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→Ethnographic analysis: Add Krajewski | just like there was no "coverage in depth" there has been no "discussion at length" on talk. Stop. Using. False. Edit. Summaries. Or just false statements in general. Get Consensus please. | ||
Line 2: [[File:Jew holding Coins, 2012.JPG|thumb|Jewish figurine with coin]] '''Jew with a coin''' ({{lang-pl|Żyd z pieniążkiem}}), "Little Jews" ({{lang-pl|Żydki}}),<ref name="haaretz20141120">[https://www.haaretz.com/jewish/.premium-why-are-the-poles-amassing-jewish-figurines-1.5331736 Why Are the Poles Amassing Jewish Figurines?], Haaretz, Benny Mer, 20 November 2014</ref> or '''Lucky Jew''', are images and figurines of Jews holding coins == History == Research by [[Erica Lehrer]], who curated the ''Souvenir, Talisman, Toy'' exhibit at the [[Ethnographic Museum of Kraków]], shows that while figurines of Jews existed in the past in Poland the contemporary figurines connecting traditionally dressed Jews with coins is recent. Prior to World War II, Jewish figures were present in Christmas and Easter rituals and in particular in the Emaus Easter market fair in Krakow. During the [[History of Poland (1945–1989)|communist era in Poland]] figures of Jews at work as well as suffering in the [[Holocaust]] were available for sale in the {{ill|Cepelia |pl|Cepelia}} ethnic art stores. <ref name="haaretz20141120"/> According to {{ill|Bożena Umińska-Keff|pl|Bożena Umińska-Keff}}, while Jews were connected to money in the past in Poland, the rise of the coin imagery in post-communist Poland is not coincidental as Jews have become associated with success in the West.<ref name="haaretz20141120"/> == Ethnographic analysis == According to historian and sociologist [[Alina Cała]], three point of reference stand out in the figurines. The first is reminiscent of figurines in the traditional Emaus Easter fair, the second is [[black magic]], whereas the third is the traditional [[Antisemitic canard#Usury and profiteering|antisemitic caricature of Jewish moneylender]] which was exploited in Nazi and Polish iconography. However, whereas classical moneylender tropes often presented assimilated Jews the current Polish figurines present Jews in traditional Orthodox dress.<ref name="Cala"/> According to Polish anthropologist [[Joanna Tokarska-Bakir]], the figurines fill a role similar to the a series of other [[Household deity|domestic demons]] - in this case protecting Polish homes that were "purified of Jews". According to Tokarska-Bakir, the placement of the figurines in the hall to the left of the doorway is the same as the placement of old Slav ancestors. Tokarska-Bakir that given that Polish society has enriched itself as a result of the "disappearance" of the Jews, the custom is [[grotesque]] - a demonism transformed into a triviality. Turning to [[Sigmund Freud]]'s [[Totem and Taboo]], Tokarska-Bakir contrasts the Polish custom with [[Totem|totemic religion]] which is the product of guilty sons attempting to atone for the founding murder of legendary horde leaders. Cast in this manner, Tokarska-Bakir considers the grotesque practice as less irrational - the protection of the home by the Jew who was expelled from the home being a twisted sign of moral initiation.<ref According to literature researcher {{ill|Bożena Umińska-Keff|pl|Bożena Umińska-Keff}} According to [[Simon Wiesenthal Center]] director for international relations Dr. Shimon Samuels, superstition lies behind the figurines. According to Samuels these are used as good luck charms by football fans who then blame the Jewish figurines if their team loses. Samuels likens the figurines to a [[phantom limb]], as while only 20,000 Jews reside in modern Poland, the stereotypical Jewish figurines serve as an item that may be "scratched".<ref name="JC20141204">[https://www.thejc.com/news/world/poland-s-mantelpiece-jews-1.62534 Poland's mantelpiece Jews], The JC, 4 December 2014</ref> == References == |
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