List of early color feature films

This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major-studio favorite. About a third of the films are thought to be lost films, with no prints surviving. Some have survived incompletely or only in black-and-white copies made for TV broadcast use in the 1950s.

Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor

Background

The earliest attempts to produce color films involved either tinting the film broadly with washes or baths of dyes, or painstakingly hand-painting certain areas of each frame of the film with transparent dyes. Stencil-based techniques such as Pathéchrome were a labor-saving alternative if many copies of a film had to be colored: each dye was rolled over the whole print using an appropriate stencil to restrict the dye to selected areas of each frame. The Handschiegl color process was a comparable technique. Because transparent dyes did not impact the clarity or detail of the image seen on the screen, the result could look rather naturalistic, but the choice of what colors to use and where was made by a person, so they could be very arbitrary and unlike the actual colors.

Edward Raymond Turner's process, tested in 1902, was the first to capture full natural color on motion picture film, but it proved to be mechanically impractical. A simplified two-color version, introduced as Kinemacolor in 1909, was successful until 1915, but the special projector it required and its inherent major technical defects contributed to its demise. Technicolor, originally also a two-color process capable of only a limited range of hues, was commercialized in 1922 and soon became the most widely used of the several two-color processes available in the 1920s.

Beginning in 1932, Technicolor introduced a new full-color process, "Process 4", now commonly called "three-strip Technicolor" because the special camera used for live-action filming yielded separate black-and-white negatives for each of the three primary colors. The final print, however, was a single full-color strip of film that did not need any special handling. This became the standard process used by the major Hollywood studios until the mid-1950s.

List of films

YearTitleCountryColor processLengthProduction company
1903La Vie et la passion de Jésus Christ FrancePathéchromePathé Frères
Extant. Also known as The Passion Play and Vie et Passion du Christ. Not released as a single feature, but as 32 individual shorts in three different groupings and shot at different times. Some scenes are partially hand colored (e.g. 98 min. copy on YouTube (with Dutch intertitles)). The later scenes feature different actors and costumes from the earlier scenes.[1] On DVD.
1909Ukhar Kupets Russiahand-coloredPathé Frères
Extant. Also known as The Dashing Merchant and The Happy-Go-Lucky Merchant.
1912With Our King and Queen Through India United KingdomKinemacolor16,000 ft.Natural Color Kinematograph Company
First feature-length documentary capturing natural color rather than colorization techniques. The original footage ran for 2½ hours (16,000 ft.), presented in two different programmes. The main film of the Delhi Durbar itself was shot on 12 December 1911. The rest of the film was made in other locations in India up to 30 December 1911, of which only a ten-minute extract still exists. Released in UK on 2 February 1912.[2]
1912Making of the Panama Canal United StatesKinemacolor2 hoursKinemacolor Company of America
Most successful Kinemacolor documentary after With Our King and Queen Through India. The film was nine reels long and ran for 2 hours. It was also shown by Charles Urban in Britain. Only black and white stills remain.[3]
1912The Miracle United KingdomPathéchromeJoseph Menchen (personal project)
Filmed in Austria in October 1912; hand-colored in Paris by seventy people;[4] UK release on 21 December 1912. Original UK length 7,000 feet;[4] censored versions showed at 5,000 and 5,500 feet. Designed to be accompanied by score for full symphony orchestra and chorus by Engelbert Humperdinck. A B&W print of a cut version is extant, held at the CNC Archives, France. Available on YouTube and final scene only, with extracts of the original music.
1914The World, the Flesh and the Devil United KingdomKinemacolorNatural Color Kinematograph Company
First feature-length narrative film in natural color. Lost.
1914Little Lord Fauntleroy United KingdomKinemacolorNatural Color Kinematograph Company
Lost film. Only black and white stills remain.
1914/15With The Fighting Forces of Europe United KingdomKinemacolorc. 20,000 ft[5]Color Films Ltd.
Documentary film about the First World War, produced by Color Films Ltd., successor to the Natural Color Kinematograph Company. Some scenes were reused from the pre-war period, but many were shot during the war, particularly on the Western Front. The film was released shortly after the outbreak of war in 1914 and was constantly updated with new material until 1915. For this reason, the length of the film varied, with contemporary accounts reporting around 20,000 feet. The film has been lost.[6]
1915Britain Prepared United KingdomKinemacolor insertsJury's Imperial Pictures
First British propaganda film. Extant.
1916Joan the Woman United StatesHandschiegl Color Process insertsFamous Players–Lasky
Survives complete with color sequences. Directed by Cecil B. DeMille. (Color was billed as the "DeMille-Wyckoff Process")
1917The Gulf Between United StatesTechnicolor featureTechnicolor Corporation
First American film shot in color. Lost film. Only a few frames from test prints, showing star Grace Darmond, have survived.
1917The Devil-Stone United StatesHandschiegl Color Process insertsFamous Players–Lasky
Directed by Cecil B. DeMille. Only two reels survive in AFI collection at Library of Congress.
1918Cupid Angling United StatesDouglass Natural Color featureDouglass Natural Color Film Inc.
Lost film. Only feature film made in this process.
1918Our Navy United StatesPrizma featurePrizma
First feature film shot in Prizmacolor.
1920Treasure Island United StatesHand coloring (Handschiegl?)Paramount Pictures
Lost film.
1920Roman Candles United StatesHandschiegl Color Process insertsCineart
Prints exist.
1920Way Down East United StatesTechnicolor insertD.W. Griffith Productions
Extant in black-and-white only.
1921Bali the Unknown United StatesPrizma featurePrizma Inc.
Five-reel documentary opened 27 February 1921 at Capitol Theatre in NYC. Considered lost.[7]
1921The Three Musketeers United StatesHandschiegl Color Process insertsUnited Artists
Restored in 2022.
1922The Toll of the Sea United StatesTechnicolor feature3190 ft.Technicolor / Metro Pictures
The first natural-color feature film made in Hollywood. The final two reels are apparently lost. Available on DVD.
1922A Blind Bargain United StatesHandschiegl Color Process inserts188 ft.Goldwyn Pictures
Lost film.
1922The Glorious Adventure United States/
United Kingdom
Prizma featureUnited Artists
Directed by J. Stuart Blackton. Extant at the British Film Institute. On DVD.
1922Flames of Passion United KingdomPrizma insertAstra Film
Directed by Graham Cutts. Lost film.
1922Foolish Wives United StatesHand coloring insertsUniversal Pictures
Hand coloring by Gustav Brock.
1923Red Lights United StatesHandschiegl Color insertsGoldwyn Pictures
Extant in black-and-white only.
1923The Ten Commandments United StatesTechnicolor inserts, Handschiegl Color insertsParamount Pictures
Survives complete. Is on DVD.
1923Vanity Fair United StatesPrizma insertGoldwyn Pictures
Directed by Hugo Ballin. Lost film.
1923The Virgin Queen United KingdomPrizma insertJ. Stuart Blackton Productions
Directed by J. Stuart Blackton. Status unknown.
1923I Pagliacci United KingdomPrizma insertNapoleon Films
Starring Lillian Hall-Davis. Status unknown.
1923Maytime United StatesTechnicolor insert200 ft.B.P. Schulberg Productions
Partially restored.
1924The Uninvited Guest United StatesTechnicolor insertMetro Pictures
Preservation status unknown.
1924Cytherea United StatesTechnicolor inserts230 ft.Technicolor / Goldwyn Pictures
Lost film. First Technicolor film shot under artificial light.
1924Wanderer of the Wasteland United StatesTechnicolor feature3854 ft.Paramount
First western in color. Lost film.
1924Venus of the South Seas United StatesPrizma InsertLee-Bradford Corp.
Extant. Restored by the Library of Congress in 2004. Final reel is in Prizma.
1924The Heritage of the Desert United StatesTechnicolor inserts34 ft.Paramount
Starring Bebe Daniels. Unknown status.
1924Greed United StatesHandschiegl Color Process insertsMetro-Goldwyn-Mayer
Short version of film extant, coloring lost (a few specimen frames may survive). On DVD.
1924The Dance of the Moods United KingdomFriese-Greene Natural Color (formerly Biocolour)Friese-Greene Productions
Unknown if a feature or short film.
1924Moonbeam Magic United KingdomFriese-Greene Natural Color (formerly Biocolour)Spectrum Films
Produced by Claude Friese-Greene. Status unknown, possibly at BFI.
1925Ben-Hur United StatesTechnicolor inserts1029 ft.Metro-Goldwyn-Mayer
Extant. On DVD.
1925Cyrano de Bergerac Italy/
France
Pathéchrome feature9501 ft.Unione Cinematografica Italiana
Starring Pierre Magnier. Extant.
1925The Phantom of the Opera United StatesTechnicolor inserts, Kelley Color /Handschiegl Color497 ft.Universal Pictures
One color segment survives. On DVD.
1925The Merry Widow United StatesTechnicolor insert136 ft.Metro-Goldwyn-Mayer
Film survives, including two-minute color sequence.
1925Stage Struck United StatesTechnicolor insertsParamount
Extant with color sequences. Restored by George Eastman House. Starring Gloria Swanson.
1925Pretty Ladies United StatesTechnicolor insert597 ft.Metro-Goldwyn-Mayer
Extant only in black-and-white.
1925His Supreme Moment United StatesTechnicolor inserts517 ft.First National Pictures
Lost film.
1925The Big Parade United StatesApplied color by Technicolor154 ft.Metro-Goldwyn-Mayer
Feature and color exists. On DVD.
1925So This Is Marriage United StatesTechnicolor insert729 ft.Metro-Goldwyn-Mayer
Lost film.
1925The Splendid Road United StatesHandschiegl Color insertsFirst National Pictures
Status unknown.
1925Seven Chances United StatesTechnicolor insert275 ft.Metro-Goldwyn-Mayer
Extant with color. On DVD.
1925The King on Main Street United StatesTechnicolor inserts105 ft.Famous Players–Lasky
Survives complete.
1925Lights of Old Broadway United StatesTechnicolor inserts, Handschiegl Color Process insertsCosmopolitan Productions
Extant in Library of Congress.
1925Peacock Feathers United StatesTechnicolor insert82 ft.Universal Pictures
Lost film.
1926Fig Leaves United StatesTechnicolor insert969 ft.Fox Film Corporation
Extant only in black-and-white.
1926Beverly of Graustark United StatesTechnicolor insert354 ft.Metro-Goldwyn-Mayer
Extant.
1926Monte Carlo United StatesTechnicolor inserts1000 ft.Metro-Goldwyn-Mayer
Extant.
1926Into Her Kingdom United StatesTechnicolor insert221 ft.First National Pictures
Lost Film.
1926The Yankee Señor United StatesTechnicolor insert475 ft.Fox
Extant.
1926The Far Cry United StatesTechnicolor insert807 ft.First National Pictures
Extant.
1926Hell's Four Hundred United StatesTechnicolor insert321 ft.Fox
Extant.
1926The Open Road United KingdomFriese-Greene Natural Color (formerly Biocolour)Friese-Greene Productions
Series of documentary films shot between 1924 and 1926. A print was restored and shown on the BBC in 2006. On DVD.
1926Gli ultimi giorni di Pompeii ItalyPathéchrome feature12083 ft.Società Italiana Grandi Films
Extant. US Title: The Last Days of Pompeii On DVD.
1926Irene United StatesTechnicolor inserts972 ft.First National Pictures
Survives complete with color sequences.
1926Beau Geste United StatesTechnicolor insertsParamount Pictures
Extant.
1926The Flaming Forest United StatesTechnicolor inserts203 ft.Metro-Goldwyn-Mayer
Extant at Library of Congress.
1926The American Venus United StatesTechnicolor insert1574 ft.Paramount
Lost film. Two trailers, and brief clip of color insert, survive at the Library Of Congress.
1926Volcano United StatesHandschiegl Color insertsParamount Pictures
Extant at Library of Congress. Preserved by UCLA and Television and The Museum of Modernr Art.
1926Mike United StatesHandschiegl Color insertsMetro-Goldwyn-Mayer
Extant at Library Of Congress. Complete print of 70 minutes found at Library Of Congress in December 2015.
1926The Black Pirate United StatesTechnicolor feature8124 ft.United Artists
Original Technicolor Process 2 print survives at the BFI. Commonly seen version was created from surviving negatives. Outtakes survive in black-and-white. On DVD.
1926The Fire Brigade United StatesTechnicolor inserts, Handschiegl Color inserts692 ft.Metro-Goldwyn-Mayer
Film extant, but color is incomplete. At Library of Congress .
1926The Joy Girl United StatesTechnicolor insert285 ft.Fox
A copy may survive in the Museum of Modern Art film archive.
1926Flames United StatesHandschiegl Color insertsAssociated Exhibitors
One reel exists in the Library of Congress.
1926The Girl from Montmartre United StatesHandschiegl Color insertsFirst National Pictures
Preserved by Warner Bros. from original negative and nitrate handschiegl print.
1927Long Pants United StatesTechnicolor insert950 ft.First National Pictures
Extant.
1927White Pants Willie United StatesTechnicolor insert533 ft.First National Pictures
Extant.
1927The Girl From Rio United StatesTechnicolor insert125 ft.Gotham Productions
Extant.
1927Frisco Sally Levy United StatesTechnicolor insert381 ft.Metro-Goldwyn-Mayer
Extant.
1927The King of Kings United StatesTechnicolor insertsDeMille Productions / Pathé Exchange
Survives complete. Is on DVD.
1927Winners of the Wilderness United StatesTechnicolor insert180 ft.Metro-Goldwyn-Mayer
16mm print extant. Starring Joan Crawford. On DVD.
1927Annie Laurie United StatesTechnicolor insert204 ft.Metro-Goldwyn-Mayer
Extant with color at the Library of Congress.
1927The Wizard United StatesHand coloringFox
Lost film.
1927Napoléon FranceKeller-Dorian process sequencesAbel Gance / Gaumont
Extant. Keller-Dorian process proved to be impractical.
1927La revue des revues FrancePathéchrome inserts
Extant.
1928The Garden Of Eden United StatesTechnicolor insert277 ft.First National Pictures
Extant.
1928The Actress United StatesTechnicolor insert121 ft.Metro-Goldwyn-Mayer
Extant.
1928Revenge United StatesTechnicolor insert329 ft.United Artists
Lost film.
1928The Big Hop United StatesTechnicolor insert500 ft.Buck Jones Productions
Lost film.
1928The Woman and the Puppet FranceKeller-Dorian process
Extant. Directed by Jacques de Baroncelli
1928None but the Brave United StatesTechnicolor insert549 ft.Fox
Unknown
1928The Wedding March United StatesTechnicolor insert, hand coloring.294 ft.Paramount
Extant. Directed by Erich von Stroheim
1928Red Hair United StatesTechnicolor insert57 ft.Paramount
Lost film. Color tests survive at UCLA Film and Television Archive.
1928Casanova GermanyPathéchrome insertCiné-Alliance / Pathé
Extant. Based on operetta by Ralph Benatzky.
1928The Viking United StatesTechnicolor feature8398 ft.Metro-Goldwyn-Mayer
Extant. The first Technicolor feature with sound (synchronized music score and sound effects only, no dialog or "live" sound). On DVD.
1928The Water Hole United StatesTechnicolor inserts332 ft.Paramount
Status unknown.
1928Court-Martial United StatesTechnicolor insert473 ft.Columbia Pictures
Status unknown.
1929Redskin United StatesMostly Technicolor with sepia-toned sequences4463 ft.Paramount
Synchronized music score and sound effects but no dialog or "live" sound. Survives complete. On DVD.
1929On With the Show! United StatesTechnicolor9592 ft.Warner Bros.
Extant in black-and-white. 20-second color clip exists in private collection. The first all-talking color feature. On DVD.
1929Harmony Heaven United KingdomPathéchrome sequencesBritish International Pictures
Extant at British Film Institute
1929A Romance of Seville United KingdomPathéchrome featureBritish International Pictures
Sound version released July 1930. First British sound film released in color, using the Pathéchrome stencil-coloring process. On DVD.
1929Devil-May-Care United StatesTechnicolor insertMetro-Goldwyn-Mayer
Prints survive.
1929The Show of Shows United StatesTechnicolor feature9987 ft.Warner Bros.
Only survives in black-and-white except "Chinese Fantasy" number with Myrna Loy and Nick Lucas and part or all of "Meet My Sister" number. On DVD with latter number in black-and-white (color footage only recently discovered).
1929Pointed Heels United StatesTechnicolor inserts270 ft.Paramount
Extant complete at UCLA. Broadcast master is in black-and-white.
1929Paris United StatesTechnicolor inserts3645 ft.Warner Bros.
Picture lost except 3 fragments at Seaver Center. Soundtrack extant.
1929Gold Diggers of Broadway United StatesTechnicolor feature9122 ft.Warner Bros.
Two incomplete reels and some short fragments extant. Complete disc soundtrack extant. Surviving reels on DVD.
1929Sally United StatesTechnicolor feature9280 ft.First National-Warner Bros.
Extant only in black-and-white. Two-minute color sequence also extant. On DVD.
1929Glorifying the American Girl United StatesTechnicolor insert897 ft.Paramount
Extant complete at UCLA. On DVD.
1929The Broadway Melody United StatesTechnicolor insert307 ft.Metro-Goldwyn-Mayer
Technicolor sequence survives in black-and-white only. On DVD.
1929The Desert Song United StatesTechnicolor insert306 ft.Warner Bros.
Extant in black-and-white only.
1929Sunny Side Up United StatesMulticolor insertsFox
Extant in black-and-white only.
1929The Hollywood Revue of 1929 United StatesTechnicolor inserts1360 ft.Metro-Goldwyn-Mayer
Extant
1929Broadway United StatesTechnicolor insert198 ft.Universal
Survives in a talking version and a silent version made for theaters without sound equipment. The talking version is missing the final reel, the color sequence, which does survive in the silent version.
1929Married in Hollywood United StatesMulticolor insertFox
Only final reel in Multicolor survives at UCLA Film and Television Archive.
1929Red Hot Rhythm United StatesMulticolor insertPathé Exchange
Only one number in color, the title song, survives.
1929This Thing Called Love United StatesMulticolor insertPathé Exchange
Lost film except for color sequence.
1929The Dance of Life United StatesTechnicolor insert779 ft.Paramount
Extant in black-and-white.
1929Footlights and Fools United StatesTechnicolor inserts1183 ft.First National-Warner Bros.
Lost film.
1929His First Command United StatesMulticolor insertsPathé Exchange
Extant in black-and-white. Status of Multicolor sequences unknown.
1929It's a Great Life United StatesTechnicolor inserts1391 ft.Metro-Goldwyn-Mayer
Extant. On DVD from Warner Archive Collection.
1929The Mysterious Island United StatesTechnicolor feature8569 ft.Metro-Goldwyn-Mayer
Extant at UCLA. Complete Technicolor print was discovered in Prague, December 2013 and premiered at the 33rd Pordenone Silent Film Festival in October 2014. On DVD.[8]
1929Rio Rita United StatesTechnicolor insert2680 ft.RKO Radio Pictures
Survives in a cut re-release copy with all color sequences. On DVD.
1929William Fox Movietone Follies of 1929 United StatesMulticolor insertsFox
Lost film.
1929The Great Gabbo United StatesMulticolor insertsSono Art-World Wide Pictures
Survives in black-and-white except for missing color musical number "The Ga-Ga Bird". On DVD.
1929Smiling Irish Eyes United StatesTechnicolor insertsFirst National Pictures
Lost film. Soundtrack discs survive at UCLA.
1930The Rogue Song United StatesTechnicolor feature9565 ft.Metro-Goldwyn-Mayer
Lost film. Complete soundtrack extant on discs. Trailer and fragments preserved at UCLA.
1930The Life of the Party United StatesTechnicolor feature7202 ft.Warner Bros.
Extant only in black-and-white.
1930Hold Everything United StatesTechnicolor feature7280 ft.Warner Bros.
Survives in black-and-white.
1930The Vagabond King United StatesTechnicolor feature9413 ft.Paramount
Only complete copy restored by UCLA
1930Just for a Song United KingdomPathécolor sequencesGainsborough Pictures
Lost film
1930Alf's Button United KingdomPathécolor sequencesBritish Gaumont
Lost film
1930Paramount on Parade United StatesTechnicolor inserts2517 ft.Paramount
Plotless all-star revue. Most survives, but one black-and-white and one color sequence are missing, the color finale with Maurice Chevalier survives only in black-and-white, and the sound for two of the color sequences is missing. Restored by UCLA Film and Television Archive
1930Under a Texas Moon United StatesTechnicolor feature7501 ft.Warner Bros.
First all-talking western shot entirely in color. Survives in a complete color copy.
1930Whoopee! United StatesTechnicolor feature8681 ft.United Artists
Survives in at least one complete color copy.
1930The School for Scandal United KingdomRaycolor featureAlbion Films
Only feature film photographed in this process. Lost film.
1930Elstree Calling United KingdomPathéchrome InsertsBritish International Pictures
Extant at the British Film Institute. Co-directed by Alfred Hitchcock.
1930Hell's Angels United StatesMulticolor insert866 ft.United Artists
Color sequence and film survive complete. Scene filmed in Multicolor, printed by Technicolor
1930Knowing Men United KingdomTalkicolor featureUnited Artists Corporation
Second British sound feature in color. Lost film.
1930King of Jazz United StatesTechnicolor feature9320 ft.Universal
Extant.
1930Chasing Rainbows United StatesTechnicolor insert1249 ft.Metro-Goldwyn-Mayer
Black-and-white parts survive, color sequences are completely lost.
1930They Learned About Women United StatesTechnicolor insertMetro-Goldwyn-Mayer
Survives in black and white only.
1930Good News United StatesMulticolor insertMetro-Goldwyn-Mayer
Color was used for the finale, which is now completely lost. The rest survives.
1930Madam Satan United StatesMulticolor SequencesMetro-Goldwyn-Mayer
Color was used for the airship party sequences, but survive only survive in black and white.
1930Showgirl in Hollywood United StatesTechnicolor insert832 ft.First National-Warner Bros.
Extant only in black-and-white.
1930Bride of the Regiment United StatesTechnicolor feature7418 ft.First National-Warner Bros.
Picture lost. Soundtrack extant.
1930Puttin' On the Ritz United StatesTechnicolor Insert953 ft.United Artists
Extant only in black-and-white.
1930Mammy United StatesTechnicolor Inserts1497 ft.Warner Bros.
Extant. The first Al Jolson film with color.
1930Call of the Flesh United StatesTechnicolor insert721 ft.Metro-Goldwyn-Mayer
Extant only in black-and-white.
1930Bright Lights United StatesTechnicolor feature6416 ft.Warner Bros.
Extant only in black-and-white.
1930Children of Pleasure United StatesTechnicolor insert~700 ft.Metro-Goldwyn-Mayer
Survives complete in black-and-white. Color sequences extant in sections.
1930General Crack United StatesTechnicolor insert532 ft.Warner Bros.
Survives in a silent copy with no color sequences made for theaters without sound equipment.
1930The Melody Man United StatesTechnicolor insert826 ft.Columbia Pictures
Extant.
1930Follow Thru United StatesTechnicolor feature8383 ft.Paramount
Extant.
1930The March of Time United StatesTechnicolor insertsMetro-Goldwyn-Mayer
Production never completed. Several musical sequences extant.
1930New Movietone Follies of 1930 United StatesMulticolor insertsFox
Extant. Only copy at UCLA.
1930The Florodora Girl United StatesTechnicolor insert608 ft.Metro-Goldwyn-Mayer
Extant.
1930Mamba United StatesTechnicolor feature6998 ft.Tiffany Pictures
Extant complete. First all-color all-talking feature which was not a musical. On DVD.
1930Sweet Kitty Bellairs United StatesTechnicolor feature5846 ft.Warner Bros.
Extant only in black-and-white. On DVD.
1930Son of the Gods United StatesTechnicolor insert442 ft.Warner Bros.
Extant only in black-and-white.
1930Song of the Flame United StatesTechnicolor feature6501 ft.Warner Bros.
.
1930Song of the West United StatesTechnicolor feature7189 ft.Warner Bros.
Extant. On DVD from Warner Archive Collection.
1930Viennese Nights United StatesTechnicolor feature9191 ft.Warner Bros.
Extant, preserved at UCLA.
1930Golden Dawn United StatesTechnicolor feature7546 ft.Warner Bros.
Extant in black-and-white only. Color fragment found circa 2015.
1930Peacock Alley United StatesTechnicolor insert651 ft.Tiffany
Extant; color sequence is at the Library of Congress.
1930No, No, Nanette United StatesTechnicolor Sequences3895 ft.First National-Warner Bros.
BFI National Archive holds a 35 mm incomplete nitrate print 160 ft.
1930The Lottery Bride United StatesTechnicolor insert358 ft.United Artists
Color sequence survives at the George Eastman House. On DVD.
1930Lord Byron of Broadway United StatesTechnicolor insert878 ft.Metro-Goldwyn-Mayer
Extant.
1930Leathernecking United StatesTechnicolor insert1474 ft.RKO
Survives in Warner Bros. vault.
1930Hit the Deck United StatesTechnicolor insert3772 ft.RKO
Lost film.
1930Dixiana United StatesTechnicolor insert2006 ft.RKO
Extant.
1930The Cuckoos United StatesTechnicolor insert833 ft.RKO
Extant.
1931Delicious United StatesMulticolor insertsFox
Extant only in black-and-white.
1931Woman Hungry United StatesTechnicolor feature6119 ft.Warner Bros.
Extant. On DVD.
1931Manhattan Parade United StatesTechnicolor feature6692 ft.Warner Bros.
16mm Safety color print (ca. 3200 ft) is held at UCLA.
193150 Million Frenchmen United StatesTechnicolor feature6480 ft.Warner Bros.
Extant only in black-and-white. On DVD.
1931Kiss Me Again United StatesTechnicolor featureWarner Bros.
Extant only in black-and-white. On DVD. 2 fragments in color are held at Seaver Center
1931The Hawk United StatesMulticolor featureRomantic Productions
Shot as the first feature entirely in Multicolor, it had a very limited release. Five years later using the new process Cinecolor it was re-edited and re-recorded as "Phantom of Santa Fe". On DVD.
1931The Runaround United StatesTechnicolor feature5714 ft.RKO
Extant only in black-and-white, except for color first reel at Museum of Modern Art. On DVD.
1931Fanny Foley Herself United StatesTechnicolor feature6699 ft.RKO
Complete copy at BFI under title 'Top of the Bill'. Technicolor trailer extant at George Eastman House.
1931Flying High United StatesTechnicolor sequencesMGM
Extant in black and white.
1932Tex Takes a Holiday United StatesMulticolor featureArgosy Productions Corporation
Final feature-length film shot entirely in Multicolor. Extant. On DVD.
1931Carnival United KingdomSequences In British MulticolorBritish & Dominions Film Corporation
Unknown Status.
1932Doctor X United StatesTechnicolor feature7048 ftWarner Bros.
Extant. On DVD.
1932The Girl from Calgary United StatesMagnacolor insertChardwick Productions
First reel was shot in color. Extant, status of color sequence is unknown.
1932The Death Kiss United StatesHand-colored insertsSono Art-World Wide Pictures
Extant. Hand color by Gustav Brock.
1933Mystery of the Wax Museum United StatesTechnicolor feature7184 ftWarner Bros.
Extant. On DVD.
1933Sairandhri IndiaUFacolor featurePrabhat Film Company
First color film shot in India, but processed and printed in Germany. Extant. On DVD.
1934Radio Parade of 1935 United KingdomDufaycolor insertsBritish International Pictures
Two sequences were filmed in Dufaycolor. Extant.
1934Adventure Girl United StatesHand-colored fire sceneVan Beuren Studios
Extant. Hand color by Gustav Brock.
1934Sweden, Land of the Vikings United StatesCinecolor feature
First feature-length film in Cinecolor. On DVD.
1934The Cat and the Fiddle United StatesTechnicolor, Process 4 insertMetro-Goldwyn-Mayer
Black-and-white with final reel in color. First use of three-strip Technicolor in a feature-length film. On DVD.
1934The House of Rothschild United StatesTechnicolor, Process 4 insert20th Century Pictures / United Artist
Black-and-white with final sequence in color.
1934Hollywood Party United StatesTechnicolor, Process 4 insertMetro-Goldwyn-Mayer
Black-and-white with animated cartoon sequence in color.
1934Kid Millions United StatesTechnicolor, Process 4 insertSamuel Goldwyn / United Artists
Black-and-white with "Ice Cream Factory" musical finale in color.
1934Seetha Kalyanam IndiaHand-coloured filmPrabhat Film Company
Tamil language film. First hand-colored film in South India. Lost film.
1935Karnaval cvetov Soviet UnionRussian two-color process featureMezhrabpomfilm
First Russian color film. Extant complete. On DVD.
1935Jeunes filles à marier FranceFranciacolor featureParis Color Films
First French feature in natural color. Extant. On DVD.
1935Legong: Dance of the Virgins United StatesTechnicolor Process 3 (two-color) feature5054 ftDuWorld Pictures (US) / Paramount (intl)
Produced by Constance Bennett and Henri de la Falaise. Feature-length documentary filmed entirely in two-color Technicolor, one of the last uses of the older process. Restored in 1999 by UCLA Film and Television Archive. On DVD.
1935The Little Colonel United StatesTechnicolor, Process 4 insertFox
Black-and-white with one Technicolor sequence
1935Becky Sharp United StatesTechnicolor, Process 4 featurePioneer Pictures / RKO
First feature-length film entirely in three-strip Technicolor. On DVD.
1936Kliou the Killer United StatesTechnicolor, Process 3 (two-color) feature4917 ftBennett Pictures / DuWorld Pictures (US)
Final two-color Technicolor feature. Extant only in black and white. On DVD.
1936The Trail of the Lonesome Pine United StatesTechnicolor, Process 4 featureWalter Wanger Productions / Paramount Pictures
First three-strip Technicolor feature filmed outdoors by natural light.
1936We're in the Legion Now! United StatesMagnacolor featureGeorge A. Hirliman Productions
Also known as The Rest Cure. Extant. On DVD.
1936The Phantom of Santa Fe United StatesCinecolor featureBurroughs-Tarzan Enterprises
Filmed in Multicolor five years earlier as "The Hawk", re-edited version released in Cinecolor as "Phantom of Santa Fe". Extant. On DVD.
1936La terre qui meurt FranceFranciacolor featureParis Color Films
Also known as "The Land That Dies". Restored in 1992. On DVD.
1936Pagliacci Italy/
United Kingdom
UFAcolor insertsTrafalgar Film Productions
Extant with color. On DVD.
1936Solovey-Solovushko Soviet UnionRussian two-color Process featureMezhrabpomfilm
First Russian feature-length narrative film in color. Extant.
1936Bajo el sol de Loret PeruUnknown color process feature
Also known as "Under Loreto's Sun". First Peruvian color feature film. Extant.
1936The Devil on Horseback United StatesHirlicolor featureGeorge A. Hirliman Productions
Long presumed lost until found in private collection in the 1980s. Complete in UCLA Film and Television Archive. On DVD.
1936The Bold Caballero United StatesMagnacolor featureRepublic Pictures
First "Zorro" film shot in color. Extant complete. On DVD.
1936Captain Calamity United StatesHirlicolor featureGeorge A. Hirliman Productions
Extant complete. Released on DVD.
1937Kisan Kanya IndiaCinecolor featureImperial Pictures
First Hindi color film made entirely in India.
1937The Wedding (Wesele księżackie w Złakowie Borowym) PolandAgfacolorTadeusz Jankowski
First Polish color film (10 minutes, sound). Film (16 mm reel) survived in The National Museum of Ethnography in Warsaw.[9]
1938The Land of My Mother PolandEastman KodakÈve Curie and Romuald Gantkowski
Second Polish color film (37 minutes, sound). Film (35 mm reel) survived in The Polish Institute and Sikorski Museum in London. Later Ève Curie added sound commentary about the Second World War.[10]

See also

References

External links