Edward J. Montagne (1885–1932) was a British screenwriter who worked in the American film industry during the silent era.[1] He worked with prominent studios of the era such as Vitagraph, Selznick Pictures and Universal Pictures. He was the father of the producer and director Edward Montagne.
Edward J. Montagne | |
|---|---|
| Born | 18 May 1885 |
| Died | 15 September 1932 |
| Occupation | Writer |
| Years active | 1911–1929 (film) |
Selected filmography
- The Wheels of Justice (1915)
- The Conflict (1916)
- Freddy's Narrow Escape (1916)
- The Maelstrom (1917)
- Sunlight's Last Raid (1917)
- The Message of the Mouse (1917)
- Hoarded Assets (1918)
- To the Highest Bidder (1918)
- The Man Who Won (1919)
- Children of Destiny (1920)
- The Daughter Pays (1920)
- Red Foam (1920)
- The Greatest Love (1920)
- The Point of View (1920)
- Chivalrous Charley (1921)
- Conceit (1921)
- A Man's Home (1921)
- The Last Door (1921)
- Remorseless Love (1921)
- Bucking the Tiger (1921)
- After Midnight (1921)
- The Miracle of Manhattan (1921)
- Evidence (1922)
- A Wide Open Town (1922)
- One Week of Love (1922)
- Under Oath (1922)
- Love's Masquerade (1922)
- Reckless Youth (1922)
- Channing of the Northwest (1922)
- The Common Law (1923)
- Rupert of Hentzau (1923)
- The Last of the Duanes (1924)
- Painted People (1924)
- The Storm Daughter (1924)
- Secrets of the Night (1924)
- Alias Mary Flynn (1925)
- The Combat (1926)
- The Mystery Club (1926)
- The Flaming Frontier (1926)
- The Cat and the Canary (1927)
- Surrender (1927)
- Shanghaied (1927)
- It Can Be Done (1929)
- The Love Trap (1929)
References
Bibliography
- Kellow, Brian. The Bennetts: An Acting Family. University Press of Kentucky, 2004.