Front Row Center

Front Row Center is the title of two American television programs with different formats that were broadcast on different networks.

Front Row Center
GenreVariety
Directed byMilt Douglas
Fletcher Markle
Country of originUnited States
Original languageEnglish
Production
ProducerFletcher Markle
Camera setupMulti-camera
Running time30 minutes
(March 1949–June 1949)
60 minutes
(June 1949–April 1950)
Original release
NetworkDuMont Television Network
ReleaseMarch 25, 1949 (1949-03-25) –
April 2, 1950 (1950-04-02)

DuMont version

Front Row Center, an American variety show, aired on the DuMont Television Network from March 25, 1949, to April 2, 1950,[1] The program was a renamed version of Hotel Broadway, with Whelan Drug Company continuing as sponsor, but with a new slot on DuMont's schedule.[2] It initially was on from 9 to 9:30 p.m. Eastern Time on Fridays. In June 1949 it moved to 8-9 p.m. ET on Fridays, and in October 1949 it moved to 7-8 p.m. ET on Sundays.[3]

Originally 30 minutes, the sustaining program expanded to 60 minutes on June 10, 1949, and DuMont personnel began seeking entertainers in an effort to make the program "television's standout talent quest show."[4] That quest included holding auditions at DuMont's Adelphi Playhouse in New York City.[4]

The premiere episode featured Marilyn Maxwell in her TV debut.[3]

Personnel

Frank Fontaine was the host. Regulars on the program were Marian Bruce, Joan Fields, Cass Franklin, Phil Leeds, Hal Lohman, Monica Moore, Bibi Osterwald, and Danny Shore.[5]

Bill Harmon was the program's producer and director,[4] and Stanton B. Fisher also directed. Sam Spear and his 14-piece orchestra provided music.[2]

CBS version

Front Row Center was a dramatic anthology series on CBS that originally ran from June 1, 1955, to September 21, 1955, and returned from January 8, 1956 until April 22, 1956.[1] In 1955 the program was broadcast every Wednesday from 10 to 11 p.m. ET through June, after which it alternated in that time slot with The United States Steel Hour. Episodes in 1956 were broadcast on Sunday afternoons.[3]

Fletcher Markle was the director.[1] Episodes were live adaptations of Broadway plays or literary works.[3] They included the following:

Critical response

Jack Gould wrote in The New York Times that the presentation of "Dinner at Eight" "was hurt by editing and uneven casting; it was warmed-over fare, lacking real substance."[9] He described Soane's acting as "a good performance."[9]

See also

References

Bibliography

External links


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