Romantisismo
An Romantisismo (inapod man na Hiron Romantiko o Romantikong panahon) sarong artistiko, literaryo, musikal asin intelektwal na hiron/mobimyento na naggikan sa Europa kan naghihinapos an ika-18ng siglo, asin sa dakul na banda kan ini kasagsagan yaon sa peryodong poon 1800 abot 1850. An Romantisismo nalaladawan sa sobrang pagduon sa emosyon asin indibidwalismo, an pagsasamba sa kapalibotan, pagduda sa syensia asin industriyalisasyon, asin an pagmumuraway kan nakaagi asin mas ginugusto an medyebal kisa an klasikal.[1] Ini sinasabi na reaksyon lamang sa Rebolusyon Industriyal,[2] sa sosyal asin politikal na mga pinagtutubdan kan Anoy nin Pagkagamiaw, asin sa syantipikong pagtataong paliwanag kan kapalibotan—mga elemento nin modernidad.[3] Ini makusog na natatala' asin naririsa sa biswal arte, musika, asin literatura, alagad may mayor na hugmak sa historiograpo,[4] edukasyon,[5] ahedres, syensia sosyal, asin sa syensia natural.[6] Ini nagkaigwa nin matagom asin komplikadong epekto sa politika, na an mga paraisip na mga romantiko naiimpluwensya an konserbatismo, liberalismo, radikalismo, asin nasyonalismo.[7]
Galerya
- Nagbubutwang Romantisismo sa Ika-18ng siglong pagpintura
Joseph Vernet, 1759, Shipwreck; the 18th-century "sublime"
Joseph Wright, 1774, Cave at evening, Smith College Museum of Art, Northampton, Massachusetts
Henry Fuseli, 1781, The Nightmare, a classical artist whose themes often anticipate the Romantic
Philip James de Loutherbourg, Coalbrookdale by Night, 1801, a key location of the English Industrial Revolution
- Pranses na Romantikong pagpintura
Théodore Géricault, The Charging Chasseur, c. 1812
Ingres, The Death of Leonardo da Vinci, 1818, one of his Troubadour style works
Eugène Delacroix, Collision of Moorish Horsemen, 1843–44
Eugène Delacroix, The Bride of Abydos, 1857, after the poem by Byron
- Iba pa
Joseph Anton Koch, Waterfalls at Subiaco, 1812–1813, a "classical" landscape to art historians
James Ward, 1814–1815, Gordale Scar
John Constable, 1821, The Hay Wain, one of Constable's large "six footers"
J. C. Dahl, 1826, Eruption of Vesuvius, by Friedrich's closest follower
William Blake, c. 1824–27, The Wood of the Self-Murderers: The Harpies and the Suicides, Tate
Karl Bryullov, The Last Day of Pompeii, 1833, The State Russian Museum, St. Petersburg, Russia
Isaac Levitan, Pacific, 1898, State Russian Museum, St.Petersburg
J. M. W. Turner, The Burning of the Houses of Lords and Commons (1835), Philadelphia Museum of Art
Hans Gude, Winter Afternoon, 1847, National Gallery of Norway, Oslo
Ivan Aivazovsky, 1850, The Ninth Wave, Russian Museum, St. Petersburg
John Martin, 1852, The Destruction of Sodom and Gomorrah, Laing Art Gallery
Frederic Edwin Church, 1860, Twilight in the Wilderness, Cleveland Museum of Art
Albert Bierstadt, 1863, The Rocky Mountains, Lander's Peak
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Toltolan
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