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List of compositions by Johann Sebastian Bach

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Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra.

Canon triplex a 6: first printed in 1747 (below), it appears on both versions of the portrait Haussmann made of Bach (1746, 1748 – above). In the 19th-century Bach Gesellschaft edition the canon was published in Volume 451, p. 138. In 1950 the piece was assigned the number 1076 in Schmieder's catalogue of Bach's works (BWV). The 1998 edition of that catalogue (BWV2a) mentions Haussmann's paintings as original sources for the work (p. 438), and likewise the Bach digital website gives a description of both paintings as sources for the piece (linked from Bach digital Work page 01262).

There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Listing Bach's compositions

Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work.[1] The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which had been published in the second half of the 18th century), followed by a rough overview of the unpublished ones.[2] In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)

BG

The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the Bach-Werke-Verzeichnis

In the 2nd half of the 19th century the Bach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA).[3] This offered a unique identification of all Bach's known works, a system that was quickly adopted, for instance, by the biographers: Philipp Spitta used it complementarily to the Peters edition's numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.[4]

Despite this, there was still much confusion. Some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's, giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions).

NBG

In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII1 in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).[4]

BWV

In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):[5]

The BWV is a thematic catalogue, thus it identifies every movement of every composition by its first measures, like the opening of BWV 1006, movement 2 (Loure) above.
  1. Kantaten (Cantatas), BWV 1–224
  2. Motetten (Motets), BWV 225–231
  3. Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
  4. Passionen, Oratorien (Passions, Oratorios), BWV 244–249
  5. Vierstimmige Choräle (Four-part chorales), BWV 250–438
  6. Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
  7. Werke für Orgel (Works for organ), BWV 525–771
  8. Werke für Klavier (Keyboard compositions), BWV 772–994
  9. Werke für Laute (Lute compositions), BWV 995–1000
  10. Kammermusik (Chamber music), BWV 1001–1040
  11. Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
  12. Kanons (Canons), BWV 1072–1078
  13. Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080

For instance, the Prelude and Fugue in E-flat major now became BWV 552, situated in the range of the works for organ. In contrast to other catalogues such as the Köchel catalogue for Mozart's compositions there is no attempt at chronological organization in the BWV numbering, for instance BWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 = BWV 225).[6]

Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).

BWV Anh.

The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:

Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.

Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example, BWV 11, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "BWV 11/249b→" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly, BWV 1083/243a→ meant BWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183→ indicating it was now considered a spurious work.[7]

In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.[8]

New additions (Nachträge) to BWV2/BWV2a included:

A few exceptions to the principle that compositions were not renumbered were when a composition from the Anhang could be recovered or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ).[9]

Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:

Some versions were completely removed from the catalogue, e.g. BWV 655b and c.

Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV).

21st-century additions

Numbers above BWV 1126 were added in the 21st century.

Reconstructed versions

An upper case R added to a BWV number indicates a reconstructed version, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known as BWV 1060R.

BWV3

As of mid-2018 the Bach digital website started to implement the new numbers of the 3rd edition of the Bach-Werke-Verzeichnis, which has been announced for publication in 2020.[10] For example, the Leipzig version of the Christ lag in Todes Banden cantata used to be BWV 4 in previous versions of the catalogue, and, in BWV3, has become BWV 4.2.[11]

NBA

The NBA illustrates its score editions with facsimiles from manuscripts or contemporary editions: for instance NBA Series IV Volume 4 (Clavier-Übung III) contains a facsimile of the title page of the 1739 first edition of that collection.

In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,[12][13] offering a new system to refer to Bach's works, e.g. NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.

NBArev

Some years after the completion of the NBA in 2007 its publisher Bärenreiter joined with the Bach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the Mass in B minor, appearing in 2010.[14]

BC

The Bach Compendium (BC), a catalogue covering Bach's vocal works was published in 1985.[15] Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.[16]

BNB

Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach or which he (had) copied for performance usually have a BNB number.[17]

SBB

The Berlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of composition manuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance BWV 525a = SBB St 345, or according to the abbreviations used at the Bach-digital website D-B Mus. ms. Bach St 345.

By opus number, and chronological lists

Title page of Bach's Opus 1 (Clavier-Übung I, 1731), the only time he seems to have used an opus number

Apart from indicating his first published keyboard composition as Opus 1, Bach did not use opus numbers. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.

Listing Bach's works according to their time of composition cannot be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.[18] This list was published in 1982 as Guide pratique des cantates de Bach in Paris, ISBN 2-221-00749-2. A revised edition was published in 2005 (ISBN 2747598888).

Other composers

Various catalogues with works by other composers have intersections with collections of works associated with Bach:[19]

BR-WFB (or) BR
Bach-Repertorium numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = BR A49
Other BRs:
Fk (or) F
Falck catalogue numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = F 25/2
H
Helm numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = H 569
HWV
Works by George Frideric Handel, e.g. BWV Anh. 106 = HWV 605
TWV
Compositions by Georg Philipp Telemann, e.g. BWV 824 = TWV 32:14
Warb (or) W
Warburton numbers for works by Johann Christian Bach, e.g. BWV Anh. II 131 = W A22 (or: Warb A 22)
Wq
Wotquenne numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = Wq 145

Works in Bach's catalogues and collections

There are over 1500 works that feature in a catalogue of works by Bach, like the Bach-Werke-Verzeichnis, or in a collection of works associated with Bach (e.g. in one of the Notebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.

Legend to the table
columncontent
01BWVBach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows:
  • preceded by I: in Anh. I (lost works) of BWV1 (1950 first edition of the BWV)
  • preceded by II: in Anh. II (doubtful works) of BWV1
  • preceded by III: in Anh. III (spurious works) of BWV1
  • preceded by N: new Anh. numbers in BWV2 (1990) and/or BWV2a (1998)
022aSection in which the composition appears in BWV2a:
  • Chapters of the main catalogue indicated by Arabic numerals (1-13)
  • Anh. sections indicated by Roman numerals (I–III)
  • Reconstructions published in the NBE indicated by "R"
03DateDate associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher.
04NameName of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
05KeyKey of the composition
06ScoringSee scoring table below for the abbreviations used in this column
07BGBach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[3]
08NBENew Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[13]
  1. Cantatas (Vol. 1–34: church cantatas grouped by occasion; Vol. 35–40: secular cantatas; Vol. 41: Varia)
  2. Masses, Passions, Oratorios (12 volumes)
  3. Motets, Chorales, Lieder (4 volumes)
  4. Organ Works (11 volumes)
  5. Keyboard and Lute Works (14 volumes)
  6. Chamber Music (5 volumes)
  7. Orchestral Works (7 volumes)
  8. Canons, Musical Offering, Art of Fugue (3 volumes)
  9. Addenda (approximately 7 volumes)
09Additional infomay include:
  • "after" – indicating a model for the composition
  • "by" – indicating the composer of the composition (if different from Johann Sebastian Bach)
  • "in" – indicating the oldest known source for the composition
  • "pasticcio" – indicating a composition with parts of different origin
  • "see" – composition renumbered in a later edition of the BWV
  • "text" – by text author, or, in source

Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.

10BDBach Digital Work page
Background colours
ColourMeaning
greenextant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellowextant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol)
orange-brownextant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member
Table sections (collated as in BWV2a for BWV 1–1126 and Anhang)
BWV (original ranges in parentheses)
1. Cantatas (1–224) • 2. Motets (225–231) • 3. Masses, Mass movements, Magnificat (232–243) • 4. Passions, Oratorios (244–249) • 5. Four-part chorales (250–438) • 6. Songs, Arias and Quodlibet (439–524) • 7. Works for organ (525–771) • 8. Keyboard compositions (772–994) • 9. Lute compositions (995–1000) • 10. Chamber music (1001–1040) • 11. Works for orchestra (1041–1071) • 12. Canons (1072–1078) • 13. Musical Offering, The Art of Fugue (1079–1080) • Later additions (1081–...) • Reconstructions
BWV Anhang (Appendix)
I: Lost/fragmentary (1–23) • II: Doubtful (24–155) • III: Spurious (156–189) • N: Nachträge (New additions, 190–213)
Not in BWV (BWV deest)
Sorted by BC, BGA, BNB, NBA, etc.
Collections
Without resorting the table (i.e. collection kept together in BWV2a)
Cello Suites BWV 1007–1012 • Christmas Oratorio, BWV 248 • Clavier-Übung IV = Goldberg Variations BWV 988 • Inventions BWV 772–786 • Sinfonias BWV 787–801 • Sonatas and partitas for solo violin BWV 1001–1006
Using the sort function (not available in all browsers)
Works in Bach's catalogues and collections
BWV2aDateNameKeyScoringBGNBEAdditional infoBD
1.Cantatas (see also: List of Bach cantatas, Church cantata (Bach) and List of secular cantatas by Johann Sebastian Bach)Up ↑
11.1725-03-25Cantata Wie schön leuchtet der Morgenstern (Annunciation)F maj.stbSATB 2Hn 2Odc 2Vl Str Bc1: 1I/28.2: 3after Z 8359; text after Nicolai00001
21.1724-06-18Cantata Ach Gott, vom Himmel sieh darein (Trinity II)G min.atbSATB 4Tbn 2Ob Str Bc1: 53I/16: 81after Z 4431; text after Luther00002
2/6chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6)G Dor.SATB1: 72III/2.1: 25
III/2.2: 156		after Z 4431; text by Luther11189
31.1725-01-14Cantata Ach Gott, wie manches Herzeleid (Epiphany II)A maj.satbSATB Hn Tbn 2Oba Str Bc1: 73I/5: 189after Z 533a; text after Moller00003
3/6chorale setting "Ach Gott, wie manches Herzeleid" (s. 18)SATB1: 94III/2.1: 26
III/2.2: 90		after Z 533a; text by Moller11191
4.21.1724-04-09Cantata Christ lag in Todes Banden (Easter)E min.satbSATB Cnt 3Tbn Str Bc1: 95I/9: 1after BWV 4.1; text by Luther00004
4/8chorale setting "Christ lag in Todes Banden" (s. 7)E min.
D min.		SATB1: 124III/2.2: 104after Z 7012a; text by Luther11295
4.11.1707-04-24Cantata Christ lag in Todes Banden (Easter; early version, lost)satbSATB 2Vl 2Va BcI/9after Z 7012a; → BWV 4.2; text by Luther00005
51.1724-10-15Cantata Wo soll ich fliehen hin (Trinity XIX)G min.satbSATB Tdt 2Ob Str Bc1: 125I/24: 133after Z 2164; text after Heermann00006
5/7chorale setting "Wo soll ich fliehen hin" (s. 11)SATB1: 150III/2.1: 66
III/2.2: 180		after Z 2164; text by Heermann11232
chorale setting "Auf meinen lieben Gott"after Z 2164
61.1725-04-02Cantata Bleib bei uns, denn es will Abend werden (Easter 2)C min.satbSATB 2Ob Odc Str Vc Bc1: 151I/10: 43after Z 439 (/3: → BWV 649), Z 350a (/6); text after Lk 24:29 (/1), by Melanchthon & Selnecker (/3), Luther (/6)00007
6/6chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2)G min.SATB1: 176III/2.2: 40after Z 350a; text by Luther11338
71.1724-06-24Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist)E min.atbSATB 2Oba 2Vl Str Bc1: 177I/29: 25after Z 7246; text after Luther00008
8.11.1724-09-24Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version)E maj.satbSATB Hn Fl 2Oba Str Bc1: 211I/23: 105after Z 6634; by Vetter, D. (/6); text after Neumann; → BWV 8.200009
8.21.1747-09-17Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version)D maj.satbSATB Fl 2Oba Tai 2Vl Str BcI/23: 163after BWV 8.100010
91.1734-08-01Cantata Es ist das Heil uns kommen her (Trinity VI)E maj.satbSATB Fl Oba Str Bc1: 243I/17.2: 83after Z 4430; text after Speratus00011
9/7chorale setting "Es ist das Heil uns kommen her" (s. 12)SATB1: 274III/2.1: 52
III/2.2: 172		after Z 4430; text by Speratus11213
101.1724-07-02Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation)G min.satbSATB Tr 2Ob Str Bc1: 275I/28.2: 131after Magnificat peregrini toni; text after Magnificat; → BWV 64800012
10/7chorale setting "Meine Seel erhebt den Herren" (doxology, ss. 10–11)SATB1: 303III/2.1: 82
III/2.2: 205		after Magnificat peregrini toni; text: German Magnificat11248
121.1714-04-22Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions)F Dor.atbSATB Tr Ob 2Vl 2Va Bas Bc2: 59I/11.2: 1after Z 5629 (/7: → BWV 69.1/6); text by Franck, S.?; text after Acts 14:22 (/3); text by Rodigast (/7); /2 → BWV 232/1400014
1724-04-30G min.
131.1726-01-20Cantata Meine Seufzer, meine Tränen (Epiphany II)D min.satbSATB 2Fl Odc Str Bc2: 79I/5: 229after Z 6543 (/3), Z 2293b (/6); text by Lehms, Heermann (/3), Fleming (/6)00015
13/6chorale setting "In allen meinen Taten" (s. 9)B♭ maj.SATB2: 98III/2.2: 58after Z 2293b; text by Fleming11347
chorale setting "Nun ruhen alle Wälder"G maj.III/2.2: 216
141.1735-01-30Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV)G min.stbSATB Hn 2Ob Str Bc2: 99I/6: 139after Z 4434; text after Luther00016
14/5chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3)SATB2: 132III/2.1: 88
III/2.2: 103		after Z 4434; text by Luther11250
161.1726-01-01Cantata Herr Gott, dich loben wir (New Year/Circumcision)A min.atbSATB Hn 2Ob Odc Str Bc2: 173I/4: 103after Z 8652 (/1), 5267 (/6; → BWV 419); text by Lehms, Luther (/1), Eber (/6)00018
1731-01-01atbSATB Hn 2Ob Va Str Bc
16/61726-01-01chorale setting "Helft mir Gotts Güte preisen" (s. 6)SATB2: 198III/2.2: 56after Z 5267; text by Eber11324
171.1726-09-22Cantata Wer Dank opfert, der preiset mich (Trinity XIV)A maj.satbSATB 2Ob Str Bc2: 199I/21: 147after Z 8244 (/7); text: Meiningen, after Ps 50:23 (/1; → BWV 236/6), Lk 17:15–16 (/4), by Gramann (/7)00019
17/7chorale setting "Nun lob, mein Seel, den Herren" (s. 3)SATB2: 225III/2.2: 4after Z 8244; text by Gramann11330
18.21.1724-02-13Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima)A min.stbSATB 2Fl Bas 4Va Vc Bc2: 227
(in g)		I/7: 107after BWV 18.1; text by Neumeister, after Is 55:10–11 (/2), Luther (/3), by Spengler (/5)00020
18/5chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8)SATB2: 252
(in g)		III/2.2: 71after Z 7549; text by Spengler11301
1.1715-02-24chorale setting "Ich ruf zu dir, Herr Jesu Christ"G min.III/2.2: 56after Z 7549; text by Agricola
18.1Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima)stbSATB Bas 4Va Vc BcI/7: 81after Z 7549 (/5); text by Neumeister, after Is 55:10–11 (/2), Luther (/3), by Spengler (/5); → BWV 18.200021
191.1726-09-29Cantata Es erhub sich ein Streit (Michaelmas)C maj.stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc2: 253I/30: 55after Z 6543 (/7); text after Picander00022
19/7chorale setting "Freu dich sehr, o meine Seele" (s. 9)SATB2: 288III/2.1: 62
III/2.2: 177		after Z 654311227
chorale setting "Weg, mein Herz, mit den Gedanken"after Z 6543; text by Gerhardt
201.1724-06-11Cantata O Ewigkeit, du Donnerwort (Trinity I)F maj.atbSATB Tdt Tmp 3Ob Str Bc2: 291I/15: 133after Z 5820; text after Rist00023
20/7
20/11		chorale setting "O Ewigkeit, du Donnerwort" (ss. 11, 16)SATB2: 317,
327		III/2.2: 17after Z 5820; text by Rist11332
21.11.before Dec. 1713Cantata Ich hatte viel Bekümmernis (1st version: in ogni tempore; 1714-06-17: Trinity III)C min.satbSATB 3Tr Tmp Ob Str BcI/16: 109after Z 2778 (/9); text by Franck, S.?; text after Ps 94:19 (/2), 42:12 (/6), 116:7 (/9), Rv 5:12–13 (/11), by Neumark (/9); → BWV 21.200024
21.21.c. autumn 1720Cantata Ich hatte viel Bekümmernis (2nd version: in ogni tempore)D min.satbSATB 3Tr Tmp Ob Str Bas BcI/16after BWV 21.1 (same text); → BWV 21.300025
21.31.1723-06-13Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III)C min.satbSATB 3Tr Tmp 4Tne Ob Str Bas Bc51: 1I/16after BWV 21.2 (same text)00026
221.1723-02-07Cantata Jesus nahm zu sich die Zwölfe (Estomihi)satbSATB Ob Str Bc51: 65I/8: 1after Z 4297a (/5); text after Luke 18:31, 34 (/1), by Cruciger (/5)00027
23.11.1723Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi)C min.satbSATB 2Ob Str Bc51: 93I/8: 33→ BWV 23.2, .300028
23.21.1723-02-07Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi)B min.satbSATB Cnt 3Tbn 2Oba Str BcI/8: 69after BWV 23.1, Z 58 (/4); text by Luther after Agnus Dei (/4); → BWV 23.3, 245.2/4000029
23.31.1728–1731Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi)C min.satbSATB 2Ob Str Bc51: 93I/8: 33after BWV 23.1, .2; text by Luther after Agnus Dei (/4)00030
241.1723-06-20Cantata Ein ungefärbt Gemüte (Trinity IV)F maj.satbSATB Tr 2Ob 2Oba Str Bc51: 125I/17.1: 47after Z 5148 (/6); text by Neumeister, Heermann (/6), after Mt 7:12 (/3)00031
24/6chorale setting "O Gott, du frommer Gott" (s. 1)SATB51: 150III/2.2: 195after Z 5148; text by Heermann11333
chorale setting "Was frag ich nach der Welt"after Z 5148; text by Kindermann
251.1723-08-29Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV)E min.stbSATB Cnt 3Tbn 3Fl 2Ob Str Bc51: 153I/21: 79after Z 6543 (/6); text after Rambach, Ps 38:4 (/1), by Heermann (/6)00032
25/6chorale setting "Treuer Gott, ich muss dir klagen" (s. 12)C maj.SATB51: 188III/2.1: 15
III/2.2: 150		after Z 6543; text by Heermann11177
chorale setting "Weg, mein Herz, mit den Gedenken"after Z 6543; text by Gerhardt
chorale setting "Freu dich sehr, o meine Seele"III/2.2: 168after Z 6543
261.1724-11-19Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV)A min.satbSATB Hn Fl 3Ob Str Bc51: 189I/27: 29after Z 1887b; text after Franck, M.00033
26/6chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8)SATB51: 216III/2.2: 28after Z 1887b; text by Franck, M.11289
271.1726-10-06Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI)C min.satbSSATB Hn 2Ob Odc Str Org Bc51: 217I/23: 221after Z 2778 (/1); by Rosenmüller (/6 = BWV Anh. 170); text by E. J. of Schwarzburg-Rudolstadt (/1), Albinus (/6), after Neumeister (/3)00034
281.1725-12-30Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I)A min.satbSATB Cnt 3Tbn 2Ob Tai Str Bc51: 245I/3.2: 75after Z 8244 (/2), 5267 (/6); text by Neumeister, Gramann (/2), Eber (/6), after Jer 32:41 (/3); → BWV 28/2a, Anh. 160/200035
28/6chorale setting "Helft mir Gotts Güte preisen" (s. 12)SATB51: 272III/2.1: 13
III/2.2: 49		after Z 5267; text by Eber11175
chorale setting "Zeuch ein zu deinen Toren"III/2.2: 15after Z 5267; text by Gerhardt
28/2a1.1725?Motet Sei Lob und Preis mit EhrenC maj.SATB39: 167III/3: 15after BWV 28/2; ↔ Anh. 160/2; was BWV 23100036
291.1731-08-27Cantata Wir danken dir, Gott, wir danken dir (council election)D maj.satbSATB 3Tr Tmp 2Ob Str Org Bc51: 273I/32.2: 1after BWV 120.2/4 (/1), Z 8244 (/8); text after Ps 75:2 (/2; → BWV 232/7, /23), by Gramann (/8)00037
29/8chorale setting "Nun lob, mein Seel, den Herren" (s. 5)SATB51: 316III/2.2: 65after Z 8244; text by Gramann11331
30.21.1738-06-24Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist)D maj.satbSATB 2Fl 2Ob Oba Vl Str Bc51: 321I/29: 59after BWV 30.1, Z 6543 (/6); text by Picander?, Olearius, J. (/6)00038
30.2/6chorale setting "Tröstet, tröstet, meine Lieben" (s. 3)A maj.SATB51: 360III/2.2: 42after Z 6543; text by Olearius, J.11318
chorale setting "Freu dich sehr, o meine Seele"G maj.after Z 6543
30.11.1737-09-28Secular cantata Angenehmes Wiederau (for Hennicke [de] at Wiederau [de] manor)D maj.satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc51: 399
34: 325		I/39: 51text by Picander; → BWV 30.2, 195.2/6, /800039
31.21.1724-04-09Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter)C maj.stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc7: 1I/9: 41after BWV 31.1 (same text)00040
31/9chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5)SATB7: 50III/2.1: 56after Z 4482a; text by Herman11221
31.11.1715-04-21Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter)C maj.stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va BcI/9
rev 2: 37		after Z 4482a (/9); text by Franck, S, Herman (/9); → BWV 31.200041
321.1726-01-13Cantata Liebster Jesu, mein Verlangen (Epiphany I)E min.sbSATB Ob Str Bc7: 53I/5: 143after Z 6543 (/6); text by Lehms, Gerhardt (/6)00042
32/6chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12)G maj.SATB7: 80III/2.2: 18after Z 6543; text by Gerhardt11317
chorale setting "Freu dich sehr, o meine Seele"after Z 6543
331.1724-09-03Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII)A min.atbSATB 2Ob Str Bc7: 81I/21: 23after Z 7292b; text after Hubert00043
33/6chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4)SATB7: 114III/2.1: 58
III/2.2: 10		after Z 7292b; text by Hubert11223
34.11.1727-06-01Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost)D maj.atbSATB 3Tr Tmp 2Fl 2Ob Str Bc7: 115I/13: 129text after Ps 128:6 (/5); → BWV 34.200044
34.21.after 1727Cantata O ewiges Feuer, o Ursprung der Liebe (wedding; incomplete)D maj.satbSATB Vl Va Bc41: 117I/33: 27after BWV 34.1; text after Ps 128:4–6 (/3–/4), Nm 6:24–26 (/7)00045
351.1726-09-08Cantata Geist und Seele wird verwirret (Trinity XII)D min.a 2Ob Tai Str Org Bc7: 171I/20: 215text by Lehms; → BWV 105900046
36.41.c. 1726–1730Cantata Schwingt freudig euch empor (Advent I; early version)D maj.stbSATB Oba Str Bc7: 395I/1: 17after BWV 36.1, Z 8359 (/5); text by Picander?, by Nicolai (/5); → BWV 36.500048
36.4/5chorale setting "Wie schön leuchtet der Morgenstern" (s. 7)SATB7: 399III/2.1: 28after Z 8359; text by Nicolai11193
36.51.1731-12-02Cantata Schwingt freudig euch empor (Advent I)D maj.satbSATB 2Oba Str Bc7: 221I/1: 41after BWV 36.4, Z 1174 (/2, /6, /8), Z 8359 (/4); text by Picander?, by Luther (/2, /6, /8), Nicolai (/4)00047
36.5/4chorale setting "Wie schön leuchtet der Morgenstern" (s. 6)SATB7: 243III/2.2: 48,
109, 180		after Z 8359; text by Nicolai11346
36.5/8chorale setting "Nun komm, der Heiden Heiland" (s. 8)B min.SATB7: 258III/2.2: 18after Z 1174; text by Luther11329
36.21.1726-11-30 or
1725-11-30		Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost)stbSATB Oba Va Str Bc (?)I/35text by Picander; after BWV 36.1/1, /3, /5, /7, /900049
36.31.1735-07-27Secular cantata Die Freude reget sich (birthday of Rivinius, J. F. [de]?)D maj.satSATB Fl Oba Str Bc34: 39I/38: 255after BWV 36.1/1, /3, /5, /7, /800050
36.11.April–May 1725Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B. [de]?)D maj.stbSATB Oba Str Va Bc34: 39I/39: 1→ BWV 36.2–.400051
371.1724-05-18Cantata Wer da gläubet und getauft wird (Ascension)A maj.satbSATB 2Oba Str Bc7: 259I/12: 79after Z 8359 (/3), 5354 (/6); text after Mk 16: 16, by Nicolai (/3), Kolross (/6)00052
37/6chorale setting "Ich dank dir, lieber Herre" (s. 4)SATB7: 282III/2.2: 197after Z 5354; text by Kolross11304
381.1724-10-29Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI)E min.satbSATB 2Ob 4Tbn Str Bc7: 283I/25: 217after Z 4437; text after Luther00053
38/6chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5)SATB7: 300III/2.1: 67
III/2.2: 8		after Z 4437; text by Luther11233
391.1726-06-23Cantata Brich dem Hungrigen dein Brot (Trinity I)G min.sabSATB 2Fl 2Ob Str Bc7: 336I/15 179after Z 6543 (/7); text: Meiningen, after Is 58:7–8 (/1), Hb 13:16 (/4), by Denicke (/7)00054
39/7chorale setting "Kommt, lasst euch den Herren lehren" (s. 6)B♭ maj.SATB7: 348III/2.1: 81
III/2.2: 37		after Z 6543; text by Denicke11247
chorale setting "Freu dich sehr, o meine Seele"after Z 6543
401.1723-12-26Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2)F maj.atbSATB 2Hn 2Ob Str Bc7: 349I/3.1: 3after Z 2072 (/3), 4870 (/6), 7880a (/8); text after 1Jh 3:8 (/1; → BWV 233/6), by Füger (/3), Gerhardt (/6), Keymann (/8)00055
40/3chorale setting "Wir Christenleut" (s. 3)G min.SATB7: 377III/2.2: 186after Z 2072; text by Füger11315
40/6chorale setting "Schwing dich auf zu deinem Gott" (s. 2)D min.SATB7: 387III/2.2: 82after Z 4870; text by Gerhardt11343
40/8chorale setting "Freuet euch, ihr Christen alle" (s. 4)F min.SATB7: 394III/2.2: 6after Z 7880a; text by Keymann11339
411.1725-01-01Cantata Jesu, nun sei gepreiset (New Year)C maj.satbSATB 3Tr Tmp 3Ob Str Vc Bc10: 1I/4: 37after Z 8477a; text after Hermann; /6 → BWV 171/600056
41/6chorale setting "Jesu, nun sei gepreiset" (s. 3)SATB10: 58III/2.1: 90
III/2.2: 8		after Z 8477a; text by Hermann11253
421.1725-04-08Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti)D maj.satbSATB 2Ob Bas Str Bc10: 63I/11.1: 61after Z 1945b (/7); text after Jh 20:19 (/2), by Fabricius (/4), Luther after Da pacem Domine & Walter after 1Tm 2:2 (/7)00057
42/7chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2)F♯ min.SATB10: 91III/2.1: 21
III/2.2: 51, 154		after Z 1945b; text by Luther after Da pacem Domine & Walter after 1Tm 2:211186
431.1726-05-30Cantata Gott fähret auf mit Jauchzen (Ascension)C maj.satbSATB 3Tr Tmp 2Ob Str Bc10: 93I/12: 133after Z 5741b (/11: by Peter [de]); text: Meiningen, after Ps 47:6–7 (/1), Mk 16:19 (/4), by Rist (/11)00058
441.1724-05-21Cantata Sie werden euch in den Bann tun (Exaudi)G min.satbSATB 2Ob Str Bc10: 127I/12: 165after Z 533a (/4), 2293b (/7); text after Jh 16:2 (/1–2), by Moller (/4), Fleming (/7)00059
44/7chorale setting "In allen meinen Taten" (s. 7)B♭ maj.SATB10: 150III/2.1: 75
III/2.2: 203		after Z 2293b; text by Fleming11242
chorale setting "Nun ruhen alle Wälder"after Z 2293b; text by Gerhardt
451.1726-08-11Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII)E maj.atbSATB 2Fl Ob Oba Str Bc10: 151I/18: 197after Z 5206b–c (/7); text: Meiningen, after Mh 6:8 (/1), Mt 7:22–23 (/4), by Heermann (/7)00060
45/7chorale setting "O Gott, du frommer Gott" (s. 7)SATB10: 186III/2.2: 47after Z 5206b–c; text by Heermann11297
461.1723-08-01Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X)D min.atbSATB Tdt Hn 2Fl 2Odc Str Bc10: 187I/19: 109after Z 5105a (/6); text after Lm 1:12 (/1), by Meyfart (/6)00061
46/6chorale setting "O großer Gott von Macht" (s. 9)G min.SATB10: 236III/2.2: 45after Z 5105a; text by Meyfart11341
471.1726-10-13Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII)G min.sbSATB 2Ob Str Org Bc10: 239I/23: 319after Z 1689a (/5); text by Helbig, after Lk 14:11 (/1)00062
47/5chorale setting "Warum betrübst du dich, mein Herz" (s. 11)SATB10: 274III/2.2: 52after Z 1689a11336
481.1723-10-03Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX)G min.atSATB Tr 2Ob Str Bc10: 275I/24: 105after Z 2051 (/3), 4486 (/7); text after Rm 7:24, by Rutilius [de] (/3)00063
48/3chorale setting "Ach Gott und Herr" (s. 4)B♭ maj.SATB10: 288III/2.1: 30
III/2.2: 166		after Z 2051; text by Rutilius [de]11197
48/7chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12)G min.SATB10: 298III/2.1: 33
III/2.2: 158		after Z 448611320
chorale setting "Herr Jesu Christ, du höchstes Gut"after Z 4486; text by Ringwaldt
491.1726-11-03Cantata Ich geh und suche mit Verlangen (Trinity XX)G min.sb Oba Str Vl Org Bc10: 299I/25: 107after Z 8359; text by Birkmann, Nicolai & after Jer 31:3, Rv 3:20 (/6); /1 → BWV 1053/300064
501.Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?)D maj.2SATB 3Tr Tmp 3Ob Str Bc10: 341I/30: 141text after Rv 12:10; in SBB P 13600065
511.1730-09-17Cantata Jauchzet Gott in allen Landen (Trinity XV)C maj.s (2)Tr (Tmp) Str Bc122: 1I/22: 77after Z 8244 (/4); text after Ps 128:2 & 26:2 (/2), by Gramann (/4)00066
521.1726-11-24Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII)F maj.sSATB 2Hn 3Ob Bas Str Bc122: 25I/26: 131after BWV 1046a/1 (/1), Z 2461 (/6); text by Birkmann, Reusner (/6)00067
541.1714–1717?Cantata Widerstehe doch der Sünde (Oculi)E♭ maj.a 2Vl 2Va Bc122: 59I/18: 3text by Lehms; → BWV 247/53?00069
551.1726-11-17Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII)G min.tSATB Fl Oba Str Bc122: 73I/26: 55after Z 6551 (/5); text by Birkmann, Rist (/5)00070
55/5chorale setting "Werde munter, mein Gemüte" (s. 6)B♭ maj.SATB122: 86III/2.2: 53after Z 6551; text by Rist11319
561.1726-10-27Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX)G min.bSATB 2Ob Tai Str Vc Bc122: 87I/24: 173after Z 6773 (/5); text by Birkmann, Franck, J. (/5)00071
56/5chorale setting "Du, o schönes Weltgebäude" (s. 6)C Dor.SATB122: 104III/2.2: 48after Z 6773; text by Franck, J.11300
571.1725-12-26Cantata Selig ist der Mann (Christmas 2)G min.sbSATB 2Ob Tai Str Bc122: 105I/3.1: 83after Z 1912a–c (/8); text by Lehms, Fritsch (/8), after Jm 1:12 (/1)00072
57/8chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6)B♭ maj.SATB122: 132III/2.2: 50after Z 1912a–c; text by Fritsch11323
58.21.1733-01-04
or
1734-01-03		Cantata Ach Gott, wie manches Herzeleid (New Year I)C maj.sb 2Ob Tai Vl Str Bc122: 133I/4: 217after BWV 58.1; text by Birkmann, Moller (/1), Behm (/5)00073
58.11.1727-01-05Cantata Ach Gott, wie manches Herzeleid (New Year I; early version)C maj.sb Vl Str BcI/4: 241after Z 533a (/1, /5); text by Birkmann, Moller (/1), Behm (/5); → BWV 58.200074
591.1724-05-28Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)C maj.sbSATB 2Tr Tmp Str Bc122: 151I/13: 65after Z 7445a (/3); text by Neumeister, Luther (/3), after Jh 14:23 (/1); → BWV 74/1–/2, 175/700075
601.1723-11-07Cantata O Ewigkeit, du Donnerwort (Trinity XXIV)D maj.atbSATB Hn 2Oba Str Bc122: 169I/27: 1after Z 5820 (/1), 7173 (/5); text by Rist (/1), Burmeister (/5), after Rv 14:13 (/4)00076
60/5chorale setting "Es ist genug, so nimm" (s. 5)A maj.SATB122: 190III/2.1: 37
III/2.2: 127		after Z 7173; text by Burmeister11203
611.1714-12-02Cantata Nun komm, der Heiden Heiland (Advent I – first setting)A min.stbSATB Fag 2Vl 2Va Bc16: 1I/1: 1after Z 1174 (/1), 8359 (/6); text by Neumeister, Luther (/1), Nicolai (/6), after Rv 3:20 (/4)00077
621.1724-12-03Cantata Nun komm, der Heiden Heiland (Advent I – second setting)B min.satbSATB Hn 2Ob Str Bc16: 19I/1: 75after Z 1174; text after Luther00078
62/6chorale setting "Nun komm, der Heiden Heiland" (s. 8)SATB16: 50III/2.1: 68after Z 1174; text by Luther11234
A min.III/2.2: 97
631.1714-12-25
1723-12-25		Cantata Christen, ätzet diesen Tag (Christmas; two versions)C maj.satbSATB 4Tr Tmp 3Ob Bas Str Bc16: 51I/2: 1text by Heineccius?00079
641.1723-12-27Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3)E min.sabSATB Cnt 3Tbn Oba Str Bc16: 111, 371I/3.1: 113after Z 1947 (/2), 5206b–c (/4), 8032 (/8); text after Knauer [scores], 1Jh 3:1 (/1), by Luther (/2), Kindermann (/4), Franck, J. (/8)00080
64/2chorale setting "Gelobet seist du, Jesu Christ" (s. 7)G maj.SATB16: 371III/2.1: 16
III/2.2: 92		after Z 1947; text by Luther11179
64/4chorale setting "Was frag ich nach der Welt" (s. 1)D maj.SATB16: 372III/2.1: 16
III/2.2: 151		after Z 5206b–c; text by Kindermann11180
64/8chorale setting "Jesu, meine Freude" (s. 5)E min.SATB16: 132III/2.1: 15
III/2.2: 80		after Z 8032; text by Franck, J.11178
651.1724-01-06Cantata Sie werden aus Saba alle kommen (Epiphany)C maj.tbSATB 2Hn 2Fl 2Odc Str Bc16: 133I/5: 1after Z 192b (/2), 7568 (/7); text after Is 60:6 (/1), by Spangenberg (/2), Gerhardt (/7)00081
65/2chorale setting "Ein Kind geboren zu Bethlehem" (s. 4)A min.SATB16: 152III/2.2: 9after Z 192b; text by Spangenberg11342
chorale setting "Puer natus in Bethlehem"after Z 192b
65/7chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10)A min.SATB16: 166III/2.2: 24after Z 7568; text by Gerhardt11337
chorale setting "Was mein Gott will, das gscheh allzeit"after Z 7568; text by Albert of Prussia
66.21.1724-04-10Cantata Erfreut euch, ihr Herzen (Easter 2)D maj.atbSATB Tr 2Ob Str Bc16: 167I/10: 1after BWV 66.1/8, /1–/4, Z 8584/300082
66.2/6chorale setting "Alleluja", s. 3 from "Christ ist erstanden"F♯ min.SATB16: 214III/2.1: 57after Z 8584/311222
66.11.1718-12-10Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen)atbSATB 2Ob Bas Str Bc (?)I/35text by Hunold; → BWV 66.2/1–/500083
671.1724-04-16Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti)A maj.atbSATB Hn Fl 2Oba Str Bc16: 215I/11.1: 1after Z 1743 (/4), 4373 (/7); text after 2Ti 2:8 (/1), Jh 20:19 (/6; → BWV 234/2), by Herman (/4), Ebert (/7)00084
67/7chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1)SATB16: 246III/2.1: 10
III/2.2: 25		after Z 4373; text by Ebert11174
681.1725-05-21Cantata Also hat Gott die Welt geliebt (Pentecost 2)D min.sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc16: 247I/14: 31after Z 5920 (/1), BWV 208/13 (/2) and /7 (/4); text by Ziegler, C. M., Liscow (/1), after Jh 3:18 (/5)00085
69.21.1748-08-26Cantata Lobe den Herrn, meine Seele (council election)D maj.satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc16: 281I/32.2: 111after BWV 69.1/1, /3, /5, Z 7247 (/6); text after Knauer [scores], Ps 103:2 (/1), by Luther (/6)00086
69.2/6chorale setting "Es woll uns Gott genädig sein" (s. 3)SATB16: 325III/2.2: 192after Z 7247; text by Luther11303
69.11.1723-08-15Cantata Lobe den Herrn, meine Seele (Trinity XII)D maj.satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc16: 373I/20: 117after BWV 12/7 (/6); text after Knauer [scores], Ps 103:2 (/1), by Rodigast (/6); → BWV 69.2/1, /3, /500087
69.1/6chorale setting "Was Gott tut, das ist wohlgetan" (s. 6)G maj.SATB16: 379III/2.1: 55
III/2.2: 174		after BWV 12/7; text by Rodigast11219
70.21.1723-11-21Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI)C maj.satbSATB Tr Ob Str Vc Bc16: 327I/27: 107after BWV 70.1, Z 6543 (/7); text by Franck, S, Keymann (/11)00088
70.2/111716-12-06chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5)C maj.SATB16: 368III/2.2: 200= BWV 70.1/611308
70.11.Cantata Wachet! Betet! Betet! Wachet! (Advent II)satbSATB Tr Ob Str Vc Bc16: 327I/1after Z 3449 (/6); text by Franck, S, Keymann (/6); → BWV 70.2/1, /3, /5, /8, /10, /1100089
711.1708-02-04Cantata Gott ist mein König (council election)D maj.satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org18: 1I/32.1: 3after Z 5148 (/2); text by Eilmar?, Heermann & after 2Sm 19:35 & 37 (/2), Ps 74:12 (/1), 16–17 (/4), 19 (/6), Dt 33:25 & Gn 21:22b (/3)00090
721.1726-01-27Cantata Alles nur nach Gottes Willen (Epiphany III)A min.sabSATB 2Ob Str Bc18: 55I/6: 59after Z 7568 (/6); text by Franck, S, Albert of Prussia (/6); /1 → BWV 235/200091
731.1724-01-23Cantata Herr, wie du willt, so schicks mit mir (Epiphany III)G min.stbSATB Hn 2Ob Str Bc18: 85I/6: 3after Z 4441a (/1), 5264b (/5); text by Bienemann [de] (/1), Helmbold (/5)00092
73/5chorale setting "Von Gott will ich nicht lassen" (s. 9)C min.
A min.		SATB18: 104III/2.2: 107after Z 5264b; text by Helmbold11310
741.1725-05-20Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)C maj.satbSATB 3Tr Tmp 2Ob Odc Str Bc18: 105I/13: 83after BWV 59/1 & /4 (/1–/2), Z 2496 (/8); text by Ziegler, C. M., Gerhardt (/8), after Jh 14:23 (/1), 28 (/4), Rm 8:1 (/6)00093
74/8chorale setting "Gott Vater, sende deinen Geist" (s. 2)A min.SATB18: 146III/2.1: 78
III/2.2: 212		after Z 2496; text by Gerhardt11245
chorale setting "Kommt her zu mir, spricht Gottes Sohn"after Z 2496; text by Grünwald
751.1723-05-30Cantata Die Elenden sollen essen (Trinity I)E min.satbSATB Tr 2Ob Oba Bas Str Bc18: 147I/15: 85after Z 5629 (/7=/14: → BWV 100/6); text after Ps 22:27 (/1), by Rodigast (/7, /14)00094
761.1723-06-06Cantata Die Himmel erzählen die Ehre Gottes (Trinity II)C maj.satbSATB Tr 2Ob Oba Str Vdg Bc18: 189I/16: 1after Z 7247 (/7=/14); text after Ps 12:2 & 4 (/1), by Luther (/7, /14); /8 ↔ BWV 528/100095
771.1723-08-22Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII)C maj.satbSATB Tdt 2Ob Str Bc18: 233I/21: 1after Z 4431 (/6); text after Knauer, Lk 10:27 (/1), by Denicke? (/6)00096
77/6chorale setting "Wenn einer alle Ding verstünd" (s. 8)?G min.SATB18: 254III/2.1: 14
III/2.2: 150		after Z 4431; text by Denicke11176
chorale setting "Ach Gott, vom Himmel sieh darein"after Z 4431; text by Luther
781.1724-09-10Cantata Jesu, der du meine Seele (Trinity XIV)G min.satbSATB Hn Fl 2Ob Str Vne Bc18: 255I/21: 115after Z 6804; text after Rist00097
78/7chorale setting "Jesu, der du meine Seele" (s. 12)SATB18: 286III/2.1: 60
III/2.2: 150		after Z 6804; text by Rist11225
791.1725-10-31Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd c.1730)G maj.sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc18: 287I/31: 1after Z 5142 (/3), 159 (/6); text after Ps 84:12 (/1), by Rinkart (/3), Helmbold (/6); → BWV 236/2, /4, 234/500098
80.31.c. 1735?Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach's addition)D maj.satbSATB 3Ob 2Oba Odc Str Bc18: 317I/31: 71after BWV 80.2 (same text)00099
80.11.1715-03-24Cantata Alles, was von Gott geboren (Oculi; music lost)satb(?)SATB Ob Str BcI/8.2: Vafter Z 7377 (/1, /6)?; text by Franck, S, Luther (/6); → BWV 80.200100
80.21.c. 1729–1731Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version)D maj.sbSATB Ob Str Bc18: 351I/31: 65after Z 7377, BWV 80.1 (/2–/4, /6–/7); text by Franck, S, Luther (/1, /2, /5, /8); → BWV 80.300101
80/8chorale setting "Ein feste Burg ist unser Gott" (s. 4)SATB18: 378III/2.1: 29
III/2.2: 162		after Z 7377; text by Luther11195
811.1724-01-30Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV)E min.atbSATB 2Fl 2Oba Str Bc201: 1I/6: 111after Z 8032 (/7); text after Ps 10:1 (/2), Mt 8:26 (/4), by Franck, J. (/7)00102
81/7chorale setting "Jesu, meine Freude" (s. 2)SATB201: 24III/2.2: 188after Z 8032; text by Franck, J.11305
82.11.1727-02-02Cantata Ich habe genug (Purification; 1st version)C min.b Ob Str Bc201: 25I/28.1: 77text by Birkmann; → BWV 82.2–.400103
82.21.1731-02-02Cantata Ich habe genug (Purification; 2nd version)E min.s Fl Str BcI/28.1: 155after BWV 82.1 (same text); → 82.3–.400104
82.2/2–/31.c.1731 (AMB)Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen"E min.s Bc432: 46V/4:122after BWV 82.2; text by Birkmann00104
82.2/31.c.1731 (AMB)Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete)E min.s Bc432: 49V/4:122after BWV 82.2; text by Birkmann00104
82.31.c.1735Cantata Ich habe genug (Purification; 3rd version)C min.b or mezzo Ob Str BcI/28.1: 109after BWV 82.1–.2 (same text); → 82.400105
82.41.1746–1748Cantata Ich habe genug (Purification; 4th version)C min.b (or mezzo) Ob Odc Str BcI/28.1: 109after BWV 82.1–.3 (same text)00106
831.1724-02-02Cantata Erfreute Zeit im neuen Bunde (Purification)F maj.atbSATB 2Hn 2Ob Vl Str Bc201: 51I/28.1: 3after Z 3986 (/5); text after Lk 2:29–31 (/2), Hb 4:16 (/3), by Luther (/5)00107
83/5chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4)D min.SATB201: 76III/2.2: 188after Z 3986; text by Luther11309
841.1727-02-09Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae)E min.sSATB Ob Str Bc201: 77I/7: 21after Z 2778 (/5); text after Picander, by E. J. of Schwarzburg-Rudolstadt (/5)00108
84/5chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12)B min.SATB201: 98III/2.1: 27
III/2.2: 63		after Z 2778; text by E. J. of Schwarzburg-Rudolstadt11192
chorale setting "Wer nur den lieben Gott lässt walten"after Z 2778; text by Neumark
851.1725-04-15Cantata Ich bin ein guter Hirt (Misericordias Domini)C min.satbSATB 2Ob Str Vc Bc201: 99I/11.1: 157after Z 4457 (/3), 2542 (/6); text after Jh 10:12 (/1), by Becker (/3), Homburg [de] (/6)00109
85/6chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4)SATB201: 118III/2.1: 74
III/2.2: 69		after Z 2542; text by Homburg [de]11240
861.1724-05-14Cantata Wahrlich, wahrlich, ich sage euch (Rogate)E maj.satbSATB 2Oba Str Bc201: 119I/12: 45after Z 2496c (/3), 4430 (/6); text after Jh 16:23 (/1), by Grünwald (/3), Speratus (/6)00110
86/6chorale setting "Es ist das Heil uns kommen her" (s. 11)SATB201: 134III/2.2: 3after Z 4430; text by Speratus11322
871.1725-05-06Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate)D min.atbSATB 2Ob 2Odc Str Bc201: 135I/12: 61after Z 8032 (/7); text after Ziegler, C. M., Jh 16:24 (/1), by Müller, H. (/7)00111
87/7chorale setting "Selig ist die Seele" (s. 9)SATB201: 152III/2.1: 73
III/2.2: 54		after Z 8032; text by Müller, H.11239
chorale setting "Jesu, meine Freude"after Z 8032; text by Franck, J.
881.1726-07-21Cantata Siehe, ich will viel Fischer aussenden (Trinity V)D maj.satbSATB 2Hn 2Oba Tai Str Bc201: 153I/17.2: 33after Z 2778 (/7); text: Meiningen, after Jer 16:16 (/1), Lk 5:10 (/4), by Neumark (/7)00112
88/7chorale setting "Wer nur den lieben Gott lässt walten" (s. 7)B min.SATB201: 178III/2.2: 58after Z 2778; text by Neumark11312
891.1723-10-24Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII)C min.sabSATB Hn 2Ob Str Bc201: 179I/26: 1after Z 2164 (/6); text after Hs 11:8 (/1), by Heermann (/6)00113
89/6chorale setting "Wo soll ich fliehen hin" (s. 7)G min.SATB201: 194III/2.2: 167after Z 2164; text by Heermann11292
901.1723-11-14Cantata Es reißet euch ein schrecklich Ende (Trinity XXV)D min.atbSATB (Tr) Str Bc201: 195I/27: 59after Z 2561 (/5); text by Moller (/5)00114
90/5chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7)SATB201: 214III/2.1: 33
III/2.2: 158		after Z 2561; text by Moller11199
chorale setting "Vater unser im Himmelreich"after Z 2561; text by Luther
91.21.1746–1747Cantata Gelobet seist du, Jesu Christ (Christmas; later version)G maj.satbSATB 2Hn Tmp 3Ob Str Bc22: 1I/2: 131after BWV 91.1 (same text)00115
91.11.1724-12-25Cantata Gelobet seist du, Jesu Christ (Christmas; early version)G maj.satbSATB 2Hn Tmp 3Ob Str Bc22: 1,
333		I/2: 164after Z 1947; text after Luther; → BWV 91.200116
91/6chorale setting "Gelobet seist du, Jesu Christ" (s. 7)SATBIII/2.1: 89
III/2.2: 30		after Z 1947; text by Luther11252
921.1725-01-28Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae)B min.satbSATB 2Oba Str Bc22: 33I/7: 41after Z 7568; text after Gerhardt00117
931.1724-07-09Cantata Wer nur den lieben Gott läßt walten (Trinity V)C min.satbSATB 2Ob Str Bc22: 69I/17.2: 3after Z 2778; text after Neumark; /4 → BWV 64700118
941.1724-08-06Cantata Was frag ich nach der Welt (Trinity IX)D maj.satbSATB Fl 2Ob 2Oba Str Bc22: 95I/19: 43after Z 5206b–c; text after Kindermann00119
94/8chorale setting "Was frag ich nach der Welt" (s. 8)SATB22: 127III/2.1: 53
III/2.2: 173		after Z 5206b–c; text by Kindermann11215
951.1723-09-12Cantata Christus, der ist mein Leben (Trinity XVI)G maj.stbSATB Hn or Cnt 2Ob 2Oba Str Bc22: 129I/23: 65after Z 132 & 3986 (/1: → BWV 282), 5404a (/3), 4482 (/7); text by Simon Graf [de] & Luther (/1), Herberger (/3), Herman (/7)00120
95/7chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4)SATB22: 153III/2.1: 64after Z 4482; text by Herman11229
961.1724-10-08Cantata Herr Christ, der einge Gottessohn (Trinity XVIII)F maj.satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc22: 155I/24: 1after Z 4297a; text after Cruciger00121
96/6chorale setting "Herr Christ, der einge Gottessohn" (s. 5)SATB22: 184III/2.1: 66
III/2.2: 179		after Z 4297a; text by Cruciger11231
971.1734-07-25?
after 1735		Cantata In allen meinen Taten (two versions; Trinity V?)B♭ maj.satbSATB 2Ob Str Bc22: 185, 336I/34: 197after Z 2293b; text by Fleming; /9 → BWV 39200122
97/9chorale setting "In allen meinen Taten" (s. 9)SATB22: 230III/2.1: 49after Z 2293b; text by Fleming; → BWV 39211210
chorale setting "Nun ruhen alle Wälder"after Z 2293b; text by Gerhardt; → BWV 392
981.1726-11-10Cantata Was Gott tut, das ist wohlgetan (Trinity XXI)B♭ maj.satbSATB 2Ob Str Bc22: 231I/25: 241after Z 5629 (/1); text by Birkmann, Rodigast (/1)00123
991.1724-09-17Cantata Was Gott tut, das ist wohlgetan (Trinity XV)G maj.satbSATB Hn Fl Oba Str Bc22: 251I/22: 41after Z 5629; text after Rodigast; /1 → BWV 100/100124
1001.1734–1735Cantata Was Gott tut, das ist wohlgetanG maj.satbSATB 2Hn Tmp Fl Oba Str Bc22: 277I/34: 239after Z 5629, BWV 99/1 (/1), 75/7 (/6); text by Rodigast00125
100/6chorale setting "Was Gott tut, das ist wohlgetan" (s. 6)SATB22: 323III/2.1: 72after 75/7=/14; text by Rodigast11238
1011.1724-08-13Cantata Nimm von uns, Herr, du treuer Gott (Trinity X)D min.satbSATB 2Hn Tmp Fl Oba Str Bc23: 1I/19: 173after Z 2561; text after Moller00126
101/7chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7)SATB23: 32III/2.1: 54
III/2.2: 174		after Z 2561; text by Moller11216
1021.1726-08-25Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X)G min.atbSATB Fl Vl 2Ob Str Bc23: 33I/19: 229after Z 2561 (/7); text: Meiningen, after Jer 5:3 (/1: → BWV 235/1), Rm 2:4–5 (/4), by Heermann (/7); /3 & /5 → BWV 233/4 & /500127
102/7chorale setting "So wahr ich lebe, spricht dein Gott" (ss. 6–7)C min.SATB23: 66III/2.2: 62after Z 2561; text by Heermann11334
chorale setting "Vater unser im Himmelreich"after Z 2561; text by Luther
1031.1725-04-22
1731-04-15		Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions)B min.atSATB Tr Fl Fl (or) Vl 2Oba Str Bc23: 67I/11.2: 25after Z 7568 (/6); text by Ziegler, C. M., Gerhardt (/6)00128
103/6chorale setting "Barmherzger Vater, höchster Gott" (s. 9)SATB23: 94III/2.1: 72
III/2.2: 68		after Z 7568; text by Gerhardt11237
chorale setting "Ich hab in Gottes Herz und Sinn"
chorale setting "Was mein Gott will, das gscheh allzeit"after Z 7568; text by Albert of Prussia
1041.1724-04-23Cantata Du Hirte Israel, höre (Misericordias)G maj.tbSATB 2Ob 2Oba Tai Str Bc23: 95I/11.1: 113after Z 4457 (/6); text after Ps 80:2 (/1), by Becker (/6)00129
104/6chorale setting "Der Herr ist mein getreuer Hirt" (s. 1)A maj.SATB23: 116III/2.2: 189after Z 4457; text by Becker11283
chorale setting "Allein Gott in der Höh sei Ehr"after Z 4457; text by Decius
G maj.III/2.2: 7111290
1051.1723-07-25Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX)G min.satbSATB Hn 2Ob Str Bc23: 117I/19: 1after Z 6804 (/6); text after Ps 143:2 (/1), by Rist (/6)00130
105/6chorale setting "Jesu, der du meine Seele" (s. 11)SATB23: 146III/2.1: 52after Z 6804; text by Rist11214
1061.1708-09-16?Cantata Gottes Zeit ist die allerbeste Zeit (funeral; aka Actus tragicus)E♭ maj.satbSATB 2Fl 2Vdg Bc23: 147I/34: 1after Z 1680 (/2d), 3986 (/3b), 2461 (/4); text after Olearius, J., Acts 17:28 & Ps 90:12 & Is 38:1 & JS 14:18 & Rv 22:20 (/2), Ps 31:6 & Lk 23:43 & by Luther (/3), Reusner (/4)00131
1071.1724-07-23Cantata Was willst du dich betrüben (Trinity VII)B min.stbSATB Hn 2Fl 2Oba Str Bc23: 179I/18: 55after Z 5264b; text by Heermann00132
1081.1725-04-29Cantata Es ist euch gut, daß ich hingehe (Cantate)A maj.atbSATB 2Oba Str Bc23: 203I/12: 17after Z 2496 (/6); text by Ziegler, C. M., Gerhardt (/6), after Jh 16:7 (/1), 13 (/4)00133
108/6chorale setting "Gott Vater, sende deinen Geist" (s. 10)B min.SATB23: 230III/2.1: 69
III/2.2: 26		after Z 2496; text by Gerhardt11235
chorale setting "Kommt her zu mir, spricht Gottes Sohn"after Z 2496; text by Grünwald
1091.1723-10-17Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions)D min.atSATB (Hn) 2Ob Str Bc23: 231I/25: 157after Z 7549 (/6); text after Mk 9:24 (/1), by Spengler (/6)00134
1101.1725-12-25Cantata Unser Mund sei voll Lachens (Christmas)D maj.satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc23: 263I/2: 71after Z 2072 (/7); text by Lehms, Füger (/7), after Ps 126:2–3 (/1), Jer 10:6 (/3), Lk 2:14 (/5)00135
110/7chorale setting "Wir Christenleut" (s. 5)B min.SATB23: 324III/2.2: 32after Z 2072; text by Füger11316
1111.1725-01-25Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III)A min.satbSATB 2Ob Str Bc24: 1I/6: 27after Z 7568; text after Albert of Prussia00136
1121.1731-04-08Cantata Der Herr ist mein getreuer Hirt (Misericordias)G maj.satbSATB 2Hn 2Oba Str Bc24: 29I/11.1: 179after Z 4457; text by Meuslin after Ps. 2300137
112/5chorale setting "Der Herr ist mein getreuer Hirt" (s. 5)SATB24: 48III/2.1: 71
III/2.2: 183,
202		11236
chorale setting "Allein Gott in der Höh sei Ehr"after Z 4457; text by Decius
1131.1724-08-20Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI)B min.satbSATB Fl 2Oba Str Bc24: 49I/20: 79after Z 4486; text after Ringwaldt00138
113/8chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8)SATB24: 80III/2.1: 54
III/2.2: 175		after Z 4486; text by Ringwaldt11217
1141.1724-10-01Cantata Ach, lieben Christen, seid getrost (Trinity XVII)G min.satbSATB Hn Fl 2Ob Str Bc24: 81I/23: 287after Z 4441a; text after Gigas00139
114/7chorale setting "Ach, lieben Christen, seid getrost" (s. 6)SATB24: 108III/2.1: 65
III/2.2: 179		after Z 4441a; text by Gigas11230
1151.1724-11-05Cantata Mache dich, mein Geist, bereit (Trinity XXII)G maj.satbSATB Hn Fl Oba Str Vc Bc24: 109I/26: 21after Z 6274a; text after Freystein00140
115/6chorale setting "Mache dich, mein Geist, bereit" (s. 10)SATB24: 132III/2.1: 25
III/2.2: 23		after Z 6274a; text by Freystein11190
chorale setting "Straf mich nicht in deinem Zorn"after Z 6274a; text by Albinus
1161.1724-11-26Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV)A maj.satbSATB Hn 2Oba Str Bc24: 133I/27: 79after Z 4373; text after Ebert00141
1171.1728–1731Cantata Sei Lob und Ehr dem höchsten GutG maj.atbSATB 2Fl 2Ob 2Oba Str Bc24: 159I/34: 151after Z 4430; text by Schütz, J. J.00142
117/4
117/9		chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 4, 9)SATB24: 159III/2.1: 71
III/2.2: 203		11172
chorale setting "Sei Lob und Ehr dem höchsten Gut"III/2.1: 9
III/2.2: 147		11173
1191.1723-08-30Cantata Preise, Jerusalem, den Herrn (council election)C maj.satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc24: 193I/32.1: 129after Z 8652 (/9); text after Ps 147:12–14 (/1), by Luther (/9)00144
120.11.1729 or earlierCantata Gott, man lobet dich in der Stille (council election)A maj.satbSATB 3Tr 2Ob 2Oba Vl Str Bc24: 247I/32.2: 53after Z 8652 (/6); text after Ps 65:2 (/1), by Luther (/6); ↔ BWV 120.2/6 (/1 → .3/1), /1 (/2 → .3/2), /3 (/4 ↔ 1019a/3 → .3/4)00145
120.21.1729?Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete)D maj.satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc41: 149I/33: 75after BWV 1006/1 (/4 → 29/1), 137/5 (/8); text after JS 50:24 (/2), by Luther (/5), Neander (/8); ↔ BWV 120.1/2 (/1 → .3/2), /4 (/3 ↔ 1019a/3 → .3/4), /1 (/6 → .3/1)00146
120.31.1730-06-26Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess.; music lost, partially reconstructable)saSATB 3Tr Tmp 2Oba Vl Str Bc ?I/34
I/32.2		after BWV 120.1/1 (=.2/6), /2 (=.2/1 → 232II/9), /4 (=.2/3 ↔ 1019a/3); text by Picander00147
1211.1724-12-26Cantata Christum wir sollen loben schon (Christmas 2)E min.satbSATB Cnt 3Tbn Oba Str Bc26: 1I/3.1: 57after Z 297c, text after Luther00148
121/6chorale setting "Christum wir sollen loben schon" (s. 8)SATB26: 20III/2.2: 31after Z 297c, text by Luther11284
1221.1724-12-31Cantata Das neugeborne Kindelein (Christmas I)G min.satbSATB 3Fl 2Ob Tai Str Bc26: 21I/3.2: 53after Z 491; text after Schneegaß00149
122/6chorale setting "Das neugeborne Kindelein" (s. 5)SATB26: 40III/2.1: 43
III/2.2: 30,
101		after Z 491; text by Schneegaß11207
1231.1725-01-06Cantata Liebster Immanuel, Herzog der Frommen (Epiphany)B min.atbSATB 2Fl 2Oba Str Bc26: 41I/5: 47after Z 4932c; text after Fritsch00150
123/6chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6)SATB26: 60III/2.2: 108after Z 4932c; text by Fritsch11340
1241.1725-01-07Cantata Meinen Jesum laß ich nicht (Epiphany I)E maj.satbSATB Hn Oba Str Bc26: 61I/5: 115after Z 3449; text after Keymann00151
1251.1725-02-02Cantata Mit Fried und Freud ich fahr dahin (Purification)E min.atbSATB Hn Fl Ob Oba Str Bc26: 83I/28.1: 31after Z 3986; text after Luther00152
1261.1725-02-04Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae)A min.atbSATB Tr 2Ob Str Bc26: 111I/7: 155after Z 350a, 1945b (/6); text after Luther, Jonas, Walter00153
126/6chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2)SATB26: 131III/2.2: 126
(in g)		after Z 1945b; text by Luther, Walter11335
1271.1725-02-11Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi)F maj.stbSATB Tr 2Fl 2Ob Str Bc26: 133I/8: 107after Z 2570; text after Eber; /1 → BWV 127/1 (variant)00154
127/5chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8)SATB26: 160III/2.1: 46
III/2.2: 169		after Z 2570; text by Eber11209
127/1 (var.)1.c.1750Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement)E♭ maj.SATB 2Fl 2Ob Str BcI/41: 95after BWV 127/1; → BC D 1000155
1281.1725-05-10Cantata Auf Christi Himmelfahrt allein (Ascension)G maj.atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc26: 163I/12: 101after Z 4457 (/1), 5206b (/5); text by Ziegler, C. M., Sonnemann [de; fr; nl] (/1), Avenarius [scores] (/5)00156
1291.1727-06-08Cantata Gelobet sei der Herr, mein Gott (Trinity)D maj.sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc26: 185I/15: 37after Z 5206b; text by Olearius, J.00157
129/5chorale setting "Gelobet sei der Herr, mein Gott" (s. 5)SATB26: 224III/2.1: 8011246
chorale setting "O Gott, du frommer Gott"after Z 5206b; text by Heermann
130.11.1724-09-29Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version)C maj.satbSATB 3Tr Tmp Fl 3Ob Str Bc26: 231I/30: 1after Z 368; text after Eber; → BWV 130.200158
130/6chorale setting "Herr Gott, dich loben alle wir" (s. 11)SATB26: 268III/2.1: 61
III/2.2: 218		after Z 368; text by Eber11226
130.21.1732–1735Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version)C maj.satbSATB 3Tr Tmp Fl 3Ob Str BcI/30: 48after BWV 130.1 (same text)00159
1311.1707Cantata Aus der Tiefen rufe ich, Herr, zu dirG min.satbSATB Ob Bas Str Bc28: 1I/34: 67after Z 4486 (/2, /4); text after Ps. 130, by Ringwaldt (/2, /4); → BWV 131a00160
1321.1715-12-22Cantata Bereitet die Wege, bereitet die Bahn (Advent IV)A maj.satbSATB Ob Bas Str Vc Bc28: 33I/1: 99
rev 2: 97		text by Franck, S., Cruciger (/6)00162
1331.1724-12-27Cantata Ich freue mich in dir (Christmas 3)A maj.satbSATB Cnt 2Oba Str Bc28: 51I/3.1: 135↔ Z 5187; text after Ziegler, C.00163
133/6chorale setting "Ich freue mich in dir" (s. 4)D maj.SATB28: 80III/2.1: 44
III/2.2: 34		↔ Z 5187; text by Ziegler, C.11208
134.31.1731-03-27
1735-04-12		Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version)B♭ maj.atSATB 2Ob Str Bc28: 81I/10: 69after BWV 134.200164
134.21.1724-04-11Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version)B♭ maj.atSATB 2Ob Str Bc28: 81, 287I/10: 106after BWV 134.1; → BWV 134.300165
134.11.1719-01-01Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year)B♭ maj.atSATB 2Ob Str Bc29: 209I/35: 49text by Hunold; → BWV 134.200166
1351.1724-06-25Cantata Ach Herr, mich armen Sünder (Trinity III)E min.atbSATB Cnt Tbn 2Ob Str Bc28: 119I/16: 197after Z 5385a; text after Schneegaß00167
1361.1723-07-18Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII)A min.atbSATB Hn 2Ob 2Oba Str Bc28: 137I/18: 129after Z 2164 (/6); text after Ps 139:23 (/1: → BWV 234/6), by Heermann (/6)00168
136/6chorale setting "Wo soll ich fliehen hin" (s. 9)B min.SATB28: 164III/2.2: 191after Z 2164; text by Heermann11293
1371.1725-08-19Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII)C maj.satbSATB 3Tr Tmp 2Ob Str Bc28: 165I/20: 171after Z 1912a–c; text by Neander; /2 → BWV 650; /5 → 120.2/800169
137/5chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5)SATB28: 196III/2.1: 56after Z 1912a–c; text by Neander; → BWV 120.2/811220
chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen"after Z 1912a–c; text by Fritsch
1381.1723-09-05Cantata Warum betrübst du dich, mein Herz (Trinity XV)B min.satbSATB 2Oba Str Bc28: 197I/22: 19after Z 1689a; /4 → BWV 236/300170
1391.1724-11-12Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII)E maj.satbSATB 2Oba Str Bc28: 223I/26: 97after Z 2383; text after Rube [fr]00171
1401.1731-11-25Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII)E♭ maj.stbSATB Hn 2Ob Tai Vl Str Bc28: 249I/27: 149after Z 8405a, text after Nicolai; /4 → BWV 64500172
140/7chorale setting "Wachet auf, ruft uns die Stimme" (s. 3)SATB28: 284III/2.1: 19
III/2.2: 101		after Z 8405a, text by Nicolai11183
1431.c. 1709–1711?Cantata Lobe den Herrn, meine Seele (New Year)B♭ maj.stbSATB 3Hn Tmp Bas Str Bc30: 43I/4: 165
rev 2: 3		after Z 4373; text after Ps 146, by Ebert (/2, /7)00175
C maj.stbSATB 3Tr Tmp Bas Str Bcrev 2: 119
1441.1724-02-06Cantata Nimm, was dein ist, und gehe hin (Septuagesima)B min.satSATB 2Ob Oba Str Bc30: 75I/7: 1after Z 5629 (/3), 7568 (/6); text after Mt 20:14 (/1), by Rodigast (/3), Albert of Prussia (/6)00176
144/3chorale setting "Was Gott tut, das ist wohlgetan" (s. 1)G maj.SATB30: 87III/2.1: 34
III/2.2: 36		after Z 5629; text by Rodigast11204
144/6chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1)B min.30: 92III/2.1: 35
III/2.2: 157		after Z 7568; text by Albert of Prussia11205
145/1–51.1729-04-19Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3)D maj.stbSATB Tr Fl 2Ob Str Bc30: 104I/10: 111by Bach, C. P. E.?; after Z 1743 (/5); text by Picander, Herman (/5)00177
145/5chorale setting "Erschienen ist der herrlich Tag" (s. 14)F♯ min.SATB30: 122III/2.2: 214by Bach, C. P. E.?; after Z 1743; text by Herman11321
chorale setting "Erschienen ist der herrlich Tag"E min.III/2.2: 12
145/a1.chorale setting "Auf, mein Herz, des Herren Tag" (s. 1)D maj.SATB (or) Org30: 93III/2.2: 195by Bach, C. P. E.; after Z 3432b; text by Neumann10584
chorale setting "Jesus, meine Zuversicht"by Bach, C. P. E.; after Z 3432b; text by L. H. of Brandenb.09019
1461.1726-05-12
or
1727-05-04		Cantata Wir müssen durch viel Trübsal (Jubilate)D min.satbSATB Fl 2Ob 2Oba Tai Str Org Bc30: 123I/11.2: 65after Z 6551 (/8); text after Acts 14:22 (/2); /1 & /2 ↔ BWV 1052/1 & /200179
147.21.1723-07-02Cantata Herz und Mund und Tat und Leben (Visitation)D maj.satbSATB Tr 2Ob Oba 2Odc Str Bc30: 191I/28: 63after BWV 147.1/1–5 (/1, /3, /7, /5, /9), Z 6551 (/6, /10); text by Franck, S. (/1, /3, /7, /5, /9), Janus (/6, /10)00180
147.11.1716-12-20Cantata Herz und Mund und Tat und Leben (Advent IV)D maj.satbSATB Tr Ob Str BcI/1text by Franck, S., Kolross (/6); /1–/5 → BWV 147.2/1, /3, /7, /5, /900181
1481.1723-09-19Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII)D maj.atSATB Tr 2Oba Odc Str Bc30: 235I/23: 253after Z 2164 (/6); text after Picander00182
148/6chorale setting "Wo soll ich fliehen hin"F♯ min.
F min.		SATB30: 260III/2.2: 16after Z 2164; text by Heermann11291
1491.1729-09-29Cantata Man singet mit Freuden vom Sieg (Michaelmas)D maj.satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc30: 261I/30: 97after BWV 208/15 (/1), Z 8326 (/7); text by Picander, Schalling (/7)00183
149/1a1.Fall 1729Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?)D maj.SATB 3Tr Tmp 2Ob Str BcI/40
I/30		in SBB P 175; was BWV Anh. 19801509
1501.1707-07-10Cantata Nach dir, Herr, verlanget mich (Trinity III)B min.satbSATB Bas 2Vl Bc30: 301I/41: 3text after Ps 25 (/2, /4, /6)00184
1511.1725-12-27Cantata Süßer Trost, mein Jesus kömmt (Christmas 3)G maj.satbSATB Fl Vl Oba Str Bc32: 1I/3.1: 169after Z 198 (/5); text by Lehms, Herman (/5)00185
151/5chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8)SATB32: 16III/2.2: 30after Z 198; text by Herman11307
1521.1714-12-30Cantata Tritt auf die Glaubensbahn (Christmas I)E min.sb Fl Ob Va Vdg Bc32: 17I/3.2: 3text by Franck, S.; /1 ↔ BWV 536/2, → 536a/200186
1531.1724-01-02Cantata Schau, lieber Gott, wie meine Feind (Christmas II)A min.atbSATB Str Bc32: 41I/4: 199after Z 4431 (/1), 5385a (/5), 533a (/9); text by Denicke (/1), Gerhardt (/5), Moller (/9), after Is 14:10 (/3)00187
153/1chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1)A min.SATB32: 43III/2.2: 3after Z 4431; text by Denicke11288
chorale setting "Ach Gott, vom Himmel sieh darein"after Z 4431; text by Martin Luther
153/5chorale setting "Befiehl du deine Wege" (s. 5)A min.SATB32: 46III/2.2: 14after Z 5385a; text by Gerhardt11326
chorale setting "Herzlich tut mich verlangen"after Z 5385a; text by Knoll
153/9chorale setting "Ach Gott, wie manches Herzeleid" (ss. 16–18)C maj.SATB32: 58III/2.2: 128after Z 533a; text by Moller11282
1541.1724-01-09Cantata Mein liebster Jesus ist verloren (Epiphany I)B min.atbSATB 2Oba Str Hc Bc32: 59I/5: 89after Z 6551 (/3), 3449 (/8); text by Janus (/3), Keymann (/8), after Lk 2:49; /3 → BWV 35900188
154/3chorale setting "Jesu, meiner Seelen Wonne" (s. 2)A maj.SATB32: 65III/2.1: 87
III/2.2: 137		after Z 6551; text by Janus; → BWV 35911249
chorale setting "Werde munter, mein Gemüte"after Z 6551; text by Rist
154/8chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6)D maj.SATB32: 82III/2.1: 88
III/2.2: 88		after Z 3449; text by Keymann11251
1551.1716-01-19
1724-01-16		Cantata Mein Gott, wie lang, ach lange? (Epiphany II)D min.satbSATB Bas Str Bc32: 83I/5: 173after Z 4430 (/5); text by Franck, S., Speratus (/5)00189
155/5chorale setting "Es ist das Heil uns kommen her" (s. 12)F maj.SATB32: 96III/2.2: 194after Z 4430; text by Speratus11302
1561.1727-01-26
or
1729-01-23		Cantata Ich steh mit einem Fuß im Grabe (Epiphany III)F maj.satbSATB Ob Str Bc32: 97I/6: 91after Z 2383 (/2), 4438 (/6); text by Picander, Schein (/2), Bienemann [de] (/6); /1 ↔ BWV 1056/200190
156/6chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1)C maj.SATB32: 114III/2.2: 185after Z 4438; text by Bienemann [de]11294
157.21.after 1727-02-06Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification)B min.tbSATB Fl Ob Oba Va 2Vl Bc32: 115I/34: 41after Z 3449 (/5), BWV 157.1 (same text)00191
157.11.1727-02-06Cantata Ich lasse dich nicht, du segnest mich denn (funeral)tbSATB Fl Oba Va BcI/34text by Picander, Keymann (/5), after Gen 32:27 (/1); → BWV 157.211366
1581.c. 1725–1735Cantata Der Friede sei mit dir (Purification; later: Easter 3)D maj.sbSATB Ob Vl Bc32: 141I/10: 129after Z 6531 (/2), 7012a (/4); text by Albinus (/2), Luther (/4; ↔ BWV 279)00192
158/4chorale setting "Christ lag in Todes Banden" (s. 5)E min.SATB32: 154III/2.1: 24
III/2.2: 155		after Z 7012a; text by Luther; ↔ BWV 27911187
1591.1729-02-27Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi)C min.satbSATB Ob Str Bc32: 155I/8: 153after Z 5385a (/2), 6288a–b (/5); text by Picander, Gerhardt (/2), Stockmann (/5), after Lk 18:31 (/1), Jh 19:30 (/4)00193
159/5chorale setting "Jesu Leiden, Pein und Tod" (s. 33)E♭ maj.SATB32: 168III/2.1: 41
III/2.2: 33		after 6288a–b; text by Stockmann11206
1611.1716-09-27Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version)C maj.atSATB 2Fl Str Org Bc33: 1I/23: 1, 33after Z 5385a; text by Franck, S., Knoll; → BWV 161, v200195
161/6chorale setting "Herzlich tut mich verlangen" (s. 4)A min.SATB33: 27III/2.1: 29
III/2.2: 160		after Z 5385a; text by Knoll11194
chorale setting "Befiehl du deine Wege"after Z 5385a; text by Gerhardt
161, v21.1723–1750?Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version)C maj.satSATB 2Fl Str BcI/23: 33after BWV 161; text by Franck, S., Knoll00196
162.11.1716-10-25Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX)A min.satbSATB Str BcI/25: 1after Z 6783 (/6); text by Franck, S., Rosenmüller (/6); → BWV 162.200197
162.21.1723-10-10Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX)B min.satbSATB Hn Str Bc33: 29
(in a)		I/25: 23after BWV 162.1 (same text)11367
1631.1715-11-24Cantata Nur jedem das Seine (Trinity XXIII)B min.satbSATB Str 2Vc Bc33: 47I/26: 77after Z 3449 (/5), 2177 (/6); text by Franck, S., Heermann (/6)00198
1641.1725-08-26Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII)G min.satbSATB 2Fl 2Ob Str Bc33: 65I/21: 57after Z 4297a (/6); text by Franck, S., Cruciger (/6)00199
164/6chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5)B♭ maj.SATB33: 88III/2.1: 59
III/2.2: 57		after Z 4297a; text by Cruciger11224
1651.1715-06-16
1724-06-04		Cantata O heilges Geist- und Wasserbad (Trinity)G maj.satbSATB Fag Str Bc33: 89I/15: 1after Z 159 (/6); text by Franck, S., Helmbold (/6)00200
1661.1724-05-07Cantata Wo gehest du hin? (Cantate)B♭ maj.satbSATB Ob Str Bc33: 105I/12: 1after Z 4486 (/3), 2778 (/6); text by Franck, S., Ringwaldt (/3), E. J. of Schwarzburg-Rudolstadt (/6), after Jh 16:5 (/1); /2 → BWV 58400201
166/6chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1)G min.SATB33: 122III/2.2: 116after 2778; text by E. J. of Schwarzburg-Rudolstadt11311
1671.1723-06-24Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist)G maj.satbSATB Tr Ob Odc Str Bc33: 123I/29: 1after Z 8244 (/5); text by Gramann (/5)00202
1681.1725-07-29Cantata Tue Rechnung! Donnerwort (Trinity IX)B min.satbSATB 2Oba Str Bc33: 147I/19: 87after Z 4486 (/6); text by Franck, S., Ringwaldt (/6)00203
168/6chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8)SATB33: 166III/2.2: 52after Z 4486; text by Ringwaldt11198
1691.1726-10-20Cantata Gott soll allein mein Herze haben (Trinity XVIII)D maj.aSATB 2Oba Tai Str Org Bc33: 167I/24: 59after Z 2029a (/7); text by Birkmann, Luther (/7); /1 & /5 ↔ BWV 1053/1 & /200204
169/7chorale setting "Nun bitten wir den Heiligen Geist" (s. 3)A maj.SATB33: 192III/2.1: 30
III/2.2: 54		after Z 2029a; text by Luther11196
1701.1726-07-28Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI)D maj.a Oba Fl Str Org Bc33: 193I/17.2: 61text by Lehms00205
1711.1729-01-01Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year)D maj.satbSATB 3Tr Tmp 2Ob Str Bc35: 1I/4: 131after BWV 205 (/4), 41/6 (/6); text by Picander, Hermann (/6)00206
171/6chorale setting "Jesu, nun sei gepreiset" (s. 2)SATB35: 32after BWV 41/6; text by Hermann11253
172.11.1714-05-20Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete)C maj.(SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc)I/13after Z 8359 (/6); text by Franck, S.?, Nicolai (/6), after Jh 14:23 (/2); → BWV 172.200207
172/6chorale setting "Wie schön leuchtet der Morgenstern" (s. 4)F maj.SATB35: 69III/2.2: 187after Z 8359; text by Nicolai11314
172.21.1724-05-28Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version)D maj.satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc BcI/13: 1after BWV 172.1 (same text); → BWV 172.300208
172.31.1731-05-13Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version)C maj.satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc35: 35I/13: 33after BWV 172.2 (same text)00209
173.21.1727-06-02
1731-05-14		Cantata Erhöhtes Fleisch und Blut (Pentecost 2)D maj.satbSATB 2Fl Str Bc35: 71I/14: 1after BWV 173.100210
173.11.1722-12-10Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen)D maj.satbSATB 2Fl Str Bc34: 1I/35: 95→ BWV 173.2 (/1–/5, /8), 175/4 (/7)00211
1741.1729-06-06Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2)G maj.atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc35: 103I/14: 63after BWV 1048/1 (/1), Z 8326 (/5); text by Picander, Schalling (/5)00212
174/5chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1)D maj.SATB35: 157III/2.1: 78
III/2.2: 32		after Z 8326; text by Schalling11244
1751.1725-05-22Cantata Er rufet seinen Schafen mit Namen (Pentecost 3)G maj.atbSATB 2Tr 3Fl Str Vc Bc35: 159I/14: 147after BWV 173.1/7 (/4), BWV 59/3 (/7); text by Ziegler, C. M., Rist (/7), after Jh 10:3 & 6 (/1 & /5)00213
175/7chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9)SATB35: 177III/2.1: 76after Z 7445a; text by Rist11243
chorale setting "Komm, Heiliger Geist, Herre Gott"after Z 7445a; text by Luther
1761.1725-05-27Cantata Es ist ein trotzig und verzagt Ding (Trinity)C min.sabSATB 2Ob Odc Str Bc35: 179I/15: 17after Z 7246 (/6); text by Ziegler, C. M., Gerhardt (/6), after Jer 17:9 (/1)00214
176/6chorale setting "Was alle Weisheit in der Welt" (s. 8)SATB35: 198III/2.2: 67after Z 7246; text by Gerhardt11296
chorale setting "Christ unser Herr zum Jordan kam"after Z 7246; text by Luther
1771.1732-07-06Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV)G min.satSATB 2Ob Odc Bas Vl Str Bc35: 199I/17.1: 77after Z 7400; text by Agricola, J.00215
177/5chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5)G min.
E min		SATB35: 234III/2.1: 50
III/2.2: 40		11211
1781.1724-07-30Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII)A min.atbSATB Hn 2Ob 2Oba Str Bc35: 235I/18: 159after Z 4441a; text after Jonas00216
1791.1723-08-08Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI)G min.stbSATB 2Ob 2Odc Str Bc35: 273I/20: 55after Z 2778 (/6); text after JS 1:34 (/1), by Tietze [wikisource:de] (/6); /1 & /3 → BWV 236/1 & /5; /5 → 234/400217
179/6chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1)A min.SATB35: 292III/2.1: 55
III/2.2: 196		after Z 2778; text by Tietze [wikisource:de]11218
chorale setting "Wer nur den lieben Gott lässt waltenafter Z 2778; text by Neumark
1801.1724-10-22Cantata Schmücke dich, o liebe Seele (Trinity XX)F maj.satbSATB 2Fl Fl Ob Odc Str Vc Bc35: 293I/25: 41after Z 6923; text after Franck, J.00218
180/7chorale setting "Schmücke dich, o liebe Seele" (s. 9)F maj.
E♭ maj.		SATB35: 322III/2.1: 24
III/2.2: 15		after Z 6923; text by Franck, J.11188
1811.1724-02-13Cantata Leichtgesinnte Flattergeister (Sexagesima)E min.satbSATB Tr Fl Ob Str Bc37: 1I/7: 13300219
1821.1714-03-25Cantata Himmelskönig, sei willkommen (Palm Sunday)B♭ maj.atbSATB Fl (Ob 2)Vl 2Va BcI/8.2: 1after 6288a–b (/7); text by Franck, S.?, Stockmann (/7), after Ps 40:8–9 (/3)00220
1724-03-25
1728-03-21		G maj.37: 21I/8.2: 43
1831.1725-05-13Cantata Sie werden euch in den Bann tun (Exaudi)A min.satbSATB 2Oba 2Odc Str Vc Bc37: 59I/12: 187after Z 5267 (/5); text by Ziegler, C. M., Gerhardt (/5), after Jh 16:2 (/1)00221
183/5chorale setting "Zeuch ein zu deinen Toren" (s. 5)SATB37: 74III/2.2: 70after Z 5267; text by Gerhardt11325
chorale setting "Helft mir Gotts Güte preisen"after Z 5267; text by Eber
184.21.1724-05-30
1727-06-03
1731-05-15		Cantata Erwünschtes Freudenlicht (Pentecost 3)G maj.satSATB 2Fl Str Bc37: 75I/14: 119after BWV 184.1/1–/4 & /6, Z 5690 (/5); text by Wildenfels (/5)00222
184.2/5chorale setting "O Herre Gott, dein göttlich Wort" (s. 8)D maj.
G maj.		SATB37: 95III/2.1: 17
III/2.2: 10		after Z 5690; text by Wildenfels11181
184.11.1721-01-01Secular cantata (incomplete)G maj.sb 2Fl Vl Str Bc (?)I/35→ BWV 184.2/1–/4, /600223
185.11.1715-07-14Cantata Barmherziges Herze der ewigen Liebe (Trinity IV)F♯ min.satbSATB Ob Str Bc37: 101I/17.1: 1after Z 7400 (/6); text by Franck, S., Agricola, J. (/6); → BWV 185.200224
185/6chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1)SATB37: 118III/2.1: 50after Z 7400; text by Agricola, J.11212
185.21.1723-06-20Cantata Barmherziges Herze der ewigen Liebe (Trinity IV)G min.satbSATB Tr Ob Str Bc37: 101I/17.1: 1after BWV 185.1 (same text)11368
186.21.1723-07-11Cantata Ärgre dich, o Seele, nicht (Trinity VII)G min.satbSATB 2Ob Tai Bas Str Bc37: 119I/18: 15after BWV 186.1/1–/5 (/1, /3, /5, /8, /10), Z 4430 (/6, /11); text by Franck, S. (/1, /3, /5, /8, /10), Speratus (/6, /11)00225
186.11.1716-12-13Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete)stbSATB 2Ob Odc Tai Bas Str BcI/1text by Franck, S., Helmbold (/6); → BWV 186.2/1, /3, /5, /8, /1000226
1871.1726-08-04Cantata Es wartet alles auf dich (Trinity VII)G min.sabSATB 2Ob Str Bc37: 155I/18: 91after Z 4816e (/7); text: Meiningen, after Ps 104:27–28 (/1), Mt 6:31–32 (/4), by Vogel [scores] (/7); /1, /3, /4, /5 → BWV 235/6, /4, /3, /500227
187/7chorale setting "Singen wir aus Herzensgrund" (ss. 4, 6)SATB37: 191III/2.2: 61after Z 4816e; text by Vogel [scores]11344
1881.1728-10-17Cantata Ich habe meine Zuversicht (Trinity XXI)D min.satbSATB 2Ob Tai Str Org Bc37: 193I/25: 265after Z 2164 (/6); text by Picander; /1 ↔ BWV 1052/300228
190.11.1724-01-01Cantata Singet dem Herrn ein neues Lied (New Year; incomplete)D maj.atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc37: 227I/4: 1after Z 8652 (/1–/2), 8477a (/7); text by Luther (/1–/2), Hermann (/7); → BWV 190.2/1, /2, /3, /500230
190/7chorale setting "Jesu, nun sei gepreiset" (s. 2)SATB37: 257III/2.2: 189after 8477a; text by Hermann (/7)11306
190.21.1730-06-25Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess.; incomplete)atbSATB 3Tr Tmp 3Ob Str Bc (?)I/34after BWV 190/1, /2, /3, /5; text by Picander, Luther (/1–/2, /7)00231
1911.1743–1746Cantata Gloria in excelsis Deo (Christmas)D maj.stSSATB 3Tr Tmp 2Fl 2Ob Str Bc41: 1I/2: 171after BWV 232/4, /5, /8, /12; text: Lk 2:14, doxology00232
1921.autumn 1730?Cantata Nun danket alle Gott (incomplete)G maj.sbSATB 2Fl 2Ob Str Bc41: 65I/34: 107after Z 5142; text by Rinkart00233
193.21.1727-08-25Cantata Ihr Tore zu Zion (council election; incomplete)D maj.saSA(TB) 2Ob Str (Bc)41: 91I/32.1: 201after BWV 193.1/1, /7, /900234
193.11.1727-08-03Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II; incomplete)saSA(TB) 2Ob Str (Bc)I/36text by Picander; → BWV 193.2/1, /3, /500235
194.31.1724-06-04
1731-05-20		Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version)B♭ maj.stbSATB 3Ob Bas Str Bc29: 99I/31: 145after BWV 194.2 (same text); → BWV 194.400236
194.41.1726-06-16Cantata Nun lasst uns Gott, dem Herren? (Trinity; 2nd Leipzig version)B♭ maj.stbSATB 3Ob Bas Str Bc29: 99I/31: 145, 235after BWV 194.3/12, /2, /3, /4, /5, /7, /1000237
194.21.1723-11-02Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ)B♭ maj.sabSATB 3Ob Bas Str Bc29: 99I/31: 123after BWV 194.1/1, /3, /5, /7, /9, Z 6543 (/6), 159 (/12); text by Heermann (/6), Gerhardt (/12); → BWV 194.300238
194.2/6chorale setting "Treuer Gott, ich muß dir klagen" (ss. 6–7)B♭ maj.
G maj.		SATB29: 124III/2.1: 20
III/2.2: 35, 152		after Z 6543; text by Heermann11184
chorale setting "Jesu, deine tiefen Wunden"after Z 6543; text by Heermann
chorale setting "Freu dich sehr, o meine Seele"after Z 6543
194.2/12chorale setting "Wach auf, mein Herz, und singe" (ss. 9–10)B♭ maj.SATB29: 138III/2.1: 20
III/2.2: 52, 152		after Z 159; text by Gerhardt11185
chorale setting "Nun lasst uns Gott dem Herren"after Z 159; text by Helmbold
194.11.1717–1723?Secular cantata model for church cantata versions of BWV 194 (incomplete)B♭ maj.3Ob Str &?I/35→ BWV 194.2/1, /3, /5, /8, /1000239
195.31.c.1748–1749Cantata Dem Gerechten muß das Licht (wedding; last version)D maj.satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc131: 1I/33: 171after BWV 195.2, Z 198 (/6); text after Ps 97:11–12 (/1), by Gerhardt (/6)00242
195.11.1727–1731Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost)SATB 3Tr Tmp 2Fl 2Ob Str BcI/33→ BWV 195.200240
195.21.c. 1742Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete)SATB &?I/33after BWV 195.1, 30.1/5, /1 (/6, /8); text after Ps 97:11–12 (/1); → BWV 195.300241
1961.1708-06-05?Cantata Der Herr denket an uns (wedding)C maj.stbSATB Str Bc131: 71I/33: 1text after Ps. 115: 12–1500243
197.21.1736–1737Cantata Gott ist unsre Zuversicht (wedding)D maj.sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc131: 95I/33: 117after Z 2029a (/5), 2778 (/10), BWV 197.1/4, /6 (/6, /8); text by Luther (/5)00244
197.2/5chorale setting "Nun bitten wir den Heiligen Geist" (s. 3)A maj.SATB131: 128III/2.2: 46after Z 2029a; text by Luther11328
197.2/10chorale setting "Wer nur den lieben Gott lässt walten"B min.SATB131: 144III/2.2: 37after Z 2778; text by Neumark11313
197.11.1728-12-25Cantata Ehre sei Gott in der Höhe (Christmas; incomplete)D maj.abSATB 2Fl Oba Bas Str Vc Bc41: 109I/2: 63after Z 5206b–c (/7); text by Picander, Ziegler, C. (/7; ↔ BWV 398), after Lk 2:14 (/1); /4 & /6 → BWV 197.2/6, /800245
197.1/7chorale setting "Ich freue mich in dir" (s. 4)SATB41: 114III/2.2: 182after Z 5206b–c; text by Ziegler, C.; ↔ BWV 39811298
chorale setting "O Gott, du frommer Gott"after Z 5206b–c; text by Heermann; ↔ BWV 398
1981.1727-10-17Secular cantata Laß, Fürstin, laß noch einen Strahl a.k.a. Trauer-Ode (funeral ceremony for Christiane Eberhardine)B min.satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc133: 1
44: 54		I/38: 179text by Gottsched, J. C.; ↔ BWV 244a, 24700246
199.21.1720–1721Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete)D min.s Ob Str Vdg Bc41: 202I/20: 48after BWV 199.1 (same text); → 199.300247
199.31.1723-08-08Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version)D min.s Ob Str Vc BcI/20: 23after BWV 199.2 (same text)00248
199.11.1714-08-12Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version)C min.s Ob Str BcNBG 132I/20: 1text by Lehms, Heermann (/6); → BWV 199.200249
2001.1742–1743 (JSB)Aria Bekennen will ich seinen NamenE maj.a (2Vl) BcI/28.1: 189after Stölzel; text after Lk 2:29–3200250
2011.autumn 1729Secular cantata Geschwinde, ihr wirbelnden Winde a.k.a. Der Streit zwischen Phoebus und Pan (dramma per musica)D maj.sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc112: 1
44: 85		I/40: 117text by Picander; /7 → BWV 212/2000251
2021.c.1718?Secular cantata Weichet nur, betrübte Schatten (wedding)G maj.s Ob Str Bc112: 73I/40: 1in D-LEb Peters Ms. R 800252
2031.c.1720?Secular cantata Amore traditoreA min.b Hc112: 91I/41: 3100253
2041.1726–1727Secular cantata Ich bin in mir vergnügt a.k.a. Von der VergnügsamkeitB♭ maj.s Fl 2Ob Str Bc112: 103I/40: 79text after Hunold00254
205.11.1725-08-03Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller)D maj.satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc112: 137
44: 39		I/38: 1text by Picander; → BWV 205.2/1–/7, /9–/11, /13, /15, 171/4, 216/700255
205.21.1734-02-19Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III)satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg BcI/37after BWV 205.1/1–/7, /9–/11, /13, /15; text by Picander?00256
206.11.1736-10-07
(1734?)		Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III)D maj.satbSATB 3Tr Tmp 3Fl 2Oba Str Bc202: 1I/36: 157→ BWV 206.200257
206.21.1740-08-03Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III)D maj.satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str BcI/36: 157after BWV 206.100258
207.11.1726-12-11Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte)D maj.satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc202: 71I/38: 97after BWV 1046/3 (/1); → BWV 207.2/1, /3, /5, /7–/900259
207.21.1735-08-03Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III)D maj.satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc202: 139
34: 345		I/37: 1after BWV 207.1/1, /3, /5, /7–/900260
208.11.1713-02-23Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels)F maj.sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)29: 1I/35: 1text by Franck, S.; → BWV 208.2, 1040, 68/4, /2, 149/100261
10401.1713-02-23Trio (a.k.a. (Canonic) Trio Sonata; postlude to the Hunting Cantata?)F maj.Vl Ob Bc29: 230I/35: 1after BWV 208.1/13; =BWV 208.1/13a01222
208.21.c.1715Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar)F maj.sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)29: 1I/35: 1after BWV 208.1 (near-identical text); → BWV 208.300262
208.31.1742-08-03Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III)F maj.sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)?I/37after BWV 208.2; text after Franck, S.00263
2091.1747?Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?)B min.s Fl Str Bc29: 43I/41: 43text after Metastasio00264
210.21.1741-09-19Secular cantata O holder Tag, erwünschte Zeit (wedding)A maj.s Fl Oba Str Hc Vne29: 67I/40: 35after BWV 210.1/1–/2, /4, /8, /1000265
210.11.1729-01-12Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels)A maj.s (Fl Oba Str Bc)?29: 245I/39: 141→ BWV 210.2/1–/2, /4, /8, /1000266
2111.c.1734Secular cantata Schweigt stille, plaudert nicht a.k.a. Coffee CantataG maj.stb Fl Str Hc Bc29: 139
44: 86		I/40: 193text by Picander00267
2121.1742-08-30Secular cantata Mer hahn en neue Oberkeet a.k.a. Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau)G maj.sb Hn Fl Str Bc29: 173
44: 132		I/39: 151after BWV 1157/9 (/14), 201/7 (/20); text by Picander00268
2131.1733-09-05Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony)F maj.satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc34: 119I/36: 1text by Picander; /1, /3, /5, /7, /9, /11 → BWV 248/36, /19, /39, /41, /4, /2900269
2141.1733-12-08Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha)D maj.satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc34: 175I/36: 89text by Picander; /1, /5, /7, /9 → BWV 248/1, /15, /8, /2400270
2151.1734-10-05Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland)D maj.stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc34: 243I/37: 85after BWV 1157/1 (/1)?; text by Clauder [fr]; /7 → BWV 248/4700271
216.11.1728-02-05Secular cantata Vergnügte Pleißenstadt (wedding; incomplete)C maj.sa &?I/40: 21after BWV 204/8 (/3), 205.1/13 (/7); text by Picander; → BWV 216.2/1, /3, /5, /700272
216.21.1728–1731Secular cantata Erwählte Pleißenstadt a.k.a. Apollo et Mercurius (incomplete)at &?I/39after BWV 216.1/1, /3, /5, /7; text by Meißner [scores] after Picander00273
2.Motets (see also: List of motets by Johann Sebastian Bach)Up ↑
2252.1726–1727
New Year?		Motet Singet dem Herrn ein neues LiedB♭ maj.2SATB (+colla parte instr.?)39: 3III/1: 1after Z 8244 (/2); text after Ps. 149: 1–3 (/1), by Gramann after Ps. 103 (/2), after Ps. 150: 2, 6 (/3)[20]00282
2262.1729-10-20Motet Der Geist hilft unser Schwachheit auf (funeral of Ernesti, J. H.)B♭ maj.2SATB Str Vc 2Ob Tai Bas39: 39, 143III/1: 37after Z 7445a (/2); text after Rom. 8: 26–27 (/1), by Luther (/2)[20]00283
226/2chorale setting "Komm, Heiliger Geist, Herre Gott" (s. 3)B♭ maj.
G maj.		SATB39: 57III/2.1: 18
III/2.2: 38		after Z 7445a; text by Luther11182
2272.c. 1723–1735Motet Jesu, meine FreudeE min.SSATB (+colla parte instr.?)39: 59III/1: 75after Z 8032 (odd mvts); text by Franck, J. (odd mvts), after Rom. 8: 1–2, 9–11 (even mvts)[20]00284
227/1
227/11		chorale setting "Jesu, meine Freude" (ss. 1, 6)SATB39: 61III/2.1: 27
III/2.2: 156		after Z 8032; text by Franck, J.11200
227/3chorale setting "Jesu, meine Freude" (s. 2)SATB39: 66III/2.1: 28after Z 8032; text by Franck, J.11201
227/7chorale setting "Jesu, meine Freude" (s. 4)SATB39: 75III/2.1: 22
III/2.2: 168		after Z 8032; text by Franck, J.11202
2282.c. 1715Motet Fürchte dich nichtA maj.2SATB (+colla parte instr.?)39: 85III/1: 105after Z 6461 (/2); text after Is. 41: 10 (/1), 43: 1 (/2), by Gerhardt (/2)[20]00285
2292.before 1731–1732Motet Komm, Jesu, kommG min.2SATB (+colla parte instr.)39: 107III/1: 125text by Thymich[20]00286
2302.1723–1739?Motet Lobet den Herrn, alle HeidenC maj.SATB Bc (+colla parte instr.?)39: 127III/1: 147text after Ps. 117[20]00287
231
see BWV 28/2a00288
118.12.1736–1737Motet O Jesu Christ, meins Lebens Licht (funeral)B♭ maj.SATB 2Hn Cnt 3Tbn24: 185III/1: 163text by Behm; → BWV 118.2[20]00143
118.22.1746–1747Motet O Jesu Christ, meins Lebens Licht (funeral)B♭ maj.SATB 2Ob Tai Bas 2Hn Str BcNBG 171III/1: 171text by Behm; after BWV 118.1[20]11121
3.Masses, Mass movements, Magnificat (see also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach)Up ↑
2323.Aug. 1748 – Oct. 1749 (compilation, completion)Mass a.k.a. Hohe Messe, Mass in B minorB min.ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc6II/1
rev 1		after BWV 232I e. v., II e. v., III e. v., 171/1, 12/2, 120/2, Anh. 11/1, Anh. 196/3; text after Ordinarium Missae00289
232I e. v.3.1733-07-27Kyrie–Gloria Mass for the Dresden court (Mass in B Minor, Part I: Missa; early version)B min.ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str BcII/1aafter BWV 29/1, 46/1; text from Ordinarium Missae; → BWV 191, 232I00290
2333.1738–1739?Kyrie–Gloria MassF maj.sabSATB 2Hn 2Ob Bas Str Bc8: 1II/2: 197after BWV 233a, 102/3, /5, 40/1; text from Ordinarium Missae00291
233a3.1708-04-06?Kyrie "Christe, du Lamm Gottes"F maj.SSATB Bc41: 187II/2: 285text after Ordinarium Missae; → BWV 233/100292
2343.c.1738Kyrie–Gloria MassA maj.sabSATB 2Fl Str Bc8: 51II/2: 1after BWV 67/6, 138/5, 179/5, 79/2; text from Ordinarium Missae00293
2353.1738–1739?Kyrie–Gloria MassG min.atbSATB 2Ob Str Bc8: 99II/2: 127after BWV 102/1, 72/1, 187/4, /3, /5, /1; text from Ordinarium Missae00294
2363.1738–1739?Kyrie–Gloria MassG maj.satbSATB 2Ob Str Bc8: 155II/2: 61after BWV 179/1, /3, 79/1, /5, 138/5, 17/1; text from Ordinarium Missae00295
10813.c.1747 – Aug. 1748Credo intonation for Mass No. 5 in F major of G. B. Bassani's Acroama MissaleF maj.SATB BcII/2→ BNB I/B/48; text from Credo01267
2373.1723-06-24?SanctusC maj.SATB 3Tr Tmp 2Ob Str Bc111: 67II/2: 311text from Sanctus00296
2383.1723-12-25
1736–1737		SanctusD maj.SATB Cnt Str Bc111: 79II/2: 325text from Sanctus00297
2403.1742 (JSB)SanctusG maj.SATB 2Ob Str Bc111: 93II/9: 3text from Sanctus00299
2413.Jul. 1747 – Aug. 1748 (JSB)Sanctus of Missa superbaD maj.2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc41: 177II/9: 45after Kerll; text from Sanctus00300
2423.1727–1732 (JSB)Christe eleison for a Kyrie-Gloria Mass in C minor by F. DuranteG min.SA Bc41: 197II/2: 295text from Kyrie; → BWV Anh. 26/200301
243.23.1733-07-02?
1732–1735		Magnificat (2nd version: Visitation?)D maj.ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc111: 1II/3: 65after BWV 243.1 (same text)00302
243.13.1723-07-02
1723-12-25		Magnificat (1st version:Visitation, and with 4 laudes added: Christmas)E♭ maj.ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc111: 103II/3: 1after Magnificat peregrini toni (/10); text: Magnificat; → BWV 243.200303
10823.1740–1742 (JSB)Suscepit Israel from a Magnificat by A. CaldaraE min.SATB 2Vl BcII/9: 59after Caldara (BNB I/C/1); text from Magnificat01268
10833.1745–1747 (JSB)Cantata Tilge, Höchster, meine Sündensa 2Vl Str Vne Vc BcI/41: 169after Pergolesi (Stabat Mater); text after Ps. 5101269
4.Passions, Oratorios (see also: List of Passions and Oratorios by Johann Sebastian Bach)Up ↑
244.24.1736-03-30
1742
1743–1746		Passion St Matthew Passion (later versions; Good Friday)E min.2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc4
44: 58		II/5after BWV 244.1, 245.2 (/29); text by Picander, Decius (/1), Heermann (/3, /19, /46), Gerhardt (/10, /15, /17, /37, /44, /54, /62), Albert of Prussia (/25), Heyden (/29), Reusner (/32), Rist (/40), after Mt 26–27, Sng 6:1 (/30)00304
244a
see BWV 114300305
244.14.1727-04-11Passion St Matthew Passion (early version; Good Friday)E min.satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu BcII/5a
II/5b		after Z 4361a (/1), 983 (/3, /19, /46), 2293b (/10, /37), 5385a (/15, /17, /44, /54, /62), 7568 (/25), 3449 (/29), 2461c (/32), 6551 (/40); text by Picander, Heermann (/3, /19, /46), Gerhardt (/10, /15, /17, /37, /44, /54, /62), Albert of Prussia (/25), Keymann (/29), Reusner (/32), Rist (/40), after Mt 26–27, Sng 6:1 (/30); ↔ BWV 198, 1143; → BWV 244.200306
244/3chorale setting "Herzliebster Jesu" (s. 1)B min.SATB4: 23III/2.2: 43after Z 983; text by Heermann11349
244/10chorale setting "O Welt, sieh hier dein Leben" (s. 5)A♭ maj.SATB4: 42III/2.2: 66after Z 2293b; text by Gerhardt11351
chorale setting "Nun ruhen alle Wälder"
244/15chorale setting "O Haupt voll Blut und Wunden" (s. 5)E maj.
D maj.		SATB4: 51III/2.2: 55after Z 5385a; text by Gerhardt11358
244/17chorale setting "O Haupt voll Blut und Wunden" (s. 6; in BWV 244.1: s. 7?)E♭ maj.
D maj.		4: 53
244/25chorale setting "Was mein Gott will, das gscheh allzeit" (s. 1)B min.SATB4: 83III/2.2: 64after Z 7568; text by Albert of Prussia11353
244/32chorale setting "In dich hab ich gehoffet, Herr" (s. 5)B♭ maj.SATB4: 151III/2.2: 66after Z 2461c; text by Reusner11354
244/37chorale setting "O Welt, sieh hier dein Leben" (s. 3)F maj.SATB4: 164III/2.2: 29after Z 2293b; text by Gerhardt11352
chorale setting "In allen meinen Taten"after Z 2293b; text by Fleming
244/40chorale setting "Werde munter, mein Gemüte" (s. 6)A maj.SATB4: 173III/2.1: 95
III/2.2: 68		after Z 6551; text by Rist11254
chorale setting "Jesu, meiner Seelen Wonne"after Z 6551; text by Janus
244/44chorale setting "Befiehl du deine Wege" (s. 1)D maj.SATB4: 186III/2.2: 49after Z 5385a; text by Gerhardt11355
chorale setting "O Haupt voll Blut und Wunden"
244/46chorale setting "Herzliebster Jesu" (s. 4)B min.SATB4: 192III/2.2: 59after Z 983; text by Heermann11350
244/54chorale setting "O Haupt voll Blut und Wunden" (ss. 1–2)F maj.SATB4: 214III/2.2: 41after Z 5385a; text by Gerhardt11356
244/62chorale setting "O Haupt voll Blut und Wunden" (s. 9)A min.
B min.		SATB4: 248III/2.2: 5011357
245.14.1724-04-07Passion St John Passion (1st version; Good Friday)G min.satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc121
44: 26		II/4: 40after Z 983 (/3, /17), 2561 (/5), 2293b (/11), 6288a–b (/14, /28, /32), 6283b (/15, /37), 2383 (/22), 5404a (/26), 8326 (/40); text after Jh 18–19, Mt 26:75 (/12), Mk 15:38 (/33), by Heermann (/3, /17), Luther (/5), Brockes (/7, /19, /20, /24, /32, /34, /35, /39), Gerhardt (/11), Weise (/13), Stockmann (/14, /28, /32), Weiße (/15, /37), Postel (/19, /22, /30), Herberger (/26), Schalling (/40); → BWV 245.2–500307
245.1/3chorale setting "Herzliebster Jesu" (s. 7)G min.SATBIII/2.1: 93after Z 983; text by Heermann11255
245/3c. 1740121: 17III/2.2: 33
245.1/51724-04-07chorale setting "Vater unser im Himmelreich" (s. 4)D min.SATBIII/2.1: 94
III/2.2: 27		after Z 2561; text by Luther after Mt 6:9–13; ↔ BWV 41611256
245/5c. 1740121: 18after Z 2561; text by Luther after Mt 6:9–13
245/111724-04-07chorale setting "O Welt, sieh hier dein Leben" (ss. 3–4)A maj.SATB121: 31III/2.1: 94
III/2.2: 35		after Z 2293b; text by Gerhardt; → BWV 39511257
chorale setting "Nun ruhen alle Wälder"
245/14chorale setting "Jesu Leiden, Pein und Tod" (s. 10)A maj.SATB121: 39III/2.2: 46after Z 6288a–b; text by Stockmann11273
245/15chorale setting "Christus, der uns selig macht" (s. 1)A min.SATB121: 43III/2.2: 44after Z 6283b; text by Weiße after "Patris sapientia"11274
245/17chorale setting "Herzliebster Jesu" (ss. 8–9)A min.SATB121: 52III/2.1: 95
III/2.2: 62		after Z 983; text by Heermann11258
245/22chorale setting "Durch dein Gefängnis Gottes Sohn"E maj.SATB121: 74III/2.2: 181after Z 2383; text by Postel11275
chorale setting "Machs mit mir, Gott, nach deiner Güt"after Z 2383; text by Schein
245/26chorale setting "Valet will ich dir geben" (s. 3)E♭ maj.SATB121: 95III/2.1: 96
III/2.2: 60		after Z 5404a; text by Herberger11259
245/28chorale setting "Jesu Leiden, Pein und Tod" (s. 20)A maj.SATB121: 103III/2.2: 59after Z 6288a–b; text by Stockmann11276
245/37chorale setting "Christus, der uns selig macht" (s. 8)B♭ min.SATB121: 121III/2.2: 63after Z 6283b; text by Weiße after "Patris sapientia"11277
245/40chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 3)E♭ maj.SATB121: 131III/2.2: 60after Z 8326; text by Schalling11278
245.24.1725-03-30Passion St John Passion (2nd version; Good Friday)E♭ maj.satbSATB 2Fl 2Ob 2Odc Str Vdg Bc121II/4: 167after Z 8303 (/1), BWV 245.1, 23/4 (/40); text by Heyden (/1), Heermann (/3, /17), Luther (/5, /40), Brockes (/7, /24, /32, /34, /35, /39), Gerhardt (/11), Birkmann (a, b, c) Stockmann (a, /14, /28, /32), Weiße (/15, /37), Postel (/22, /30), Herberger (/26), after Jh 18–19, Mt 26:75 (/12), Mt 27:51 (/33); → BWV 245.3; /1 → BWV 244.2/29,00308
245.34.1730-04-07Passion St John Passion (3rd version; Good Friday)satbSATB 2Fl 2Ob Str Vdg Org Bc121
44: 26		II/4: 206after BWV 245.1–.2; text after Jh 18–19, by Heermann (/3, /17), Luther (/5), Brockes (/7, /19, /20, /24, /32, /39), Gerhardt (/11), Stockmann (/14, /28, /32), Weiße (/15, /37), Postel (/19, /22, /30), Herberger (/26); → BWV 245.4–500309
245.44.1739Passion St John Passion (incomplete revision)satbSATB Fl 2Ob Str Bc121
44: 26		II/4after BWV 245.1–.3; text by Heyden (/1), Heermann (/3), Luther (/5), after Jh 18; → BWV 245.511076
245.54.1749-04-04Passion St John Passion (4th version; Good Friday)satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc121
44: 26		II/4after BWV 245.1–4; text after Jh 18–19, Mt 26:75 (/12), Mt 27:51 (/33), by Heermann (/3, /17), Luther (/5), Brockes (/7, /19, /24, /32, /34, /35, /39), Gerhardt (/11), Weise (/13), Stockmann (/14, /28, /32), Weiße (/15, /37), Postel (/19, /22, /30), Herberger (/26), Schalling (/40)00310
246/40a4.1743–1745 (JSB)Chorale Aus der Tiefen rufe ich, No. 40 of St Luke Passiont Str Bc (?)II/9: 65after BWV 246/4000312
2474.1731-03-23
1744-04-03		Passion St Mark Passion (Good Friday; music lost but in part reconstructable)satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?)II/5text by Picander, Jonas, Reusner, Gerhardt, Rist, Kritzelmann [de], Schein, Stockmann, Franck, J., Homburg [de], Luther, Spee; after BWV 198/1, /5, /3, /8, /10 (or 244a/7), 54/1, 248/28?, /45, 7/2?00313
10884.c.1750?Arioso So heb ich denn mein Auge sehnlich auf, No. 20 in Passion Oratorio Wer ist der, so von Edom kömmt (Good Friday)b 2Bas Bc (?)I/41: 12501274
2484.1734-12-25 – 1735-01-06Oratorio Christmas Oratorio (Christmastide)D maj.satbSATB 3Tr 2Hn Tmp 2Fl 2Ob 2Oba 2Odc Str Bc51
44: 125		II/6after BWV 214 (/1, /8, /15, /24), 213 (/4, /19, /29, /36, /39, /41), 215 (/47), 248VIa (/54, /56–/57, /61–/64), Z 5385a (/5, /64), 1947 (/7, /28), 346 (/9, /17, /23), 5741b (/12), 6462 (/33), 2072 (/35), 2461c (/46), 3614b (/53), 4429a (/59); text by Picander?, Gerhardt (/5, /17, /23, /33, /59), Luther (/7, /9, /28), Rist (/12, /38, /40, /42), Runge [s:de] (/35), Weissel (/46), Franck, J. (/53), Werner (/64), after Lk 2:1–21, Mt 2:1–1200314
248I4.1734-12-25Cantata Jauchzet, frohlocket, auf, preiset die Tage (Christmas Oratorio, Part I; Christmas)D maj.satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc51: 2
44: 125		II/6: 1after BWV 214/1 & /7 (/1 & /8), 213/9 (/4), Z 5385a (/5), 1947 (/7), 346 (/9); text by Picander?, Gerhardt (/5), Luther (/7, /9), after Lk 2:1, 3–711385
248/5chorale setting "Wie soll ich dich empfangen" (s. 1)A min.SATB51: 36III/2.2: 199after Z 5385a; text by Gerhardt11279
chorale setting "O Haupt voll Blut und Wunden"
248/9chorale setting "Vom Himmel hoch da komm ich her" (s. 13)D maj.SATB51: 47III/2.2: 26after Z 346; text by Luther11280
248II4.1734-12-26Cantata Und es waren Hirten in derselben Gegend (Christmas Oratorio, Part II; Christmas 2)G maj.satbSATB 2Fl 2Oba 2Odc Str Bc51: 50
44: 126		II/6: 55after Z 5741b (/3), 346 (/8, /14), BWV 214/5 (/6), 213/3 (/10); text by Picander?, Rist (/3), Gerhardt (/8, /14), after Lk 2: 8–1411386
248/12chorale setting "Ermuntre dich, mein schwacher Geist" (s. 9)G maj.SATB51: 59III/2.1: 83, 92
III/2.2: 7, 207		after Z 5741b; text by Rist11260
chorale setting "Du Lebensfürst, Herr Jesu Christ"
248/17chorale setting "Schaut, schaut, was ist für Wunder dar" (s. 8)C maj.SATB51: 66III/2.1: 84after Z 346; text by Gerhardt11261
chorale setting "Vom Himmel hoch da komm ich her"after Z 346; text by Luther
248/23chorale setting "Wir singen dir, Immanuel" (s. 2)G maj.SATB51: 90III/2.2: 198after Z 346; text by Gerhardt11281
chorale setting "Vom Himmel hoch da komm ich her"after Z 346; text by Luther
248III4.1734-12-27Cantata Herrscher des Himmels, erhöre das Lallen (Christmas Oratorio, Part III; Christmas 3)D maj.satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc51: 94II/6: 107after BWV 214/9 (/1=/13), 213/11 (/6), Z 1947 (/5), 6462 (/10), 2072 (/12); text by Picander?, Luther (/5), Gerhardt (/10), Runge [s:de] (/12), after Lk 2: 15–2011387
248/28chorale setting "Gelobet seist du, Jesu Christ" (s. 7)D maj.SATB51: 110III/2.1: 85after Z 1947; text by Luther11262
248/33chorale setting "Fröhlich soll mein Herze springen" (s. 15)G maj.SATB51: 124III/2.1: 86
III/2.2: 81		after Z 6462; text by Gerhardt11264
chorale setting "Warum sollt ich mich denn grämen"
248/35chorale setting "Laßt Furcht und Pein" (s. 4)F♯ min.SATB51: 126III/2.1: 86
III/2.2: 206		after Z 2072; text by Runge [s:de]11263
chorale setting "Wir Christenleut"after Z 2072; text by Füger
248IV4.1735-01-01Cantata Fallt mit Danken, fallt mit Loben (Christmas Oratorio, Part IV; New Year)F maj.satbSATB 2Hn 2Ob Str Bc51: 128II/6: 143after BWV 213/1, /5, /7 (/1, /4, /6); text by Picander?, Rist (/3, /5, /7), after Lk 2: 2111388
248/42chorale setting "Hilf, Herr Jesu, laß gelingen" (s. 15)SATB51: 166III/2.1: 99
III/2.2: 211		text by Rist11266
chorale setting "Jesu, meiner Seelen Wonne"text by Janus
248V4.1735-01-02Cantata Ehre sei dir, Gott, gesungen (Christmas Oratorio, Part V; New Year I)A maj.satbSATB 2Oba Str Bc51: 172II/6: 199after BWV 247/39b (/3), 215/7 (/5), Z 2461c (/4), 3614b (/11); text by Picander?, Weissel (/4), Franck, J. (/11), after Mt 2:1–611389
248/46chorale setting "Nun, liebe Seel, nun ist es Zeit" (s. 5)SATB51: 190III/2.1: 87
III/2.2: 43		after Z 2461c; text by Weissel11265
chorale setting "In dich hab ich gehoffet, Herr"after Z 2461c; text by Reusner
248/53chorale setting "Ihr Gestirn, ihr hohlen Lüfte" (s. 9)SATB51: 208III/2.1: 100
III/2.2: 21		after Z 3614b; text by Franck, J.11267
chorale setting "Gott des Himmels und der Erden"after Z 3614b; text by Albert
248VI4.1735-01-06Cantata Herr, wenn die stolzen Feinde schnauben (Christmas Oratorio, Part VI; Epiphany)D maj.satbSATB 3Tr Tmp 2Ob 2Oba Str Bc51: 210II/6: 243after BWV 248VIa (/1, /3, /4, /8–/11), Z 4429a (/6), 5385a (/11); text by Picander?, Gerhardt (/6), Werner (/11), after Mt 2:7–1211390
248/59chorale setting "Ich steh an deiner Krippen hier" (s. 1)G maj.SATB51: 245III/2.1: 84
III/2.2: 208		after 4429a; text by Gerhardt11268
chorale setting "Es ist gewisslich an der Zeit"after 4429a; text by Ringwaldt
248/64chorale setting "Ihr Christen auserkoren" (s. 4)D maj.SATB51: 256III/2.1: 85after 5385a; text by Werner11269
chorale setting "Ach Herr, mich armen Sünder"after 5385a; text by Schneegaß
248VIa4.1734 or earlierCantata model for BWV 248VID maj.satbSATB 3Tr Tmp 2Ob 2Oba Str BcII/6after BWV Anh. 10/1; → 248/54, /56–/57, /61–/6400315
249.54.1743–1746
1749-04-06
1750-03-26		Oratorio Kommt, eilet und laufet (Easter Oratorio; Easter)satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc213II/7: 1after BWV 249.4; text by Picander?00316
249.44.c. 1738Oratorio Kommt, eilet und laufet (Easter Oratorio, middle version; Easter)satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str BcII/7after BWV 249.3; text by Picander?; → BWV 249.511392
249.34.1725-04-01
c.1738		Cantata Kommt, fliehet und eilet (Easter Oratorio, early versions: first version as cantata; Easter)satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str BcII/7: 97after BWV 249.1; text by Picander?; → BWV 249.400317
249.14.1725-02-23Secular cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, a.k.a. Shepherd Cantata (birthday of Christian of Saxe-Weissenfels; music lost but in part reconstructable)satbSATB 3Tr Tmp Fl 2Fl 2Ob Str BcI/35text by Picander; → BWV 249.3/1–/3, /5, /7, /9, /11; 249.200318
249.24.1726-08-25Secular cantata Verjaget, zerstreuet, zerrüttet, ihr Sterne a.k.a. Die Feier des Genius (dramma per musica; birthday of Joachim Friedrich von Flemming [de]; music lost but in part reconstructable)I/39after BWV 249.1/1–/3, /5, /7, /9, /11; text by Picander00319
114.1738-05-15Oratorio Lobet Gott in seinen Reichen (Ascension Oratorio; Ascension)D maj.satbSATB 3Tr Tmp 2Fl 2Ob Str Bc2: 1II/8: 1after Z 5741b (/6), 5264b (/9); text by Picander?, Rist (/6), Sacer (/9), after Lk 24:50ff., Acts 1:9–12, Mk 16:1900013
11/6chorale setting "Nun lieget alles unter dir" (= "Du Lebensfürst, Herr Jesu Christ", s. 4)SATB2: 32III/2.2: 198after Z 5741b; text by Rist11299
5.Four-part chorales (see also: List of chorale harmonisations by Johann Sebastian Bach)Up ↑
2505.1734–1738chorale setting "Was Gott tut, das ist wohlgetan" (Three wedding chorales No. 1)SATB 2Hn Ob Oba Str Bc131: 147III/2.1: 3text by Rodigast00320
2515.1734–1738chorale setting "Sei Lob und Ehr dem höchsten Gut" (Three wedding chorales No. 2)SATB 2Hn Ob Oba Str Bc131: 148III/2.1: 4text by Schütz, J. J.00321
2525.1734–1738chorale setting "Nun danket alle Gott" (Three wedding chorales No. 3)SATB 2Hn Ob Oba Str Bc131: 149III/2.1: 5text by Rinkart00322
2535.1750 or earlierchorale setting "Ach bleib bei uns, Herr Jesu Christ"A maj.SATB39: 177III/2.2: 101after Z 439; text by Calvisius; ↔ BWV 41400323
2545.1750 or earlierchorale setting "Ach Gott, erhör mein Seufzen"D Dor.SATB39: 177III/2.2: 105after Z 1831a; text by Schechs [wikisource:de]00324
2555.1750 or earlierchorale setting "Ach Gott und Herr"C maj.SATB39: 178III/2.2: 24after Z 4441a; text by Rutilius [de]00325
2565.1750 or earlierchorale setting "Ach lieben Christen, seid getrost"A min.SATB39: 178III/2.2: 19after Z 4441a; text by Gigas00326
2595.1750 or earlierchorale setting "Ach, was soll ich Sünder machen"E min.SATB39: 179III/2.2: 23after Z 3573b; text by Flittner [de]00329
2605.c. 1735 or earlierchorale setting "Allein Gott in der Höh sei Ehr"G maj.SATB39: 180III/2.1: 9
III/2.2: 147		after Z 4457; text by Decius after Gloria00330
2615.1750 or earlierchorale setting "Allein zu dir, Herr Jesu Christ"B min.SATB39: 180III/2.2: 206after Z 7292b; text by Hubert00331
2625.1750 or earlierchorale setting "Alle Menschen müssen sterben"D maj.SATB39: 181III/2.2: 88after Pachelbel; text by Albinus, Rosenmüller00332
2635.1750 or earlierchorale setting "Alles ist an Gottes Segen"G maj.SATB39: 181III/2.2: 72after Z 3842f00333
2645.1750 or earlierchorale setting "Als der gütige Gott"G maj.SATB39: 182III/2.2: 91after Z 1646; text by Weiße00334
2655.1750 or earlierchorale setting "Als Jesus Christus in der Nacht"D Dor.SATB39: 182III/2.2: 102after Z 258; text by Heermann00335
2665.1750 or earlierchorale setting "Als vierzig Tag nach Ostern warn"E min.SATB39: 182III/2.2: 120after Z 1743; text by Herman00336
2675.c. 1735 or earlierchorale setting "An Wasserflüssen Babylon"G maj.SATB39: 183III/2.2: 4after Z 7663; text by Dachstein00337
A♭ Maj.III/2.1: 98
chorale setting "Ein Lämmlein geht und trägtG maj.39: 183after Z 7663; text by Gerhardt
A♭ Maj.III/2.2: 180
2685.1750 or earlierchorale setting "Auf, auf, mein Herz"G maj.SATB39: 184III/2.2: 70after Z 824; text by Birken00338
2695.1750 or earlierchorale setting "Aus meines Herzens Grunde"G maj.SATB39: 184III/2.2: 2after Z 5269; text by Niege [de]00339
2705.c. 1735 or earlierchorale setting "Befiehl du deine Wege"B min.SATB39: 185III/2.1: 47
III/2.2: 170		after Z 5385a; text by Gerhardt00340
2715.c. 1735 or earlierchorale setting "Befiehl du deine Wege"B min.SATB39: 185III/2.1: 97
III/2.2: 210		after Z 5385a; text by Gerhardt00341
2725.1730–1761chorale setting "Befiehl du deine Wege"D min.SATB39: 186III/2.2: 196by Bach, C. P. E.?; after Z 5393; text by Gerhardt00342
2735.1750 or earlierchorale setting "Christ, der du bist der helle Tag"G min.SATB39: 186III/2.2: 136after Z 384; text by Alberus00343
2745.1750 or earlierchorale setting "Christe, der du bist Tag und Licht"G min.SATB39: 187III/2.2: 145after Z 343; text by Musculus after "Christe qui lux es"00344
2755.1750 or earlierchorale setting "Christe, du Beistand"D Dor.SATB39: 187III/2.2: 122after Z 993; text by Löwenstern00345
2765.1750 or earlierchorale setting "Christ ist erstanden"D Dor.SATB39: 188III/2.2: 110after Z 8584; text: "Christ ist erstanden"00346
2775.1750 or earlierchorale setting "Christ lag in Todesbanden"D Dor.SATB39: 189III/2.2: 11after Z 7012a; text by Luther00347
2785.c. 1735 or earlierchorale setting "Christ lag in Todesbanden"E min.SATB39: 190III/2.1: 92
III/2.2: 212		after Z 7012a; text by Luther00348
2795.c. 1725–1735chorale setting "Christ lag in Todesbanden"E min.SATB32: 154III/2.1: 24
III/2.2: 155		after Z 7012a; text by Luther; ↔ BWV 158/400349
2805.1750 or earlierchorale setting "Christ unser Herr zum Jordan kam"D Dor.SATB39: 190III/2.2: 36after Z 7246; text by Luther00350
2815.1750 or earlierchorale setting "Christus, der ist mein Leben"F maj.SATB39: 191III/2.2: 6after Z 132, Neu Leipziger GB, p 942[21]00351
2825.1750 or earlierchorale setting "Christus, der ist mein Leben"G maj.SATB39: 191III/2.2: 184after BWV 95/100352
2835.1750 or earlierchorale setting "Christus, der uns selig macht"A min.SATB39: 192III/2.2: 112after Z 6283a; text by Weiße after "Patris sapientia"00353
2845.1750 or earlierchorale setting "Christus ist erstanden, hat überwunden"C maj.SATB39: 192III/2.2: 113after Z 6240b; text by Weiße00354
2855.1750 or earlierchorale setting "Da der Herr Christ zu Tische saß"C min.SATB39: 193III/2.2: 110after Z 2503; text by Herman00355
2865.1750 or earlierchorale setting "Danket dem Herrn, denn er ist"A min.SATB39: 193III/2.2: 134after Z 12; text by Horn [de]00356
2875.1750 or earlierchorale setting "Dank sei Gott in der Höhe"F maj.SATB39: 194III/2.2: 182after Z 5391; text by Mühlmann [de]00357
2885.c. 1735 or earlierchorale setting "Das alte Jahr vergangen ist"D Dor.SATB39: 194III/2.1: 11
III/2.2: 93		after Z 381; text by Steuerlein [de]00358
2895.1750 or earlierchorale setting "Das alte Jahr vergangen ist"E min.SATB39: 194III/2.2: 183after Z 381; text by Steuerlein [de]00359
2905.1750 or earlierchorale setting "Das walt Gott Vater und Gott Sohn"F maj.SATB39: 195III/2.2: 132after Z 673; text by Behm00360
2915.1750 or earlierchorale setting "Das walt mein Gott"D min.SATB39: 195III/2.2: 42after Z 4217; text by Förtsch [wikisource:de]?00361
2925.1750 or earlierchorale setting "Den Vater dort oben"C maj.SATB39: 196III/2.2: 141after Z 4795; text by Weiße00362
2935.1750 or earlierchorale setting "Der du bist drei in Einigkeit"D Dor.SATB39: 196III/2.2: 89after Z 335e; text by Luther after "O lux beata Trinitas"00363
2945.1750 or earlierchorale setting "Der Tag, der ist so freudenreich"G maj.SATB39: 197III/2.2: 90after Z 7870; text after "Dies est laetitiae"00364
2955.1750 or earlierchorale setting "Des Heilgen Geistes reiche Gnad"D min.SATB39: 197III/2.2: 120after Z 370b; text by Gesius after "Spiritus Sancti gratia"00365
2965.1750 or earlierchorale setting "Die Nacht ist kommen"G Mix.SATB39: 198III/2.2: 136after Z 5001; text by Herbert [de]00366
2975.1750 or earlierchorale setting "Die Sonn hat sich mit ihrem Glanz gewendet"D Dor.SATB39: 198III/2.2: 137after Z 923; text by Stegmann [de]; ↔ BWV 44700367
2985.1750 or earlierchorale setting "Dies sind die heilgen zehn Gebot"C maj.SATB39: 198III/2.2: 72after Z 1951; text by Luther00368
299 [2]5.1725–1735chorale setting "Dir, dir, Jehova, will ich singen"B♭ maj.SATB39: 199III/2.1: 11
III/2.2: 121		↔ Z 3068; text by Crasselius; → BWV 45200369
299 [1]Notebook A. M. Bach (1725) No. 39: chorale setting "Dir, dir, Jehova, will ich singen"S(AT)B (V Bc)432: 50V/4: 12611543
3005.1750 or earlierchorale setting "Du großer Schmerzensmann"E min.SATB39: 199III/2.2: 94after Z 5159a; text by Thebesius [de]00370
3015.1750 or earlierchorale setting "Du, o schönes Weltgebäude"D min.SATB39: 200III/2.2: 80after Z 6773; text by Franck, J.00371
3025.c. 1735 or earlierchorale setting "Ein feste Burg ist unser Gott"D maj.SATB39: 200III/2.1: 48
III/2.2: 14		after Z 7377; text by Luther after Ps. 4600372
3035.c. 1735 or earlierchorale setting "Ein feste Burg ist unser Gott"D maj.SATB39: 201III/2.1: 10
III/2.2: 148		after Z 7377; text by Luther after Ps. 4600373
3045.c. 1735 or earlierchorale setting "Eins ist not, ach Herr, dies Eine"D maj.SATB39: 201III/2.1: 36
III/2.2: 166		after Z 7127; text by Schröder00374
3055.1750 or earlierchorale setting "Erbarm dich mein, o Herre Gott"A min.SATB39: 202III/2.2: 20after Z 5851; text by Hegenwald after Ps. 5100375
3065.1750 or earlierchorale setting "Erstanden ist der heilig Christ"F maj.SATB39: 202III/2.2: 100after Z 288; text after "Surrexit Christus hodie"00376
3075.c. 1735 or earlierchorale setting "Es ist gewisslich an der Zeit"B♭ maj.SATB39: 203III/2.1: 22
III/2.2: 155		after Z 4429a; text by Ringwaldt00377
3085.1750 or earlierchorale setting "Es spricht der Unweisen Mund wohl"B♭ maj.SATB39: 204III/2.2: 17after Z 4436; text by Luther after Ps. 1400378
3095.1750 or earlierchorale setting "Es stehn vor Gottes Throne"G Dor.SATB39: 204III/2.2: 95after Z 4298; text by Helmbold00379
3105.1750 or earlierchorale setting "Es wird schier der letzte Tag herkommen"E min.SATB39: 205III/2.2: 140after Z 1423; text by Weiße00380
3115.1750 or earlierchorale setting "Es woll uns Gott gnädig sein"B min.SATB39: 205III/2.2: 12after Z 7247; text by Luther after Ps. 6700381
3125.c. 1735 or earlierchorale setting "Es woll uns Gott gnädig sein"A min.SATB39: 206III/2.1: 70
III/2.2: 202		after Z 7247; text by Luther after Ps. 6700382
3275.1750 or earlierchorale setting "Vor deinen Thron tret ich hiermit"D maj.SATB39: 213III/2.2: 193after Z 368; text by Hodenberg?00397
3135.1750 or earlierchorale setting "Für Freuden lasst uns springen"G min.SATB39: 206III/2.2: 93after Z 2339; text by Peltsch [fr]00383
3145.c. 1735 or earlierchorale setting "Gelobt seist du, Jesu Christ"D maj.SATB39: 207III/2.1: 48
III/2.2: 171		after Z 1947; text by Luther00384
3155.c. 1735 or earlierchorale setting "Gib dich zufrieden und sei stille"E min.SATB39: 207III/2.1: 38
III/2.2: 161		after BWV 511; text by Gerhardt; ↔ BWV 512, Z 7417a00385
3165.1750 or earlierchorale setting "Gott, der du selber bist das Licht"G min.SATB39: 208III/2.2: 133after Z 5814; text by Rist00386
3175.1750 or earlierchorale setting "Gott der Vater wohn uns bei"D maj.SATB39: 208III/2.2: 78after Z 8507; text by Luther00387
3185.1750 or earlierchorale setting "Gottes Sohn ist kommen"G maj.SATB39: 209III/2.2: 13after Z 3294; text by Horn [de]00388
F maj.III/2.2: 214
3195.1750 or earlierchorale setting "Gott hat das Evangelium"E min.SATB39: 209III/2.2: 102after Z 1788; text by Alberus00389
3205.1750 or earlierchorale setting "Gott lebet noch"F maj.SATB39: 210III/2.2: 138after Z 7951; text by Zihn [de]; ↔ BWV 46100390
3215.1750 or earlierchorale setting "Gottlob, es geht nunmehr zum Ende"B♭ maj.SATB39: 210III/2.2: 108after Z 2853; → Z 2855; text by Luther00391
3225.1750 or earlierchorale setting "Gott sei gelobet und gebenedeiet"C maj.SATB39: 211III/2.2: 39after Z 8078; text by Luther00392
3235.1750 or earlierchorale setting "Gott sei uns gnädig und barmherzig"F♯ min.SATB39: 212III/2.2: 186after German Magnificat; text after Ps. 6700393
3255.1750 or earlierchorale setting "Heilig, heilig, heilig"F maj.SATB39: 212III/2.2: 138after Z 8633a; text after Sanctus; ↔ Z 863400395
chorale setting "Sanctus, Sanctus Dominus Deus"after Z 8633a; text: Sanctus; ↔ Z 8634
3265.1750 or earlierchorale setting "Herr Gott, dich loben alle wir"B♭ maj.SATB39: 213III/2.2: 96after Z 368; text by Eber00396
3285.1750 or earlierchorale setting "Herr Gott, dich loben wir"A min.SATB39: 214III/2.2: 117after Z 8652; text by Luther after Te Deum00398
3295.1750 or earlierchorale setting "Herr, ich denk an jene Zeit"B♭ maj.SATB39: 216III/2.2: 123after Z 4840; text by Mylius [de]00399
3305.1750 or earlierchorale setting "Herr, ich habe missgehandelt"A min.SATB39: 216III/2.2: 21after Z 3695; text by Franck, J.00400
3315.c. 1735 or earlierchorale setting "Herr, ich habe missgehandelt"A min.SATB39: 217III/2.1: 47
III/2.2: 171		after Z 3695; text by Franck, J.00401
3325.1750 or earlierchorale setting "Herr Jesu Christ, dich zu uns wend"G maj.SATB39: 217III/2.2: 79after Z 624; text by William of Saxe-Weimar00402
3335.1750 or earlierchorale setting "Herr Jesu Christ, du hast bereit'"G min.SATB39: 218III/2.2: 133after Z 4711; text by Kinner [de]00403
3345.c. 1735 or earlierchorale setting "Herr Jesu Christ, ich schrei zu dir"G min.SATBIII/2.1: 43after Z 448600404
chorale setting "Herr Jesu Christ, du höchstes Gut"39: 218III/2.2: 41after Z 4486; text by Ringwaldt
3355.c. 1735 or earlierchorale setting "Herr Jesu Christ, meins Lebens Licht"E min.SATB39: 218III/2.1: 60
III/2.2: 175		after Z 423; text by Behm00405
chorale setting "O Jesu, du mein Bräutigam"III/2.2: 139after Z 423; text by Hermann
3365.1750 or earlierchorale setting "Herr Jesu Christ, wahr' Mensch und Gott"A maj.SATB39: 219III/2.2: 106after Z 423; text by Eber00406
3375.1750 or earlierchorale setting "Herr, nun lass in Friede"A min.SATB39: 219III/2.2: 107after Z 3302; text by Behme [de]00407
3385.1750 or earlierchorale setting "Herr, straf mich nicht in deinem Zorn, das bitt"A min.SATB39: 220III/2.2: 131after Z 4606a; text after Ps. 6[22]00408
3395.1750 or earlierchorale setting "Wer in dem Schutz des Höchsten ist"A maj.SATB39: 220III/2.2: 84after Z 4438; text by Heyden00409
chorale setting "Herr, wie du willt, so schicks mit mir"after Z 4438; text by Bienemann [de]
3405.c. 1735 or earlierchorale setting "Herzlich lieb hab ich dich, o Herr"C maj.SATB39: 221III/2.1: 42
III/2.2: 164		after Z 8326; text by Schalling00410
3415.1750 or earlierchorale setting "Heut ist, o Mensch, ein großer Trauertag"G Dor.SATB39: 221III/2.2: 96after Z 8569/A; text by Löwenstern00411
3425.1750 or earlierchorale setting "Heut triumphieret Gottes Sohn"A min.SATB39: 222III/2.2: 44after Z 2585; text by Stolzhagen [de]00412
3435.1750 or earlierchorale setting "Hilf, Gott, dass mirs gelinge"G Dor.SATB39: 222III/2.2: 112after Z 4329f; text by Müller, H.[23]00413
3445.1750 or earlierchorale setting "Hilf, Herr Jesu, lass gelingen"G Dor.SATB39: 223III/2.2: 89after Z 3687a; text by Rist00414
3455.c. 1735 or earlierchorale setting "Ich bin ja, Herr, in deiner Macht"G min.SATB39: 223III/2.1: 13
III/2.2: 148		↔ Z 5878a; text by Dach00415
3465.1750 or earlierchorale setting "Ich dank dir, Gott, für deine Wohltat"C maj.SATB39: 224III/2.2: 132after Z 8090; text by Freder [de]00416
3475.1750 or earlierchorale setting "Ich dank dir, lieber Herre"A maj.SATB39: 224III/2.2: 2after Z 5354a–b; text by Kolross00417
3485.c. 1735 or earlierchorale setting "Ich dank dir, lieber Herre"B♭ maj.SATB39: 225III/2.1: 39
III/2.2: 162		after Z 5354a–b; text by Kolross00418
3495.1750 or earlierchorale setting "Ich dank dir schon durch deinen Sohn"F maj.SATB39: 225III/2.2: 106after Z 247b; text by Burchart [de]00419
3505.1750 or earlierchorale setting "Ich danke dir, Herr Gott, in deinem Throne"G min.SATB39: 226III/2.2: 135after Z 3199; text by Fabricius [de]00420
3515.1750 or earlierchorale setting "Ich hab mein Sach Gott heimgestellt"G Dor.SATB39: 226III/2.2: 13after Z 1679; text by Leon [de]00421
3665.1750 or earlierchorale setting "Ihr Gestirn, ihr hohlen Lüfte"D min.SATB39: 236III/2.2: 92after Z 3703; text by Franck, J.00436
3675.1750 or earlierchorale setting "In allen meinen Taten"C maj.SATB39: 236III/2.2: 81after Z 2276; text by Fleming[24]00437
3685.1750 or earlierchorale setting "In dulci jubilo"F maj.SATB39: 236III/2.2: 83after Z 494700438
3525.1750 or earlierchorale setting "Jesu, der du meine Seele"A min.SATB39: 227III/2.2: 22after Z 6804; text by Rist00422
3535.c. 1735 or earlierchorale setting "Jesu, der du meine Seele"G min.SATB39: 228III/2.1: 26
III/2.2: 160		after Z 6804; text by Rist00423
3545.c. 1735 or earlierchorale setting "Jesu, der du meine Seele"B♭ Dor.SATB39: 228III/2.1: 99
III/2.2: 211		after Z 6804; text by Rist00424
3555.1750 or earlierchorale setting "Jesu, der du selbsten wohl"A maj.SATB39: 229III/2.2: 97after Z 6335; text by Bapzien [de]00425
3565.1750 or earlierchorale setting "Jesu, du mein liebstes Leben"G min.SATB39: 230III/2.2: 144after Z 7891; text by Rist00426
3575.1750 or earlierchorale setting "Jesu, Jesu, du bist mein"C Dor.SATB39: 230III/2.2: 144↔ BWV 470, Z 644600427
3585.c. 1735 or earlierchorale setting "Jesu, meine Freude"D min.SATB39: 231III/2.1: 80
III/2.2: 204		after Z 8032; text by Franck, J.00428
3605.c. 1735 or earlierchorale setting "Jesu, meiner Seelen Wonne"B♭ maj.SATB39: 232III/2.1: 73
III/2.2: 201		after Z 6551a; text by Janus00430
3595.1750 or earlierchorale setting "Jesu, meiner Seelen Wonne"A maj.SATB39: 232III/2.2: 209after BWV 154/3; text by Janus00429
3615.c. 1735 or earlierchorale setting "Jesu, meines Herzens Freud"B♭ maj.SATB39: 233III/2.1: 34
III/2.2: 157		after Z 4797–4798; text by Flittner [de]00431
3625.c. 1735 or earlierchorale setting "Jesu, nun sei gepreiset"B♭ maj.SATB39: 234III/2.1: 12
III/2.2: 149		after Z 8477a; text by Hermann00432
3645.1750 or earlierchorale setting "Jesus Christus, unser Heiland, der den Tod überwand"G Dor.SATB39: 235III/2.2: 99after Z 1978; text by Luther00434
3635.1750 or earlierchorale setting "Jesus Christus, unser Heiland, der von uns den Gottes Zorn wandt"E min.SATB39: 234III/2.2: 19after Z 1576; text by Luther00433
3655.1750 or earlierchorale setting "Jesus, meine Zuversicht"C maj.SATB39: 235III/2.2: 100after Z 3432b; text by Louise Henriette of N00435
3695.1750 or earlierchorale setting "Keinen hat Gott verlassen"E min.SATB39: 237III/2.2: 73after Z 539500439
3705.1750 or earlierchorale setting "Komm, Gott Schöpfer, Heiliger Geist"C maj.SATB39: 238III/2.2: 105after Z 295; text by Luther00440
3715.1750 or earlierchorale setting "Kyrie, Gott Vater in Ewigkeit"A min.SATB39: 238III/2.2: 74after Z 8600c00441
3725.1750 or earlierchorale setting "Lass, o Herr, dein Ohr sich neigen"G Dor.SATB39: 240III/2.2: 128after Z 6863; text by Opitz00442
3735.1750 or earlierchorale setting "Liebster Jesu, wir sind hier"G maj.SATB39: 240III/2.2: 74, 190after Z 3498b; text by Clausnitzer00443
3745.1750 or earlierchorale setting "Lobet den Herren, denn er ist sehr"G Dor.SATB39: 241III/2.2: 134after Z 975; text after Ps. 14700444
3755.c. 1735 or earlierchorale setting "Lobt Gott, ihr Christen, allzugleich"G maj.SATB39: 241III/2.1: 45
III/2.2: 164		after Z 198; text by Herman00445
3765.1750 or earlierchorale setting "Lobt Gott, ihr Christen allzugleich"A maj.SATB39: 242III/2.2: 197after Z 198; text by Herman00446
3775.1750 or earlierchorale setting "Machs mit mir, Gott, nach deiner Güt"D maj.SATB39: 242III/2.2: 26after Z 2383; text by Schein00447
3785.1750 or earlierchorale setting "Mein Augen schließ ich jetzt"G maj.SATB39: 243III/2.2: 153after Z 1067; text by Löwenstern00448
3795.1750 or earlierchorale setting "Meinen Jesum lass ich nicht, Jesus"G maj.SATB39: 243III/2.2: 87after Z 3448a00449
3805.c. 1735 or earlierchorale setting "Meinen Jesum lass ich nicht, weil"E♭ maj.SATB39: 244III/2.1: 62
III/2.2: 178		after Z 3449; text by Keymann00450
3245.1750 or earlierchorale setting "Meine Seele erhebet den Herren"E min.SATB39: 212III/2.2: 73after German Magnificat; text by Luther after Lk. 1:46–5500394
3815.1750 or earlierchorale setting "Meines Lebens letzte Zeit"E min.SATB39: 244III/2.2: 199after Z 6380; ↔ BWV 48800451
3825.c. 1735 or earlierchorale setting "Mit Fried und Freud ich fahr dahin"G Dor.SATB39: 245III/2.1: 40
III/2.2: 28		after Z 3986; text by Luther00452
3835.1750 or earlierchorale setting "Mitten wir im Leben sind"A min.SATB39: 246III/2.2: 124after Z 8502; text by Luther after Media vita00453
3845.1750 or earlierchorale setting "Nicht so traurig, nicht so sehr"C min.SATB39: 247III/2.2: 86↔ Z 3355; text by Gerhardt00454
3855.c. 1735 or earlierchorale setting "Nun bitten wir den Heiligen Geist"A maj.SATB39: 247III/2.1: 76
III/2.2: 22		after Z 2029a; text by Luther00455
3865.c. 1735 or earlierchorale setting "Nun danket alle Gott"A maj.SATB39: 248III/2.1: 101
III/2.2: 20		after Z 5142; text by Rinkart00456
3875.1750 or earlierchorale setting "Nun freut euch, Gottes Kinder all"D Dor.SATB39: 248III/2.2: 104after Z 364; text by Alberus00457
3885.1750 or earlierchorale setting "Nun freut euch, lieben Christen gmein"G maj.SATB39: 248III/2.2: 103after Z 4427; text by Luther00458
3895.c. 1735 or earlierchorale setting "Nun lob, mein Seel, den Herren"C maj.SATB39: 249III/2.1: 32
III/2.2: 159		after Z 8244; text by Gramann after Ps. 10300459
3905.c. 1735 or earlierchorale setting "Nun lob, mein Seel, den Herren"C maj.SATB39: 250III/2.1: 58
III/2.2: 176		after Z 8244; text by Gramann after Ps. 10300460
3915.1750 or earlierchorale setting "Nun preiset alle Gottes Barmherzigkeit"G maj.SATB39: 250III/2.2: 131after Z 4089a; text by Löwenstern00461
3925.1734–1750chorale setting "Nun ruhen alle Wälder"B♭ maj.SATB39: 251III/2.2: 172after BWV 97/9; text by Gerhardt00462
3965.1750 or earlierchorale setting "Nun sich der Tag geendet hat"A min.SATB39: 252III/2.2: 142after Z 212b; text by Krieger00466
3975.c. 1735 or earlierchorale setting "O Ewigkeit, du Donnerwort"F maj.SATB39: 253III/2.1: 23
III/2.2: 163		after Z 5820; text by Johann Rist; ↔ BWV 51300467
3985.c. 1728–1729chorale setting "O Gott, du frommer Gott"D maj.SATB39: 254III/2.2: 182after Z 5206b; text by Heermann; ↔ BWV 197a/700468
3995.1750 or earlierchorale setting "O Gott, du frommer Gott"G maj.SATB39: 254III/2.2: 184after Z 5148; text by Heermann00469
4005.1750 or earlierchorale setting "O Herzensangst"E♭ maj.SATB39: 255III/2.2: 99↔ Z 1003; text by Müller von Königsberg00470
4015.1750 or earlierchorale setting "O Lamm Gottes, unschuldig"F maj.SATB39: 255III/2.2: 94after Z 4361a; text by Decius after Agnus Dei00471
4025.1750 or earlierchorale setting "O Mensch, bewein dein Sünde groß"E♭ maj.SATB39: 256III/2.2: 114after Z 8303; text by Heyden00472
4035.1750 or earlierchorale setting "O Mensch, schau Jesum Christum an"G Dor.SATB39: 257III/2.2: 116after Z 3994a–b; text by Specht; ↔ Z 3994c00473
4045.1750 or earlierchorale setting "O Traurigkeit, o Herzeleid"A min.SATB39: 257III/2.2: 34after Z 1915; text by Rist00474
F min.III/2.2: 215
3935.c. 1735 or earlierchorale setting "O Welt, sieh hier dein Leben"A maj.SATB39: 251III/2.1: 44
III/2.2: 163		after Z 2293b; text by Gerhardt00463
3945.c. 1735 or earlierchorale setting "O Welt, sieh hier dein Leben"A maj.SATB39: 252III/2.1: 96
III/2.2: 210		after Z 2293b; text by Gerhardt00464
3955.1724–1750chorale setting "O Welt, sieh hier dein Leben"A maj.SATB39: 252III/2.2: 208after BWV 245/11; text by Gerhardt00465
4055.1750 or earlierchorale setting "O wie selig seid ihr doch, ihr Frommen"D min.SATB39: 258III/2.2: 124after Z 1583; text by Dach; ↔ BWV 49500475
4065.1750 or earlierchorale setting "O wie selig seid ihr doch, ihr Frommen"D min.SATB39: 258III/2.2: 129after Z 1581; text by Dach00476
4075.1750 or earlierchorale setting "O wir armen Sünder"D maj.SATB39: 258III/2.2: 114after Z 8187c; text by Bonnus [de]00477
4085.1750 or earlierchorale setting "Schaut, ihr Sünder"G Dor.SATB39: 259III/2.2: 98after Z 8569/B; text by Löwenstern00478
4095.1750 or earlierchorale setting "Seelenbräutigam"A maj.SATB39: 260III/2.2: 82, 216after Z 3255a–b; text by Drese; ↔ BWV 49600479
4105.1750 or earlierchorale setting "Sei gegrüßet, Jesu gütig"G min.SATB39: 260III/2.2: 98after Z 3889b; text by Keymann; ↔ BWV 49900480
4115.1750 or earlierchorale setting "Singt dem Herrn ein neues Lied"G maj.SATB39: 260III/2.2: 146after Z 6424; text by Löwenstern00481
4125.1750 or earlierchorale setting "So gibst du nun, mein Jesu, gute Nacht"G Dor.SATB39: 261III/2.2: 119after Z 849; text by Pfeiffer [de]; ↔ BWV 50100482
4135.1750 or earlierchorale setting "Sollt ich meinem Gott nicht singen"D min.SATB39: 262III/2.2: 130after Z 7886b; text by Gerhardt; ↔ BWV 48100483
4145.1750 or earlierchorale setting "Uns ist ein Kindlein heut geborn"G maj.SATB39: 262III/2.2: 86after Z 439; ↔ BWV 25300484
4155.1750 or earlierchorale setting "Valet will ich dir geben"D maj.SATB39: 263III/2.2: 16after Z 5404a; text by Herberger00485
4165.1724-04-07chorale setting "Vater unser im Himmelreich"D min.SATB39: 263III/2.1: 94
III/2.2: 27		after Z 2561; text by Luther after Mt 6:9–13; ↔ BWV 245.1/500486
4175.c. 1735 or earlierchorale setting "Von Gott will ich nicht lassen"B min.SATB39: 264III/2.1: 92
III/2.2: 209		after Z 5264b; text by Helmbold00487
4185.1750 or earlierchorale setting "Von Gott will ich nicht lassen"A min.SATB39: 264III/2.2: 192after Z 5264b; text by Helmbold00488
4195.1726–1761 (CPE)chorale setting "Helft mir Gotts Güte preisen"A min.SATB39: 265III/2.2: 64by Bach, C. P. E.; after BWV 16/6; text by Eber00489
chorale setting "Von Gott will ich nicht lassen"by Bach, C. P. E.; after BWV 16/6; text by Helmbold
2575.c. 1735 or earlierchorale setting "Wär Gott nicht mit uns diese Zeit"A min.SATB39: 178III/2.1: 46
III/2.2: 170		after Z 4441a; text by Luther after Ps. 12400327
4205.1750 or earlierchorale setting "Warum betrübst du dich, mein Herz"A min.SATB39: 265III/2.2: 84after Z 1689a00490
4215.c. 1735 or earlierchorale setting "Warum betrübst du dich, mein Herz"A min.SATB39: 266III/2.1: 65
III/2.2: 178		after Z 1689a; ↔ BWV 1164/200491
4225.c. 1735 or earlierchorale setting "Warum sollt ich mich denn grämen"G Mix.SATB39: 266III/2.1: 82
III/2.2: 204		after Z 6461; → Z 6462; text by Gerhardt00492
4235.1750 or earlierchorale setting "Was betrübst du dich, mein Herze"G Dor.SATB39: 267III/2.2: 140↔ Z 6830; text by Herrmann [wikisource:de]00493
4245.1750 or earlierchorale setting "Was bist du doch, o Seele, so betrübet"A min.SATB39: 267III/2.2: 108after Z 1837; text by Schultt, R. F. [scores]; ↔ BWV 50600494
4255.1750 or earlierchorale setting "Was willst du dich, o meine Seele, kränken"A min.SATB39: 268III/2.2: 142after Z 7844; text by Werder [de]00495
4265.1750 or earlierchorale setting "Weltlich Ehr und zeitlich Gut"C maj.SATB39: 269III/2.2: 122after Z 4972; text by Weiße00496
4275.1750 or earlierchorale setting "Wenn ich in Angst und Not"E♭ maj.SATB39: 269III/2.2: 85after Z 4233; text by Löwenstern00497
4285.1750 or earlierchorale setting "Wenn mein Stündlein verhanden ist"G maj.SATB39: 270III/2.2: 187after Z 4482a; text by Herman00498
4295.c. 1735 or earlierchorale setting "Wenn mein Stündlein verhanden ist"A maj.SATB39: 270III/2.1: 91
III/2.2: 29		after Z 4482a; text by Herman00499
4305.c. 1735 or earlierchorale setting "Wenn mein Stündlein verhanden ist"A maj.SATB39: 271III/2.1: 68
III/2.2: 201		after Z 4482a; text by Herman00500
4315.1750 or earlierchorale setting "Wenn wir in höchsten Nöten sein"F maj.SATB39: 272III/2.2: 38after Z 394; text by Eber00501
4325.1750 or earlierchorale setting "Wenn wir in höchsten Nöten sein"G maj.SATB39: 272III/2.2: 146after Z 394; text by Eber00502
4335.1750 or earlierchorale setting "Wer Gott vertraut, hat wohl gebaut"G maj.SATB39: 273III/2.2: 78after Z 8207; text by Magdeburg [de][24]00503
4345.c. 1735 or earlierchorale setting "Wer weiß, wie nahe mir mein Ende"A min.SATB39: 273III/2.1: 38after Z 2778; text by Emilie Juliane of B-M00504
chorale setting "Wer nur den lieben Gott lässt walten"III/2.2: 85after Z 2778; text by Neumark
4355.1750 or earlierchorale setting "Wie bist du, Seele, in mir so gar betrübt"E min.SATB39: 274III/2.2: 143after Z 4092; text by Zeutschner [choralwiki]00505
4365.c. 1735 or earlierchorale setting "Wie schön leuchtet der Morgenstern"E maj.SATB39: 274III/2.1: 45
III/2.2: 165		after Z 8359; text by Nicolai00506
4375.1750 or earlierchorale setting "Wir glauben all an einen Gott"D Dor.SATB39: 275III/2.2: 76after Z 7971; text by Luther after Creed00507
2585.1750 or earlierchorale setting "Wo Gott der Herr nicht bei uns hält"B min.SATB39: 179III/2.2: 194after Z 4441a; text by Jonas00328
4385.1750 or earlierchorale setting "Wo Gott zum Haus nicht gibt sein Gunst"F maj.SATB39: 276III/2.2: 90after Z 305; text by Kolross00508
500a5.1726-04-19chorale setting "So gehst du nun, mein Jesu, hin" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser)SATB Str BcII/9: 75text by Nachtenhöfer [de]; ↔ BWV 50000571
10845.1726-04-19chorale setting "O hilf Christe, Gottes Sohn" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser)SATB Str BcII/9: 76text by Weiße; after BC D 5a/1401270
10895.chorale setting "Da Jesus an dem Kreuze stund"SATBIII/2.2: 216text by Lilius [de]01275
11225.c. 1735 or earlierchorale setting "Denket doch, ihr Menschenkinder"F maj.SATBIII/2.1: 31
III/2.2: 217		text by Hübner?[25]01720
11235.c. 1735 or earlierchorale setting "Wo Gott zum Haus gibt nicht sein Gunst"G maj.SATBIII/2.1: 40after Z 305; text by Kolross[25]01721
11245.c. 1735 or earlierchorale setting "Ich ruf zu dir, Herr Jesu Christ"E min.SATBIII/2.1: 51after Z 7400; text by Agricola, J.[25]01722
11255.c. 1735 or earlierchorale setting "O Gott, du frommer Gott"D maj.SATBIII/2.1: 79after Z 5206b; text by Heermann[25]01723
11265.chorale setting "Lobet Gott, unsern Herren"SATBIII/2.2: 21801724
6.Songs, Arias and Quodlibet (see also: List of songs and arias of Johann Sebastian Bach)Up ↑
4396.1735–1736 or earliersong "Ach, dass nicht die letzte Stunde" (Schemelli #831; tune #56)V Bc39: 279III/2.1: 210↔ Z 6721; text by Neumeister00509
4406.1735–1736 or earliersong "Auf, auf! die rechte Zeit ist hier" (Schemelli #171; tune #11)V Bc39: 279III/2.1: 123↔ Z 705; text by Opitz00510
4416.c. 1735 or earlierchorale setting "Auf, auf, mein Herz, mit Freuden"F maj.SATBIII/2.1: 67after Z 5243; text by Gerhardt00511
1735–1736 or earliersong "Auf, auf, mein Herz, mit Freuden" (Schemelli #320; tune #27)V Bc39: 279III/2.1: 152
4426.1735–1736 or earliersong "Beglückter Stand getreuer Seelen" (Schemelli #570; tune #39)V Bc39: 280III/2.1: 176after Z 5970; text by Bonin [de]00512
4436.1735–1736 or earliersong "Beschränkt, ihr Weisen dieser Welt" (Schemelli #689; tune #47)V Bc39: 280III/2.1: 192↔ Z 7765; text by Wegleiter [wikisource:de]00513
4446.1735–1736 or earliersong "Brich entzwei, mein armes Herze" (Schemelli #303; tune #24)V Bc39: 280III/2.1: 146after Z 7110–7111a; → Z 7111b; text by Trommer [scores]00514
4456.1735–1736 or earliersong "Brunnquell aller Güter" (Schemelli #335; tune #29)V Bc39: 281III/2.1: 156after Z 6252b; text by Franck, J.00515
4466.1735–1736 or earliersong "Der lieben Sonnen Licht und Pracht" (Schemelli #39; tune #2)V Bc39: 281III/2.1: 106after Z 5659; text by Scriver00516
4476.1735–1736 or earliersong "Der Tag ist hin, die Sonne gehet nieder" (Schemelli #40; tune #3)V Bc39: 281III/2.1: 108after Z 923; ↔ BWV 297; text by Rube [fr]00517
4486.1735–1736 or earliersong "Der Tag mit seinem Lichte" (Schemelli #43; tune #4)V Bc39: 282III/2.1: 110after Z 7512b; text by Gerhardt00518
4496.1735–1736 or earliersong "Dich bet ich an, mein höchster Gott" (Schemelli #396; tune #31)V Bc39: 282III/2.1: 160↔ Z 2437; text by Olearius, J. G. [de][26]00519
4506.1735–1736 or earliersong "Die bittre Leidenszeit beginnet abermal" (Schemelli #258; tune #17)V Bc39: 282III/2.1: 134after Z 7429; text by Elmenhorst [de]00520
4516.1735–1736 or earliersong "Die güldne Sonne" (Schemelli #13; tune #1)V Bc39: 283III/2.1: 104after Z 8015; text by Gerhardt00521
4526.1735–1736 or earliersong "Dir, dir, Jehova, will ich singen" (Schemelli #397; tune #32)V Bc39: 284III/2.1: 162after BWV 299; → Z 3068; text by Crasselius00522
4536.1735–1736 or earliersong "Eins ist not! ach Herr, dies Eine" (Schemelli #112; tune #7)V Bc39: 284III/2.1: 116↔ Z 7129; text by Schröder [scores]00523
4546.1735–1736 or earliersong "Ermuntre dich, mein schwacher Geist" (Schemelli #187; tune #12)V Bc39: 284III/2.1: 124after Z 5741; text by Rist00524
4556.1735–1736 or earliersong "Erwürgtes Lamm, das die verwahrten Siegel" (Schemelli #580; tune #43)V Bc39: 285III/2.1: 184after Z 3138; text by Bonin [de]00525
4566.1735–1736 or earliersong "Es glänzet der Christen inwendiges Leben" (Schemelli #572; tune #40)V Bc39: 285III/2.1: 178after Z 6969; text by Richter00526
4576.1735–1736 or earliersong "Es ist nun aus mit meinem Leben" (Schemelli #847; tune #57)V Bc39: 286III/2.1: 212after Z 6969; text by Omeis [de]00527
4586.1735–1736 or earliersong "Es ist vollbracht! Vergiss ja nicht dies Wort" (Schemelli #306; tune #25)V Bc39: 286III/2.1: 148after Z 2692; text by Schmidt [scores]00528
4596.1735–1736 or earliersong "Es kostet viel, ein Christ zu sein" (Schemelli #522; tune #38)V Bc39: 286III/2.1: 174after Z 2727; text by Richter00529
4606.1735–1736 or earliersong "Gib dich zufrieden und sei stille" (Schemelli #647; tune #45)V Bc39: 288III/2.1: 188after Z 7415; text by Gerhardt00530
4616.1735–1736 or earliersong "Gott lebet noch" (Schemelli #488; tune #37)V Bc39: 288III/2.1: 172after Z 7951; ↔ BWV 320; text by Zihn [de]00531
4626.1735–1736 or earliersong "Gott wie groß ist deine Güte" (Schemelli #360; tune #30)V Bc39: 289III/2.1: 158text by Schemelli; → Z 793700532
4636.1735–1736 or earliersong "Herr, nicht schicke deine Rache" (Schemelli #78; tune #5)V Bc39: 289III/2.1: 112after Z 6863; text by Opitz00533
4646.1735–1736 or earliersong "Ich bin ja, Herr, in deiner Macht" (Schemelli #861; tune #58)V Bc39: 290III/2.1: 214after Z 5869a; text by Dach00534
4656.1735–1736 or earliersong "Ich freue mich in dir" (Schemelli #194; tune #13)V Bc39: 290III/2.1: 126after Z 5138; text by Ziegler, C.00535
4666.1735–1736 or earliersong "Ich halte treulich still" (Schemelli #657; tune #46)V Bc39: 290III/2.1: 190text by Till [scores]; → Z 508200536
4676.1735–1736 or earliersong "Ich lass dich nicht" (Schemelli #734; tune #51)V Bc39: 291III/2.1: 200after Z 7455; text by Deßler [de]00537
4686.1735–1736 or earliersong "Ich liebe Jesum alle Stund" (Schemelli #737; tune #52)V Bc39: 291III/2.1: 202after Z 4731; → Z 473200538
4696.1735–1736 or earliersong "Ich steh an deiner Krippen hier" (Schemelli #195; tune #14)V Bc39: 292III/2.1: 128↔ Z 4663; text by Gerhardt00539
4766.1735–1736 or earliersong "Ihr Gestirn, ihr hohlen Lüfte" (Schemelli #197; tune #15)V Bc39: 294III/2.1: 130after Z 3703; text by Franck, J.00546
4716.1735–1736 or earliersong "Jesu, deine Liebeswunden" (Schemelli #139; tune #10)V Bc39: 292III/2.1: 122text by Wegleit. [wikisource:de]?; → Z 130200541
4706.1735–1736 or earliersong "Jesu, Jesu, du bist mein" (Schemelli #741; tune #53)V Bc39: 292III/2.1: 204↔ BWV 357; → Z 644600540
4726.1735–1736 or earliersong "Jesu, meines Glaubens Zier" (Schemelli #119; tune #8)V Bc39: 293III/2.1: 118after Z 6453; text by Sacer00542
4736.1735–1736 or earliersong "Jesu, meines Herzens Freud" (Schemelli #696; tune #48)V Bc39: 293III/2.1: 194after Z 4797–4798; text by Flittner [de]00543
4746.1735–1736 or earliersong "Jesus ist das schönste Licht" (Schemelli #463; tune #33)V Bc39: 293III/2.1: 164after Z 6412; text by Richter00544
4756.1735–1736 or earliersong "Jesus, unser Trost und Leben" (Schemelli #333; tune #28)V Bc39: 294III/2.1: 154after Z 4918; text by Homburg [de]00545
4776.1735–1736 or earliersong "Kein Stündlein geht dahin" (Schemelli #869; tune #60)V Bc39: 294III/2.1: 218after 4243b; text by Franck, M.?00547
4786.1735–1736 or earliersong "Komm, süßer Tod" (Schemelli #868; tune #59)V Bc39: 295III/2.1: 216→ Z 440000548
4796.1735–1736 or earliersong "Kommt, Seelen, dieser Tag" (Schemelli #936; tune #67)V Bc39: 295III/2.1: 232→ Z 5185; text by Löscher00549
4806.1735–1736 or earliersong "Kommt wieder aus der finstern Gruft" (Schemelli #938; tune #68)V Bc39: 296III/2.1: 234→ Z 4709; text by Löscher00550
4816.1735–1736 or earliersong "Lasset uns mit Jesu ziehen" (Schemelli #281; tune #18)V Bc39: 296III/2.1: 136after Z 7886b; ↔ BWV 413; text by Birken00551
4826.1735–1736 or earliersong "Liebes Herz, bedenke doch" (Schemelli #467; tune #34)V Bc39: 297III/2.1: 166after Z 6434; text by Koitsch [de]00552
4836.1735–1736 or earliersong "Liebster Gott, wann werd ich sterben" (Schemelli #873; tune #61)E♭ maj.V Bc39: 297III/2.1: 220after Z 6634; text by Neumann00553
4846.1735–1736 or earliersong "Liebster Herr Jesu, wo bleibst du so lange" (Schemelli #874; tune #62)V Bc39: 298III/2.1: 222↔ Z 3969; text by Weselowius [scores]00554
4856.1735–1736 or earliersong "Liebster Immanuel, Herzog der Frommen" (Schemelli #761; tune #54)V Bc39: 298III/2.1: 206after Z 4932c; text by Fritsch00555
4886.1735–1736 or earliersong "Meines Lebens letzte Zeit" (Schemelli #881; tune #63)V Bc39: 299III/2.1: 224after Z 6380; ↔ BWV 38100558
4866.1735–1736 or earliersong "Mein Jesu, dem die Seraphinen" (Schemelli #121; tune #9)V Bc39: 298III/2.1: 120after Z 5988; text by Deßler [de]00556
4876.1735–1736 or earliersong "Mein Jesu! was vor Seelenweh" (Schemelli #283; tune #19)V Bc39: 299III/2.1: 138text by Schemelli?; → Z 838300557
4896.1735–1736 or earliersong "Nicht so traurig, nicht so sehr" (Schemelli #574; tune #41)V Bc39: 300III/2.1: 180after Z 3342; text by Gerhardt?00559
4906.1735–1736 or earliersong "Nur mein Jesus ist mein Leben" (Schemelli #700; tune #49)V Bc39: 300III/2.1: 196after Z 8404c00560
4916.1735–1736 or earliersong "O du Liebe meiner Liebe" (Schemelli #284; tune #20)V Bc39: 300III/2.1: 140after Z 6693; text by Senitz [Wikidata][27]00561
4926.1735–1736 or earliersong "O finstre Nacht, wenn wirst du doch vergehen" (Schemelli #891; tune #64)V Bc39: 301III/2.1: 226↔ Z 6171; text by Breithaupt [scores]00562
4936.1735–1736 or earliersong "O Jesulein süß, o Jesulein mild" (Schemelli #203; tune #16)V Bc39: 302III/2.1: 132after Z 2016a; text by Thilo [de]00563
4946.1735–1736 or earliersong "O liebe Seele, zieh die Sinnen" (Schemelli #575; tune #42)V Bc39: 302III/2.1: 182→ Z 778700564
4956.1735–1736 or earliersong "O wie selig seid ihr doch, ihr Frommen" (Schemelli #894; tune #65)V Bc39: 302III/2.1: 228after Z 1583; ↔ BWV 405; text by Dach00565
4966.1735–1736 or earliersong "Seelenbräutigam" (Schemelli #472; tune #35)V Bc39: 303III/2.1: 168after Z 3255a–b; ↔ BWV 409; text by Drese00566
4976.1735–1736 or earliersong "Seelenweide" (Schemelli #710; tune #50)V Bc39: 303III/2.1: 198after Z 1286; text by Drese00567
4996.1735–1736 or earliersong "Sei gegrüßet, Jesu gütig" (Schemelli #293; tune #22)V Bc39: 304III/2.1: 143after Z 3889b; ↔ BWV 410; text by Keymann00569
4986.1735–1736 or earliersong "Selig, wer an Jesum denkt" (Schemelli #292; tune #21)V Bc39: 304III/2.1: 142→ Z 484600568
5006.1735–1736 or earliersong "So gehst du nun, mein Jesu hin" (Schemelli #296; tune #23)V Bc39: 304III/2.1: 144after Z 7631b; ↔ BWV 500a; text by Nachtenhöfer [de]00570
5016.1735–1736 or earliersong "So gibst du nun, mein Jesu, gute Nacht" (Schemelli #315; tune #26)V Bc39: 304III/2.1: 150after Z 849; ↔ BWV 412; text by Pfeiffer [de]00572
5026.1735–1736 or earliersong "So wünsch ich mir zu guter Letzt" (Schemelli #901; tune #66)V Bc39: 305III/2.1: 230↔ Z 5892; text by Rist00573
5036.1735–1736 or earliersong "Steh ich bei meinem Gott" (Schemelli #945; tune #69)V Bc39: 305III/2.1: 236after Z 5207; text by Herrnschmidt [de]00574
5046.1735–1736 or earliersong "Vergiss mein nicht, dass ich dein nicht vergesse" (Schemelli #475; tune #36)V Bc39: 306III/2.1: 170after Z 4779; text by Arnold00575
5056.1735–1736 or earliersong "Vergiss mein nicht, ..., Mein allerliebster Gott" (Schemelli #627; tune #44)V Bc39: 306III/2.1: 186text by Arnold; → Z 423300576
5066.1735–1736 or earliersong "Was bist du doch, o Seele, so betrübt" (Schemelli #779; tune #55)A min.V Bc39: 307III/2.1: 208after Z 1837; ↔ BWV 424; text by Schultt, R. F. [scores]00577
5076.1735–1736 or earliersong "Wo ist mein Schäflein, das ich liebe" (Schemelli #108; tune #6)V Bc39: 308III/2.1: 114after Z 5958a; text by Schultt, J. P. [scores]00578
5086.1718-11-16 (GHS)
after 1733–1734 (AMB)		Notebook A. M. Bach (1725) No. 25: aria "Bist du bei mir"E♭ maj.V Bc432: 36
39: 309		V/4: 102after Stölzel (Diomedes)00579
5096.1725–1733 (AMB)Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke"V Bc432: 52
39: 310		V/4: 12800580
5106.1725–1733Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille"F maj.V Bc432: 30
39: 311		V/4: 9100581
5116.1725–1733Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille"G min.V Bc432: 31
39: 287		V/4: 91text by Gerhardt; → BWV 51200582
5126.1725–1733Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille"E min.V Bc432: 31
39: 287		V/4: 91after BWV 511; ↔ BWV 315, Z 7417a; text by Gerhardt00583
5136.1725–1733 (AMB)Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort"V Bc432: 52
39: 301		V/4: 129↔ BWV 397; text by Rist00584
5146.1725–1733 (AMB)Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott"V Bc432: 48
39: 303		V/4: 125text by Schmolck00585
5156.after 1733–1734Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife"D min.V Bc432: 34V/4: 98by Bach, G. H.?; → BWV 515a00586
515a6.after 1733–1734Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife"G min.V Bc432: 34
39: 309		V/4: 98after BWV 51500587
5166.after 1733–1734 (AMB)Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich"V Bc432: 46
39: 307		V/4: 12100588
5176.after 1733–1734 (AMB)Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen"V Bc432: 51
39: 307		V/4: 128text by Deßler [de]00589
5186.after 1725Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini"V Bc432: 49
39: 311		V/4: 12600590
5196.c.1736?Five Hymns from SBB Bach P 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden"V Bcby Krebs, J. L.?; in Spitta III, pp. 401–40300591
5206.c.1736?Five Hymns from SBB Bach P 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist"V Bcby Krebs, J. L.?; in Spitta III, pp. 401–40300592
5216.c.1736?Five Hymns from SBB Bach P 802 No. 3: "Gott, mein Herz dir Dank zusendet"VIII/3by Krebs, J. L.?; in Spitta III, pp. 401–40300593
5226.c.1736?Five Hymns from SBB Bach P 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht"Vby Krebs, J. L.?; in Spitta III, pp. 401–40300594
5236.c.1736?Five Hymns from SBB Bach P 802 No. 5: "Ich gnüge mich an meinem Stande"Vby Krebs, J. L.?; in Spitta III, pp. 401–40300595
5246.1707 – July 1708Quodlibet (incomplete; wedding?)SATB (SBBB) BcNBG 322I/41: 6900596
7.Works for organ (see also: List of organ compositions by Johann Sebastian Bach)Up ↑
5257.1727–1731Trio Sonata No. 1/6E♭ maj.Organ15: 3IV/7: 1→ BWV 525a00597
5267.1727–1731Trio Sonata No. 2/6C min.Organ15: 13IV/7: 1400598
5277.1727–1731Trio Sonata No. 3/6 (+e. v. for /1)D min.Organ15: 26IV/7: 28→ BWV 1044/200599
5287.1727–1731Trio Sonata No. 4/6 (+e. v. for /2, /3)E min.Organ15: 40IV/7: 44after BWV 76/800600
5297.1727–1731Trio Sonata No. 5/6 (+e. v. for /2)C maj.Organ15: 50IV/7: 5600601
5307.1727–1731Trio Sonata No. 6/6G maj.Organ15: 66IV/7: 7600602
5317.c. 1703–1706Prelude and FugueC maj.Organ15: 81IV/5: 3in Möllersche Handschrift00603
532.27.c. 1708–1712Prelude and FugueD maj.Organ15: 88IV/5: 58after BWV 912/1, 532.100604
532.17.Fugue (early version)D maj.OrganIV/6: 95→ BWV 532.2/200605
5337.c.1704Prelude and Fugue ("Cathedral")E min.Organ15: 100IV/5: 90↔ BWV 533a00606
533a7.Prelude and FugueE min.KeyboardIV/6: 106↔ BWV 53300607
5357.after 1717Prelude and FugueG min.Organ15: 112IV/5: 157after BWV 535a00609
535a7.c.1702–1704Prelude and Fugue (incomplete)G min.OrganIV/6: 109→ BWV 535; in Möllersche Handschrift00610
5367.1708–1717Prelude and FugueA maj.Organ15: 120IV/5: 180↔ BWV 152/1; → 536a00611
5377.1729–1750Fantasia and FugueC min.Organ15: 129IV/5: 4700613
5387.1712–1717Toccata and Fugue ("Dorian")D min.Organ15: 136IV/5: 7600614
5397.1724–1750?Prelude and FugueD min.Organ15: 148IV/5: 70after BWV 1001/2, 100000615
5407.c.1712–1717?Toccata and FugueF maj.Organ15: 154IV/5: 11200616
541
528/3		7.c.1712–1717?Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement)G maj.Organ15: 169IV/5: 146→ BWV 528/300617
5427.c.1714–1720?Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor)G min.Organ15: 177IV/5: 16700618
5437.after c.1730Prelude and FugueA min.Organ15: 189IV/5: 186after BWV 543/1a00619
543/1a7.bef. c.1725PreludeA min.OrganIV/6: 121→ BWV 543/100620
5447.1727–1731 (JSB)Prelude and FugueB min.Organ15: 199IV/5: 19800621
545
529/2		7.1708–1717
after 1722		Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722)C maj.Organ15: 212IV/5: 10after BWV 545a, b; → 529/200622
545a7.1708–1717Prelude and Fugue (early version)C maj.OrganIV/6: 77→ BWV 545b, 54500623
5467.1708–1750Prelude and FugueC min.Organ15: 218IV/5: 3500625
5477.1719–1750Prelude and FugueC maj.Organ15: 228IV/5: 2000626
5487.1727–1731 (JSB)Prelude and Fugue ("Wedge")E min.Organ15: 236IV/5: 9400627
5497.1705–1750Prelude and FugueC min.Organ38: 3IV/5: 30after BWV 549a00628
549a7.bef. c.1703Prelude (or: Fantasia) and FugueD min.OrganIV/6: 101→ BWV 549; in Möllersche Handschrift00629
5507.c.1708–1712Prelude and FugueG maj.Organ38: 9IV/5: 13800630
5517.c.1699Prelude and FugueA min.Organ38: 17IV/6: 6300631
5527.1739Prelude and Fugue ("St Anne") from Clavier-Übung IIIE♭ maj.Organ3: 173, 254IV/4: 2, 10500632
5627.1720–c.1748Fantasia and Fugue (unfinished fugue added c.1747–1748)C min.Organ38: 64, 209
44: 4		IV/5: 5400642
5637.c.1704Fantasia and ImitatioC maj.Organ38: 59IV/6: 68in Andreas-Bach-Buch00643
5647.1708–1717Toccata, Adagio and FugueC maj.Organ15: 253IV/6: 300644
5657.c.1704?Toccata and FugueD min.Organ15: 267IV/6: 3100645
5667.1703–1707Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA)E maj.
C maj.		Organ15: 276IV/6: 4000646
5697.1703–c.1704PreludeA min.Organ38: 89IV/6: 5900649
11217.c.1708–1709FantasiaC min.OrganIV/11: 54in Andreas-Bach-Buch; was Anh. 20501516
5707.c.1698–1704FantasiaC maj.Organ38: 62IV/6: 16in Andreas-Bach-Buch00650
5727.1708–c.1712Fantasia, a.k.a. Pièce d'Orgue (+reworked version)G maj.Organ38: 75IV/7: 130, 14400652
5737.c.1723–1724Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?)C maj.Keyboard38: 209
432: 3		V/4: 39
IV/6: 18		00653
5747.after c.1708?Fugue on a theme by LegrenziC min.Organ38: 94IV/6: 19after BWV 574b; ↔ 574a00654
574a7.after c.1708?Fugue on a theme by Legrenzi (variant)C min.Organ38: 205IV/6: 82after BWV 574b; ↔ 57400655
574b7.c.1707–1713 or earlierFugue on a theme by Legrenzi (early version)C min.OrganIV/6: 88after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch00656
5757.1708–1717?FugueC min.Organ38: 101IV/6: 2600657
5787.c.1713 or earlierFugue ("Little")G min.Organ38: 116IV/6: 55in Andreas-Bach-Buch00660
5797.c.1703–1707Fugue on a theme by CorelliB min.Organ38: 121IV/6: 71after Corelli (theme)00661
5827.c.1709–1710Passacaglia (and Fugue)C min.Organ15: 289IV/7: 98in Andreas-Bach-Buch00664
5837.c.1708–1717TrioD min.Organ38: 143IV/7: 9400665
5857.c.1726–1727 (JSB)TrioC min.Organ38: 219IV/8: 73after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach00667
5867.bef. c.1740TrioG maj.OrganIV/8: 78after Telemann?00668
5877.c.1714?AriaF maj.Organ38: 222IV/8: 82after Couperin, Les NationsIII/400669
5887.c.1703–1707CanzonaD min.Organ38: 126IV/7: 118in Möllersche Handschrift00670
5897.bef. c.1742Alla breveD maj.Organ38: 131IV/7: 11400671
5907.c.1723–1727 or laterPastorella (/1 incomplete?)F maj.Organ38: 135IV/7: 12200672
5927.c.1714–1717Concerto for solo organG maj.Organ38: 149IV/8: 56after J. E. of Saxe-Weimar, Concerto a 8; → BWV 592a00674
592a7.c.1714–1717Concerto for solo harpsichordG maj.Keyboard42: 282V/11: 150after BWV 59200675
5937.c.1714–1717Concerto for solo organA min.Organ38: 158IV/8: 16after Vivaldi, Op. 3 No. 8 (RV 522)00676
5947.c.1714–1717Concerto for solo organC maj.Organ38: 171IV/8: 30after Vivaldi, RV 208, Grosso Mogul00677
5957.c.1714–1717Concerto for solo organC maj.Organ38: 196IV/8: 65after BWV 984/100678
5967.c.1714–1717Concerto for solo organ (arrangement previously attributed to W. F. Bach)D min.OrganIV/8: 3after Vivaldi, Op. 3 No. 11 (RV 565)00679
5997.c.1711–1713chorale setting "Nun komm, der Heiden Heiland" (Orgelbüchlein No. 1)A min.Organ252: 3IV/1: 3after Z 117400682
6007.c.1711–1713chorale setting "Gott durch deine Güte" (Orgelbüchlein No. 2)F maj.Organ252: 4IV/1: 4after Z 329400683
chorale setting "Gottes Sohn ist kommen" (Orgelbüchlein No. 2)
6017.c.1708–1711 or earlierchorale setting "Herr Christ, der ein'ge Gottes Sohn" (Orgelbüchlein No. 3; also in Neumeister Collection)A maj.Organ252: 5IV/1: 6after Z 4297a00684
chorale setting "Herr Gott, nun sei gepreiset" (Orgelbüchlein No. 3; also in Neumeister Collection)
6027.c.1711–1713chorale setting "Lob sei dem allmächtigen Gott" (Orgelbüchlein No. 4)D min.Organ252: 6IV/1: 7after Z 33900685
6037.c.1711–1713chorale setting "Puer natus in Bethlehem" (Orgelbüchlein No. 5)G min.Organ252: 6IV/1: 8after Z 192b00686
6047.c.1711–1713chorale setting "Gelobet seist du, Jesu Christ" (Orgelbüchlein No. 6)G maj.Organ252: 7IV/1: 11after Z 194700687
6057.c.1711–1713chorale setting "Der Tag, der ist so freudenreich" (Orgelbüchlein No. 7)G maj.Organ252: 8IV/1: 11after Z 787000688
6067.c.1708–1711 or earlierchorale setting "Vom Himmel hoch, da komm ich her" (Orgelbüchlein No. 8)D maj.Organ252: 9IV/1: 13after Z 34600689
6077.c.1711–1713chorale setting "Vom Himmel kam der Engel Schar" (Orgelbüchlein No. 9)G min.Organ252: 10IV/1: 14after Z 192a00690
6087.c.1711–1713chorale setting "In dulci jubilo" (Orgelbüchlein No. 10)A maj.Organ252: 12IV/1: 16after Z 494700691
6097.c.1711–1713chorale setting "Lobt Gott, ihr Christen allzugleich" (Orgelbüchlein No. 11)G maj.Organ252: 13IV/1: 18after Z 19800692
6107.c.1711–1713chorale setting "Jesu, meine Freude" (Orgelbüchlein No. 12)C min.Organ252: 14IV/1: 19after Z 803200693
6117.c.1714–1716chorale setting "Christum wir sollen loben schon" (Orgelbüchlein No. 13)E min.Organ252: 15IV/1: 20after Z 297c00694
6127.c.1711–1713chorale setting "Wir Christenleut" (Orgelbüchlein No. 14)G min.Organ252: 16IV/1: 22after Z 207200695
6137.c.1740chorale setting "Helft mir Gotts Güte preisen" (Orgelbüchlein No. 15)B min.Organ252: 18IV/1: 24after Z 526700696
6147.c.1711–1713chorale setting "Das alte Jahr vergangen ist" (Orgelbüchlein No. 16)A min.Organ252: 19IV/1: 25after Z 381c00697
6157.c.1708–1711chorale setting "In dir ist Freude" (Orgelbüchlein No. 17)G maj.Organ252: 20IV/1: 27after Z 853700698
6167.c.1714–1716chorale setting "Mit Fried und Freud ich fahr dahin" (Orgelbüchlein No. 18)D min.Organ252: 24IV/1: 30after Z 398600699
6177.c.1714–1716chorale setting "Herr Gott, nun schleuß den Himmel auf" (Orgelbüchlein No. 19)A min.Organ252: 26IV/1: 32after Z 7641b00700
6187.c.1714–1716chorale setting "O Lamm Gottes, unschuldig" (Orgelbüchlein No. 20)F maj.Organ252: 28IV/1: 34after Z 4361a00701
6197.c.1714–1716chorale setting "Christe, du Lamm Gottes" (Orgelbüchlein No. 21)F maj.Organ252: 30IV/1: 36after Z 5800702
6207.c.1726chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22)A min.Organ252: 30IV/1: 37after BWV 620a00703
620a7.c.1714–1716chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22, e. v.)A min.Organ252: 149IV/1: 78after Z 6283b; → BWV 62000704
6217.c.1711–1713chorale setting "Da Jesus an dem Kreuze stund" (Orgelbüchlein No. 23)A min.Organ252: 32IV/1: 39after Z 170600705
6227.c.1711–1713chorale setting "O Mensch, bewein dein Sünde groß" (Orgelbüchlein No. 24)E♭ maj.Organ252: 33IV/1: 40after Z 8303; → BWV 622 (var.)00706
622 (var.)7.1716–1789chorale setting "O Mensch, bewein dein Sünde groß" (variant)Organafter BWV 62200707
6237.c.1714–1716chorale setting "Wir danken dir, Herr Jesu Christ" (Orgelbüchlein No. 25)G maj.Organ252: 35IV/1: 42after Z 42300708
6247.c.1714–1716chorale setting "Hilf Gott, dass mir's gelinge" (Orgelbüchlein No. 26)G min.Organ252: 36IV/1: 44after Z 432900709
6257.c.1708–1711 or earlierchorale setting "Christ lag in Todesbanden" (Orgelbüchlein No. 27)D min.Organ252: 38IV/1: 46after Z 7012a00710
6267.c.1711–1713chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" (Orgelbüchlein No. 28)A min.Organ252: 39IV/1: 48after Z 197800711
6277.c.1711–1713chorale setting "Christ ist erstanden" (Orgelbüchlein No. 29)D min.Organ252: 40IV/1: 49after Z 858400712
6287.c.1711–1713chorale setting "Erstanden ist der heilge Christ" (Orgelbüchlein No. 30)D maj.Organ252: 44IV/1: 54after Z 1747a00713
6297.c.1711–1713chorale setting "Erschienen ist der herrliche Tag" (Orgelbüchlein No. 31)D min.Organ252: 45IV/1: 55after Z 174300714
6307.c.1708–1711 or earlierchorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32)D min.Organ252: 46IV/1: 56after BWV 630a00715
630a7.c.1708–1711 or earlierchorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32, e. v.)OrganIV/1: 80after Z 2585; → BWV 63000716
6317.c.1726chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33)D min.Organ252: 47IV/1: 58after BWV 631a00717
631a7.c.1711–1713chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33, e. v.)G maj.Organ252: 150IV/1: 82after Z 295; → BWV 63100718
6327.c.1711–1713chorale setting "Herr Jesu Christ, dich zu uns wend" (Orgelbüchlein No. 34)F maj.Organ252: 48IV/1: 59after Z 62400719
6337.c.1711–1713chorale setting "Liebster Jesu, wir sind hier" distinctus (Orgelbüchlein No. 36)A maj.Organ252: 49IV/1: 61after BWV 63400720
6347.c.1711–1713chorale setting "Liebster Jesu, wir sind hier" (Orgelbüchlein No. 35)A maj.Organ252: 50IV/1: 60after Z 3498b; → BWV 63300721
6357.c.1711–1713chorale setting "Dies sind die heilgen zehn Gebot" (Orgelbüchlein No. 37)C maj.Organ252: 50IV/1: 62after Z 195100722
6367.c.1711–1713chorale setting "Vater unser im Himmelreich" (Orgelbüchlein No. 38)D min.Organ252: 52IV/1: 64after Z 256100723
6377.c.1711–1713chorale setting "Durch Adams Fall ist ganz verderbt" (Orgelbüchlein No. 39)A min.Organ252: 53IV/1: 65after Z 754900724
6387.c.1708–1711 or earlierchorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40)D maj.Organ252: 54IV/1: 66after BWV 638a00725
638a7.c.1708–1711 or earlierchorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40, e. v.)OrganIV/1: 83after Z 4430; → BWV 63800726
6397.c.1708–1711 or earlierchorale setting "Ich ruf zu dir, Herr Jesu Christ" (Orgelbüchlein No. 41; also in Neumeister Collection)F min.Organ252: 55IV/1: 68after Z 7400; → BWV Anh. 7300727
6407.c.1711–1713chorale setting "In dich hab ich gehoffet, Herr" (Orgelbüchlein No. 42)E min.Organ252: 56IV/1: 70after Z 245900728
6417.c.1711–1713chorale setting "Wenn wir in höchsten Nöten sein" (Orgelbüchlein No. 43)G maj.Organ252: 57IV/1: 71after Z 39400729
6427.c.1711–1713chorale setting "Wer nur den lieben Gott lässt walten" (Orgelbüchlein No. 44)A min.Organ252: 58IV/1: 72after Z 277800730
6437.c.1711–1713chorale setting "Alle Menschen müssen sterben" (Orgelbüchlein No. 45)G maj.Organ252: 59IV/1: 74after Z 6779a00731
6447.c.1711–1713chorale setting "Ach wie nichtig, ach wie flüchtig" (Orgelbüchlein No. 46)G min.Organ252: 60IV/1: 75after Z 1887b00732
6457.1747–1748chorale setting "Wachet auf, ruft uns die Stimme" (Schübler Chorales No. 1)E♭ maj.Organ252: 63IV/1: 86after BWV 140/400733
6467.1747–1748chorale setting "Wo soll ich fliehen hin" (Schübler Chorales No. 2)E min.Organ252: 66IV/1: 90after Z 216400734
chorale setting "Auf meinen lieben Gott" (Schübler Chorales No. 2)
6477.1747–1748chorale setting "Wer nur den lieben Gott lässt walten" (Schübler Chorales No. 3)C min.Organ252: 68IV/1: 92after BWV 93/400735
6487.1747–1748chorale setting "Meine Seele erhebt den Herren" (Schübler Chorales No. 4)D min.Organ252: 70IV/1: 94after BWV 10/500736
6497.1747–1748chorale setting "Ach bleib bei uns, Herr Jesu Christ" (Schübler Chorales No. 5)B♭ maj.Organ252: 71IV/1: 95after BWV 6/300737
6507.1747–1748chorale setting "Kommst du nun, Jesu, vom Himmel herunter" (Schübler Chorales No. 6)G maj.Organ252: 74IV/1: 98after BWV 137/200738
6517.c.1740chorale setting "Komm, heiliger Geist" (Fantasia; Leipzig Chorales 1/18)F maj.Organ252: 79IV/2: 3after BWV 651a00739
651a7.1708–1714chorale setting "Komm, heiliger Geist, Herre Gott" (Fantasia; e. v.: Weimar)Organ252: 151IV/2: 117after Z 7445a; → BWV 65100740
6527.c.1740chorale setting "Komm, heiliger Geist, Herre Gott" (alio modo; Leipzig Chorales 2/18)G maj.Organ252: 86IV/2: 13after BWV 652a00741
652a7.1708–1714chorale setting "Komm, heiliger Geist, Herre Gott" (e. v.: Weimar)OrganIV/2: 121after Z 7445a; → BWV 65200742
6537.c.1740chorale setting "An Wasserflüssen Babylon" (Leipzig Chorales 3/18)G maj.Organ252: 92IV/2: 22after BWV 653a00743
653a7.1708–1717chorale setting "An Wasserflüssen Babylon" (alio modo; 2nd v.: Weimar)Organ252: 157IV/2: 133after BWV 653b; → BWV 65300744
653b7.1708–1714chorale setting "An Wasserflüssen Babylon" (à 5; 1st v.: Weimar)Organ40: 49IV/2: 130after Z 7663; → BWV 653a00745
6547.c.1740chorale setting "Schmücke dich, o liebe Seele" (Leipzig Chorales 4/18)E♭ maj.Organ252: 95IV/2: 26after BWV 654a00746
654a7.1708–1714chorale setting "Schmücke dich, o liebe Seele" (e. v.: Weimar)OrganIV/2: 136after Z 6923; → BWV 65400747
6557.c.1740chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; Leipzig Chorales 5/18)G maj.Organ252: 98IV/2: 31after BWV 655a; ↔ 655 var. 1–4; → 655b–c00748
655 var. 17.1708–1798chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 1)Organafter Z 624; ↔ BWV 655(a), var. 2–400749
655 var. 27.1708–1798chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 2)F maj.Organafter Z 624; ↔ BWV 655(a), var. 1, 3–400750
655 var. 37.1708–1798chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 3)F maj.Organafter Z 624; ↔ BWV 655(a), var. 1–2, 400751
655 var. 47.1708–1798chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 4)F maj.Organafter Z 624; ↔ BWV 655(a), var. 1–300752
655a7.1708–1714chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; e. v.: Weimar)Organ252: 162IV/2: 140after Z 624; ↔ BWV 655 var. 1–4; → 65500753
6567.c.1740chorale setting "O Lamm Gottes, unschuldig" (Leipzig Chorales 6/18)A maj.Organ252: 102IV/2: 38after BWV 656a00756
656a7.1708–1714chorale setting "O Lamm Gottes, unschuldig" (e. v.: Weimar)Organ252: 166IV/2: 146after Z 4361b; → BWV 65600757
6577.1708–1714Chorale prelude Nun danket alle Gott (Leipzig Chorales 7/18)G maj.Organ252: 108IV/2: 46after Z 514200758
6587.c.1740chorale setting "Von Gott will ich nicht lassen" (Leipzig Chorales 8/18)F min.Organ252: 112IV/2: 51after BWV 658a00759
658a7.1708–1714chorale setting "Von Gott will ich nicht lassen" (Fantasia; e. v.: Weimar)Organ252: 170IV/2: 154after Z 5264b → BWV 65800760
6597.c.1740chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 9/18)G min.Organ252: 114IV/2: 55after BWV 659a00761
659a7.1708–1714chorale setting "Nun komm, der Heiden Heiland" (Fantasia; e. v.: Weimar)Organ252: 172IV/2: 157after Z 1174; → BWV 65900762
6607.c.1740chorale setting "Nun komm, der Heiden Heiland" (Trio; Leipzig Chorales 10/18)G min.Organ252: 116IV/2: 59after BWV 660a00763
660a7.1714–1717chorale setting "Nun komm, der Heiden Heiland" (Trio; e. v.: Weimar)Organ252: 174IV/2: 160after Z 1174; → BWV 660, 660b00764
660b7.1708–1714chorale setting "Nun komm, der Heiden Heiland" (arrangement)Organ252: 176by Krebs, J. T. (arr.)?; after BWV 660a00765
6617.c.1740chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 11/18)G min.Organ252: 118IV/2: 62after BWV 661a00766
661a7.1708–1714chorale setting "Nun komm, der Heiden Heiland" (e. v.: Weimar)Organ252: 178IV/2: 164after Z 1174; → BWV 66100767
6627.c.1740chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 12/18)A maj.Organ252: 122IV/2: 67after BWV 662a00768
662a7.1708–1717chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar)OrganIV/2: 168after Z 4457; → BWV 66200769
6637.c.1740chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 13/18)G maj.Organ252: 125IV/2: 72after BWV 663a00770
663a7.1708–1717chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar)Organ252: 180IV/2: 172after Z 4457; → BWV 66300771
6647.1746–1747chorale setting "Allein Gott in der Höh sei Ehr" (Trio; Leipzig Chorales 14/18)A maj.Organ252: 130IV/2: 79after BWV 664a–b00772
664a7.1708–1717chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; fair copy)Organ252: 183IV/2after BWV 664b; → BWV 66400773
664b7.1708–1717chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; sketch)OrganIV/2: 179after Z 4457; → BWV 664(a)00774
6657.1746–1747chorale setting "Jesus Christus, unser Heiland" (Leipzig Chorales 15/18)E min.Organ252: 136IV/2: 87after BWV 665a00775
665a7.1708–1714chorale setting "Jesus Christus, unser Heiland" (e. v.: Weimar)Organ252: 188IV/2: 187after Z 1576; → BWV 66500776
6667.1708–1748chorale setting "Jesus Christus, unser Heiland" (alio modo; Leipzig Chorales 16/18)E min.Organ252: 140IV/2: 91after BWV 666a00777
666a7.1708–1714chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar)OrganIV/2: 191after Z 1576; → BWV 66600778
6677.1747–1748chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Leipzig Chorales 17/18)C maj.Organ252: 142IV/2: 94after BWV 667a00779
667a7.1708–1717chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar)OrganIV/2after BWV 667b; → BWV 66700780
667b7.1708–1717chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch)OrganIV/2: 194after Z 295; → BWV 667(a)00781
6687.1747–1748chorale setting "Vor deinen Thron tret ich hiermit" (fragment; Leipzig Chorales 18/18)G maj.Organ252: 145IV/2: 113after BWV 668a00782
668a7.1708–1748chorale setting "Wenn wir in höchsten Nöten" (e. v.)OrganIV/2: 212after Z 394; → BWV 66800783
6697.1739chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung IIIOrgan3: 184IV/4: 16after Z 860000784
6707.1739chorale setting "Christe, aller Welt Trost" from Clavier-Übung IIIOrgan3: 186IV/4: 18after Z 860000785
6717.1739chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung IIIOrgan3: 190IV/4: 20after Z 860000786
6727.1739chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung IIIOrg/man.3: 194IV/4: 27after Z 860000787
6737.1739chorale setting "Christe, aller Welt Trost" from Clavier-Übung IIIOrg/man.3: 194IV/4: 28after Z 860000788
6747.1739chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung IIIOrg/man.3: 196IV/4: 29after Z 860000789
6757.1739chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung IIIOrgan3: 197IV/4: 30after Z 445700790
6767.1739chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung IIIOrgan3: 199IV/4: 33after Z 4457; → BWV 676a00791
6777.1739chorale setting "Allein Gott in der Höh sei Ehr" (Fughetta) from Clavier-Übung IIIOrg/man.3: 205IV/4: 41after Z 445700793
6787.1739chorale setting "Dies sind die heiligen zehen Gebot" from Clavier-Übung IIIOrgan3: 206IV/4: 42after Z 195100794
6797.1739chorale setting "Dies sind die heiligen zehen Gebot" (Fughetta) from Clavier-Übung IIIOrg/man.3: 210IV/4: 49after Z 195100795
6807.1739chorale setting "Wir gläuben all an einen Gott" from Clavier-Übung IIIOrgan3: 212IV/4: 52after Z 797100796
6817.1739chorale setting "Wir gläuben all an einen Gott" (Fughetta) from Clavier-Übung IIIOrg/man.3: 216IV/4: 57after Z 797100797
6827.1739chorale setting "Vater unser im Himmelreich" from Clavier-Übung IIIOrgan3: 217IV/4: 58after Z 256100798
6837.1739chorale setting "Vater unser im Himmelreich" from Clavier-Übung IIIOrg/man.3: 223IV/4: 66after Z 2561; → BWV 683a00799
6847.1739chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung IIIOrgan3: 224IV/4: 68after Z 724600801
6857.1739chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung IIIOrg/man.3: 228IV/4: 73after Z 724600802
6867.1739chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung IIIOrgan3: 229IV/4: 74after Z 443700803
6877.1739chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung IIIOrg/man.3: 232IV/4: 78after Z 443700804
6887.1739chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" from Clavier-Übung IIIOrgan3: 234IV/4: 81after Z 157600805
6897.1739chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Fugue) from Clavier-Übung IIIOrg/man.3: 239IV/4: 89after Z 157600806
6907.c.1700–1717chorale setting "Wer nur den lieben Gott lässt walten" (Kirnberger collection No. 1)Organ40: 3IV/3: 98after Z 277800807
6917.c.1720 or earlierNotebook A. M. Bach (1725) No. 11 chorale setting "Wer nur den lieben Gott lässt walten" (WFB No. 3; Kirnb. coll. No. 2)Organ40: 4
432: 30
451: 214		V/5: 6
V/4: 90
IV/3: 98		after Z 2778; → BWV 691a00808
6947.c.1700–1717chorale setting "Wo soll ich fliehen hin" (Kirnb. coll. No. 5)Organ40: 6IV/3: 103after Z 216400813
6957.c.1700–1717chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. coll. No. 6)Organ40: 10IV/3: 20after Z 7012a; → BWV 695a00814
695a7.1700–1789chorale setting "Christ lag in Todesbanden" (variant)Organ40: 153after BWV 69500815
6967.c.1700–1717chorale setting "Christum wir sollen loben schon" (Fughetta; Kirnb. coll. No. 7)Organ40: 13IV/3: 23after Z 297c00816
chorale setting "Was fürchtest du Feind, Herodes, sehr" (Fughetta; Kirnb. coll. No. 7)
6977.c.1700–1717chorale setting "Gelobet seist du, Jesu Christ" (Fughetta; Kirnb. coll. No. 8)Organ40: 14IV/3: 32after Z 194700817
6987.c.1700–1717chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Fughetta; Kirnb. coll. No. 9)Organ40: 15IV/3: 35after Z 4297a00818
6997.c.1700–1717chorale setting "Nun komm, der Heiden Heiland" (Fughetta; Kirnb. coll. No. 10)Organ40: 16IV/3: 73after Z 117400819
7007.c.1699chorale setting "Vom Himmel hoch da komm ich her" (Kirnb. coll. No. 11)Organ40: 17IV/3: 92after Z 34600820
7017.c.1700–1717chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. coll. No. 12)Organ40: 19IV/3: 96after Z 34600821
7027.c.1700–1717chorale setting "Das Jesulein soll doch mein Trost" (Fughetta; Kirnb. coll. No. 13)Organ40: 20IV/3: 45after Z 759700822
7037.c.1700–1717chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. coll. No. 14)Organ40: 21IV/3: 34after Z 329400823
7047.c.1700–1717chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. coll. No. 15)Organ40: 22IV/3: 62after Z 33900824
706/1
706/2		7.c.1700–1717chorale setting "Liebster Jesu, wir sind hier" (/2 = alio modo; Kirnb. coll. No. 17)Organ40: 25IV/3: 59after Z 3498b00826
7077.c.1700–1717chorale setting "Ich hab mein Sach Gott heimgestellt" (Kirnb. coll. No. 18)Organ40: 26IV/10: 87after Z 167900827
7097.c.1700–1717chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. coll. No. 20)Organ40: 30IV/3: 43after Z 62400830
7107.c.1700–1717chorale setting "Wir Christenleut habn jetzund Freud" (Kirnb. coll. No. 21)Organ40: 32IV/3: 100after Z 207200831
7117.c.1700–1717chorale setting "Allein Gott in der Höh sei Ehr" (bicinium; Kirnb. coll. No. 22)Organ40: 34IV/3: 11after Z 445700832
7127.c.1708chorale setting "In dich hab ich gehoffet, Herr" (Kirnb. coll. No. 23)Organ40: 36IV/3: 48after Z 246100833
7137.c.1700–1717chorale setting "Jesu, meine Freude" (Kirnb. coll. No. 24)Org/man.40: 38IV/3: 54after Z 8032; → BWV 713a00834
713a7.1700–1789chorale setting "Jesu, meine Freude" (Fantasia; variant)Organ40: 155IV/10: 93after BWV 71300835
7147.1708–1717chorale setting "Ach Gott und Herr" (Neumeister Chorales No. 13)Organ40: 43IV/9: 26
IV/3: 3		after Z 2050, 205200836
7157.1703–1717chorale setting "Allein Gott in der Höh sei Ehr"Organ40: 44IV/3: 14after Z 445700837
7177.1708–1717chorale setting "Allein Gott in der Höh sei Ehr"Organ40: 46IV/3: 8after Z 445700839
7187.1703–1708chorale setting "Christ lag in Todesbanden"Organ40: 52IV/3: 16after Z 7012a00840
7197.c.1704chorale setting "Der Tag, der ist so freudenreich" (Neumeister Chorales No. 1)Organ40: 55IV/9: 2, 72after Z 787000841
7207.1709?chorale setting "Ein feste Burg ist unser Gott"Organ40: 57IV/3: 24after Z 7377; by Bach, J. Michael?00842
7217.c.1703–1707chorale setting "Erbarm dich mein, o Herre Gott"Organ40: 60IV/3: 28after Z 585100843
7227.1708–1717chorale setting "Gelobet seist du, Jesu Christ"Organ40: 62IV/3: 31after BWV 722a00844
722a7.1709?chorale setting "Gelobet seist du, Jesu Christ" (sketch)Organ40: 158IV/3: 30after Z 1947; → BWV 72200845
7247.c. 1699chorale setting "Gott durch deine Güte"Organ40: 65IV/3: 33after Z 3294; in Andreas-Bach-Buch00847
chorale setting "Gottes Sohn ist kommen"
7257.c.1700–1717chorale setting "Herr Gott, dich loben wir"Organ40: 66IV/3: 36after Z 865200848
7277.1708–1717chorale setting "Herzlich tut mich verlangen"Organ40: 73IV/3: 46after Z 5385a00850
7287.1722–1723 or earlierNotebook A. M. Bach (1722) No. 8 chorale setting "Jesus, meine Zuversicht"Organ432: 5
40: 74		V/4: 41
IV/3: 58		after Z 3432b00851
7297.1708–1717chorale setting "In dulci jubilo"Organ40: 74IV/3: 52after BWV 729a00852
729a7.1708–1717chorale setting "In dulci jubilo" (sketch)Organ40: 158IV/3: 50after Z 4947; → BWV 72900853
7307.1708–1717chorale setting "Liebster Jesu, wir sind hier"Organ40: 76IV/3: 60after Z 3498b00854
7317.1708–1717chorale setting "Liebster Jesu, wir sind hier"Organ40: 77IV/3: 61after Z 3498b00855
7327.1708–1717chorale setting "Lobt Gott, ihr Christen, allzugleich"Organ40: 78IV/3: 64after BWV 732a00856
732a7.1708–1717chorale setting "Lobt Gott, ihr Christen, allzugleich" (draft)Organ40: 159IV/3: 63after Z 198; → BWV 73200857
7337.1708–1717chorale setting "Meine Seele erhebt den Herren" (fugue)Organ40: 79IV/3: 65after Magnificat peregrini toni; by Krebs, J. L.?00858
7347.1708–1717chorale setting "Nun freut euch, lieben Christen g'mein"Organ40: 160IV/3: 70after Z 4429a; → BWV 734a00859
734a7.1708–1789chorale setting "Es ist gewisslich an der Zeit"Organ40: 84IV/10after BWV 734; arr. by Scholz?00860
7357.c.1700–1717chorale setting "Valet will ich dir geben" (Fantasia)Organ40: 86IV/3: 77after BWV 735a00861
735a7.c.1706chorale setting "Valet will ich dir geben" (early version)Organ40: 161IV/3: 81after Z 5404a; → BWV 73500862
7367.1708–1717 or laterchorale setting "Valet will ich dir geben"Org (V Bc)40: 90IV/3: 84after Z 5404a00863
7377.1703–1707chorale setting "Vater unser im Himmelreich" (Neumeister Chorales No. 18)Organ40: 96IV/9: 36
IV/3: 90		after Z 256100864
7387.1708–1717chorale setting "Vom Himmel hoch, da komm ich her"Organ40: 97IV/3: 94after BWV 738a00865
738a7.1708–1717chorale setting "Vom Himmel hoch, da komm ich her" (sketch)Organ40: 159IV/3: 94after Z 346; → BWV 73800866
7397.c.1704chorale setting "Wie schön leuchtet der Morgenstern"Organ40: 99IV/10: 2after Z 835900867
7417.c.1701chorale setting "Ach Gott, vom Himmel sieh darein"Organ40: 167IV/3: 4after Z 443100869
7427.c.1704chorale setting "Ach Herr, mich armen Sünder" [scores] (Neumeister Chorales No. 14)OrganIV/9: 28after Z 5385a00870
7477.1703–1707 or earlierchorale setting "Christus, der uns selig macht" [scores]OrganIV/10: 38after Z 6283b00875
7537.c.1720chorale setting "Jesu, meine Freude" (unfinished; WFB No. 5)Organ40: 163
451: 214		V/5: 8after Z 803200882
7647.c.1704–1705chorale setting "Wie schön leuchtet der Morgenstern"Organ40: 164IV/10: 6after Z 835900893
10857.c.1700–1717chorale setting "O Lamm Gottes unschuldig" [scores]OrganIV/3: 76after Z 436101683
10907.c.1704chorale setting "Wir Christenleut" (Neumeister Chorales No. 2)OrganIV/9: 4after Z 207201276
10917.c.1699chorale setting "Das alte Jahr vergangen ist" (Neumeister Chorales No. 3)OrganIV/9: 6after Z 381c01277
10927.c.1701chorale setting "Herr Gott, nun schleuß den Himmel auf" (Neumeister Chorales No. 4)OrganIV/9: 8after Z 7641b01278
10937.c.1704chorale setting "Herzliebster Jesu, was hast du verbrochen" (Neumeister Chorales No. 5)OrganIV/9: 10after Z 98301279
10947.c.1699chorale setting "O Jesu, wie ist dein Gestalt" (Neumeister Chorales No. 6)OrganIV/9: 12after Z 836001280
10957.c.1704chorale setting "O Lamm Gottes unschuldig" (Neumeister Chorales No. 7)OrganIV/9: 14after Z 4361a01281
10977.c.1699chorale setting "Ehre sei dir Christe, der du leidest Not" (Neumeister Chorales No. 9)OrganIV/9: 18after Z 8187h01283
10987.c.1704chorale setting "Wir glauben all an einen Gott" (Neumeister Chorales No. 10)OrganIV/9: 20after Z 797101284
10997.c.1701chorale setting "Aus tiefer Not schrei ich zu dir" (Neumeister Chorales No. 11)OrganIV/9: 22after Z 443801285
11007.c.1704chorale setting "Allein zu dir, Herr Jesu Christ" (Neumeister Chorales No. 12)OrganIV/9: 24after Z 7292b01286
11017.c.1704chorale setting "Durch Adams Fall ist ganz verderbt" (Neumeister Chorales No. 15)OrganIV/9: 30after Z 754901287
11027.c.1706chorale setting "Du Friedefürst, Herr Jesu Christ" (Neumeister Chorales No. 16)OrganIV/9: 33after Z 437301288
11037.1699–1709chorale setting "Erhalt uns Herr, bei deinem Wort" (Neumeister Chorales No. 17)OrganIV/9: 35after Z 35001289
11047.1699–1709chorale setting "Wenn dich Unglück tut greifen an" (Neumeister Chorales No. 19)OrganIV/9: 38after Z 49901290
11057.c.1701chorale setting "Jesu, meine Freude" (Neumeister Chorales No. 20)OrganIV/9: 39after Z 803201291
11067.c.1704chorale setting "Gott ist mein Heil, mein Hilf und Trost" (Neumeister Chorales No. 21)OrganIV/9: 40after Z 442101292
11077.c.1704chorale setting "Jesu, meines Lebens Leben" (Neumeister Chorales No. 22)OrganIV/9: 42after Z 679401293
11087.c.1704chorale setting "Als Jesus Christus in der Nacht" (Neumeister Chorales No. 23)OrganIV/9: 44after Z 25801294
11097.1699–1709chorale setting "Ach Gott, tu dich erbarmen" (Neumeister Chorales No. 24)OrganIV/9: 46after Z 7228c01295
11107.c.1704chorale setting "O Herre Gott, dein göttlich Wort" (Neumeister Chorales No. 25)OrganIV/9: 48after Z 569001296
11117.c.1701chorale setting "Nun lasset uns den Leib begraben" (Neumeister Chorales No. 26)OrganIV/9: 50after Z 35201297
11127.c.1699chorale setting "Christus, der ist mein Leben" (Neumeister Chorales No. 27)OrganIV/9: 52after Z 13201298
11137.c.1699chorale setting "Ich hab mein Sach Gott heimgestellt" (Neumeister Chorales No. 28)OrganIV/9: 54after Z 167901299
11147.c.1701chorale setting "Herr Jesu Christ, du höchstes Gut" (Neumeister Chorales No. 29)OrganIV/9: 56after Z 448601300
11157.c.1701chorale setting "Herzlich lieb hab ich dich, o Herr" (Neumeister Chorales No. 30)OrganIV/9: 58after Z 832601301
11167.c.1701chorale setting "Was Gott tut, das ist wohlgetan" (Neumeister Chorales No. 31)OrganIV/9: 60after Z 562901302
11177.c.1701chorale setting "Alle Menschen müssen sterben" (Neumeister Chorales No. 32)OrganIV/9: 62after Z 6779a01303
11187.c.1701chorale setting "Werde munter, mein Gemüte" (Neumeister Chorales No. 34)OrganIV/9: 66after Z 655101304
11197.c.1699chorale setting "Wie nach einer Wasserquelle" (Neumeister Chorales No. 35)OrganIV/9: 68after Z 129401305
11207.c.1704chorale setting "Christ, der du bist der helle Tag" (Neumeister Chorales No. 36)OrganIV/9: 70after Z 38401306
9577.c.1701chorale setting "Machs mit mir, Gott, nach deiner Güt" (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.)G maj.Organ42: 203IV/9: 64, 74after Z 238301134
7667.c.1706chorale setting "Christ, der du bist der helle Tag"Organ40: 107IV/1: 114after Z 38400895
7677.c.1708chorale setting "O Gott, du frommer Gott"Organ40: 114IV/1: 122after Z 513800896
7687.1708–1717 or earlierchorale setting "Sei gegrüßet, Jesu gütig"Organ40: 122IV/1: 132, 152after Z 3889b00897
7697.c.1747–1748chorale setting "Vom Himmel hoch da komm ich her'" (canonic variations; print version)Organ40: 137IV/2: 197after Z 346; → BWV 769a00898
769a7.c.1747–1748chorale setting "Vom Himmel hoch da komm ich her" (canonic variations; autograph)OrganIV/2: 98after BWV 76900899
7707.c.1704chorale setting "Ach, was soll ich Sünder machen"Organ40: 189IV/1: 104after Z 357400900
8.Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach)Up ↑
7728.1720-01-22
1725-01-22		Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1C maj.Keyboard3: 1
451: 221		V/5: 48
V/3: 2		→ BWV 772a[28]00902
772a8.1720-01-22
1725-01-22		Inventions and Sinfonias No. 1a – Invention No. 1aC maj.Keyboard3: 342V/3: 4after BWV 772[29]00903
7738.1720-01-22
1725-01-22		Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15C min.Keyboard3: 2
451: 223		V/5: 76
V/3: 6		[28]00904
7748.1720-01-22
1725-01-22		Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14D maj.Keyboard3: 3
451: 223		V/5: 74
V/3: 8		[28]00905
7758.1720-01-22
1725-01-22		Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2D min.Keyboard3: 4
451: 221		V/5: 50
V/3: 10		[28]00906
7768.1720-01-22
1725-01-22		Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13E♭ maj.Keyboard3: 6
451: 222		V/5: 72
V/3: 12		[28]00907
7778.1720-01-22
1725-01-22		Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12E maj.Keyboard3: 7
451: 222		V/5: 70
V/3: 14		[28]00908
7788.1720-01-22
1725-01-22		Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3E min.Keyboard3: 9
451: 221		V/5: 52
V/3: 16		[28]00909
7798.1720-01-22
1725-01-22		Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4F maj.Keyboard3: 10
451: 221		V/5: 54
V/3: 18		[28]00910
7808.1720-01-22
1725-01-22		Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11F min.Keyboard3: 11
451: 222		V/5: 68
V/3: 20		[28]00911
7818.1720-01-22
1725-01-22		Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5G maj.Keyboard3: 12
451: 221		V/5: 56
V/3: 22		[28]00912
7828.1720-01-22
1725-01-22		Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10G min.Keyboard3: 13
451: 222		V/5: 66
V/3: 24		[28]00913
7838.1720-01-22
1725-01-22		Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9A maj.Keyboard3: 14
451: 222		V/5: 64
V/3: 26		[28]00914
7848.1720-01-22
1725-01-22		Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6A min.Keyboard3: 15
451: 221		V/5: 58
V/3: 28		[28]00915
7858.1720-01-22
1725-01-22		Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8B♭ maj.Keyboard3: 16
451: 222		V/5: 62
V/3: 30		[28]00916
7868.1720-01-22
1725-01-22		Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7B min.Keyboard3: 18
451: 222		V/5: 60
V/3: 32		[28]00917
7878.1720-01-22
1725-01-22		Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1C maj.Keyboard3: 19
451: 227		V/5: 90
V/3: 34		[28]00918
7888.1720-01-22
1725-01-22		Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantasia 15C min.Keyboard3: 20
451: 231		V/5: 118
V/3: 36		[28]00919
7898.1720-01-22
1725-01-22		Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantasia 14D maj.Keyboard3: 22
451: 230		V/5: 116
V/3: 38		[28]00920
7908.1720-01-22
1725-01-22		Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2D min.Keyboard3: 23
451: 227		V/5: 92
V/3: 40		[28]00921
7918.1720-01-22
1725-01-22		Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantasia 13E♭ maj.Keyboard3: 24
451: 230		V/5: 114
V/3: 42		→ BWV 791a[28]00922
791a8.1723Sinfonias and Inventions No. 20a – Sinfonia No. 5aE♭ maj.KeyboardV/3: 44, 80after BWV 791[30]00923
7928.1720-01-22
1725-01-22		Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantasia 12E maj.Keyboard3: 26
451: 229		V/5: 112
V/3: 46		[28]00924
7938.1720-01-22
1725-01-22		Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3E min.Keyboard3: 28
451: 227		V/5: 94
V/3: 48		[28]00925
7948.1720-01-22
1725-01-22		Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4F maj.Keyboard3: 29
451: 227		V/5: 96
V/3: 50		[28]00926
7958.1720-01-22
1725-01-22		Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantasia 11F min.Keyboard3: 30
451: 229		V/5: 110
V/3: 52		[28]00927
7968.1720-01-22
1725-01-22		Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5G maj.Keyboard3: 32
451: 228		V/5: 98
V/3: 54		[28]00928
7978.1720-01-22
1725-01-22		Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantasia 10G min.Keyboard3: 34
451: 229		V/5: 108
V/3: 56		[28]00929
7988.1720-01-22
1725-01-22		Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9A maj.Keyboard3: 36
451: 229		V/5: 106
V/3: 58		[28]00930
7998.1720-01-22
1725-01-22		Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6A min.Keyboard3: 38
451: 228		V/5: 100
V/3: 60		[28]00931
8008.1720-01-22
1725-01-22		Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8B♭ maj.Keyboard3: 40
451: 228		V/5: 104
V/3: 62		[28]00932
8018.1720-01-22
1725-01-22		Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7B min.Keyboard3: 41
451: 228		V/5: 102
V/3: 64		[28]00933
8028.1739Duet No. 1 from Clavier-Übung IIIE min.Organ3: 242IV/4: 9200934
8038.1739Duet No. 2 from Clavier-Übung IIIF maj.Organ3: 245IV/4: 9600935
8048.1739Duet No. 3 from Clavier-Übung IIIG maj.Organ3: 248IV/4: 9900936
8058.1739Duet No. 4 from Clavier-Übung IIIA min.Organ3: 251IV/4: 10200937
8068.1714–1723English Suites, No. 1A maj.Keyboard451: 3
132: 3		V/7: 200938
806a8.1714–1717English Suites, No. 1aA maj.KeyboardV/7: 11600939
8078.1725 or earlierEnglish Suites, No. 2A min.Keyboard451: 16
132: 16		V/7: 2000940
8088.1725 or earlierEnglish Suites, No. 3G min.Keyboard451: 30
132: 30		V/7: 3800941
8098.1725 or earlierEnglish Suites, No. 4F maj.Keyboard451: 41
132: 41		V/7: 5400942
8108.1725 or earlierEnglish Suites, No. 5E min.Keyboard451: 53
132: 53		V/7: 7000943
8118.1725 or earlierEnglish Suites, No. 6D min.Keyboard451: 68
132: 68		V/7: 9000944
8128.1722 or earlierNotebook A. M. Bach (1722) No. 1 – French Suites, No. 1D min.Keyboard432: VIV/4: 300945
Notebook A. M. Bach (1725) No. 30 – French Suites, No. 1432: 40V/4: 109
French Suites, No. 1 – Version A (Altnickol)451: 89
132: 89		V/8: 2
French Suites, No. 1 – Version B (early version)V/8: 64
8138.c. 1722–1725Notebook A. M. Bach (1722) No. 2 – French Suites, No. 2C min.Keyboard432: VIV/4: 10, 4200946
Notebook A. M. Bach (1725) No. 31 – French Suites, No. 2432: 44V/4: 116
French Suites, No. 2 – Version A (Altnickol)451: 94
132: 94		V/8: 10
French Suites, No. 2 – Version B (early version)V/8: 72
36: 236
8148.c. 1722–1725Notebook A. M. Bach (1722) No. 3 – French Suites, No. 3B min.Keyboard432: VIIV/4: 16, 43→ BWV 814a00948
French Suites, No. 3 – Version A (Altnickol)451: 100
132: 100		V/8: 20
French Suites, No. 3 – Version B (early version)V/8: 82
814a8.c. 1720–1739French Suites, No. 3 – VariantB min.Keyboard451: 100
36: 237
132: 100		V/8: 166after BWV 814/1–/5, 929, 814/700949
8158.c. 1722–1725Notebook A. M. Bach (1722) No. 4 French Suites, No. 4E♭ maj.Keyboard432: VIIV/4: 23→ BWV 815a00950
French Suites, No. 4 – Version A (Altnickol)451: 106
132: 106		V/8: 30
French Suites, No. 4 – Version B (early version)V/8: 92
36: 236
815a8.c. 1722–1725 or laterFrench Suites, No. 4 – VariantE♭ maj.Keyboard36: 234
451: 106
132: 108		V/8: 176after BWV 815/1–/500951
8168.c. 1724–1725Notebook A. M. Bach (1722) No. 5 French Suites, No. 5G maj.Keyboard432: VIIV/4: 3000952
French Suites, No. 5 – Version A (Altnickol)451: 112
132: 112		V/8: 40
French Suites, No. 5 – Version B (early version)V/8: 102
8178.c.1725 or laterFrench Suites, No. 6 – Version A (Altnickol)E maj.Keyboard451: 120
132: 120		V/8: 5200953
French Suites, No. 6 – Version B (early version)V/8: 114
8188.1720–1722Suite for keyboard (early version)A min.Keyboard36: 3V/8: 12900954
818a8.after 1721Suite for keyboard (later version)A min.Keyboard36: 213V/8: 14600955
8198.before 1726Suite for keyboard (early version)E♭ maj.Keyboard36: 8V/8: 13600956
819a8.1725–1728Suite for keyboard (later version)E♭ maj.Keyboard36: 217V/8: 15600957
8208.1705–1713Suite (Ouverture) for keyboardF maj.Keyboard36: 14V/10: 4300958
8228.Suite for keyboardG min.KeyboardV/10: 68after unknown model?00960
8238.before 1727Suite for keyboardF min.Keyboard36: 229V/10: 5000961
8258.1725–1726Partita No. 1 from Clavier-Übung IB♭ maj.Keyboard3: 46V/1: 200963
8268.1725–1727Partita No. 2 from Clavier-Übung IC min.Keyboard3: 56V/1: 1500964
8278.1725–1727Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung IA min.Keyboard3: 70V/1: 35
V/4: 47		00964
8288.1725–1728Partita No. 4 from Clavier-Übung ID maj.Keyboard3: 82V/1: 5000966
8298.1725–1730Partita No. 5 from Clavier-Übung IG maj.Keyboard3: 102V/1: 7200967
8308.1725–1730Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung IE min.Keyboard3: 116V/1: 90
V/4: 60		after BWV 1019a/3 /500968
8318.1733–1735Overture in the French style (Clavier-Übung II No. 2)B min.Harpsichord3: 154V/2: 20after BWV 831a00969
831a8.1727–1733Overture in the French style (early version)C min.KeyboardV/2: 43→ BWV 83100970
8328.before 1707Suite for keyboardA maj.Keyboard42: 255V/10: 54in Möllersche Handschrift00971
8338.before 1707Prelude and partita for keyboardF maj.KeyboardV/10: 60in Möllersche Handschrift00972
8368.1720–1721Allemande, Klavierbüchlein WFB No. 6G min.Keyboard451: 214V/5: 8by Bach, W. F. & J. S.?00975
8378.1720–1721Allemande, Klavierbüchlein WFB No. 7 (incomplete)G min.Keyboard451: 215V/5: 10by Bach, W. F. & J. S.?00976
8418.1720–1721Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1G maj.Keyboard36: 209
451: 215		V/5: 16 V/4: 44by Bach, W. F. & J. S.?00980
8428.1720–1721Klavierbüchlein WFB No. 12: Menuet 2G min.Keyboard36: 209
451: 216		V/5: 17by Bach, W. F. (BR A43) & J. S.?00981
8438.1720–1721Klavierbüchlein WFB No. 13: Menuet 3G maj.Keyboard36: 210
451: 216		V/5: 1800982
8468.1722Well-Tempered Clavier I, P. & F. No. 1C maj.Keyboard14: 3V/6.1: 2after BWV 846a00986
846/18.1725 (AMB)Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1)C maj.KeyboardV/4: 10700986
846a8.1720Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1)C maj.Keyboard451: 216V/5: 19
V/6.1: 127		→ BWV 846/100987
8478.1722Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2)C min.Keyboard14: 6
451: 216		V/5: 20
V/6.1: 2		after BWV 847a00988
847a8.Prelude and Fughetta (early WTC I No. 2)C min.KeyboardV/6.1: 130→ BWV 84700989
8488.1722Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8])C♯ maj.Keyboard14: 10
451: 218		V/5: 30
V/6.1: 2		after BWV 848a00990
848a8.Prelude and Fughetta (early WTC I No. 3)C♯ maj.KeyboardV/6.1: 134→ BWV 84800991
8498.1722Well-Tempered Clavier I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9])C♯ min.Keyboard14: 14
451: 218		V/5: 32
V/6.1: 2		after BWV 849a00992
849a8.Prelude and Fughetta (early WTC I No. 4)C♯ min.KeyboardV/6.1: 140→ BWV 84900993
8508.1722Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4)D maj.Keyboard14: 18
451: 217		V/5: 23
V/6.1: 2		after BWV 850a00994
850a8.Prelude and Fughetta (early WTC I No. 5)D maj.KeyboardV/6.1: 146→ BWV 85000995
8518.1722Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3)D min.Keyboard14: 22
451: 217		V/5: 22
V/6.1: 2		after BWV 851a00996
851a8.Prelude and Fughetta (early WTC I No. 6)D min.KeyboardV/6.1: 150→ BWV 85100997
8528.1722Well-Tempered Clavier I, P. & F. No. 7E♭ maj.Keyboard14: 26V/6.1: 32after BWV 852a00998
852a8.Prelude and Fughetta (early WTC I No. 7)E♭ maj.KeyboardV/6.1: 154→ BWV 85200999
8538.1722Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10])E♭ min.
D♯ min.		Keyboard14: 32
451: 218		V/5: 34
V/6.1: 38		after BWV 853a; → K. 404a/101000
853a8.Prelude and Fughetta (early WTC I No. 8)E♭ min.
D♯ min.		KeyboardV/6.1: 160→ BWV 85301001
8548.1722Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6)E maj.Keyboard14: 36
451: 218		V/5: 26
V/6.1: 44		after BWV 854a01002
854a8.Prelude and Fughetta (early WTC I No. 9)E maj.KeyboardV/6.1: 166→ BWV 85401003
8558.1722Well-Tempered Clavier I, P. & F. No. 10E min.Keyboard14: 38V/6.1: 48after BWV 855a01004
855a8.c.1720Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5)E min.Keyboard451: 217V/5: 24
V/6.1: 170		→ BWV 85501005
8568.1722Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7)F maj.Keyboard14: 42
451: 218		V/5: 28
V/6.1: 54		after BWV 856a01006
856a8.Prelude and Fughetta (early WTC I No. 11)F maj.KeyboardV/6.1: 174→ BWV 85601007
8578.1722Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11])F min.Keyboard14: 44
451: 218		V/5: 36
V/6.1: 58		after BWV 857a01008
857a8.Prelude and Fughetta (early WTC I No. 12)F min.KeyboardV/6.1: 178→ BWV 85701009
8588.1722Well-Tempered Clavier I, P. & F. No. 13F♯ maj.Keyboard14: 48V/6.1: 64after BWV 858a01010
858a8.Prelude and Fughetta (early WTC I No. 13)F♯ maj.KeyboardV/6.1: 184→ BWV 85801011
8598.1722Well-Tempered Clavier I, P. & F. No. 14F♯ min.Keyboard14: 50V/6.1: 64after BWV 859a01012
859a8.Prelude and Fughetta (early WTC I No. 14)F♯ min.KeyboardV/6.1: 188→ BWV 85901013
8608.1722Well-Tempered Clavier I, P. & F. No. 15G maj.Keyboard14: 52V/6.1: 72after BWV 860a01014
860a8.Prelude and Fughetta (early WTC I No. 15)G maj.KeyboardV/6.1: 192→ BWV 86001015
8618.1722Well-Tempered Clavier I, P. & F. No. 16G min.Keyboard14: 57V/6.1: 78after BWV 861a01016
861a8.Prelude and Fughetta (early WTC I No. 16)G min.KeyboardV/6.1: 198→ BWV 86101017
8628.1722Well-Tempered Clavier I, P. & F. No. 17A♭ maj.Keyboard14: 60V/6.1: 82after BWV 862a01018
862a8.Prelude and Fughetta (early WTC I No. 17)A♭ maj.KeyboardV/6.1: 202→ BWV 86201019
8638.1722Well-Tempered Clavier I, P. & F. No. 18G♯ min.Keyboard14: 64V/6.1: 86after BWV 863a01020
863a8.Prelude and Fughetta (early WTC I No. 18)G♯ min.KeyboardV/6.1: 206→ BWV 86301021
8648.1722Well-Tempered Clavier I, P. & F. No. 19A maj.Keyboard14: 66V/6.1: 90after BWV 864a01022
864a8.Prelude and Fughetta (early WTC I No. 19)A maj.KeyboardV/6.1: 210→ BWV 86401023
8658.1722Well-Tempered Clavier I, P. & F. No. 20A min.Keyboard14: 70V/6.1: 96after BWV 865a01024
865a8.Prelude and Fughetta (early WTC I No. 20)A min.KeyboardV/6.1: 216→ BWV 86501025
8668.1722Well-Tempered Clavier I, P. & F. No. 21B♭ maj.Keyboard14: 74V/6.1: 104after BWV 866a01026
866a8.Prelude and Fughetta (early WTC I No. 21)B♭ maj.KeyboardV/6.1: 224→ BWV 86601027
8678.1722Well-Tempered Clavier I, P. & F. No. 22B♭ min.Keyboard14: 78V/6.1: 108after BWV 867a; → Hess 38 [commons]01028
867a8.Prelude and Fughetta (early WTC I No. 22)B♭ min.KeyboardV/6.1: 228→ BWV 86701029
8688.1722Well-Tempered Clavier I, P. & F. No. 23B maj.Keyboard14: 82V/6.1: 112after BWV 868a01030
868a8.Prelude and Fughetta (early WTC I No. 23)B maj.KeyboardV/6.1: 232→ BWV 86801031
8698.1722Well-Tempered Clavier I, P. & F. No. 24B min.Keyboard14: 84V/6.1: 116after BWV 869a01032
869a8.Prelude and Fughetta (early WTC I No. 24)B min.KeyboardV/6.1: 236→ BWV 86901033
870b
870/2		8.1739–1742Well-Tempered Clavier II, P. & F. No. 1 (version A)C maj.Keyboard451: 243
14: 94		V/6.2: 2,
6, 342		01036
8718.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 2C min.Keyboard14: 96V/6.2: 8,
160		→ K. 405/101037
8728.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 3C♯ maj.Keyboard14: 100V/6.2: 12,
164, 352		after BWV 872a01038
872a/18.1739–1740Prelude (early WTC II, P. & F. No. 3/1)C maj.Keyboard14: 243V/6.2: 344→ BWV 872/101039
872a/28.1738Fughetta (early WTC II, P. & F. No. 3/2)C maj.Keyboard36: 224V/6.2: 358→ BWV 872/201039
8738.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 4C♯ maj.Keyboard14: 104V/6.2: 16,
168		01040
8748.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 5D maj.Keyboard14: 108V/6.2: 24,
176		→ K. 405/501041
8758.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 6D min.Keyboard14: 112V/6.2: 30
182, 348,
356		after BWV 875a01042
875a8.1739–1740Preambulum (early WTC II, P. & F. No. 6/1)D min.Keyboard36: 224V/6.2: 346→ BWV 875/101043
8768.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 7E♭ maj.Keyboard14: 116V/6.2: 36,
188, 354		→ K. 405/201044
8778.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 8D♯ min.Keyboard14: 120V/6.2: 42,
194		→ K. 405/401045
8788.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 9E maj.Keyboard14: 124V/6.2: 48,
200		→ K. 405/301046
8798.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 10E min.Keyboard14: 128V/6.2: 54,
206		01047
8808.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 11F maj.Keyboard14: 134V/6.2: 62,
215		01048
8818.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 12F min.Keyboard14: 138V/6.2: 69,
221		01049
8828.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 13F♯ maj.Keyboard14: 142V/6.2: 76,
228		→ K. 404a/301050
8838.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 14F♯ min.Keyboard14: 146V/6.2: 84,
236		→ K. 404a/201051
8848.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 15G maj.Keyboard14: 150V/6.2: 90,
242, 350		after BWV 902/201052
8858.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 16G min.Keyboard14: 154V/6.2: 94,
246		01053
8868.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 17A♭ maj.Keyboard14: 160V/6.2: 100,
108, 252		after BWV 901/201054
8878.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 18G♯ min.Keyboard14: 166V/6.2: 112,
260		01055
8888.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 19A maj.Keyboard14: 172V/6.2: 120,
268		01056
8898.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 20A min.Keyboard14: 176V/6.2: 124,
272		01057
8908.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 21B♭ maj.Keyboard14: 180V/6.2: 128,
276		01058
8918.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 22B♭ min.Keyboard14: 186V/6.2: 134,
282		01059
8928.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 23B maj.Keyboard14: 192V/6.2: 142,
290		01060
8938.1739–1742
1744		Well-Tempered Clavier II, P. & F. No. 24B min.Keyboard14: 198V/6.2: 150,
298		01061
8708.1744Well-Tempered Clavier II, P. & F. No. 1 (version B)C maj.Keyboard14: 91V/6.2: 156after BWV 870a01034
8948.1710–1717 (JTK)Prelude and FugueA min.Keyboard36: 91V/9.2: 40→ BWV 1044/1, /3; in SBB P 801, P 80401062
8958.1709 (JCB)Prelude and FugueA min.Keyboard36: 104V/9.2: 69in Yale LM 498201063
8968.1704–1707Prelude and FugueA maj.Keyboard36: 157V/9.2: 72in Möllersche Handschrift01064
870a8.before 1727Prelude and FughettaC maj.Keyboard36: 224V/6.2: 307,
310		→ BWV 870; in SBB P 804, P 108901035
8998.before 1727Prelude and FughettaD min.Keyboard36: 106V/6.2: 314
V/12: 24		in SBB P 804, P 108901068
9008.before 1727Prelude and FughettaE min.Keyboard36: 108V/6.2
V/12		in SBB P 804, P 108901069
9018.before 1727Prelude and FughettaF maj.Keyboard36: 112V/6.2: 324→ BWV 886/2; in SBB P 108901070
9028.c.1729Prelude and FughettaG maj.Keyboard36: 114V/6.2: 328→ BWV 884/2; in SBB P 804, P 108901071
902/1a8.before 1727Prelude (previous Prelude to BWV 902/2)G maj.Keyboard36: 220V/6.2: 334,
338		→ BWV 884/2; in SBB P 80401072
9038.Chromatic Fantasia and FugueD min.Keyboard36: 71V/9.2: 76after BWV 903a; in SBB P 803, P 65101073
903a8.Fantasia (early BWV 903/1)D min.Keyboard36: 219V/9.2: 90→ BWV 903/1; in D-DS Mus. ms. 6901074
9048.before 1727Fantasia and FugueA min.Keyboard36: 81V/9.2in SBB P 80401075
9068.before 1729
c.1738		Fantasia and Fugue (Fugue incomplete)C min.Keyboard36: 145, 238V/9.2: 110in US-BETbc, D-Dl Mus.2405-T-5201077
9108.1707–1713ToccataF♯ min.Kb (or) Org3: 311V/9.1: 1in Andreas-Bach-Buch01081
9118.1707–1713ToccataC min.Kb (or) Org3: 322V/9.1: 13in Andreas-Bach-Buch01082
9128.1707–1713ToccataD maj.Kb (or) Org36: 26V/9.1: 38after BWV 912a; ↔ BWV 532/101083
912a8.1704–1707ToccataD maj.Kb (or) Org36: 218V/9.1: 26→ BWV 912; in Möllersche Handschrift01084
9138.1707–1709ToccataD min.Kb (or) Org36: 36V/9.1: 50, 63after BWV 913a01085
913a8.ToccataD min.Kb (or) OrgV/9.1: 52→ BWV 913; publ. 180101086
9148.1707–1709ToccataE min.Kb (or) Org36: 47V/9.1: 7801087
9158.1707–1709ToccataG min.Kb (or) Org36: 54V/9.1: 8701088
9168.1707–1713ToccataG maj.Kb (or) Org36: 63V/9.1: 100in Andreas-Bach-Buch01089
9178.1704–1707FantasiaG min.Keyboard36: 143V/9.1: 14, 16in Möllersche Handschrift01090
9188.Fantasia on a RondoC min.Keyboard36: 148V/9.1: 14, 1801091
9218.1707–1713PreludeC min.Keyboard36: 136V/9.1: 24in Andreas-Bach-Buch01094
9228.1710–1714 (JTK)Prelude (Fantasia)A min.Keyboard36: 138V/9.2: 27, 34in SBB P 80301095
9238.c.1723?PreludeB min.Keyboard42: 211V/9.2: 116by Pachelbel, W. H.?; → BWV 923a; in SBB P 40101096
9248.c.1720Twelve Little Preludes No. 1: Preambulum (WFB No. 2)C maj.Keyboard36: 118
451: 214		V/5: 4→ BWV 924a01098
924a8.1720–1726Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26)C maj.Keyboard36: 221
451: 220		V/5: 41after BWV 924; BR A44 F(add) 20601099
9258.1720–1726Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27)D maj.Keyboard36: 121
451: 220		V/5: 42BR A45 F(add) 20601100
9268.c.1720Twelve Little Preludes No. 5: Preludium (WFB No. 4)D min.Keyboard36: 122
451: 214		V/5: 601101
9278.1720–1726Twelve Little Preludes No. 8: Preambulum (WFB No. 8)F maj.Keyboard36: 124
451: 215		V/5: 1001102
9288.1720–1726Twelve Little Preludes No. 9: Preludium (WFB No. 10)F maj.Keyboard36: 124
451: 215		V/5: 1401103
9298.1720–1726Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48e)G min.Keyboard36: 126
451: 226		V/5: 89→ BWV 814a01104
9308.1720–1726Twelve Little Preludes No. 11: Preambulum (WFB No. 9)G min.Keyboard36: 126
451: 215		V/5: 1201105
9318.1720–1726Preludium, Klavierbüchlein WFB No. 29A min.Keyboard36: 237
451: 220		V/5: 45BR A47 F(add) 20601106
9328.1720–1726Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete)E min.Keyboard36: 237
451: 220		V/5: 44BR A46 F(add) 20601107
9338.1717–1723?Six Little Preludes No. 1C maj.Keyboard36: 128V/9.2: 3in SBB P 542, P 88501108
9348.1717–1723?Six Little Preludes No. 2C min.Keyboard36: 128V/9.2: 4in SBB P 542, P 88501109
9358.1717–1723?Six Little Preludes No. 3D min.Keyboard36: 130V/9.2: 5in SBB P 542, P 88501110
9368.1717–1723?Six Little Preludes No. 4D maj.Keyboard36: 131V/9.2: 6in SBB P 542, P 88501111
9378.1717–1723?Six Little Preludes No. 5E maj.Keyboard36: 132V/9.2: 8in SBB P 542, P 88501112
9388.1717–1723?Six Little Preludes No. 6E min.Keyboard36: 133V/9.2: 10in SBB P 542, P 88501113
9398.1726–1727Five Little Preludes No. 1 (=12 L. P. No. 2)C maj.Keyboard36: 119V/12: 50by Bach?; in SBB P 80401114
9408.1726–1727Five Little Preludes No. 2 (=12 L. P. No. 6)D min.Keyboard36: 123V/12: 50by Bach?; in SBB P 80401115
9418.1726–1727Five Little Preludes No. 3 (=12 L. P. No. 7)E min.Keyboard36: 123V/12: 51by Bach?; in SBB P 80401116
9428.1726–1727Five Little Preludes No. 4 (=12 L. P. No. 12)A min.Keyboard36: 127V/12: 52by Bach?; in SBB P 80401117
9438.1725–1727Five Little Preludes No. 5C maj.Org (Kb?)36: 134V/12: 53in SBB P 80401118
9448.1707–1713Fantasia and FugueA min.Keyboard3: 334V/9.2: 133in Andreas-Bach-Buch01119
9468.early work?Fugue on a theme by AlbinoniC maj.Keyboard36: 159V/9.2: 153after Albinoni, Op. 1, No. 12/4 (theme)01121
9478.early work?FugueA min.Keyboard36: 161V/12: 55by Bach?01122
9488.early work?FugueD min.Keyboard36: 164V/9.2: 156in D-B N. Mus. ms. 1058001123
9498.1707–1713FugueA maj.Keyboard36: 169V/9.2: 163after Albinoni (theme)?; in Andreas-Bach-Buch01124
9508.before 1725Fugue on a theme by AlbinoniA maj.
G maj.		Keyboard36: 173V/9.2: 168after Albinoni (theme); in SBB P 80401125
9518.1714–1717Fugue on a theme by AlbinoniB min.Keyboard36: 178V/9.2: 118after BWV 951a; in SBB P 80101126
951a8.1714–1717Fugue on a theme by Albinoni (early version)B min.Keyboard36: 221V/9.2: 127after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 901127
9528.FugueC maj.Keyboard36: 184V/9.2: 17601128
9538.1720–1726Fugue a 3, Klavierbüchlein WFB No. 31C maj.Keyboard36: 186
451: 220		V/5: 4601129
9548.early work?Fugue on a theme by ReinckenB♭ maj.Keyboard42: 50V/11: 200after Reincken, Hortus Musicus No. 2/2 (theme)[31]01130
9558.early workFugueB♭ maj.Keyboard42: 55V/12: 60after BWV 955a; in SBB P 425, P 80401131
955a8.early workFugueB♭ maj.Organ42: 298V/12: 65by Erselius?; → BWV 955; in SBB P 247, P 59501132
9598.FugueA min.Keyboard42: 208V/9.2: 178by Bach?01136
9618.?FughettaC min.Keyboard36: 154V/9.2: 182in SBB P 82301138
9638.early workSonata for keyboardD maj.Keyboard36: 19V/10: 32in SBB P 80401140
9658.c.1714–1717
or earlier		Sonata for keyboard after ReinckenA min.Keyboard42: 29V/11: 173after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 80301142
9668.c.1714–1717
or earlier		Sonata for keyboard after ReinckenA min.Keyboard42: 42V/11: 188after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 80301143
9678.1704–1707Sonata transcription, 1st movementA min.Keyboard451: 168V/9.2: 184in SBB P 80401144
9718.1733–1735Italian Concerto (Clavier-Übung II No. 1)F maj.Harpsichord3: 139V/2: 201148
9728.July 1713–
July 1714		Concerto for solo keyboard (1/16)D maj.Keyboard42: 59V/11: 3after Vivaldi, Op. 3 No. 901149
972a8.July 1713–
July 1714		Concerto for solo keyboard (1/16), early versionD maj.KeyboardV/11: 161after Vivaldi, Op. 3 No. 901150
9738.July 1713–
July 1714		Concerto for solo keyboard (2/16)G maj.Keyboard42: 59V/11: 12after Vivaldi, Op. 7 No. 801151
9748.July 1713–
July 1714		Concerto for solo keyboard (3/16)D min.Keyboard42: 59V/11: 20after Marcello, A., Oboe Concerto01152
9758.July 1713–
July 1714		Concerto for solo keyboard (4/16)G min.Keyboard42: 59V/11: 30after Vivaldi, Op. 4 No. 601153
9768.July 1713–
July 1714		Concerto for solo keyboard (5/16)C maj.Keyboard42: 59V/11: 39after Vivaldi, Op. 3 No. 1201154
9778.July 1713–
July 1714		Concerto for solo keyboard (6/16)C maj.Keyboard42: 59V/11: 50after unknown model01155
9788.July 1713–
July 1714		Concerto for solo keyboard (7/16)F maj.Keyboard42: 59V/11: 56after Vivaldi, Op. 3 No. 3 (RV 310)01156
9798.July 1713–
July 1714		Concerto for solo keyboard (8/16)B min.Keyboard42: 59V/11: 64after Vivaldi, RV 813 (previously: Torelli)[32]01157
9808.July 1713–
July 1714		Concerto for solo keyboard (9/16)G maj.Keyboard42: 59V/11: 79after Vivaldi, Op. 4 No. 1 (RV 381)01158
9818.July 1713–
July 1714		Concerto for solo keyboard (10/16)C min.Keyboard42: 59V/11: 90after Marcello, B., Op. 1 No. 201159
9828.July 1713–
July 1714		Concerto for solo keyboard (11/16)B♭ maj.Keyboard42: 59V/11: 100after J. E. of Saxe-Weimar, Op. 1 No. 101160
9838.July 1713–
July 1714		Concerto for solo keyboard (12/16)G min.Keyboard42: 59V/11: 110after unknown model01161
9848.July 1713–
July 1714		Concerto for solo keyboard (13/16)C maj.Keyboard42: 59V/11: 118after J. E. of Saxe-Weimar, lost Concerto; → BWV 59501162
9858.July 1713–
July 1714		Concerto for solo keyboard (14/16)G min.Keyboard42: 59V/11: 128after Telemann, TWV 51:g1[33]01163
9868.July 1713–
July 1714		Concerto for solo keyboard (15/16)G min.Keyboard42: 59V/11: 137after unknown model01164
9878.July 1713–
July 1714		Concerto for solo keyboard (16/16)D min.Keyboard42: 59V/11: 142after J. E. of Saxe-Weimar, Op. 1 No. 401165
9888.1741–1742Goldberg Variations (Clavier-Übung IV)G maj.Harpsichord3: 263V/2: 69→ BWV 108701166
988/18.c.1740? (AMB)Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg VariationsG maj.Harpsichord3: 263V/4: 103→ BWV 108701166
9898.1707–1713Aria variataA min.Keyboard36: 203V/10: 21in Andreas-Bach-Buch01167
9918.1722Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete)C min.Keyboard432: 4V/4: 4001169
9928.1704–1707Capriccio on the departure of a beloved brotherB♭ maj.Keyboard36: 190V/10: 3in Möllersche Handschrift01170
9938.c.1705Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis [scores]E maj.Keyboard36: 197V/10: 12in SBB P 80401171
9948.1720Klavierbüchlein WFB No. 1: ApplicatioC maj.Keyboard36: 237
451:214		V/5: 401172
9.Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach)Up ↑
9959.Fall 1727 – Winter 1731Suite for luteG min.LuV/10: 81after BWV 1011[34][35][36]
[37][38][39][40][41][42]
[43][44][45][46][47][48]		01173
9969.1710–1717 (JGW)Suite for luteE min.Lu (Lw?)451: 149V/10: 94in SBB P 801, pp. 385–395[49][50]
[40][42][43][51][52][53]		01174
997.19.1720–1739Suite (1st version)C min.Lw451: 156V/10: 102in SBB P 650; → BWV 997.2[37][40][54]
[42][43][47][48][51][52]		01175
997.29.1720–1739Suite (2nd version)C min.Lu451: 156V/10: 102in D LEm III 11.5; after BWV 997.1[37][40][54]
[42][43][47][48][51][52]		11576
9989.1735–1745Prelude, Fugue and AllegroE♭ maj.Lu (or) Hc451: 141V/10: 114[40][55][56]
[41][42][43][48][52][57]		01176
9999.1717–1723Prelude for lute (Twelve Little Preludes No. 3)C min.Lu36: 119V/10: 122in SBB P 804, pp. 101–103[58][40][42][59][60]01177
10009.after 1720FugueG min.LuV/10: 124after BWV 1001/2; → 539/2; in MB Lpz III.11.4[37][54]
[40][42][47][48][51][61]		01178
1006.29.c.1736–1737SuiteE maj.Lu?42: 16V/10: 134after BWV 1006.1[35][40][62]
[42][48][57][63][64][65]		01185
10.Chamber music (see also: List of chamber music works by Johann Sebastian Bach)Up ↑
100110.1720Sonatas and partitas for solo violin No. 1: Sonata No. 1G min.Vl271: 3VI/1: 3
rev 3: 3		→ BWV 1000, 539/201179
100210.1720Partitas and sonatas for solo violin No. 2: Partita No. 1B min.Vl271: 3VI/1: 10
rev 3: 10		01180
100310.1720Sonatas and partitas for solo violin No. 3: Sonata No. 2A min.Vl271: 3VI/1: 20
rev 3: 20		→ BWV 96401181
100410.1720Partitas and sonatas for solo violin No. 4: Partita No. 2D min.Vl271: 3VI/1: 30
rev 3: 30		01182
100510.1720Sonatas and partitas for solo violin No. 5: Sonata No. 3C maj.Vl271: 3VI/1: 42
rev 3: 42		after "Komm, Heiliger Geist, Herre Gott"; → BWV 96801183
1006.110.1720Partitas and sonatas for solo violin No. 6: Partita No. 3E maj.Vl271: 3VI/1: 54
rev 3: 54		→ BWV 1006.2, 29/1 and 120a/401184
100710.1720 (AMB)Suite for cello No. 1G maj.Vc271: 59VI/2: 201186
100810.1720 (AMB)Suite for cello No. 2D min.Vc271: 59VI/2: 801187
100910.1720 (AMB)Suite for cello No. 3C maj.Vc271: 59VI/2:1401188
101010.1720 (AMB)Suite for cello No. 4E♭ maj.Vc271: 59VI/2: 2201189
101110.1720 (AMB)Suite for cello No. 5C min.Vc271: 59VI/2: 32→ BWV 99501190
101210.1720 (AMB)Suite for cello No. 6D maj.Vc271: 59VI/2:4001191
101310.1717–1723?Partita for fluteA min.FlVI/3: 301192
101410.1717–1723?Sonata for violin and harpsichord No. 1B min.Vl Hc9: 69VI/1: 83
rev 3: 83		01193
101510.1717–1723?Sonata for violin and harpsichord No. 2A maj.Vl Hc9: 84VI/1: 99
rev 3: 99		01194
101610.1717–1723?Sonata for violin and harpsichord No. 3E maj.Vl Hc9: 98VI/1: 115
rev 3: 115		01195
101710.1717–1723?Sonata for violin and harpsichord No. 4C min.Vl Hc9: 120VI/1: 136
rev 3: 136		01196
1018.210.1717–1723?Sonata for violin and harpsichord No. 5F min.Vl Hc9: 136VI/1: 153
rev 3: 153		after BWV 1018.101197
1018.110.1717–1723?Adagio, early version of BWV 1018/3F min.Vl Hc9: 250VI/1: 195
rev 3: 194		→ BWV 1018.2/301198
1019.310.after 1729?Sonata for violin and harpsichord No. 6G maj.Vl Hc9: 154VI/1: 172
rev 3: 172		after BWV 1019.201200
1019.110.1725Sonata for violin and harpsichord No. 6, early version 1 (partially lost)9: 252VI/1: 197
rev 3: 196		→ BWV 830/3, /6, 1019.201199
1019.2c. 1730–1731Sonata for violin and harpsichord No. 6, early version 2VI/1: 197
rev 3: 218		after BWV 1019.1, 120.1/4; → BWV 1019.311577
102110.1732–1733Sonata for violin and continuoG maj.Vl BcVI/1: 65
rev 3: 65		→ BWV 1022, 103801202
102310.c.1714–1717?Sonata for violin and continuoE min.Vl Bc431: 31VI/1: 73
rev 3: 73		01204
1025.110.after 1739?Suite for violin and keyboardA maj.Vl Kb9: 43VI/5: 67after Weiss; → BWV 1025.211578
1025.210.c. 1746–1747?Suite for violin and keyboard (incomplete)A maj.Vl Kb9: 43VI/5: 97after BWV 1025.101206
102610.c.1714–1717Fugue for violin and continuoG min.Vl Bc431: 39VI/5: 5901207
102710.c.1742Sonata for gamba and harpsichord No. 1G maj.Gam Hc9: 175VI/4: 3after BWV 1039; → 1027/1a /2a /4a01208
102810.Sonata for gamba and harpsichord No. 2D maj.Gam Hc9: 175VI/4: 2101210
102910.Sonata for gamba and harpsichord No. 3G min.Gam Hc9: 175VI/4: 36→ BWV 545b01211
1030.210.1736–1737Sonata for flute and harpsichordB min.Fl Hc9: 3VI/3: 33after BWV 1030.111579
1030.110.1717–1736Sonata for unknown instrument and harpsichordG min.v HcVI/3: 89→ BWV 1030.201212
103210.1736–1737Sonata for flute and harpsichord (/1 incomplete)A maj.Fl Hc9: 32, 245VI/3: 54→ BWV 525a01214
103410.1717–1723?Sonata for flute and continuoE min.Fl Bc431: 9VI/3: 1101216
103510.1717–1723?Sonata for flute and continuoE maj.Fl Bc431: 21VI/3: 2301217
103910.1708–1726SonataG maj.2Fl Bc9: 260VI/3: 71→ BWV 102701221
11.Works for orchestra (see also: List of orchestral works by Johann Sebastian Bach)Up ↑
104111.1730Concerto for violin and orchestra No. 1A min.Vl Str Bc211: 3
451: 233		VII/3: 3→ BWV 105801223
104211.Concerto for violin and orchestra No. 2E maj.Vl Str Bc211: 21VII/3: 35→ BWV 105401224
104311.1730–1731 or earlierConcerto for 2 violins and orchestra – Double ConcertoD min.2Vl Str Bc211: 41VII/3: 71→ BWV 106201225
104411.1727
or later		Concerto for flute, violin, harpsichord and orchestra – Triple ConcertoA min.Fl Vl Hc Str Bc17: 223VII/3: 105after BWV 894/1, 527/2, 894/201226
104511.1743–1746Cantata opening: "Concerto" (Symphonic movement for violin and orchestra)D maj.Vl 3Tr Tmp 2Ob Str Bc211: 65I/34: 305after unknown model by other composer?[66][67][68]01227
1046.211.1721-03-24Brandenburg Concerto No. 1F maj.2Nho 3Ob Bas Vlp Str Bc19: 3VII/2: 3after BWV 1046.1; /3, /7 → BWV 207(a)/1, /5a01228
1046.111.c.1712-
1713?		Sinfonia (opening of BWV 208?)F maj.2Nho 3Ob Str Bas Bc311: 69VII/2: 225→ BWV 1046.2; /1 → BWV 52/1; was BWV 1046a, 1071[66]01229
104711.1721-03-24Brandenburg Concerto No. 2F maj.Tr Fl Ob Vl Str Vne Bc19: 3VII/2: 4301230
104811.1721-03-24Brandenburg Concerto No. 3G maj.3Vl 3Vla 3Vc Vne Hc19: 3VII/2: 73→ BWV 174/101231
104911.1721-03-24Brandenburg Concerto No. 4G maj.Vl 2Fl Str Vc Vne Bc19: 3VII/2: 99→ BWV 105701232
1050.211.1721-03-24Brandenburg Concerto No. 5 (early version)D maj.Fl Vl Hc Vl Va Vc Vne19: 3VII/2: 145after BWV 1050.101233
1050.111.1720–1721Brandenburg Concerto No. 5 (revised version)D maj.Fl Vl Hc Vl Va Vne19: 3VII/2: 145→ BWV 1050.201234
105111.1721-03-24Brandenburg Concerto No. 6B♭ maj.2Vla 2Gam Vc Vne Hc19: 3VII/2: 19701235
1052.211.c.1738Concerto for harpsichord and orchestra No. 1 (revised version)D min.Hc Str Bc17: 3VII/4: 3after BWV 1052.1, BWV 146/1, /2 and 188/101236
1052.111.before 1726Concerto for harpsichord and orchestra No. 1 (early version)D min.Hc Str Bc17: 3VII/4: 317by Bach, C. P. E.?; → BWV 1052.2, BWV 146/1, /2 and 188/101237
105311.c.1738Concerto for harpsichord and orchestra No. 2E maj.Hc Str Bc17: 3VII/4: 79after BWV 169/1, /5 and 49/101238
105411.c.1738Concerto for harpsichord and orchestra No. 3D maj.Hc Str Bc17: 3VII/4: 127after BWV 104201239
105511.c.1738Concerto for harpsichord and orchestra No. 4A maj.Hc Str Bc17: 3VII/4: 161after BWV 1055R?01240
105611.c.1738Concerto for harpsichord and orchestra No. 5F min.Hc Str Bc17: 3VII/4: 197after BWV 1056R?; /2 after BWV 156/101241
105711.c.1738Concerto for harpsichord and orchestra No. 6F maj.Hc 2Fl Str Bc17: 3VII/4: 221after BWV 104901242
105811.c.1738Concerto for harpsichord and orchestra No. 7G min.Hc Str Bc17: 3VII/4: 283after BWV 104101243
105911.c.1738Concerto for harpsichord and orchestra No. 8 (abandoned fragment of 1st movement)D min.Hc Ob Str Bc17: 3VII/4: 313after BWV 35/1 and earlier model (for oboe?); completions/
reconstructions usually based on BWV 35/1, /2 and /5		01244
106011.c.1736Concerto for 2 harpsichords and orchestra No. 1C min.2Hc Str Bc212: 3VII/5: 3after BWV 1060R?01245
1061.211.after 1732–1733Concerto for 2 harpsichords and orchestra No. 2C maj.2Hc Str Bc212: 39VII/5: 109after BWV 1061.101246
1061.111.1732–1733 or earlierConcerto for 2 harpsichords (No. 2)C maj.2Hc212: 39VII/5: 83→ BWV 1061.201247
106211.1736Concerto for 2 harpsichords and orchestra No. 3C min.2Hc Str Bc212: 83VII/5: 43after BWV 104301248
106311.c.1730Concerto for 3 harpsichords and orchestra No. 1D min.3Hc Str Bc313: 3VII/6: 3after unknown model?01249
106411.c.1730Concerto for 3 harpsichords and orchestra No. 2C maj.3Hc Str Bc313: 53VII/6: 55after BWV 1064R?01250
106511.c.1730Concerto for 4 harpsichords and orchestraA min.4Hc Str Bc431: 71VII/6: 117after Vivaldi, Op. 3 No. 1001251
106611.May 1724–End 1725Orchestral Suite No. 1C maj.2Ob Bas Str Bc311: 3VII/1: 3Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied01252
106711.1738–1739Orchestral Suite No. 2B min.Fl Str Bc311: 24VII/1: 27Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie01253
106811.c.1730Orchestral Suite No. 3D maj.3Tr Tmp 2Ob (Vl) Str Bc311: 40VII/1: 49,
119		Ouverture Air 2Gavotte Bourrée Gigue01254
106911.before late 1727Orchestral Suite No. 4D maj.3Tr Tmp 2Ob Bas Str Bc311: 66VII/1: 79Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 → BWV 110/101255
1071
see BWV 1046.101229
12.Canons (see also: List of canons by Johann Sebastian Bach)Up ↑
107212.Canon trias harmonica a 8D maj.8V451: 131VIII/1: 3, 6[43][69]01258
107312.1713-08-02Canon â 4. Voc: perpetuusA min.4V451: 132VIII/1: 3in US-CAh bMS Eng 870 (35b)[70][71][72][73][74]01259
107412.1727Canon a 4 (for Ludwig Friedrich Hudemann [de])A min.4V451: 134VIII/1: 3[75][76]
[43][72][77][78][79][80]		01260
107512.1734-01-10Canon a 2. perpetuusD maj.2VVIII/1: 3[72]01261
107612.1746Canon triplex a 6G maj.6V451: 138VIII/1: 3after BWV 1087/13
[57][81][82][83]
[43][84][85][86][87][88]		01262
107712.1747-10-15Canone doppio sopr' il soggetto (dedicated to Johann Fulde [de])G maj.4V BcVIII/1: 4
IX/2: 81		after BWV 1087/11[62][72][88][89]01263
107812.1749-03-01Canon Fa Mi, et Mi Fa est Tota Musica, a.k.a. Canon super Fa Mi, a 7. post Tempus MusicumF maj.7V Bc451: 136VIII/1: 4in SBB P 611[72][90][91]01264
108612.1750?Canon Concordia discorsD maj.2VVIII/1: 4
III/1: VIII		in SLB Dresden R 291s[43][92][93][94][95]01272
108712.1747/1748 or earlier14 Canons on the first eight notes of the Goldberg groundG maj.6VV/2: 119after BWV 988/1; /11 → BWV 1077; /13 → 1076; in BN Paris Ms. 17669, Bl. 18v
[57][96][97][98][99][100]		01273
13.Musical Offering, Art of the Fugue (see also: List of late contrapuntal works by Johann Sebastian Bach)Up ↑
107913.1747-07-07Musical OfferingKb Fl 2Vl Bc312VIII/1: 46[101]01265
1080.113.1742–1749The Art of Fugue (autograph)Hc (?)251VIII/2.1→ BWV 1080.201266
1080.2c. 1747–1748The Art of Fugue (print version)47VIII/2.2after BWV 1080.1[102]11581
LaterLater additions to the main catalogue (above BWV 1128: BWV3)Up ↑
11271713-10-30aria "Alles mit Gott und nichts ohn' ihn"C maj.s Str BcSppl: 237text by Mylius [scores][103]01307
1128II1707–1708chorale setting "Wo Gott der Herr nicht bei uns hält"G min.OrganIV/10after Z 4441a; was BWV Anh. 71[104][105]01725
1129c. 1742–1745music theory Theoretische Aufzeichnungen zum fünfstimmigen SatzSppl: 6311582
1130c. 1742–1743music theory Theoretische Aufzeichnungen zum KontrapunktSppl: 4511583
1131c. 1743–1746music theory Regeln zum Gebrauch von Synkopen im doppelten KontrapunktSppl: 4111584
1132c. 1736–1739Counterpoint studies with W. F. BachSppl: 6711585
1133c. 1740–1745thorough-bass rules I Einige höchst nöthige Regeln vom General BasseV/4: 131
Sppl: 37		11586
11341738?thorough-bass rules II Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four PartsSppl: 311587
1135I1724-03-25Cantata Siehe, eine Jungfrau ist schwanger (25 March: Annunciation)was BWV Anh. 199; text extant[106][107][108]01510
1136I1708–1717?
1725-09-09?
1727-02-06		Cantata Liebster Gott, vergißt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727, with BWV 157.1: funeral in Pomßen)was BWV Anh. 209; text by Lehms[109][110]01520
1137I1729-10-23?Cantata (sketch: Gott, du Richter der Gedanken for Trinity XIX by Picander?)SATB Vl Str BcIII/1was BWV Anh. 2; in SBB P 36: 18[111]01309
1138.1I1709-02-04Cantata for Ratswahl in Mühlhausen No. 2was BWV Anh. 192[112]01503
1138.21710-02-04Cantata for Ratswahl in Mühlhausen No. 3lost11382
1139.1I1725-08-27Cantata Wünschet Jerusalem Glück (council election)was BWV Anh. 4; text by Picander; → BWV 1139.2[51][113]01311
1139.2I1730-06-27Cantata Wünschet Jerusalem Glück (200th anniversary of the Augsburg Confession)was BWV Anh. 4a; text by Picander; after BWV 1139.1[114]01312
1140I1730-08-25Cantata Gott, gib dein Gerichte dem Könige (council election)I/32.2was BWV Anh. 3; text by Picander[114][113]01310
1141I1740-08-29Cantata Herrscher des Himmels, König der Ehren (council election)I/32.2was BWV Anh. 193; text extant; /7 after BWV 208/15?[115][116]01504
11421716-04-02Cantata Was ist, das wir Leben nennen (funeral service for Johann Ernst of S.-W.)text extant01531
11434.1729-03-24Cantata Klagt, Kinder, klagt es aller Welt (funeral of Leopold of Anhalt-Köthen; music lost but partially reconstructible)I/34was BWV 244a; text by Picander; ↔ BWV 198/1, /10, 244b/6, /8, /39, /49, /57, /23, /20, /65, /13, /6800305
1144I1725-02-12Cantata Sein Segen fließt daher wie ein Strom (wedding)was BWV Anh. 14; text extant[117][118]01322
1145I1729-01-18Cantata Der Herr ist freundlich dem, der auf ihn harret (wedding)was BWV Anh. 211; text by Picander[119][120]01522
1146I1729-07-26Cantata Vergnügende Flammen, verdoppelt die Macht (wedding)was BWV Anh. 212; text by Picander[121][122][120]01523
1147I1718-12-10Cantata Lobet den Herrn, alle seine Heerscharen (birthday of Leopold of A.-K.)I/34was BWV Anh. 5; text by Hunold[123]01313
1148I1724-04-27Cantata Siehe, der Hüter Israel (doctorate)SATB 3Tr Tmp 2Ob 3Vl Va BcI/34was BWV Anh. 15; lost[124][125]01323
1150I1721-01-01?
1722-01-01?		Cantata Ihr wallenden Wolken (New Year)b 2Fl Str Vc Hc BcI/4was BWV Anh. 197; lost[126][127]01508
1151I1720-01-01Secular cantata Dich loben die lieblichen Strahlen der Sonne (New Year)I/35was BWV Anh. 6; text by Hunold[128][129]01314
1152I1723-01-01Secular cantata for New Year (congratulation of Leopold of Anhalt-Köthen and his wife Frederica Henriette)I/35was BWV Anh. 8; lost[130]01316
1153I1720-12-10Secular cantata Heut ist gewiß ein guter Tag (birthday of Leopold of Anhalt-Köthen)I/35was BWV Anh. 7; text by Hunold[131][132]01315
1154I1722-07-29Cantata O vergnügte Stunden (birthday of John Augustus of Anhalt-Zerbst)was BWV Anh. 194; text extant[133][134]01505
1155I1723-08-09Ode in Latin (birthday of Frederick II of Saxe-Gotha)I/38was BWV Anh. 20; lost[135][136]01328
1156I1727-05-12Secular cantata Entfernet euch, ihr heitern Sterne (57th birthday of Augustus II)I/36was BWV Anh. 9; text by Haupt, C. F.; /1 → BWV 232II/6?[137][138][139]01317
1157I1732-08-03Secular cantata Es lebe der König, der Vater im Lande (name day of Augustus II)I/36was BWV Anh. 11; text by Picander; /1 & /11 → BWV 215/1 → 232IV/1=/3; /7 → 248/39?; /9 → 212/14[113][121][140]01319
1158I1733-08-03Secular cantata Frohes Volk, vergnügte Sachsen (name day of Augustus III)I/36was BWV Anh. 12; text by Picander; after BWV Anh. 18; /1 → BWV 11/1[113][121][141]01320
11591739-10-07Secular cantata "Serenade" (birthday of Augustus III)lost01536
1160I1731-08-25Secular cantata So kämpfet nur, ihr muntern Töne (birthday of Joachim Friedrich von Flemming [de])I/39was BWV Anh. 10; text by Picander; /1 → BWV 248VIa/1?[121][142]01318
1161I1738-04-28Secular cantata Willkommen! Ihr herrschenden Götter der Erden in honour of the royal couple (Augustus III and Maria Josepha), and for the forthcoming marriage of princess Maria Amalia with Charles of SicilyI/37was BWV Anh. 13; text by Gottsched, J. C. in Riemersche Chronik
[113][143][144][145]		01321
1162I1732-06-05Secular cantata Froher Tag, verlangte Stunden (inauguration of St. Thomas school after renovation)I/39was BWV Anh. 18; text by Winckler; /1 → BWV 11/1; /1 /3 /5 /6 /8 /10 → BWV Anh. 12[146][147][148]01326
1163I1725-11-27Secular cantata Auf, süß entzückende Gewalt (wedding of Peter, eldest son of Peter Hohmann, and Christiana Sibylla Mencke)I/40was BWV Anh. 196; text by Gottsched, C.; /3 → BWV 11/4 → 232IV/4; /5 → BWV 11/8[149][150][151][152]01507
1164II1712–1713
or earlier		Motet Ich lasse dich nicht, du segnest mich dennF min.2SATB39: 157III/3: 3by Bach, J. Christoph?; was BWV Anh. 159; ↔ BWV 421 (/2)[20][153]01470
RReconstructions (see also Reconstruction of music by Johann Sebastian Bach)Up ↑
1052RR1970ConcertoD min.Vl Str BcVII/7: 3by Fischer; after BWV 1052[154]01236
1055RR1970ConcertoA maj.Oba Str BcVII/7: 33by Fischer; after BWV 1055[154]01240
1056RR1970ConcertoG min.Vl Str BcVII/7: 59by Fischer; after BWV 1056[154]01241
1060RR1970ConcertoC min.Vl Ob Str BcVII/7: 75by Fischer; after BWV 1060[154]01245
1064RR1970ConcertoD maj.3Vl Str BcVII/7: 103by Fischer; after BWV 1064[154]01250
Anh. IFragments – lost worksUp ↑
I 1I1725-07-15?Cantata Gesegnet ist die Zuversicht (Trinity VII)SATB 2Fl Str Bcby Telemann (TWV 1:617)?; text by Neumeister?01308
I 2I
see BWV 113701309
I 3I
see BWV 114001310
I 4I
see BWV 1139.101311
I 4aI
see BWV 1139.201312
I 5I
see BWV 114701313
I 6I
see BWV 115101314
I 7I
see BWV 115301315
I 8I
see BWV 115201316
I 9I
see BWV 115601317
I 10I
see BWV 116001318
I 11I
see BWV 115701319
I 12I
see BWV 115801320
I 13I
see BWV 116101321
I 14I
see BWV 114401322
I 15I
see BWV 114801323
I 16I1735-11-09Cantata Schließt die Gruft! ihr Trauerglocken (mourning of Hedwig of Merseburg)by Roemhildt;[155] text by Hoffmann, B.[156]01324
I 17ICantata Mein Gott, nimm die gerechte Seele (funeral)SATB 2Oba Str Bas BcI/3301325
I 18I
see BWV 116201326
I 19I1734-11-21Secular cantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school)I/39text by Landvoigt [de]?01327
I 20I
see BWV 115501328
N 190I1729-04-18Cantata Ich bin ein Pilgrim auf der Welt (Easter 2)b Bc ...I/33by Bach, C. P. E.?; text by Picander01501
N 191I1715-05-19Cantata Leb ich oder leb ich nicht (Cantate)text by Franck, S.01502
N 192I
see BWV 1138.101503
N 193I
see BWV 114101504
N 194I
see BWV 115401505
N 195I1723-06-09Secular cantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus [de])text in Acta Lipsiensium 1723, Vol. 5, pp. 515–61901506
N 196I
see BWV 116301507
N 197I
see BWV 115001508
N 198I
see BWV 149/1a01509
N 199I
see BWV 113501510
N 200Ic.1740chorale setting "O Traurigkeit, o Herzeleid" (unused sketch for Orgelbüchlein)OrganIV/1: 46after Z 1915;[157] in SBB P 28301511
N 209I
see BWV 113601520
N 210I1734-10-04Cantata Wo sind meine Wunderwerke [it] (leave-taking of Johann Matthias Gesner)text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3?[158][159]01521
N 211I
see BWV 114501522
N 212I
see BWV 114601523
N 213IConcertoF maj.Orgby Telemann; arr. by Bach01524
223I1717–1718?Cantata Meine Seele soll Gott lobenB♭ maj.I/34by Handel?[160]00280
224I1732Aria "Reißt euch los, bekränkte Sinnen" (fragment)SI/41by Bach, C. P. E.?; in SBB P 491[161]00281
Anh. IIWorks of doubtful authenticityUp ↑
53IIAria "Schlage doch, gewünschte Stunde" (Funeral)E maj.a Bel Str Bc122: 53I/41by Hoffmann, M.?00068
142IICantata Uns ist ein Kind geboren (Christmas)A min.atbSATB 2Fl 2Ob Str Bc30: 19I/41text by Neumeister (reworked)00174
189IICantata Meine Seele rühmt und preist (German Magnificat, Visitation)B♭ maj.t Fl Ob Vl Bc37: 213I/41by Hoffmann, M.00229
217IICantata Gedenke, Herr, wie es uns gehet (Epiphany I)satbSATB Fl Str Bc41: 207I/41by Altnickol?00274
220IICantata Lobt ihn mit Herz und Munde (24 June: feast of John the Baptist)atbSATB Fl 2Ob Str Bc41: 259I/4100277
221IICantata Wer sucht die Pracht, wer wünscht den Glanztb 2Vl Bas Vc OrgI/41in SBB P 191: 83–11300278
III 159II
see BWV 116401470
II 25II1740–1742
(JSB)		Kyrie–Gloria MassC maj.SATB 2Tr 2Vl Org111: XVIII/9by Bach, J. L.?01333
239II1738–1741
(JSB)		SanctusD min.SATB Str Bc111: 89II/9after Caldara, Missa Providentiae/4[162][163]00298
II 28IISanctusB♭ maj.SATB 2Ob 2Cor Str Bc111: XVIIII/901336
II 29IIc.1714–17Kyrie–Gloria Mass (only cello part extant)C min.II/9in BKraków St 54701337
III 167II1738–1739 (JSB)Kyrie–Gloria Mass for two choirsG maj.3SATB 3Ob Tai 2Vl 2Va 2Vne Bc OrgII/9by Bernhard, Krieger or Pohle?; in SBB P 659[164][165][166]01478
II 30II1690s (Tor.)
c.1742 (JSB)		Magnificat for double choirC maj.2SATB 3Tr Tmp 2Vl 2Vla Bc111: XVII/9after Torri, Magnificat; Tr3, Tmp by Bach[167][168][169]01338
246II1732-04-11 (JSB)Passion St Luke PassionssatbSATB 2Fl 2Ob Tai Bas Str Bc452II/9: 65→ BWV 246/40a; in SBB P 1017[170]00311
II 31IIchorale setting "Herr Gott, dich loben alle wir"SATB 2Tr 3Ob Str Bcin SBB P 10101339
N 201IIchorale setting "Du Friedefürst, Herr Jesu Christ"SATBby Vetter, D.[171]01512
N 202IIchorale setting "Gott hat das Evangelium"SATBby Vetter, D.[172]01513
N 203IIchorale setting "Ich hebe meine Augen auf"SATBby Vetter, D.[173]01514
N 204IIchorale setting "O Traurigkeit, o Herzeleid"SATBby Vetter, D.[174]01515
II 32II1704Sieben geistliche Oden und ein Gedicht [scores] No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen"Voice Bcin Deutsche Übersetzungen und Gedichte[175]01340
II 33II1704Sieben geistliche Oden und ein Gedicht [scores] No. 2 "Mein Jesus, spare nicht"Voice Bcin Deutsche Übersetzungen und Gedichte[175]01341
II 34II1704Sieben geistliche Oden und ein Gedicht [scores] No. 3 "Kann ich mit einem Tone"Voice Bcin Deutsche Übersetzungen und Gedichte[175]01342
II 35II1704Sieben geistliche Oden und ein Gedicht [scores] No. 4 "Meine Seele lass die Flügel"Voice Bcin Deutsche Übersetzungen und Gedichte[175]01343
II 36II1704Sieben geistliche Oden und ein Gedicht [scores] No. 5 "Ich stimm' itzund ein Straff-Lied an"Voice Bcin Deutsche Übersetzungen und Gedichte[175]01344
II 37II1704Sieben geistliche Oden und ein Gedicht [scores] No. 6 "Der schwarze Flügel trüber Nacht"Voice Bcin Deutsche Übersetzungen und Gedichte[175]01345
II 38II1704Sieben geistliche Oden und ein Gedicht [scores] No. 7 "Das Finsterniß tritt ein"Voice Bcin Deutsche Übersetzungen und Gedichte[175]01346
II 39II1704Sieben geistliche Oden und ein Gedicht [scores] No. 8 "Ach was wollt ihr trüben Sinnen"Voice Bcin Deutsche Übersetzungen und Gedichte[175]01347
II 40II1736Song "Ich bin nun wie ich bin" [scores]Voice Kbin Singende Muse an der Pleiße [scores][176][177][178]01348
II 41II1736Song "Dir zu Liebe, wertes Herze" [scores]Voice Kbin Singende Muse an der Pleiße [scores][176][179][180]01349
571IIc. 1704Fantasia, a.k.a. ConcertoG maj.Organ38: 67IV/11: 35[181][182]00651
580IIFugueD maj.Organ38: 215[183]00662
II 42IIFugue [scores]F maj.Organin SBB P 817: 1–301350
576IIFugueG maj.Organ38: 106IV/11[184]00658
577IIFugueG maj.Organ38: 111IV/11: 44[185]00659
581IIFugue [scores]G maj.OrganIV/11by Homilius?[186]00663
131aIIFugueG min.Organ38: 217IV/11: 3after BWV 131/5[187]00161
534IIPrelude and FugueF min.Organ15: 104IV/5: 130by Bach, W. F.?00608
536aIIc.1760–1789?Prelude and FugueA maj.OrganIV/6: 114after BWV 536, 152/1; arr. by Scholz?[188]00612
545bII1708–1717Prelude, Trio and FugueB♭ maj.OrganIV/11: 6after BWV 545a; ↔ 545, 1029/3[189][190]00624
553IIEight Short Preludes and Fugues No. 1C maj.Organ38: 23IV/11by Krebs, J. T. or J. L.?[191][192]00633
554IIEight Short Preludes and Fugues No. 2D min.Organ38: 27IV/11by Krebs, J. T. or J. L.?[191][192]00634
555IIEight Short Preludes and Fugues No. 3E min.Organ38: 30IV/11by Krebs, J. T. or J. L.?[191][192]00635
556IIEight Short Preludes and Fugues No. 4F maj.Organ38: 33IV/11by Krebs, J. T. or J. L.?[191][192]00636
557IIEight Short Preludes and Fugues No. 5G maj.Organ38: 36IV/11by Krebs, J. T. or J. L.?[191][192]00637
558IIEight Short Preludes and Fugues No. 6G min.Organ38: 39IV/11by Krebs, J. T. or J. L.?[191][192]00638
559IIEight Short Preludes and Fugues No. 7A min.Organ38: 42IV/11by Krebs, J. T. or J. L.?[191][192]00639
560IIEight Short Preludes and Fugues No. 8B♭ maj.Organ38: 45IV/11by Krebs, J. T. or J. L.?[191][192]00640
561IIFantasia and FugueA min.Organ38: 4800641
568IIPreludeG maj.Organ38: 85IV/6: 5100648
584IITrio [scores]G min.OrganI/12: 23
IV/11		after BWV 166/2[193]00666
1027 /1a /2a /4aIITrio [scores]G maj.OrganIV/11after BWV 1027/1–2 /4, 1039/1–2 /4; arr. by Kellner, J. P.?[194]01209
591IIKleines harmonisches LabyrinthOrgan38: 225IV/11: 50by Heinichen?[195][196]00673
597IIConcerto for solo organE♭ maj.OrganIV/11after lost model?00680
598IIPedal-Exercitium (fragment)Organ38: 210by Bach, C. P. E.?00681
676aII1739–1789chorale setting "Allein Gott in der Höh sei Ehr" (later variant)Organ40: 208IV/4: KB 48after BWV 67600792
683aII1739–1789chorale setting "Vater unser im Himmelreich" (later variant)OrganIV/4: KB 51after BWV 68300800
N 205II
see BWV 112101516
II 48IIchorale setting "Allein Gott in der Höh sei Ehr"Organby Walther (& Scholz?)01356
II 49IIchorale setting "Ein feste Burg ist unser Gott"Organby Walther?01357
II 50IIchorale setting "Erhalt uns, Herr, hei deinem Wort"Organ01358
II 51IIchorale setting "Erstanden ist der heilge Christ"Organ01359
II 52IIchorale setting "Freu dich sehr, o meine Seele"Organ01360
II 53IIchorale setting "Freu dich sehr, o meine Seele"Organ01361
II 54IIchorale setting "Helft mir Gotts Güte preisen"Organ01362
chorale setting "Von Gott will ich nicht lassen"
II 55II1714-1717
or earlier		chorale setting "Herr Christ, der einig Gottes Sohn" [scores]Organ01363
II 58IIchorale setting "Jesu, meine Freude"Organ01366
II 59IIchorale setting "Jesu, meine Freude"Organ01367
II 60IIchorale setting "Nun lob, mein Seel, den Herren" [scores]Organby Walther?01368
II 62aIIchorale setting "Sei Lob und Ehr mit hohem Preis"Organ01370
II 62bIIchorale setting "Sei Lob und Ehr mit hohem Preis"Organ01371
II 63IIchorale setting "Vom Himmel hoch"Organ01372
II 64IIchorale setting "Vom Himmel hoch"Organ01373
II 65IIchorale setting "Vom Himmel hoch"Organ01374
II 66IIchorale setting "Wachet auf, ruft uns"Organ Trby Krebs, J. L.?01375
II 67IIchorale setting "Was Gott tut, das ist wohlgetan"Organ01376
II 68IIchorale setting "Wer nur den lieben Gott läßt walten"Organ01377
II 69IIchorale setting "Wir glauben all an einen Gott"Organ01378
II 70IIchorale setting "Wir glauben all an einen Gott" [scores]Organ01379
II 71II
see BWV 112801725
II 72IIchorale setting "Christus der uns selig macht" (Canon)Organ01381
II 74IIchorale setting "Schmücke dich, o liebe Seele" [scores]Organ01383
II 75IIchorale setting "Herr Christ, der einig Gottes Sohn" [scores]Organ01384
II 76IIchorale setting "Jesu, meine Freude" [scores]Organ01385
II 77IIchorale setting "Herr Christ, der einig Gottes Sohn" [scores]Organ01386
II 78IIchorale setting "Wenn wir in höchsten Nöten sein" [scores]Organ01387
II 79IIchorale setting "Befiehl du deine Wege"Organ01388
691aII1720–1789chorale setting "Wer nur den lieben Gott läßt walten" (variant)Organ40: 151after BWV 69100809
705IIchorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16)Organ40: 23IV/10: 47after Z 754900825
708II1700–1789chorale setting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19)Organ40: 30IV/10: 86after Z 167900828
708aII1700–1789chorale setting "Ich hab mein Sach Gott heimgestellt"Organ40: 152IV/10: 86after Z 167900829
716IIchorale setting "Allein Gott in der Höh sei Ehr" (Fantasia)Organ40: 45IV/10: 14after Z 445700838
726IIbef. c.1727chorale setting "Herr Jesu Christ, dich zu uns wend"Organ40: 72IV/3: 45after Z 62400849
743IIbef. c.1740chorale setting "Ach, was ist doch unser Leben" [scores]OrganIV/10: 11after Z 1208b; by Buttstett, J. H.?00871
745II1700–1788chorale setting "Aus der Tiefe rufe ich"Organ40: 171IV/10: 22after Z 1217; by Bach, C. P. E.?00873
749IIc.1700–1717chorale setting "Herr Jesu Christ, dich zu uns wend" [scores]OrganIV/10: 80after Z 624; by Bach, J. Christoph or Telemann?00878
750IIc.1700–1703chorale setting "Herr Jesu Christ, meins Lebens Licht" [scores]OrganIV/10: 8100879
752IIc.1700–1717chorale setting "Jesu, der du meine Seele" [scores]Organafter Z 6779a00881
754IIbef. c.1740chorale setting "Liebster Jesu, wir sind hier" [scores]Organafter Z 3498b00883
755IIchorale setting "Nun freut euch, lieben Christen g'mein" [scores]Organafter Z 4429a00884
756IIchorale setting "Nun ruhen alle Wälder" [scores]Organafter Z 2293b00885
757IIchorale setting "O Herre Gott, dein göttlichs Wort" [scores]Organafter Z 569000886
758IIchorale setting "O Vater, allmächtiger Gott"Organ40: 179IV/11: 69after Z 8603b00887
762IIbef. c.1717chorale setting "Vater unser im Himmelreich" [scores]OrganIV/10: 142after Z 256100891
763IIchorale setting "Wie schön leucht uns der Morgenstern" [scores]Organafter Z 835900892
765IIbef. c.1717chorale setting "Wir glauben all an einen Gott"Organ40: 187after Z 797100894
N 206IIchorale setting "Ach bleib mit deiner Gnade" [scores]Organby Pachelbel (P 376)[197][198]01517
chorale setting "Christus, der ist mein Leben" [scores]
II 80II1707–1708
or earlier		Suite [scores]F maj.KeyboardV/1201389
821IISuiteB♭ maj.Keyboard42: 213V/12: 3[199]00959
834IIAllemandeC min.Keyboard42: 259V/12[200]00973
839II1735-03-07
or earlier		Sarabande [scores]G min.KeyboardV/12in Notenbuch der Zeumerin[201][202]00978
844IIToccatina No. 4 ScherzoD min.Keyboard42: 220V/12: 16by Bach, W. F.? ↔ BWV 844a[203]00983
844aIIScherzoE min.Keyboard42: 281V/12: 22by Bach, W. F.? (BR A55); ↔ BWV 844[203]00984
845IIGigueF min.Keyboard42: 263V/12[200]00985
II 81IIGigue [scores] (incomplete)D min.KeyboardV/12by Kellner, J. P.?01390
II 82IICiacona [scores]B♭ maj.KeyboardV/12by Bach, J. B.?01391
II 83IICiacona [scores]A maj.KeyboardV/12by Bach, J. B. or H.?01392
II 84IICiacona [scores]G maj.KeyboardV/12by Bach, J. B.?01393
II 85IIToccata and Fugue [scores]F min.Keyboard42: XXXVV/12: 114, 122by Dobenecker?[204][205]01394
898IIPrelude and Fugue [scores] on B-A-C-HB♭ maj.Keyboard42: XXXIVV/1201067
II 86IIFantasiaC min.Keyboard42: 243V/12by Gronau?01395
II 87IIFantasia [scores]C maj.KeyboardV/12by Benda?01396
905IIFantasia and FugueD min.Keyboard42: 179V/12: 24[206]01076
907IIFantasia and FughettaB♭ maj.Keyboard42: 268V/12: 28by Kirchhoff [de]?[207]01078
908IIFantasia and FughettaD maj.Keyboard42: 272V/12: 34by Kirchhoff [de]?[207]01079
909IIConcerto e FugaC min.Keyboard42: 190V/12: 3801080
919IIFantasiaC min.Keyboard36: 152V/12: 48by Bach, J. B. or J. B. the Younger?[208]01092
920IIFantasiaG min.Keyboard42: 183V/12[206]01093
923aIIToccatina No. 3 PreludeA min.Keyboard42: 279V/12: 14after BWV 923[209]01097
II 89IIFugue [scores]C maj.Keyboard42: XXXIVV/1201398
II 90IIFugueC maj.Kb (with ped?)38: 213IV/11: 58, 61by Bach, C. P. E. (H 388) or Pachelbel?01399
II 91IIFugue [scores]G maj.Keyboard42: XXXIVV/1201401
II 92IIFugue [scores]G maj.KeyboardV/1201402
II 93IIFugue [scores]E min.Keyboard42: XXXIVV/1201403
II 95IIFugue [scores]E min.Keyboard42: XXXIVV/1201405
II 96IIFugue [scores]D maj.KeyboardV/12by Bach, C. P. E.? (H 373.5)01406
II 98IIFugue [scores]D min.KeyboardV/12by Bach, C. P. E.? (H 373.5)01408
II 99IIFugue [scores]D min.KeyboardV/1201409
II 100IIFugue [scores]D min.KeyboardV/12by Bach, C. P. E.? (H 373.5)01410
II 101IIFugue [scores]G min.Keyboard42: XXXVV/12: 130by Dobenecker?[205]01411
II 102IIFugue [scores]E♭ min.KeyboardV/1201412
897/2IIFugueA min.Keyboard42: 175V/12by Dretzel or Bach, W. F.?01066
945IIFugueE min.Keyboard36: 155V/12by Graupner?[210]01120
956IIFugueE min.Keyboard42: 200V/12: 7001133
958IIFugueA min.Keyboard42: 205V/12: 7401135
960IIFugue (incomplete)E min.Keyboard42: 276V/12[211]01137
N 207IIFugueE min.KeyboardIV/11by Seger?[212]01518
II 109IIFugue [scores] on B-A-C-HG min.KeyboardV/1201419
964IISonataD min.Keyboard42: 3V/12: 78after BWV 1003[213]01141
II 111IILargo and Allegro [scores]G maj.Keyboard42: XXXVV/1201421
968IIAdagioG maj.Keyboard42: 27V/12: 94after BWV 1005/1[213]01145
969IIToccatina No. 5 AndanteG min.Keyboard42: 218V/12: 18[203]01146
II 113II1725 (AMB)Notebook A. M. Bach (1725) No. 3 MinuetF maj.Keyboard432: 25V/4: 8201423
II 116II1725 (AMB)Notebook A. M. Bach (1725) No. 7 MinuetG maj.Keyboard432: 28V/4: 8701426
II 117II1725 (AMB)Notebook A. M. Bach (1725) No. 8a and 8b two PolonaisesF maj.Keyboard432: 28V/4: 8801427
01428
II 118II1725 (AMB)Notebook A. M. Bach (1725) No. 9 MinuetB♭ maj.Keyboard432: 29V/4: 8901429
II 119II1725 (AMB)Notebook A. M. Bach (1725) No. 10 PolonaiseG min.Keyboard432: 30V/4: 9001430
II 120II1725 (AMB)Notebook A. M. Bach (1725) No. 14 MinuetA min.Keyboard432: 31V/4: 9201431
II 121II1725 (AMB)Notebook A. M. Bach (1725) No. 15 MinuetC min.Keyboard432: 32V/4: 9201432
II 126II1725 (AMB)Notebook A. M. Bach (1725) No. 22 MusetteD maj.Keyboard432: 35V/4: 9901437
II 127II1725 (AMB)Notebook A. M. Bach (1725) No. 23 MarchE♭ maj.Keyboard432: 35V/4: 100by Bach, C. P. E.01438
II 128II1725 (AMB)Notebook A. M. Bach (1725) No. 24 (Polonaise)D min.Keyboard432: 36V/4: 10101439
II 132II1725 (AMB)Notebook A. M. Bach (1725) No. 36 MinuetD min.Keyboard432: 48V/4: 12501443
II 151IIConcertoC maj.Keyboard42: XXXIVV/1201462
II 152IIConcertoG maj.Vl Hc42: XXXIVVI/501463
990IISarabanda con PartitisC maj.Keyboard42: 221V/12: 97[214]01168
II 153IISonataA maj.Vl BcVI/501464
II 154IISonataE♭ maj.Vl HcVI/5[215]01465
1020IISonataG min.Vl Hc9: 274VI/5by Bach, C. P. E.? (H 542.5)[216][217]01201
1022IISonata [scores]F maj.Vl HcVI/5: 27by Bach, C. P. E.?; after BWV 1021; ↔ BWV 1038[217][218]01203
1024IISonata [scores]C min.Vl BcVI/5[219][220]01205
1031IISonataE♭ maj.Fl Hc9: 22VI/5: 13by Bach, C. P. E.? (H 545)[217][221]01213
1033IISonataC maj.Fl Bc431: 3VI/5: 3by Bach, C. P. E.? (H 564.5)[217][222]01215
1038II1732–1735SonataG maj.Fl Vl Bc9: 219VI/5: 45by Bach, C. P. E.? (H 590.5); after BWV 1021; ↔ BWV 1022[218]01220
525aIIConcerto (Trio sonata)C maj.Vl Vc BcVI/5after BWV 525/1, 1032/2, 525/3[223][224]01718
II 155IIConcertoA maj.Kb Str BcVI/501466
I 22IIConcerto [scores]B♭ maj.Ob Vl Str BcVI/5by Förster (C.?)?[225]01330
1070IIOrchestral Suite (No. 5)G min.Str Bc451: 190VI/5by Bach, W. F.?[226][227]01256
Anh. IIIWorks of other composers, spuriously attributed to BachUp ↑
III 156IIICantata Herr Christ, der einge Gottes Sohn (Annunciation)SATB Str Bcby Telemann (TWV 1:732)[228]01467
III 157IIICantata Ich habe Lust zu scheiden (Purification)s 2Fl Str Bcby Telemann (TWV 1:836)[229]01468
15III1726-04-21
(JSB)		Cantata Denn du wirst meine Seele nicht in der Hölle lassen (Easter)satbSATB 3Tr Tmp Str Bc2: 135I/41by Bach, J. L. (JLB 21); text in Meiningen 1704[230]00017
141IIICantata Das ist je gewißlich wahr (3rd Sunday of Advent)atbSATB 2Ob Str Bc30: 3I/41by Telemann (TWV 1:183)[231]00173
145/bIIICantata movement So du mit deinem Munde bekennest Jesum (Easter)D maj.SATB Tr Str Bc30: 96I/10: 142by Telemann (TWV 1:1350/1)[232]00178
160III1725–1732?Cantata Ich weiß, daß mein Erlöser lebt (Easter)C maj.t Vl Bas Bc32: 171I/41by Telemann (TWV 1:877)[233]00194
218IIICantata Gott der Hoffnung erfülle euch (Pentecost)satbSATB 2Hn Str Bc41: 223by Telemann (TWV 1:634)[234]00275
219IIICantata Siehe, es hat überwunden der Löwe (Michaelmas)sabSATB Str Bc41: 239by Telemann (TWV 1:1328)[235]00276
222IIICantata Mein Odem ist schwach (Purification)sabSATB Str Bcby Bach, J. Ernst; → BWV Anh. 16500279
III 158IIIAria "Andrò dall'colle al Prato"s 2Fl (2Hn) Str Bcby Bach, J. C.03022
III 160III1750–1755? (Harrer?)Motet Jauchzet dem Herrn alle Welt, TWV 8:10C maj.2SATBIII/3: 15after Telemann (/1; /3 after TWV 1:1066), BWV 28/2 (/2 = BWV 28/2a); text after Psalm 100[236]01471
III 161IIIMotet Kündlich groß ist das gottselige Geheimnis/1 (Christmas)D maj.SATB Str? BcIII/3by Graun (C. H.?), precedes laudes A and B of BWV 243a01472
III 162IIIMotet Lob und Ehre und Weisheit und Dank2SATBIII/3by Wagner, G. G.01473
III 163IIIMotet Merk auf, mein Herz, und sieh dorthin2SATBIII/3by Bach, J. B. or J. Ernst01474
III 164IIIMotet Nun danket alle Gott [scores]SSATBIII/3: 52by Altnickol01475
III 165IIIMotet Unser Wandel ist im HimmelSATBIII/3by Bach, J. Ernst; after BWV 222/3 /4 /601476
III 166III1716 (JLB)
1729 (JSB)		Kyrie–Gloria Mass Missa sopra cantilena "Allein Gott in der Höh' sei Ehr"E min.SSATB 2Vl 2Vla Vc Bc111: XV
41: 276		II/9by Bach, J. L. (JLB 38), start of Gloria arr. by Bach01477
II 24III1715–1717, 1724 (JSB)Kyrie–Gloria MassA min.SATB Str Bc111: XVII/9after Missa Sancti Lamberti by Pez, J. C.01332
II 26III1727–1732 (JSB)Kyrie–Gloria Mass [scores]C min.satbSATB 3Tbn 2Vl Bc41: 193
111: XVI		II/2: 295by Durante (alternative Christe: BWV 242)01334
II 27IIIc. 1745? (JLK)SanctusF maj.SATB 2Hn 2Ob Str Bc111: XVIIII/9by Krebs, J. L. (Krebs‑WV 104)[237]01335
III 168IIIc. 1747? (WFB)Kyrie and German GloriaG min.sSATB Str Bc111: XVIIII/9by Bach, W. F. (BR E1 F 100)01479
I 21IIIc. 1707 (MH)Magnificat Meine Seel erhebt den HerrenA min.s Fl 2Vl Bc111: XVIIIII/9by Hoffmann, M.[238]01329
III 169III1724–1725Passion Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesumtext by Picander partly used in BWV 244 but no other known setting[239]01480
8/6III1713 (Vet.)
1724-09-24
(JSB)		chorale setting "Liebster Gott, wenn werd ich sterben" (s. 5)E maj.SATB1: 241I/23: 161by Vetter, D. (Z 6634); text by Neumann[240][241][242]00009
III/2.1: 63
III/2.2: 25		11228
D maj.I/23: 21900010
27/6III1652 (Ros.)
1726-10-06
(JSB)		chorale setting "Welt, ade, ich bin dein müde" (s. 1)B♭ maj.SSATB51: 244I/23: 251by Rosenmüller (Z 6531); text by Albinus[241]01481
III 170III/2.2: 8611345
43/11III1652 (Pet.)
1726-05-30 (JSB)		chorale setting "Du lebensfürst, Herr Jesu Christ" [choralwiki] (ss. 1, 13)G maj.SATB10: 126I/12: 164by Peter [de] after Z 5741b; text by Rist[243]11241
chorale setting "Ermuntre dich, mein schwacher Geist"III/2.1: 74
III/2.2: 57
567IIIPreludeC maj.Organ38: 84IV/11by Krebs, J. L. (Krebs‑WV 401)[244]00647
III 178IIIlast third of 17th centuryToccata quasi Fantasia con FugeA maj.Organ42: 250V/12by Reincken?[245]01489
II 43IIIc. 1788Fugue [scores]B min.OrganIV/11by Pölitz [de]; after H 776/1801351
II 44IIIFugue [scores]G maj.OrganIV/11by Kellner, J. P. or J. C.[246]01352
II 45IIIc. 1799Fugue [scores] on B-A-C-HB♭ maj.OrganIV/11by Knecht01353
II 88III1765Fugue [scores]C maj.KeyboardV/12by Kellner, J. C.01397
II 97IIIFugue [scores]F♯ maj.Keyboard42: XXXVIV/11: 63by Krebs, J. L. (Krebs‑WV 409/2)01407
II 103IIIc. 1711–1718 (GFH)Fugue [scores]A min.KeyboardV/12by Handel (HWV 609 [scores])01413
II 104IIIc. 1711–1718 (GFH)Fugue [scores]C min.KeyboardV/12by Handel (HWV 610 [scores])01414
II 105IIIc. 1711–1718 (GFH)Fugue [scores]B♭ maj.KeyboardV/12by Handel (HWV 607 [scores])01415
II 106IIIc. 1711–1718 (GFH)Fugue [scores]G min.KeyboardV/12by Handel (HWV 605 [scores])01416
N 208III1747 (JEE)FugueE♭ min.KeyboardIV/11After Toccata nona [scores] by Eberlin01519
II 46IIITrio [scores]C min.OrganIV/11by Krebs, J. T.[247]01354
692IIIchorale setting "Ach Gott und Herr" (Kirnb. coll. No. 3)C maj.Organ40: 4IV/11by Walther; after BWV 692a00810
692aIIIchorale setting "Ach Gott und Herr" (early version)C maj.Organ40: 152IV/11by Walther; → BWV 69200811
693IIIchorale setting "Ach Gott und Herr" (Kirnb. coll. No. 4)C maj.Organ40: 5IV/11by Walther00812
723IIIchorale setting "Gelobet seist du, Jesu Christ" (also in Neumeister Collection)Organ40: 63after Z 1947; by Bach, J. Michael00846
740IIIchorale setting "Wir glauben all an einen Gott"Organ40: 103after Z 4000; by Krebs, J. L. (Krebs‑WV 554c)00868
744IIIchorale setting "Auf meinen lieben Gott"Organ40: 170IV/10: 20after Z 2164; by Krebs, J. L. (Krebs‑WV 517)00872
746III1715 or earlier (JCFF)chorale setting "Christ ist erstanden"D min.Organ40: 173IV/10by Fischer (Ariadne Musica [scores] No. 24)00874
748III1700–1739chorale setting "Gott der Vater wohn uns bei"D maj.Organ40: 177IV/10by Walther; → BWV 748a00876
748aIII1700–1789chorale setting "Gott der Vater wohn uns bei" (variant)D maj.OrganIV/10by Scholz (arr.)?; after BWV 74800877
751IIIchorale setting "In dulci jubilo" [scores] (also in Neumeister Collection)OrganIV/10by Bach, J. Michael00880
759IIIchorale setting "Schmücke dich, o liebe Seele"F maj.Organ40: 181IV/10by Homilius (HoWV VIII.17 [scores])[212]00888
760IIIchorale setting "Vater unser im Himmelreich"Organ40: 183IV/10by Böhm00889
761IIIchorale setting "Vater unser im Himmelreich"Organ40: 184IV/10by Böhm00890
1096IIIchorale setting "Christe, der du bist Tag und Licht" [scores] (3 versions; Neumeister Chorales No. 8)A min.OrganIV/9: 16, 76by Pachelbel?[248][249]01282
chorale setting "Wir danken dir, Herr Jesu Christ" [scores] (3 versions; Neumeister Chorales No. 8)
771IIIchorale setting "Allein Gott in der Höh sei Ehr"G maj.Organ40: 195IV/11by Vetter, A. N.[250]00901
II 47IIIchorale setting "Herzlich tut mich verlangen" [scores]A min.OrganIV/10by Kellner, J. P.[246]01355
chorale setting "Ach Herr, mich armen Sünder" [scores]
II 56III1735 (Telem.)chorale setting "Herr Jesu Christ dich zu uns wend" [scores]OrganIV/10by Telemann (TWV 31:8)01364
II 57IIIchorale setting "Jesu Leiden, Pein und Tod" [scores]OrganIV/10by Vogler01365
II 61IIIchorale setting "O Mensch, bewein dein Sünde groß" [scores]F maj.OrganIV/10by Pachelbel (P 396)[251]01369
II 73III1720–1788chorale setting "Ich ruf zu dir, Herr Jesu Christ" [scores]F min.OrganIV/10by Bach, C. P. E.; after BWV 63901382
III 171IIIchorale setting "Christ lag in Todesbanden" [scores]Organ40: 174IV/10by Pachelbel (P 58)[252]01482
III 172IIIchorale setting "Herr Jesu Christ, dich zu uns wend" [scores]G maj.OrganIV/10by Krebs, J. L. (Krebs‑WV 524)01483
824III1720 (WFB)Klavierbüchlein WFB No. 47: SuiteA maj.Keyboard36: 231V/5: 78by Telemann (TWV 32:14)[28]00962
835III1761 (Kirnb.)AllemandeA min.Keyboard42: 267V/12by Kirnberger (EngK 74)[253]00974
838IIIAllemande and CouranteA maj.Keyboard42: 265V/12by Graupner (GWV 849/2 /3)[253]00977
840IIICourante [scores]G maj.KeyboardV/12by Telemann (TWV 32:13/2)00979
897/1IIIc. 1736–1743 (CHD)PreludeA min.Keyboard42: 173V/12by Dretzel ("Adagiosissimo")[254]01065
962IIIc. 1783 (JGA)FugueE min.Keyboard42: 198V/12by Albrechtsberger (Op. 1/8)[255]01139
970IIIToccatina No. 6 PrestoD min.Keyboard42: XXXIVV/12by Bach, W. F. (BR A49 F 25/2)11148
II 94III1774 (Kirnb.)Fugue [scores]E min.Keyboard42: XXXIVV/12by Kirnberger (EngK 35)[256]01404
II 107IIIFugue [scores] on B-A-C-HC maj.Keyboard42: XXXIVV/12by Sorge?01417
II 108IIIFugue [scores] on B-A-C-HC maj.Keyboard42: XXXIVV/12by Bach, C. P. E. (H 373) or Sorge?01418
II 110IIIFugue [scores] on B-A-C-HC min.Keyboard42: XXXIVV/12by Sorge?01420
II 112III1780 (Kirnb.)Grave [scores]E min.KeyboardV/12by Kirnberger (EngK 16)[257]01422
II 114III1725 (AMB)Notebook A. M. Bach (1725) No. 4 MinuetG maj.Keyboard432: 26V/4: 83by Petzold[258]01424
II 115III1725 (AMB)Notebook A. M. Bach (1725) No. 5 MinuetG min.Keyboard432: 26V/4: 84by Petzold[258]01425
II 122III1725 (CPE)Notebook A. M. Bach (1725) No. 16 MarchD maj.Keyboard432: 32V/4: 94by Bach, C. P. E. (H 1/1)01433
II 123III1725 (CPE)Notebook A. M. Bach (1725) No. 17 PolonaiseG min.Keyboard432: 32V/4: 95by Bach, C. P. E. (H 1/2)01434
II 124III1725 (CPE)Notebook A. M. Bach (1725) No. 18 MarchG maj.Keyboard432: 33V/4: 96by Bach, C. P. E. (H 1/3)01435
II 125III1725 (CPE)Notebook A. M. Bach (1725) No. 19 PolonaiseG min.Keyboard432: 33V/4: 97by Bach, C. P. E. (H 1/4)01436
II 129III1725 (AMB)Notebook A. M. Bach (1725) No. 27 Solo per il cembaloE♭ maj.Keyboard432: 38V/4: 104by Bach, C. P. E. (H 16)01440
II 130III1725 (AMB)Notebook A. M. Bach (1725) No. 28 PolonaiseG maj.Keyboard432: 39V/4: 106by Hasse[259]01441
II 131IIIc.1745?Notebook A. M. Bach (1725) No. 32F maj.Keyboard432: 46V/4: 121by Bach, J. C. (W A22)[260]01442
II 133III1763 or laterMusical clock [scores] No. 1 FantasiaG maj.Musical clockV/12by Bach, W. F. (BR A63 F 207)01444
II 134III1763 or laterMusical clock [scores] No. 2 ScherzoG maj.Musical clockV/12by Bach, W. F. (BR A64 F 207)01445
II 135III1763 or laterMusical clock [scores] No. 3 BourlescaA min.Musical clockV/12by Bach, W. F. (BR A65 F 207)01446
II 136III1763 or laterMusical clock [scores] No. 4 TrioA min.Musical clockV/12by Bach, W. F. (BR A66 F 207)01447
II 137III1763 or laterMusical clock [scores] No. 5 L'Intrada della CacciaE♭ maj.Musical clockV/12by Bach, W. F. (BR A67 F 207)01448
II 138III1763 or laterMusical clock [scores] No. 6 Continuazione della CacciaE♭ maj.Musical clockV/12by Bach, W. F. (BR A68 F 207)01449
II 139III1763 or laterMusical clock [scores] No. 7 Il Fine delle Caccia ID maj.Musical clockV/12by Bach, W. F. (BR A69 F 207)01450
II 140III1763 or laterMusical clock [scores] No. 8 Il Fine delle Caccia IID min.Musical clockV/12by Bach, W. F. (BR A70 F 207)01451
II 141III1763 or laterMusical clock [scores] No. 9 Song "O Gott die Christenheit"F maj.Musical clockV/12by Bach, W. F. (BR A71 F 207)01452
II 142III1763 or laterMusical clock [scores] No. 10 Psalm 110A min.Musical clockV/12by Bach, W. F. (BR A72 F 207)01453
II 143III1763 or laterMusical clock [scores] No. 11 PolonaiseE min.Musical clockV/12by Bach, W. F. (BR A73 F 207)01454
II 144III1763 or laterMusical clock [scores] No. 12 Polonaise TrioA min.Musical clockV/12by Bach, W. F. (BR A74 F 207)01455
II 145III1763 or laterMusical clock [scores] No. 13 MarchC maj.Musical clockV/12by Bach, W. F. (BR A75 F 207)01456
II 146III1763 or laterMusical clock [scores] No. 14 MarchF maj.Musical clockV/12by Bach, W. F. (BR A76 F 207)01457
II 147III1763 or laterMusical clock [scores] No. 15 La CombattutaG maj.Musical clockV/12by Bach, W. F. (BR A77 F 207)01458
II 148III1763 or laterMusical clock [scores] No. 16 ScherzoG min.Musical clockV/12by Bach, W. F. (BR A78 F 207)01459
II 149III1763 or laterMusical clock [scores] No. 17 MinuetG maj.Musical clockV/12by Bach, W. F. (BR A79 F 207)01460
II 150III1763 or laterMusical clock [scores] No. 18 TrioG min.Musical clockV/12by Bach, W. F. (BR A80 F 207)01461
III 177IIIPrelude and FugueE♭ maj.Keyboard36: 88V/12: 134by Bach, J. Christoph?[261]01488
III 179III1728 (JDH)Fantasia durch alle Tonarten gehend [scores]A min.KeyboardV/12by Heinichen[262]01490
III 180IIIFugueD min.Keyboard36: 188V/12by Kellner, J. P.[212]01491
III 181IIIFugue [scores]A min.KeyboardV/12by Krebs, J. L. (Krebs‑WV 825/2)01492
III 182IIIPassacagliaD min.Keyboard42: 234V/12by Witt01493
III 183III1725 (AMB)Notebook A. M. Bach (1725) No. 6 RondeauB♭ maj.Keyboard432: 27V/4: 85by Couperin (6ième Ordre: Les Bergeries)01494
1036III1731 (CPE)TrioD min.Vl Hc (2Vl Bc)VI/5by Bach, C. P. E. (H 569; Wq 145)01218
1037IIIc. 1740s (JGG)SonataC maj.2Vl Bc9: 229VI/5by Goldberg[263]01219
III 173III1712 (FAB)
c. 1723 (JSB)		InventionB min.Vl Kb451: 172VI/5by Bonporti (Op. 10 No. 2)[264]01484
III 174III1712 (FAB)
c. 1723 (JSB)		InventionB♭ maj.Vl Kb451: 176VI/5by Bonporti (Op. 10 No. 5)[265]01485
III 175III1712 (FAB)
c. 1723 (JSB)		InventionC min.Vl Kb451: 181VI/5by Bonporti (Op. 10 No. 6)[266]01486
III 176III1712 (FAB)
c. 1723 (JSB)		InventionD maj.Vl Kb451: 185VI/5by Bonporti (Op. 10 No. 7)[267]01487
III 184IIIc. 1747 (Zuc.)SonataA min.Vl BcVI/5by Zuccari (Op. 1 [scores] No. 10)[268]01495
III 185IIISonataD maj.2Vl BcVI/5by Bach, C. P. E. (H 585; ≈H 507; Wq 74)01496
III 186IIISonata [scores]F maj.2Vl BcVI/5by Bach, C. P. E. (H 576; Wq 154)01497
III 187IIISonata (Trio) [scores]F maj.Bas Fl VneVI/5by Bach, C. P. E. (H 589)02454
III 188IIIc. 1740 (WFB)Sonata (Concerto)F maj.2Hc431: 47V/12by Bach, W. F. (BR A12 F 10)01499
I 23III1710 (Alb.)
c.1710 (JSB)		Concerto [scores]E min.2Vl Va Vc VneVI/5by Albinoni (Op. 2 No. 4 = 2nd Concerto)01331
III 189III1745–1747 (JSB)Concerto [scores]A min.Hc Str BcVI/5by Bach, C. P. E. (H 403; Wq 1)01500
Anh. NNew additions to the AnhangUp ↑
—
Up ↑
655b–1708–1789chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "a" in BGA)Organ252: 159after BWV 655(a); ↔ 655c00754
655c–1708–1789chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "b" in BGA)Organ252: 160after BWV 655(a); ↔ 655b00755
813a–French Suites, No. 2 – Version B (early version): No. 6 Menuet IIC min.Keyboard36: 236V/8: 7900947
deestBC
C 8		1723–1750?
(JSB?)		Motet Der Gerechte kömmt um (Wer ist der, so von Edom kömmt/39; funer. motet?)E min.SSATB 2Fl 2Ob Str BcI/41: 127by Kuhnau? (Tristis est...); arr. by Bach?01532
deestBC
D 1		1717-03-28?Passion Weimarer Passion?stbSATB 2Fl 2Ob Str Bc→ BWV 23/4 (and 55/3; 244/29; 245a–c; 283?)01533
deestBC
D 5a		1707 (Kei)
before 1713
(JSB)		Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, Weimar version)SATB 2Vl 2Va HcII/9: 69Pasticcio (Keiser G.?, Bach)01534
deestBC
D 5b		1726-04-19
(JSB)		Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 1st Leipzig version)SATB 2Vl 2Va OrgII/9Pasticcio after BC D 5a (Keiser G.?, Bach) adding BWV 500a and 1084)01535
deestBC
D 10		c.1750?Passion Wer ist der, so von Edom kömmtD min.satbSSATB 2Fl 2Ob Str BcI/41: 95Pasticcio (Graun, C. H.; Telemann; Bach; ...)10991
deest
(8/6*)		BC F 131 .1cc. 1735chorale setting "Liebster Gott, wenn werd ich sterben"E♭ maj.SATBIII/2.1: 100after Z 6634; text by Neumann11072
BGA1725 (JSB)Notebook A. M. Bach (1725) No. 21 Menuet fait par Mons. BöhmG maj.Keyboard432: 35V/4: 82by Böhm
BNB
I/B
/48		1709 (Bas.)
c.1738
(JSB)		6 Masses without Benedictus and Agnus Dei from Acroama missale [scores]2SATB 3Tbn Str Bcby Bassani; copied by Bach (BNB I/B/48), later adding BWV 1081[269]08834
BNB
I/C/1		1740–1742 (JSB)MagnificatC maj.SATB 4Tbn Tmp Bcby Caldara; → BWV 1082; in DBB 2755/108841
deestBNB
I/K/2		before 1719
(Han.)
1743–1748
(JSB)		Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 2nd Leipzig version)stSATB 2Ob 2Bas 2Vl 2Va Vc Vne HcII/9Pasticcio after BC D 5b (Keiser G.?, Bach) and HWV 48/9 /23 /41 /44 /47 /52 /55 (Handel)01680
deestNBA1591 (Pal.)
c.1742
(JSB)		Kyrie–Gloria Mass arranged from Missa sine nomine a 6E min.SSATTB 2Co 4Tro Vne Hc OrgII/9: 13by Palestrina after anon. motet Beata Dei genitrix; arr. by Bach01676
NBA1720-01-22Klavierbüchlein WFB, p. 3a: Claves signatae (introduction on clefs)451: 213V/5[28]
NBA1720-01-22Klavierbüchlein WFB, p. 3b: Explication... (introduction on ornaments)451: 213V/5[28]
NBA1720 (WFB)Klavierbüchlein WFB No. 25: Pièce pour le ClavecinKeyboard451: 218V/5: 40by Richter, J. C. [de][28]
deestNBA1720 (anon)Klavierbüchlein WFB No. 30: Bass sketchG min.451: 220V/5: 45[28]
NBA1720 (WFB)Klavierbüchlein WFB No. 48a–d: PartitaKeyboard451: 223V/5: 82by Stölzel[28]
Legend for abbreviations in "Scoring" column
Voices (see also SATB)
aAbBsStTvV
alto (solo part)alto (choir part)bass (solo part)bass (choir part)soprano (solo part)soprano (choir part)tenor (solo part)tenor (choir part)voice (includes parts for unspecified voices or instruments as in some canons)vocal music for unspecified voice type
Winds and battery (bold = soloist)
BasBelCntFlHnObObaOdcTaiTbnTdtTmpTr
bassoon (can be part of Bc, see below)bell(s) (musical bells)cornett, cornettinoflute (traverso, flauto dolce, piccolo, flauto basso)natural horn, corno da caccia, corno da tirarsi, lituooboeoboe d'amoreoboe da cacciatailletrombonetromba da tirarsitimpanitromba (natural trumpet, clarino trumpet)
Strings and keyboard (bold = soloist)
BcHcKbLuLwOrgStrVaVcVdgVlVne
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Luharpsichordkeyboard (Hc, Lw, Org or clavichord)lute, theorboLautenwerck (lute-harpsichord)organ (/man. = manualiter, without pedals)strings: Vl I, Vl II and Vaviola(s), viola d'amore, violettavioloncello, violoncello piccoloviola da gambaviolin(s), violino piccoloviolone, violone grosso

By genre

Cantatas (BWV 1–224)

See #BWV Chapter 1 in the table above

In the 1950 first edition of the BWV the cantatas were largely listed according to their BGA number:

Additionally Anh. I of the first edition of the BWV started with a list of some 20 lost cantatas, while Anh. III of that edition listed a few cantata (movements) by other composers (Anh. 156–158).

BWV2a added many more lost cantatas (BWV Anh. 190–199 and 209–212) and alternative versions to known works indicating (partially) lost cantatas or cantata versions, e.g. BWV 244a, the music of which was partially preserved in the St Matthew Passion, BWV 244.

Motets (BWV 225–231)

See #BWV Chapter 2 in the table above

There are over a dozen motets attributed to Bach, about half of which are authentic by all accounts:

  • BWV 225–230 are the six compositions that have always been considered motets composed by Bach
  • BWV 231 was later renumbered to BWV 28/2a, a variant of the second movement of cantata BWV 28
  • BWV 118, published as a cantata in the 19th century, was later recategorised as a motet, following Bach's designation on the score.
  • BWV Anh. 159–165 are motets with a doubtful or spurious assignation to Bach, the first of which is however most likely composed by Bach.

Liturgical works in Latin (BWV 232–243)

See #BWV Chapter 3 in the table above

Bach's involvement with Latin church music, as composer, arranger or copyist, includes:

  • BWV 232–242: Masses and Mass movements (Mass in B minor; Kyrie–Gloria Masses; separate Mass movements)
  • BWV 243: Magnificat
  • BWV 1081–1083: later additions to the BWV catalogue
  • BWV Anh. 24–30, 166–168: doubtful and spurious works
  • BNB I/B/48, I/C/1, I/P/2: copies and arrangements

Passions and oratorios (BWV 244–249)

See #BWV Chapter 4 in the table above

Passions and oratorios composed or contributed to by Bach include:

Four-part chorales (BWV 250–438)

See #BWV Chapter 5 in the table above

Bach's chorale settings (usually for SATB choir) are included in:

Songs and arias (BWV 439–524)

See #BWV Chapter 6 in the table above

Songs and (separate) arias by Bach are included in several collections:

Associated with the Songs and Arias group:

Works for organ (BWV 525–771)

See #BWV Chapter 7 in the table above

Bach's organ compositions include:

Works for keyboard (BWV 772–994)

See #BWV Chapter 8 in the table above

Bach's works for harpsichord, clavichord and other keyboard instruments include:

Works for solo lute (BWV 995–1000)

See #BWV Chapter 9 in the table above

Bach's compositions for lute or lute-harpsichord (Lautenwerck) include:

  • BWV 995–1000 suites and separate movements for lute or lute-harpsichord
  • BWV 1006a: transcription of BWV 1006

Chamber music (BWV 1001–1040)

See #BWV Chapter 10 in the table above

Bach wrote chamber music for solo violin, cello or flute, sonatas for harpsichord and an instrumental soloist, and trio sonatas:

Orchestral works (BWV 1041–1071)

See #BWV Chapter 11 in the table above

Bach wrote concertos and orchestral suites:

Canons (BWV 1072–1078)

See #BWV Chapter 12 in the table above

Separate canons by Bach are listed in the 12th chapter of the BWV:

  • BWV 1072–1078: canons
  • BWV 1086–1087: later additions

Late contrapuntal works (BWV 1079–1080)

See #BWV Chapter 13 in the table above

The list of late contrapuntal works contains only two items:

20th-century additions to the BWV catalogue and Anhang

Additions as published in BWV2a

Additions to the main catalogue (BWV 1081–1126)

Additions to the Anhang (BWV Anh. 190–213)

BWV Anh. 190–213 were added between the 1950 and 1990s editions of the catalogue

  • BWV Anh. 190–197 – Cantatas added to Anh. I (music lost); see also List of Bach cantatas
  • BWV Anh. 198 – Abandoned sketch of a cantata opening, renumbered to BWV 149/1a and added to Chapter 1 in BWV2a
  • BWV Anh. 199 – Cantata added to Anh. I (music lost); see also List of Bach cantatas
  • BWV Anh. 200 – Fragment of a chorale prelude O Traurigkeit, o herzeleid, added to Anh. I (unused sketch for the Orgelbüchlein)
  • BWV Anh. 201–204 – Four-part chorales added to Anh. II (doubtful)
  • BWV Anh. 205 – Fantasia in C minor, authenticated as BWV 1121 and added to Chapter 7 in BWV2a
  • BWV Anh. 206 – Doubtful chorale prelude, added to Anh. II
  • BWV Anh. 207 – Doubtful keyboard fugue, added to Anh. II
  • BWV Anh. 208 – Spurious organ fugue, added to Anh. III
  • BWV Anh. 209–212 – Lost cantatas added to Anh. I; see also List of Bach cantatas
  • BWV Anh. 213 – Lost arrangement for organ of an unidentified Telemann concerto, added to Anh. I

21st-century additions to the BWV catalogue (BWV 1127 and higher)

See also #BWV Later in the table above

BWV numbers assigned after the publication of BWV2a:

Derivative works

There is not much system in the way works derived from Bach's compositions are listed. The "R" addition to the BWV number is only well-established for the reconstructions included in NBA VII/7 (e.g. solo violin reconstructions of BWV 565 are not usually indicated as BWV 565R, neither is the system used for reconstructed vocal works). For some series of transcriptions and arrangements works catalogues of these transcribers/arrangers may hold sublists with works derived from compositions by Bach.

Reconstructed concertos

See also #Reconstructions in the table above

Each reconstructed concerto is created after the harpsichord concerto for the presumed original instrument. Such reconstructions are commonly referred to as, for example, BWV 1052R (where the R stands for 'reconstructed'). Other reconstructions and completions of for instance BWV 1059 have been indicated as BWV 1059,[276] or BWV 1059a.[277]

Adaptations

Transcriptions and arrangements in the catalogues of works by other composers include:

Ferruccio Busoni
Catalogue numbers BV B 20 to B 46 are arrangements of works by Bach, many of which published in the Bach-Busoni Editions.

See also

References

For abbreviations used in the references see also Bibliography at www.bachdigital.de

Bibliography


Further reading

External links

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