Now You See It… (Now You Don't) is an album by Michael Brecker. It was recorded in 1990 and released by GRP Records.
Now You See It... (Now You Don't) | ||||
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Studio album by | ||||
Released | August 17, 1990[1] | |||
Recorded | 1990 | |||
Studio | The Power Station and Right Track Recording (New York, NY) | |||
Genre | Jazz | |||
Length | 51:51 | |||
Label | GRP | |||
Producer | Don Grolnick | |||
Michael Brecker chronology | ||||
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Recording and music
The album was recorded in 1990.[2] It was Brecker's third as leader.[3] The personnel and composers varied from track to track.[3]
Release and reception
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz | [2] |
Now You See It… (Now You Don't) was released by GRP Records.[2] AllMusic awarded the album 4 stars and its review by Scott Yanow states: "Most of the originals (either by Brecker, Beard, or producer Don Grolnick) project moods rather than feature strong melodies, but Michael Brecker's often-raging tenor makes the most of each opportunity".[3] John Kelman of All About Jazz regarded the album as compelling and well worth hearing.[4]
Track listing
All tracks composed by Michael Brecker; except where indicated
- "Escher Sketch (A Tale of Two Rhythms)" – 5:23
- "Minsk" (Don Grolnick) – 9:03
- "Ode to The Doo Da Day" (Jim Beard) – 5:51
- "Never Alone" – 5:35
- "Peep" – 7:25
- "Dogs In The Wine Shop" (Don Grolnick) – 6:33
- "Quiet City" (Jim Beard) – 6:04
- "The Meaning of the Blues" (Bobby Troup, Leah Worth) – 5:57
Personnel
- Michael Brecker – tenor saxophone, EWI (1-3, 5, 6), keyboards (1), drum programming (1)
- Jim Beard – synthesizers (1-4, 6), additional keyboards (5), keyboards (7)
- Jason Miles – synthesizer programming (1)
- Judd Miller – EWI programming (1, 2, 5, 6)
- Joey Calderazzo – acoustic piano (2, 5, 6, 8)
- Jon Herington – guitars (1-3, 5)
- Victor Bailey – bass (1-4, 6, 7), electric bass (5)
- Jay Anderson – acoustic bass (5), bass (8)
- Jimmy Bralower – drum programming (1)
- Adam Nussbaum – crash cymbal (1), drums (2, 5, 8)
- Omar Hakim – drums (4), percussion (7)
- Don Alias – percussion (1, 3, 4, 6, 7)
- Steve Berrios – percussion (6)
- Milton Cardona – percussion (6)
Production
- Don Gronlick – producer
- James Farber – recording, mixing
- Lolly Grodner – recording assistant
- Gary Solomon – recording assistant
- Mike White – recording assistant
- Joseph Doughney – post-production
- Michael Landy – post-production
- The Review Room (New York, NY) – post-production location
- Greg Calbi – mastering at Sterling Sound (New York, NY)
- Michelle Hirsch – production assistant
- Jerry Wortman – production coordinator
- Suzanne Sherman – production coordinator
- Andy Baltimore – creative director
- David Gibb – graphic design
- Jacki McCarthy – graphic design
- Andy Ruggirello – graphic design
- Dan Serrano – graphic design
- Darryl Pitt – back cover photography, management
- M.C. Escher – cover artwork
Cover art work
The album cover makes a reference of a woodcut art piece developed by Maurits Cornelis Escher titled Sky and Water I.