Portal:Poetry

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The first lines of the Iliad
The first lines of the Iliad
Great Seal Script character for poetry, ancient China
Great Seal Script character for poetry, ancient China

Poetry (a term derived from the Greek word poiesis, "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.

Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language.

Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing as well as from religious hymns (the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); or from a need to retell oral epics, as with the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey. (Full article...)

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Four Quartets is a set of four poems written by T. S. Eliot that were published individually over a six-year period. The first poem, Burnt Norton, was written and published with a collection of his early works following the production of Eliot's play Murder in the Cathedral. After a few years, Eliot composed the other three poems, East Coker, The Dry Salvages, and Little Gidding, which were written during World War II and the air-raids on Great Britain. The poems were not collected until Eliot's New York publisher printed them together in 1943. They were first published as a series in Great Britain in 1944 towards the end of Eliot's poetic career.

Four Quartets are four interlinked meditations with the common theme being man's relationship with time, the universe, and the divine. In describing his understanding of the divine within the poems, Eliot blends his Anglo-Catholicism with mystical, philosophical and poetic works from both Eastern and Western religious and cultural traditions, with references to the Bhagavad-Gita and the Pre-Socratics as well as St. John of the Cross and Julian of Norwich.

Although many critics find the Four Quartets to be Eliot's great last work, some of Eliot's contemporary critics, including George Orwell, were dissatisfied with Eliot's overt religiosity. Later critics disagreed with Orwell's claims about the poems and argued instead that the religious themes made the poem stronger. Overall, reviews of the poem within Great Britain were favourable while reviews in the United States were split between those who liked Eliot's later style and others who felt he had abandoned positive aspects of his earlier poetry. (Full article...)

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Poetry WikiProject

Charles Baudelaire
Charles Baudelaire
The poetry WikiProject works to improve the quality and scope of all poetry-related articles. Please join us!

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Masaoka Shiki c. 1900

Masaoka Shiki (正岡 子規, October 14, 1867 – September 19, 1902), pen-name of Masaoka Noboru (正岡 升), was a Japanese poet, author, and literary critic in Meiji period Japan. Shiki is regarded as a major figure in the development of modern haiku poetry, credited with writing nearly 20,000 stanzas during his short life. He also wrote on reform of tanka poetry.

Some consider Shiki to be one of the four great haiku masters, the others being Matsuo Bashō, Yosa Buson, and Kobayashi Issa.

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Song of Songs by anonymous (chapter 1)
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1The song of songs, which is Solomon's. 2Let him kiss me with the kisses of his mouth--for thy love is better than wine. 3Thine ointments have a goodly fragrance; thy name is as ointment poured forth; therefore do the maidens love thee. 4Draw me, we will run after thee; the king hath brought me into his chambers; we will be glad and rejoice in thee, we will find thy love more fragrant than wine! sincerely do they love thee. {P}

5'I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon. 6Look not upon me, that I am swarthy, that the sun hath tanned me; my mother's sons were incensed against me, they made me keeper of the vineyards; but mine own vineyard have I not kept.' 7Tell me, O thou whom my soul loveth, where thou feedest, where thou makest thy flock to rest at noon; for why should I be as one that veileth herself beside the flocks of thy companions? 8If thou know not, O thou fairest among women, go thy way forth by the footsteps of the flock and feed thy kids, beside the shepherds' tents. {P}

9I have compared thee, O my love, to a steed in Pharaoh's chariots. 10Thy cheeks are comely with circlets, thy neck with beads. 11We will make thee circlets of gold with studs of silver. 12While the king sat at his table, my spikenard sent forth its fragrance. 13My beloved is unto me as a bag of myrrh, that lieth betwixt my breasts. 14My beloved is unto me as a cluster of henna in the vineyards of En-gedi. {S} 15Behold, thou art fair, my love; behold, thou art fair; thine eyes are as doves. 16Behold, thou art fair, my beloved, yea, pleasant; also our couch is leafy. 17The beams of our houses are cedars, and our panels are cypresses.

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