Dhoti

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The dhoti, also known as veshti,[1] mardani, dhotar, jaiñboh or panchey, is a garment worn around the waist and fastened between the legs to resemble trousers. It is usually worn loose.[2][3][4] It is most popular in India and Nepal.[citation needed] The dhoti is a lower garment forming part of ethnic wear for men in the Indian subcontinent.[5] The dhoti is fashioned out of a rectangular piece of unstitched cloth, usually around 4.5 metres (15 ft) long, wrapped around the waist and the legs and knotted, either in the front or the back.

A Dogri dance performance

The dhoti is considered the male counterpart of the saari worn by females to religious and secular ceremonies (functions).[6] A pitambar is a yellow silk dhoti worn on auspicious occasions.[7][8] Dhoti pants are a ready to wear version, popular among women and typical of children.[9][10][11]

An illustration of sepoys (soldiers) recruited into the British Indian military

Etymology

Khasi folk dancers wearing "Jaiñboh" dhotis and other traditional garb

It is also referred to as "dhautra" (IPA: /dʱɑwtɽɐ/) in Sanskrit, which means rope or cord. The dhoti evolved from the ancient antriya which was passed through the legs, tucked at the back and covered the legs loosely, then flowed into long pleats at front of the legs, the same way it is worn today as formal dhoti.[12]: 130  While a casual and short dhoti wraps around both legs firmly, in this style the back side of the dhoti is pulled to the front and tucked at the waist, before tucking the two loose ends at back, creating firmly fitted trouser-like dhoti that wraps around both legs. This style is more commonly worn by farmers and martial artists.[13][14]

Names and styles

Relief depicting men in anatariya and uttariya, 1st century CE
A Manipuri dancer dressed as Krishna in yellow dhoti

The garment is known by various names based on language, such as:

Native scriptTransliterationLanguage or region
চুৰিয়া, ধুতিSuriya, DhutiAssamese
ধুতিDhutiBengali
ધૉતિયુDhotiyuGujarati
धोतीDhotīHindi, Maithili, Nepali and Pali
मर्दानीMardānīHindi
ಧೋತ್ರ
ಕಚ್ಚೆ ಪಂಚೆ
Dhotra
Kachche Panche
Kannada
धोंतर,
आंगोस्तर,
आड नेसचे,
पुडवे
Dhontara,
Āṅgostara,
Āḍa nesace
puḍave
Konkani
മുണ്ട്Muṇṭ‌Malayalam
धोतरDhotara aMarathi
ଧୋତିDhotīOdia
ਚਾਦਰਾChaadraPunjabi
வேட்டிVaettiTamil
పంచె, ధోవతిPañce, DhōvatiTelugu
دھوتیDhotiUrdu
a In Marathi, a dhotar is not the same as a pancha (plural panche).
While the former is worn around the waist, the latter is normally
a towel used after bathing (compare below).

Custom and usage

A Chakravati wears a pancha in an ancient style. First century BCE/CE. Amaravathi village, Guntur district (Musee Guimet).
The Didarganj Yakshi depicting the dhoti wrap

The pancha is worn by many conservative Jain men when they visit Derasars or Basadis for puja; unstitched clothing is believed by some Jains to be "less permeable to pollution" and therefore more appropriate for religious rituals than other garments.[15] They also wear a loose and unstitched cloth, shorter than the pancha on top.

A Benaresi man in dhoti with a kurta, in Uttar Pradesh

Hare Krishna, known for its distinctive dress code, prompts Western adherents to wear pancha, usually of saffron or white cloth folded in the traditional Bengali style. Maharishi Mahesh Yogi was known for wearing a white silk dhoti.[16]

The dhoti has been ethnically worn by farmers, pehlwano (wrestlers) and shepherds (grazers) of the Sikhs in the Punjab region; it was discouraged during the Punjab Subah Movement, owing it to the inter-communal tensions prevalent at the time.[17][18] The dhothi was also worn by South Canarese Christian men to their pre-nup ceremonies, Church weddings and receptions until the 1960s, when they fell out of favour; since then grooms have been styling the black suit and tie instead.[19]

A man in dhoti paired with the central asian kurta, Rajasthan

There's a distinction between the lungi, a similar garment often worn by people at their homes, as it is more casual and comfortable, dhoti is sometimes even worn by secular politicians.[20]

M K Gandhi in 1935

At the height of the Indian Independence Movement, weaving was a symbol of the Swadeshi Movement. In 1921, the famed M K Gandhi himself championed only the dhoti often topless and without a kurta, to promote and identify with the weaves and handicrafts, produced by the rural and the poor of his homeland.[21][22][23]

See also

References