Mahmoud Ismail

Mahmoud Ismail (1914–1983; Larabci: محمود إسماعيل‎). Ya kasance ɗan wasan kwaikwayo na Masar, marubucin wasan kwaikwayo, kuma daraktan fina-finai. Ismail ya yi aiki a kan ayyukan fina-finai sama da 40, ciki har da yin aiki a wasu fina-finai ashirin da biyar da kuma shirye-shiryen talabijin guda shida.[1]

Mahmoud Ismail
Rayuwa
Haihuwa18 ga Maris, 1914
ƙasaMisra
Harshen uwaEgyptian Arabic (en) Fassara
Mutuwa27 ga Janairu, 1983
Karatu
HarsunaLarabci
Egyptian Arabic (en) Fassara
Sana'a
Sana'aJarumi, darakta da marubin wasannin kwaykwayo
IMDbnm1076884

Tarihin rayuwa

Ismail ya fara aikinsa na fasaha a matsayin ɗan wasan kwaikwayo a cikin ƙungiyar wasan kwaikwayo ta ƙasar Masar. Ya kasance Sufi, kuma ya zauna a unguwar Al-Hussein ta Alkahira.

A matsayinsa na ɗan wasan kwaikwayo a fim yana aiki akai-akai tare da daraktocin fim Ahmed Badrakhan, Niazi Mostafa, Hassan Hilmy [ar] , da Hasan El-Saifi . Sau tari yakan buga ko taka rawa a shirin fim waɗanda ke da laifi a baya ko yan daba (kamar ɓarayi, 'yan fashi, da masu sayar da miyagun ƙwayoyi).[2][3] Ismail ya bar yin fim na 'yan shekaru, sannan ya sake dawowa a shirye-shirye a lokaci-lokaci a fina-finai da kananan shirye-shirye masu karamin zango na talabijin a ƙarshen 1970s da farkon 1980s. Ismail kuma marubuci ne mai rubuce-rubucen fim.

Fina-finai

A matsayin ɗan wasan kwaikwayo

  • The Victory of Youth (1941) (Larabci: نتصار الشباب‎, romanized: Intisar al-Shabab)
  • Samfuri:III (1942) (Larabci: على مسرح الحياة (فيلم)‎, romanized: Ealaa Masrah Alhaya)[4]
  • Samfuri:III (Larabci: عايدة‎, romanized: Eayida), directed by Ahmed Badrakhan[5][6]
  • Samfuri:III (1943) (Larabci: من فات قديمه‎, romanized: Men Fat Adeem)[7]
  • Samfuri:III (1944) (Larabci: من الجاني‎, romanized: Al Jani), directed by Ahmed Badrakhan[8]
  • Samfuri:III (1944) (Larabci: طاقية الإخفاء‎, romanized: Taqiyyat al ikhfa, lit. 'The Concealment Cap'), directed by Niazi Mostafa[9]
  • Samfuri:III (1944) (Larabci: ابنتي‎, romanized: Ibnati), directed by Niazi Mostafa[9]
  • Samfuri:III (1945) (Larabci: عنتر وعبلة‎, romanized: Antar we Abla), directed by Niazi Mostafa[9]
  • Samfuri:III (1945) (Larabci: حسن وحسن‎, romanized: Hassan we Hassan, lit. 'good and good'), directed by Niazi Mostafa[9]
  • Samfuri:III (1945), directed by Samfuri:III
  • Samfuri:III (1945) (Larabci: البني آدم‎, romanized: Al-Bunni Adam), directed by Niazi Mostafa
  • Samfuri:III (1946) (Larabci: عودة طاقية الإخفاء‎, romanized: Awdat Taqiyyat al ikhfa, lit. 'The Return of the Invisibility Cap'), directed by Mohamed Abdel Gawad
  • Samfuri:III (1946) (Larabci: الأحدب‎, romanized: Al Ahdab), directed by Samfuri:III
  • Samfuri:III (1947) (Larabci: نور من السماء‎, romanized: Nour Minel Samaa), directed by Hassan Hilmy
  • Samfuri:III (1948) (Larabci: فتنة‎, romanized: Fatna)[10]
  • Samfuri:III (Larabci: أوعى المحفظة‎, romanized: Ouah el mahfaza, lit. 'Aware the Wallet')[11]
  • Samfuri:III (1952) (Larabci: السر في بير‎, romanized: Elserr fi Beer), directed by Hassan Hilmy
  • Samfuri:III (1953) (Larabci: حكم الزمان‎, romanized: Hukum el zama), directed by Henry Barakat
  • Samfuri:III (1954) (Larabci: الفارس الأسود‎, romanized: El Fares El Eswed), directed by Niazi Mostafa
  • Allah maana (1955) (English: God Is on Our Side ), directed by Ahmed Badrakhan
  • Samara (1956 film), directed by Hasan El-Saifi[12][3]
  • Samfuri:III (1956) (Larabci: زنوبة‎), directed by Hasan El-Saifi
  • Samfuri:III (1956) (Larabci: النمرود‎, romanized: Nimrod), directed by Atef Salem
  • Samfuri:III (1957) (Larabci: لواحظ‎), directed by Hassan al-Imam[9]
  • Samfuri:III (1957) (Larabci: طاهرة‎), directed by Fatin Abdel Wahab
  • Samfuri:III (Larabci: المتهم‎, romanized: El mottahem), directed by Samfuri:III
  • Samfuri:III (1958) (Larabci: مهرجان الحب‎)
  • Samfuri:III (Larabci: توحة‎), directed by Hasan El-Saifi
  • Samfuri:III (1959) (Larabci: عفريت سمارة‎), directed by Hassan Reda
  • Samfuri:III (1959) (Larabci: حب ودلع‎, romanized: Hub wa Dalaa)
  • Samfuri:III (1959) (Larabci: بياعة الورد‎, romanized: Bayieat alwird)[13]
  • Samfuri:III (1964) (Larabci: بنت الحتة‎, romanized: Bint el hetta), directed by Hasan El-Saifi[14]
  • Samfuri:III (Larabci: الولد الغبي‎), directed by Madkour Thabit
  • Samfuri:III (1980) (Larabci: بلا خطيئة‎, romanized: Bila Khatia’)
  • Samfuri:III (1980) (Larabci: الدرب الأحمر‎, romanized: Al-Darb Al-Ahmar)
  • Lucky Shore (1983) (Larabci: شاطئ الحظ‎)[15]

A matsayin darakta

  • Samfuri:III (1948) (Larabci: فتنة‎, romanized: Fatna)[10]
  • Samfuri:III (Larabci: أوعى المحفظة‎, romanized: Ouah el mahfaza, lit. 'Aware the Wallet')[11]
  • Samfuri:III (1959) (Larabci: حب ودلع‎, romanized: Hub wa Dalaa)
  • Samfuri:III (1959) (Larabci: بياعة الورد‎, romanized: Bayieat alwird)[13]

A matsayin marubucin shirin fim

  • Samfuri:III (1959) (Larabci: بياعة الورد‎, romanized: Bayieat alwird)[13]
  • Samfuri:III (1964) (Larabci: بنت الحتة‎, romanized: Bint el hetta), directed by Hasan El-Saifi[14]

Manazarta

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