Tintinnabulum (ancient Rome)

In ancient Rome, a tintinnabulum (less often tintinnum)[1] was a wind chime or assemblage of bells. A tintinnabulum often took the form of a bronze ithyphallic figure or of a fascinum, a magico-religious phallus thought to ward off the evil eye and bring good fortune and prosperity.

A bronze polyphallic tintinnabulum of Mercury from Pompeii: the missing bells were attached to each tip (Naples Museum).
Tintinnabulum depicting a man struggling with his phallus as a raging beast (1st century BC, Naples Museum)

A tintinnabulum acted as a door amulet.[2][3] These were hung near thresholds[4] at a shop or house, under the peristyles (around the inner courtyard or garden) by the bedroom, or the venereum, where the wind would cause them to tinkle.[5][2] They were also made to ring like doorbells, a series of them being tied to cord attached to a bell pull.[6]

The sounds of bells were believed to keep away evil spirits; compare the apotropaic role of the bell in the "bell, book, and candle" ritual of the earlier Catholic Church.[2][7] It has also been surmised that oscilla hung on hooks along colonnaded porticoes may have comparable evil-warding intents.[8]

Hand-bells have been found in sanctuaries and other settings that indicate their religious usage, and were used at the Temple of Iuppiter Tonans, "Jupiter the Thunderer."[9] Elaborately decorated pendants for tintinnabula occur in Etruscan settings, depicting for example women carding wool, spinning, and weaving.[10] Bells were hung on the necks of domestic animals such as horses and sheep to keep track of the animals, but perhaps also for apotropaic purposes.[11]

A number of examples are part of the Secret Museum collection at the Museo Archeologico Nazionale di Napoli.[12]

See also

References

Citations
Sources

Further reading

  • Sex or symbol: erotic images of Greece and Rome by Catherine Johns, The British Museum Press (1982) ISBN 0-7141-8042-4
  • Eros in Pompeii: the erotic art collection of the Museum of Naples by Michael Grant, Antonia Mulas, Museo nazionale di Napoli (1997)
  • The Roman cultural revolution by Thomas N. Habinek, Alessandro Schiesaro (1997) p. 171

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