Jörg Widmann (born 19 June 1973) is a German composer, conductor and clarinetist. In 2023, Widmann was the third most performed living contemporary composer in the world. Formerly a clarinet and composition professor at the University of Music Freiburg, he is composition professor at the Barenboim–Said Akademie. His most important compositions are the opera Babylon, an oratorio Arche, Viola Concerto, Kantate and the concert overture Con brio. Widmann has written musical tributes to Classical and Romantic composers. He was awarded the Bavarian Maximilian Order for Science and Art in 2018 and the Bach Prize of the Free and Hanseatic City of Hamburg in 2023. He was Gewandhaus Composer in Leipzig and became Composer in Residence for the Berlin Philharmonic.
Jörg Widmann | |
|---|---|
 Widmann in 2006 | |
| Born | 19 June 1973 Munich, Bavaria, West Germany |
| Education | |
| Occupations |
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| Years active | 1990–present |
| Organizations | |
| Notable work | |
| Style | Contemporary |
| Family | Carolin Widmann (sister) |
| Awards | |
| Website | www |
Education
Widmann was born on 19 June 1973 in Munich, the son of a physicist and a teacher. His sister is the German classical violinist Carolin Widmann.[1] He first took clarinet lessons in 1980.[2] Four years later he became a composition student of Kay Westermann.[2] Widmann attended the secondary school Pestalozzi Gymnasium in Munich.[3] He later studied composition with Hans Werner Henze, Wilfried Hiller, Heiner Goebbels and Wolfgang Rihm.[4] He studied as a clarinetist at the Hochschule für Musik und Theater München with Gerhard Starke (1986–1997, Meisterklassendiplom 1997)[5] and at the Juilliard School in New York City with Charles Neidich (1994–1995, Advanced Certificate 1995).[2][6] He furthered his studies at the Hochschule für Musik Karlsruhe (1997–1999).[4][2]
Career
From 2001 to 2016, Widmann taught clarinet as a professor at the University of Music Freiburg.[2] From 2009 to 2016 Widmann was a part-time Professor of Composition, succeeding Mathias Spahlinger, at the Institute for New Music at the University of Music Freiburg.[2][7][8] Since 2017, Widmann holds the Edward Said Chair in Composition at the Barenboim–Said Akademie, Berlin.[9]
Clarinet performances
As a soloist, Widmann has performed with major orchestras in Germany and abroad, including the Vienna Philharmonic Orchestra and Munich Philharmonic Orchestra, under conductors like Valery Gergiev, Christoph von Dohnányi, Sylvain Cambreling and Kent Nagano. He has premiered several clarinet concerti dedicated to him: in 1999 through "musica viva", he played Music for Clarinet and Orchestra by Wolfgang Rihm;[2] in 2006 with the WDR Symphony Orchestra, Cantus by Aribert Reimann;[2] and in 2015 "über" by Mark Andre at the Donaueschingen Festival.[10] Widmann's core repertoire as clarinetist includes Mozart's Clarinet Concerto[11] and Clarinet Quintet,[12] Weber's Clarinet Concerto No. 1 and Clarinet Quintet, and Pierre Boulez's Dialogue de l'ombre double, which he performed on Boulez's 85th birthday in Paris.[13][14][15] His chamber music partners include Daniel Barenboim, Tabea Zimmermann, András Schiff, Kim Kashkashian, Hélène Grimaud and Mitsuko Uchida.[16][17]
Widmann mostly plays a Herbert Wurlitzer clarinet from his student time.[18]
Career as composer and conductor
Freiburg (2001–2016)
Widmann's compositions draw on different musical genres. For example, he has written a trilogy for orchestra examining the projection of vocal forms of instrumental ensembles. The trilogy consists of Lied (premiered in 2003 and recorded on CD by the Bamberg Symphony with Jonathan Nott), Chor (premiered in 2004 by the Deutsches Symphonie-Orchester Berlin with Kent Nagano) and Messe (premiered in June 2005 by the Munich Philharmonic under Christian Thielemann).[19] In 2007, Pierre Boulez and the Vienna Philharmonic premiered his orchestral work Armonica.[20]
His early string quartets are of particular note among his chamber music: the First Quartet was written in 1997, followed by the Chorale Quartet and the Hunting Quartet, the latter premiered in 2003 by the Arditti Quartet. 2005 saw the first performances of the Fourth Quartet and Experiment on a Fugue (Fifth Quartet, with soprano), with Juliane Banse and the Artemis Quartet. These five one-movement quartets form a cycle.[21][22][23][24]
Widmann was Composer in Residence at the Salzburg Festival and at the chamber music festival Spannungen, Heimbach in 2004.[25][26] Octet was premiered on 4 June 2004 at the power plant Kraftwerk Heimbach.[27][28] In 2008, Siemens Arts Program sent Widmann to Dubai.[a][30][31] The same year, he conducted a premiere rehearsal of his concert overture Con brio.[32] Widmann premiered Am Anfang[33] by Anselm Kiefer in July 2009 as part of the 20th anniversary of the Opéra Bastille, in which he acted as composer, clarinetist and made his debut as conductor.[15] He was Composer in Residence at the Lucerne Festival in 2009,[34] where on 13 August 2009, Heinz Holliger performed Widmann's oboe concerto, commissioned by the festival.[35] On 5 September Widmann premiered Holliger's Rechant for solo clarinet.[36] Widmann's Free Pieces for Ensemble: Number X is used in Sophie Fiennes's documentary Over Your Cities Grass Will Grow (2010), about the postwar German artist Anselm Kiefer.[37] His sister[2] Carolin Widmann premiered his études IV-VI for violin (2004–2010) at the Wittener Tage für neue Kammermusik on 23 April 2010.[38] From 2009 to 2011 he was the Daniel R. Lewis Young Composer Fellow at the Cleveland Orchestra.[39][40] He performed his Fantasie for Solo Clarinet (1993) to celebrate Walter Fink's 80th birthday at the Rheingau Musik Festival on 16 August 2010 and in 2014 was the festival's Composer and Artist in Residence.[41][42] In 2012, he collaborated with philosopher Peter Sloterdijk, who was the librettist for his second opera Babylon.[43] Widmann was the Tonhalle Orchester Zürich's Creative Chair in the 2015–16 season.[44][45]
From 2012 to 2021, Widmann was Principal Guest Conductor/Principal Conductor and Artistic Partner of the Irish Chamber Orchestra.[46][47][48][49]
The Viola Concerto (2015) announces a new period in Widmann's œuvre.
Berlin and Munich (Since 2017)
On 9 September 2015, the Boston Symphony Orchestra and the Leipzig Gewandhaus Orchestra announced they were commissioning a work from Widmann as part of a planned collaboration by the two organizations beginning in the fall of 2017.[50] The Leipzig Gewandhaus Orchestra announced Widmann's appointment as its first-ever Gewandhauskomponist (Gewandhaus Composer) for the 2017–18 season.[51]
Widmann's oratorio ARCHE had its world premiere on 13 January 2017 on the occasion of the opening festivities of the Elbphilharmonie in Hamburg. It was performed by the Hamburg Philharmonic State Orchestra under Kent Nagano.[52][53][54] A concert with Widmann, Daniel Barenboim, and Anna Prohaska opened the Pierre Boulez Saal in Berlin on 4 March 2017.[55][56]
On 27 January 2018 Widmann and the Hagen Quartet performed his Clarinet Quintet, as part of a European tour, at Amsterdam's Muziekgebouw aan het IJ.[57] Partita, five reminiscences for large orchestra, commissioned by the Leipzig Gewandhaus Orchestra and the Boston Symphony Orchestra, was premiered in Leipzig on 8 March 2018 with Andris Nelsons conducting.[58]
After the world premiere in 2012 at the Bavarian State Opera, in 2019 a new Berlin version of his opera Babylon was performed at the Berlin State Opera on Unter den Linden under the musical direction of Christopher Ward.[59]
Anne-Sophie Mutter is the dedicatee of String Quartet No. 6 (Study on Beethoven, 2019).[60][40] With this piece, Widmann began a new series of works in the genre for the Beethoven anniversary year 2020. The series comprises five quartets.
Widmann held the 2019–20 Richard and Barbara Debs Composer's Chair at Carnegie Hall.[61][62][40] During the COVID-19 pandemic of 2020, he contributed to the online Festival of New Music with his composition empty space.[63][64][65] Barenboim and Emanuel Pahud curated the festival in the empty Pierre Boulez Saal.[63][66]
Another commission from Leipzig and Boston is the lyrical trumpet concerto Toward Paradise.[67] It was premiered on 23 September 2021 at Gewandhaus with Håkan Hardenberger playing trumpet and Andris Nelsons conducting the Leipzig Gewandhaus Orchestra.[67] This work refers to Miles Davis.[68]
On 8 June 2023, Kantate for soli, choir, organ and orchestra was premiered by Andreas Reize conducting Leipzig Gewandhaus Orchestra and Thomanerchor in Leipzig, Thomaskirche, on occasion of the 300th anniversary of Johann Sebastian Bach taking office as Thomaskantor.[69]
Since 2022, he has been Associated Conductor of the Munich Chamber Orchestra for three years.[70][71] He is guest conductor of the Mozarteum Orchester Salzburg.[72] From the 2023–2024 season, Widmann has been principal guest conductor of the NDR Radiophilharmonie for three years.[73][74][75]
In the 2023–24 season, Widmann is Berlin Philharmonic's Composer in Residence and made his debut conducting the orchestra.[76][77]
Personal life
Reception
According to Bachtrack, Widmann was in 2023 the third most performed living contemporary composer in the world, behind John Williams and Arvo Pärt.[b][82]
Style
Widmann cannot be pinned down to a specific personal style.[77] His music has been described as varied and imaginative.[83] In his experimental, absurd breathtaking and technically extreme early work,[84][85][86] Widmann integrates serialism and noise in traditional sources.[87] He focuses on sounds, not tones.[88] Widmann has written pieces without pitches and also purely tonal pieces with exaggerated familiar gestures.[89][87] In many of his compositions, Widmann is in a musical "dialogue" with Classical and Romantic composers such as Mozart,[90] Beethoven,[91] Schumann,[92][93] Mendelssohn,[94][95] Schubert[96][97] and Brahms.[45][98][99] He wrote musical tributes to these composers.[99][45]
Widmann's scores show extremely precise, well-considered structures and instructions.[100] A common instruction is, that the soloist moves around the stage, for example in Viola Concerto, Towards Paradise and Kantate.[101][69] He uses extended techniques in many compositions, such as Con brio.[91][40] Beside the influence of his musical idols, Widmann finds inspiration in literature, poems, paintings and sculptures[102] and frequently uses literary sources for his compositions, like Matthias Claudius, Klabund, Heinrich Heine, Peter Sloterdijk, Clemens Brentano and Friedrich Schiller in his oratorio ARCHE.[103][104] In his 2023 Bach-homage Kantate (called: "Friedenskantate", peace cantata),[105] he used texts by Matthias Claudius, Jean Paul, Bertolt Brecht, Dietrich Bonhoeffer, Paul Gerhardt and from the Bible.[69][106]
Awards
- 1985, 1987 Jugend musiziert[99]
- 1996 Förderpreis Musik der Landeshauptstadt München[107][108]
- 1997 Bayerischer Staatspreis für junge Künstler[107]
- 1999 Belmont Prize for Contemporary Music from the Forberg-Schneider Foundation[109][110]
- 2002 Hindemith Prize of the Schleswig-Holstein Musik Festival[110]
- 2002 Schneider-Schott Music Prize[110]
- 2003 Ernst von Siemens Composer Prize[110][111]
- 2003–2004 award of the magazine Opernwelt: "most important premiere of the season: Das Gesicht im Spiegel"[112]
- 2004 Arnold Schönberg Prize[110]
- 2006 Kompositionspreis of the SWR Sinfonieorchester Baden-Baden und Freiburg for Second Labyrinth[107]
- 2006 Claudio-Abbado-Kompositionspreis of the Orchester-Akademie of the Berlin Philharmonic for Quintet for oboe, clarinet, horn, bassoon and piano[113]
- 2007 Prize of the Christoph and Stephan Kaske Foundation[107][114]
- 2009 Stoeger Prize of the New York Chamber Music Society[115]
- 2010 Marsilius Medal of the Heidelberg University[116][117][118]
- 2013 Heidelberger Frühling Music Award[119]
- 2013 German Music Authors' Prize (Composition Symphonic)[120]
- 2018 Robert Schumann Prize for Poetry and Music Mainz[121][122]
- 2018 Bavarian Maximilian Order for Science and Art[123]
- 2019 Opus Klassik, "Composer of the year" for ARCHE[124][125]
- 2021 Musikpreis der Landeshauptstadt München[126][127][128]
- 2021 Würth Prize of Jeunesses Musicales Germany[129][130]
- 2023 Bach Prize of the Free and Hanseatic City of Hamburg[131]
Honorary degrees
- 2023 Honorary doctorate University of Limerick[132][49]
Memberships
- 2003 Fellow of the Berlin Institute for Advanced Study[133]
- 2005 Member of the Bayerische Akademie der Schönen Künste[134]
- 2007 Member of the Freie Akademie der Künste Hamburg[135]
- 2007 Member of the Deutsche Akademie der Darstellenden Künste[136]
- 2016 Member of the Akademie der Wissenschaften und der Literatur Mainz[137]
Works
Music
- Das Gesicht im Spiegel (2003)
- Babylon (2012)
- Arche (2016)
- Kantate (2023)
- Con brio (2008)
- Partita (2018)
- Viola Concerto (2015)
- Violin Concerto No. 2 (2018)
- Towards Paradise (2021, trumpet)
- Clarinet Quintet (2017)
- Fantasie for Solo Clarinet (1993)
As of 2024[update], Widmann composed a series of seven Labyrinth pieces.[32]
Writings
- Widmann, Jörg (2019). "Utopian Music? The Exception as the Quintessence". Beethoven 250. Unter der Oberfläche / Beneath the Surface. Essays zum Beethovenjahr / Essays for the Beethoven Year. Berlin: Pierre Boulez-Saal. Retrieved 29 June 2020.
- —— (14 April 2014). "Musikpreis des "Heidelberger Frühlings": Man muss das Feuer einfach weitergeben". Frankfurter Allgemeine Zeitung (in German). Retrieved 18 April 2021.
Films
- Widmann, Jörg; Kiefer, Anselm; Missler-Morell, Andreas (2009), ... und es wird Klang – der Komponist Jörg Widmann (in German), [Erscheinungsort nicht ermittelbar]: ZDF, OCLC 916866277
- Faltin, Sigrid; Mutter, Anne-Sophie; SWR Classic (Firm); SWR Media GmbH (2023), Anne-Sophie Mutter – Vivace (in German), [Deutschland]: SWR Classic, OCLC 1390093297
- Preuße, Holger (28 May 2023), Im Labyrinth – Der Musiker Jörg Widmann – Die ganze Doku [In the Maze – The Musician Jörg Widmann] (in German), Arte,
Aired: 18 June 2023, 23:50
[138] Video English translation on YouTube, Deutscher Kamerapreis (German Camera Prize) 2023[139][140]
Notes
References
Citations
Bibliography
- Balk, Georgine Maria-Magdalena (2007). Zwischen Tradition und Innovation – "Das Gesicht im Spiegel" von Jörg Widmann und Roland Schimmelpfennig (in German). München: GRIN Verlag. ISBN 978-3-638-72776-1.
- Besthorn, Florian Henri (2014). "Geräusch- und Klangwelten bei Jörg Widmann: zwei Einblicke". Geräusch – das Andere der Musik: Untersuchungen an den Grenzen des Musikalischen (in German). Bielefeld: transcript Verlag. pp. 75–90. ISBN 978-3-8376-2868-5.
- Besthorn, Florian Henri (1 March 2018). Echo, Spiegel, Labyrinth: Der musikalische Körper im Werk Jörg Widmanns (Klangfiguren) (in German). Vol. 1. Königshausen & Neumann. ISBN 978-3-8260-6299-5.
- Bruhn, Siglind (2013). Die Musik von Jörg Widmann (in German). Waldkirch: Edition Gorz. ISBN 978-3-938095-16-4.
- Dierickx, Zachary (2018). The Clarinet Works of Jörg Widmann: A Performance Guide to Fantasie for Clarinet Solo with a Survey of Unaccompanied Clarinet Repertoire and Guide to Contemporary Techniques (DMA). Ohio State University.
- Fein, Markus (2005). Im Sog der Klänge – Gespräche mit dem Komponisten Jörg Widmann (in German). Mainz: Edition Neue Zeitschrift für Musik. ISBN 978-3-7957-0535-0.
- Jungheinrich, Hans-Klaus, ed. (2013). Spuren – Der Komponist Jörg Widmann (in German). Mainz: Edition Neue Zeitschrift für Musik. ISBN 978-3-7957-0847-4.
- Tadday, Ulrich, ed. (2014). Jörg Widmann, Musik-Konzepte 166 (in German). München: edition text+kritik. ISBN 978-3-86916-355-0.
- Widmann, Jörg (September 2012). List of Published Works. Mainz: Schott Music. ISMN 979-0-001-18462-5.
Further reading
- Mischke, Joachim (13 January 2021). "Jörg Widmann: Ich hatte immer zu viele Ideen". Hamburger Abendblatt (in German). Retrieved 13 January 2021.
- Lack, Graham (2005). "At Fever Pitch: The Music of Jörg Widmann". Tempo. 59 (231): 29–35. doi:10.1017/S0040298205000045. JSTOR 3878766. S2CID 145080739. Retrieved 6 March 2021. (subscription required)
- Stallknecht, Michael (2 April 2021). "Ein Mann für alle Fälle". Süddeutsche Zeitung (in German). Munich. Retrieved 7 April 2021.
- Schmidt, Felix (30 November 2020). Gotteskinder und Störenfriede (in German). Schwabe Verlagsgruppe AG. p. 239. ISBN 978-3-7965-4157-5.
- "JÖRG WIDMANN (B. 1973)". The Courage of Composers and the Tyranny of Taste. Boydell & Brewer. 1 May 2017. doi:10.2307/j.ctvc16nd6.36.
- Moliner, David (19 June 2023). "En los 50 años de Jörg Widmann". Scherzo (in Spanish). Retrieved 3 August 2023.
- Möller, Tobias (6 September 2023). "Jörg Widmann im Interview". Berliner Philharmoniker (in German). Retrieved 4 November 2023.
- Granzin, Katharina (30 November 2023). "Räume zwischen Atem und Klang". taz.de (in German). p. 28. Retrieved 2 December 2023.
- Braunmüller, Robert (9 February 2024). "Jörg Widmann dirgiert das MKO". Abendzeitung München (in German). Retrieved 10 February 2024.
- Welscher, Alexander (12 February 2024). "Outstanding debut for Jörg Widmann at Sinfonietta Rīga". Public broadcasting of Latvia. Retrieved 12 February 2024.
External links
- Official website
(in German and English) - Interview with Jörg Widmann
- Jörg Widmann at Schott Music
- "Jörg Widmann (biography, works, resources)" (in French and English). IRCAM.
- Jörg Widmann Harrison Parrott (agents)
- Jörg Widmann Salzburg Festival
- Jörg Widmann discography at Discogs
