埃德蒙·布莱尔·莱顿
埃德蒙·布莱尔·莱顿（英語：Edmund Blair Leighton；1852年9月21日—1922年9月1日），英国维多利亚时代著名画家，尤其擅长英国摄政时期和中世纪画作。
| 埃德蒙·布莱尔·莱顿 Edmund Blair Leighton | |
|---|---|
 1900年的埃德蒙·布莱尔·莱顿 | |
| 出生 | 1852年9月21日 英国伦敦 |
| 逝世 | 1922年9月1日（69歲） 英国伦敦 |
| 国籍 | 英国 |
| 教育程度 | University College School 皇家艺术研究院 |
生平
莱顿1852年出生在英国伦敦。父亲查尔斯·布莱尔·莱顿是一名艺术家。在University College School完成学业后进入皇家艺术研究院学习，1885年和Katherine Nash结婚并有一儿一女。在1878年到1920年连续在皇家艺术研究院举办画展。他的画作大多数被私人收藏家订购买走，在市面上难寻芳踪。他同时也是一位古老时代乐器、艺术品、家具的收藏家。与当时的皇家艺术研究院院长弗雷德里克·莱顿私交甚密，但他本人并非皇家艺术研究院院士。
作品
- Old Times (1877), private collection.[1]
- Till Death Do Us Part (1878)
- The Dying Copernicus (1880)
- Un Gage d'Amour (1881), Auckland Art Gallery Toi o Tamaki.[2]
- Abelard and his Pupil Heloise (1882), Phillips Auctioneers, UK.[3]
- Duty (1883)
- Conquest (1884)[4]
- The Gladiator's Wife (1884), private collection.[3]
- The Rehearsal (1888), Croydon Clocktower, UK.[3]
- Call To Arms (1888), Roy Miles Fine Paintings.[3]
- A Stolen Interview (1888)
- Olivia (1888)
- How Liza Loved the King (1890), Towneley Hall Art Gallery and Museum, Burnley.[3]
- Lay thy sweet hand in mine and trust in me (1891)
- Lady Godiva (1892), Leeds City Art Gallery.[3]
- Two Strings (1893)
- Goodbye (1893)
- Launched in Life (1894)
- My Next-Door Neighbour (1894), private collection.[3]
- Waiting for the Coach (1895), Manchester Art Gallery.[5]
- A Favour (1898)
- Off (1899), Manchester Art Gallery.[6]
- God Speed! (1900)
- On the Threshold (1900), Manchester Art Gallery.[7]
- The Accolade (1901), private collection.[3]
- Adieu (1901), Manchester Art Gallery.[8]
- Lilac (1901)
- Tristan and Isolde (AKA The End of the Song) (1902)
- Alain Chartier (1903)
- Ribbons and Laces for Very Pretty Faces (1904)
- The Dedication (1908)
- The Shadow (1909), City Hall, Cardiff[9]
- The Key (1909)
- Pelleas and Melisande (1910) Williamson Art Gallery and Museum
- To the Unknown Land (1911)
- The Boyhood of Alfred The Great (1913)
- My Fair Lady (1914)
- A Nibble (1914), private collection.[3]
- An Arrival (1916), City Hall, Cardiff[9]
- The Wedding March (1919)
- The Lord of Burleigh, Tennyson (1919), private collection.[3]
- Sweet Solitude (1919), private collection.[3]
- After Service (1921), private collection.[10]
- Signing the Register (undated), Bristol City Museum and Art Gallery.[3]
- The Fond Farewell (undated), Messum's, London.[3]
- Lord of the Manor (undated), private collection.[3]
- Sorrow and Song (undated), Bristol City Museum and Art Gallery.[3]
- Lady in a Garden
- The Charity of St. Elizabeth of Hungary
- The Rose's Day
- Stitching the Standard
- Waiting
- Cromwell dissolving the Long Parliament
- Forest Tryst
- Sweets to the Sweet
- Courtship
- Con Amore
- The Request
- The King and the Beggar-maid
画廊
安全祈愿God Speed! (1900)
荣誉The Accolade (1901)
戈黛娃夫人Lady Godiva (1892)
军队在召唤Call to Arms
向一位可能登基为王的小王子及时祝福A little prince likely in time to bless a royal throne
奥利维亚Olivia (1888)
利佩亚斯和梅丽桑德Pelleas and Melisande
花园里的女士Lady in a Garden
危难关头In Time of Peril (1897)
国王和女乞丐The King and the Beggar-maid
旧时光Old Times (1877)
直到死亡把我们分开Till Death Do Us Part (1878)
皮埃尔·阿伯拉尔和他的学生埃洛伊兹Abelard and his Pupil Heloise (1882)
私奔The Elopement (1893)
休日Off (1899)
门槛On the Threshold (1900)
崔斯坦和伊索德Tristan and Isolde (1902)
艾伦·查提尔Alain Chartier(1903)
丝带与花边Ribbons and Laces for Very Pretty Faces (1904)
恋爱Courtship
我的隔壁班邻居My Next-Door Neighbour
窈窕淑女My Fair Lady
在1816In 1816
钢琴旁的恋爱Courtship by the piano
责任Duty (1883)
缝制军旗Stitching the Standard
匈牙利伊丽莎白的仁慈The Charity of Elisabeth of Hungary
甜蜜的孤独Sweet solitude (1919)
紫丁香Lilac (1901)
疑问The question
轻咬一口a Nibble
一位中世纪的美人A Medieval Beauty
婚约签字signing the register
参考来源
延伸阅读
- De Cordova, Rudolph. The Art of Mr. E. Blair Leighton. The Windsor Magazine (London: Ward, Lock & Co.). 1905, 21 (December 1904 to May 1905). （原始内容存档于18 September 2016）.
- Yockley, Alfred. The Art of Edmund Blair Leighton. Art Annual (London). December 1913, (Christmas 1913): 11, 31, illustrations.