Electronic Literature Organization

The Electronic Literature Organization (ELO) is a nonprofit organization "established in 1999 to promote and facilitate the writing, publishing, and reading of electronic literature".[1] It hosts annual conferences, awards annual prizes for works of and criticism of electronic literature, hosts online events and has published a series of collections of electronic literature.

Electronic Literature Organization
Formation1999; 25 years ago (1999)
FounderScott Rettberg, Robert Coover, Jeff Ballowe
President
Caitlin Fisher
Vice President
Anastasia Salter
Secretary
Mark Sample
Managing Director of CELL
Davin Heckman
Websitehttps://eliterature.org/

History

Founding and early years (1999-2002)

The ELO was founded in 1999 in Chicago by Scott Rettberg, Robert Coover, and Jeff Ballowe. Rettberg took the role as CEO, and Ballowe was president. In a book chapter about this early phase, Rettberg describes the first three years as a "turbulent and exciting period".[2]

An article in the Los Angeles Times describes the first reading organised by the ELO in July 2000, "a recent evening at the home of Microsoft executive Richard Bangs", with "trays of light finger food and delicately chilled Chardonnay" with "guests from high-tech east side Seattle mingled with representatives of the old-guard arts establishment and half a dozen writers of new fiction who had come to read from their work".[3]

The new organization was able to ride the excitement of the tech industry during the dot-com bubble, but also suffered from the subsequent crash.[2]

Transition to academic hosts (2002-2008)

The ELO had early successes in obtaining funding from individuals in the technology industry and the Ford Foundation (which funded the Electronic Literature Symposium at UCLA in 2002) and the Rockefeller Foundation (which funded work on the Electronic Literature Directory).[2] However, the dot com crash made funding dry up, and despite some local funding in Chicago, the organization had to transition from having full-time staff and an office to being hosted by universities. In 2001 the ELO moved to UCLA, supported by the English department.[2] Marjorie Luesebrink became president, N. Katherine Hayles was faculty advisor, and Jessica Pressman was the managing director.[2] The organization has since been hosted by universities, including the University of Maryland, College Park in 2006 where it was supported by the Maryland Institute for Technology in the Humanities (under the direction of Matthew Kirschenbaum), and MIT under the leadership of Nick Montfort. The ELO is currently hosted at York University, Toronto, Canada, under the leadership of Caitlin Fisher,[4] marking the first time this international organization has moved its headquarters outside of the United States.

2008-present

Since the 2007 conference, the ELO has grown annually and by 2015 was gathering hundreds of people at each of its conferences.

Leadership

Past presidents of the ELO include Jeff Ballowe, Scott Rettberg (as Executive Director), Marjorie Luesebrink, Matthew Kirschenbaum, Joseph Tabbi, Nick Montfort, Dene Grigar,[5] and Leonardo Flores.[6][7] Caitlin Fisher became president in July 2022.[8][9]

Conferences

The ELO holds annual conferences that include both scholarly presentations and exhibitions and performances of electronic literature. The ELO website contains an archive of past conference websites.[10]

ELO Conferences
YearThemeLocation
2002State of the Arts SymposiumLos Angeles, California
2007The Future of Electronic LiteratureCollege Park, Maryland
2008Visionary LandscapesVancouver, Washington
2010ELO_AI: Archive & InnovateProvidence, Rhode Island
2012Electrifying Literature: Affordances and ConstraintsMorgantown, West Virginia
2013Chercher le texteParis, France
2014Hold the LightMilwaukee, Wisconsin
2015The End(s) of Electronic LiteratureBergen, Norway
2016Next HorizonsVictoria, BC
2017Electronic Literature: Affiliations, Comm, TranslationsPorto, Portugal
2018Attention á la marche / Mind the gap![11]Montreal, Canada
2019Peripheries[12]Cork, Ireland
2020(un)continuity[13]Orlando, Florida (virtual)
2021Platform (Post?) Pandemic[14]Bergen, Norway; Aarhus, Denmark & virtual
2022Education and Electronic Literature[15]Como, Italy
2023Overcoming Divides: Electronic Literature and Social Change[16]Coimbra, Portugal


Publications

  • The Electronic Literature Directory[17] is a database of works of electronic literature.
  • Two reports on the preservation of electronic literature were published in 2004 and 2005 by the ELO as part of the Preservation, Archiving, and Dissemination (PAD) project.[18][19][20]
  • A book series called Electronic Literature with Bloomsbury.[21]
  • Pathfinders, a documentation of the experience of early digital literature.[22]

Electronic Literature Collections

The ELO has curated and edited four volumes of electronic literature.[23][24][25]

Volume 1 (October 2006). Mark Marino noted in the Digital Humanities Quarterly, "Amidst the collection, there are some works that transcend the collection itself and stand out as pillars of electronic writing. Such pieces have already garnered much critical attention. Most notable among these would be Judd Morrissey’s The Jew’s Daughter, Michael Joyce’s Twelve Blue, Stuart Moulthrop’s Reagan Library, Talan Memmott’s Lexia to Perplexia, and Kate Pulinger’s Inanimate Alice. [26]

Volume 2 (February 2011) Tim Wright explains that "the process of gathering, archiving and tagging the works to make them more easily available to a wider audience, also freezes (necessarily) what may have been otherwise ephemeral or in situ."[27]

Volume 3 (February 2016)

Volume 4 (June 2022). ELC4 presents the largest and most diverse group yet of elit authors writing in Afrikaans, Ancient Chinese, Arabic, Catalan, Chinese, Danish, Dutch, English, French, German, Greek, Hungarian, Indonesian, isiXhosa, Italian, Japanese, Korean, Mezangelle, Norwegian, Polish, Portuguese, Romanian, Russian, Setswana, Simplified Chinese, Slovak, South African Sign Language, Spanish, Swedish, Turkish, Yoruba[28]

Awards

The 2001 Electronic Literature Awards

In 2001 the ELO announced the Electronic Literature Awards, with a $10,000 prize (funded by ZDNet) for the best work of fiction and the best work of poetry.[29][30] 163 works were submitted, and each was reviewed by at least three people on the board, after which the highest scoring works were passed on to judges Larry McCaffery and Heather McHugh.[2] Rettberg notes that the diversity of works submitted and shortlisted was "an eye-opener (..) in terms of what I might consider 'fiction' and 'poetry' to be in the e-lit context'.[2]

In 2001, These Waves of Girls by Caitlin Fisher won the fiction prize and windsound by John Cayley won the poetry prize. The excitement of the era can be felt in an interview by the cable television channel TechTV with Fisher after the awards gala in New York.[31]

ELO Awards (2014-)

After a pause due to a lack of funding, the ELO Awards were rekindled in 2014, and since then an annual award has been given to the best literary work and the best work of scholarship on electronic literature.[32] Each award comes with a $1000 stipend.

Robert Coover Award for a Work of Electronic Literature

This award honors the year’s best work of electronic literature, of any form or genre.

Robert Coover Award for a Work of Electronic Literature
YearAwarded to
2014Jason Edward Lewis, Vital to the General Public Welfare
2015Samantha Gorman and Danny Cannizzaro, Pry
2016Scott Rettberg and Roderick Coover, Hearts and Minds: The Interrogations Project
2017Alan Bigelow, How To Rob a Bank
2018Will Luers, Hazel Smith, and Roger Dean, Novelling
2019IP Yuk-Yiu, False Words 流/言
2020Karen Ann Donnachie and Andy Simionato, The Library of Nonhuman Books
2021Leise Hook, The Vine and the Fish
2022David Jhave Johnston, ReRites[33]
2023Everest Pipkin, Anonymous Animal. Runner-up: "The (m)Otherhood of Meep (the bat translator)" by Alinta Krauth

Honorable Mention: "The Decameron 2.0" by The Decameron Collective

N. Katherine Hayles Award for Criticism of Electronic Literature

This award honors the best work of criticism of electronic literature of any length.

N. Katherine Hayles Award for Criticism of Electronic Literature
YearAwarded to
2014Johannes Heldén and Håkan Jonson, Evolution
2015Sandy Baldwin, The Internet Unconscious: On the Subject of Electronic Literature
2016Jeremy Douglass, Jessica Pressman, & Mark C. Marino, Reading Project: A Collaborative Analysis of William Poundstone’s Project for Tachistoscope
2017David Jhave Johnston, Aesthetic Animism: Digital Poetry’s Ontological Implications
2018Joseph Tabbi, Bloomsbury Handbook of Electronic Literature
2019Scott Rettberg, Electronic Literature
2020Mark Marino, Critical Code Studies
2021Jessica Pressman, Bookishness
2022Lai-Tze Fan (editor) “Critical Making, Critical Design,” Issue 01 of The Digital Review[33]
2023Lyle Skains, Neverending Stories: The Popular Emergence of Digital Fiction. Runner up: Opera aperta: Italian Electronic Literature from the 1960s to the Present" by Emanuela Patti. Honorable mention: “Girl Online” by Joanna Walsh

Marjorie C. Luesebrink Career Achievement Award

This award honors a visionary artist and/or scholar who has brought excellence to the field of electronic literature and has inspired others to help create and build the field.

Marjorie C. Luesebrink Career Achievement Award
YearAwarded to
2016Marjorie C. Luesebrink
2017John Cayley
2018N. Katherine Hayles
2019Mez Breeze
2020Judy Malloy
2021Kate Pullinger
2022Alan Sondheim
2023Stephanie Strickland
Maverick Award
YearAwarded to
2021Talan Memmott
2023Deena Larsen

References

External links