin appearance well suited to a rigmarole about Spaniards in California and their efforts to hold their ancestral estates against early land-grabbers. Furthermore, the dual roles of Rosita Castro and Don Carlos, masked leader of the Spanish vigilantes, enable her to maintain a tradition which she inaugurated at the Metropolitan Opera."<ref>''TIME'' magazine - ~~Jan.~~January 13, 1936</ref> ==References==