Original file (4,689 × 5,315 pixels, file size: 11.52 MB, MIME type: image/jpeg)
Paulus Moreelse: Sophia Hedwig van Brunswijk-Wolfenbuttel as Caritas with her sons ![]() ![]() | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q59620 | |||||||||||||||||||||||||||
Title | Dutch: Sophia Hedwig van Brunswijk-Wolfenbuttel as Caritas with her sons title QS:P1476,nl:"Sophie Hedwig, gravin van Nassau-Dietz, hertogin van Brunswijk-Wolfenbüttel enhaar zonen, voorgesteld als Caritas ![]() label QS:Lnl,"Sophie Hedwig, gravin van Nassau-Dietz, hertogin van Brunswijk-Wolfenbüttel enhaar zonen, voorgesteld als Caritas ![]() label QS:Len,"Sophia Hedwig van Brunswijk-Wolfenbuttel as Caritas with her sons" | |||||||||||||||||||||||||||
Object type | painting ![]() | |||||||||||||||||||||||||||
Genre | portrait ![]() | |||||||||||||||||||||||||||
Description | English: Sophia Hedwig van Brunswijk-Wolfenbuttel (1592-1642) as Caritas with her sons Hendrik Casimir I (1612-1640), Willem Frederik (1613-1664) and Maurits (1619-1628) van Nassau-Dietz
Nederlands: Sophia Hedwig als Caritas: Sophia Hedwig (1591-1642) was de eerste, die een dergelijke gewaagde compositie aandurfde. In 1621 liet zij zich door de Utrechtse portretschilder Paulus Moreelse uitschilderen in de gedaante van Caritas, de naastenliefde en in dit geval ook de moederliefde. De gravin is omringd door haar drie kinderen en haar oudste zoon reikt haar een schaal met vruchten aan, het traditionele symbool van naastenliefde. De reden waarom een dergelijk gewaagd portret accepté was, was omdat iedereen begreep dat het ‘niet echt’ was. Onder andere door de Oosters aandoende fantasiekleding wordt het tafereel op een hoger, abstracter niveau geplaatst. Alleen de min (voedster) met de baby op de achtergrond is realistisch: zij is in eigentijdse kleding gestoken en relativeert de boodschap: de voorname dame met de ontblote borst voedt haar kinderen natuurlijk niet zelf, maar heeft daar haar personeel voor. [1] | |||||||||||||||||||||||||||
Depicted people | ||||||||||||||||||||||||||||
Date | 1621 date QS:P571,+1621-00-00T00:00:00Z/9 | |||||||||||||||||||||||||||
Medium | oil ![]() | |||||||||||||||||||||||||||
Dimensions | height: 140 cm (55.1 in) ![]() ![]() dimensions QS:P2048,+140U174728 dimensions QS:P2049,+122U174728 | |||||||||||||||||||||||||||
Collection |
institution QS:P195,Q692381 | |||||||||||||||||||||||||||
Accession number | RL451 (Het Loo Palace) ![]() | |||||||||||||||||||||||||||
References | https://www.wga.hu/html/m/moreelse/sophia_h.html ![]() | |||||||||||||||||||||||||||
Source/Photographer | Palace Het Loo[dead link] no archive of https://paleishetloo.nl/wp-content/uploads/2014/09/Afbeelding-1-Sophia-Hedwig-als-Caritas.jpg |
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current | 16:32, 10 October 2016 | ![]() | 4,689 × 5,315 (11.52 MB) | Jan Arkesteijn | User created page with UploadWizard |
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Image title |
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Camera manufacturer | HP |
Camera model | HP Scanjet G4050 |
Author | Paulus Moreelse |
Date and time of data generation | 10:26, 28 June 2011 |
Short title |
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Source | https://www.paleishetloo.nl/blog/sophia-hedwig-van-frivool-naar-imposant/ |
Credit/Provider | Palace Het Loo |
Online copyright statement | https://creativecommons.org/publicdomain/mark/1.0/ |
Usage terms |
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Orientation | Normal |
Horizontal resolution | 97.623 dpi |
Vertical resolution | 97.623 dpi |
Software used | Adobe Photoshop CS2 Windows |
File change date and time | 18:28, 10 October 2016 |
Y and C positioning | Co-sited |
Pair of black and white reference values |
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Exif version | 2.2 |
Meaning of each component |
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Supported Flashpix version | 1 |
Color space | sRGB |
Saturation | Normal |
Sharpness | Normal |
Supported Flashpix version | 1 |
Image width | 4,689 px |
Image height | 5,315 px |
Date and time of digitizing | 20:28, 10 October 2016 |
Date metadata was last modified | 20:28, 10 October 2016 |
Unique ID of original document | xmp.did:E3B94D6357A1E0119CFAA41CF6DD95A5 |
Copyright status | Copyright status not set |
IIM version | 2 |