The Outsider (1979 film)

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The Outsider is a 1979 film thriller set largely in Belfast during The Troubles; it was the first film directed by Italian-American Tony Luraschi. The film is based on the book The Heritage of Michael Flaherty by Colin Leinster, and details the fictional experience of an idealistic Irish-American who travels to Ireland and joins the IRA in the 1970s.

The Outsider
Directed byTony Luraschi
Based onThe Heritage of Michael Flaherty
by Colin Leinster[4]
Produced byCinematic Arts B.V.,[5] Philippe Modave (executive)[6]
StarringCraig Wasson
Sterling Hayden
Patricia Quinn
Niall O'Brien
Music byKen Thorne
Production
company
Distributed byCinema International Corporation (UK)[7][1]
Release date
  • 29 November 1979 (1979-11-29) (London)
[1][2][3]
Running time
128 minutes[8]
LanguageEnglish

Production

Luraschi, who had worked as an assistant director with Stanley Kramer and Roger Vadim, had never been to Ireland until 1976.[9]The company was unable to film in Northern Ireland, so instead made arrangement with a local residents' association to film the exterior scenes in the Dublin suburb of Ringsend.[7][10][11]

Release

Despite the distributor's hope, the film was rejected by the 1979 London Film Festival.[5][1] It opened at The Gate 2 cinema in Bloomsbury, London on 29 November 1979 during the festival.[1]

Reception

The film caused a minor scandal where government officials were outraged at a scene that showed a British officer participating in the torture of a partially blind Irish Catholic prisoner.[9][1]

New York magazine praised the direction "his skill at realistically conveying the terrible waste of the civil strife in Northern Ireland and the chilling day-to-day acceptance of violence as a way of life there. Unfortunately, the red-herring contrivances of his plot trivialize his powerful material."[9]

Stepan O'Fetchit said "At the other extreme, modern-dress movies like Tony Luraschi's The Outsider... purport to present a real, contemporary Ireland while effectively reducing it to a traffic snarl-up of faceless ideologues wielding guns, balaclavas, and gritty one-liners."[12]

Variety called it a "thoughtful terrorism drama" but felt that the "lack of concession on the part of director-scripter Tony Luraschi to conventional thriller pacing makes the Paramount-financed production no easy moneyspinner."[13]

References

External links