User:Takashi Ueki/test

The creation story of Japan is written in the Kojiki in 712; it is a depiction of the events leading up to and including the creation of the Japanese Islands. There are many translations of the story with variations of complexity.

• Izanagi-no-Mikoto (male) and Izanami-no-Mikoto (female) were called by all the myriad gods and asked to help each other to create a new land which was to become Japan.
• They were given a spear, stirred the water and when removed water dripped from the end, created an island in the great nothingness.
• They lived on this island, and created a palace and within was a large pole.
• When they wished to bear offspring, they performed a ritual each rounding a pole, male to the left and female to the right, the female greeting the male first.
• They had 2 children (islands) which turned out badly and they cast them out. They decided that the ritual had been done incorrectly the first time.
• They repeated the ritual but according to the correct laws of nature, the male spoke first.
• They then gave birth to the 8 perfect islands of the Japanese archipelago.
• After the islands, they gave birth to the other Kami, Izanami-no-Mikoto dies and Izanagi-no-Mikoto tries to revive her.
• His attempts to deny the laws of life and death have bad consequences.

The Japanese islands are to be considered a paradise as they were directly created by the gods for the Japanese people, and were ordained by the higher spirits to be created into the Japanese empire. Shinto is the fundamental connection between the power and beauty of nature (the land) and the Japanese people. It is the manifestation of a path to understanding the institution of divine power.

Shinto teaches that everything contains a kami (神, "spiritual essence", commonly translated as god or spirit). Shinto's spirits are collectively called yaoyorozu no kami (八百万の神), an expression literally meaning "eight million kami", but interpreted as meaning "myriad", although it can be translated as "many Kami".

Kami come in many of forms where some are local and can be regarded as the spiritual being/spirit of a particular place while others appears to have been defined as eternal and described with more "god" like powers of creation. Kami may also be ancestors or famous persons of Japanese history elevated to a higher status and available for placation at a shrine. There is a bit of trouble with the definition of Kami being a "god" in the monotheistic definition of the word, but it is generally accepted to describe any supernatural force that is above the actions of man, and is very inclusive of all religious "god", spirit figures, and mythological creatures in Shinto belief. Frequently they are described taking human forms, inhabiting inanimate objects, becoming animals, and manifesting as "ghosts". All mythological creatures of the Japanese cultural tradition, of the Buddhistic traditional beliefs, Christian God, Hindu gods, Islamic Allah, various angels and demons of all faiths among others are considered Kami for the purpose of Shinto faith.

Historical Setting

Shinto has very ancient roots in the Japanese islands. The recorded history dates to the Kojiki(712) and Nihon Shoki(720) historical records, but archeological records date back siginificantly further than this. Jomon peoples of Japan used natural housing, predated rice farming, and frequently were hunter-gatherers, the physical evidence for ritual practices are difficult to document. There are many locations of stone ritual structures, refined burial practices and early Torii all of these lend to the continuity of primal Shinto.

The Jomon had a clan based tribal system developed similar to much of the worlds indiginous people. In the context of this clan based system, local beliefs developed naturally and when assimilation between clans occurred, they also took on some beliefs of the neighboring tribes. There was some trade amongst the indigenous peoples within Japanese islands and the mainland, as well as some varying migrations. The trade and interchange of people helped the growth and complexity of the peoples spirituality by exposure to new spirituality. The natural spirituality of the poeple appeared to be based on the worship of nature, and the natural elements to which they all depended. This has not changed as the core of Shinto belief.

There is an internal system of historical Shinto development that configures the relationships between Shinto and other religious practices over its long history; the inside and outside Kami(spirits). The inside or ujigami (uji meaning clan) Kami roles that supports cohesion and continuation of established roles and patterns; and the hitogami or outside Kami, bringing innovation, new beliefs, new messages, and some instability.

The gradual introduction of methodical religious and government organzations from mainland Asia starting around 300 BCE seeded the reactive changes in primal Shinto over the next 700 years to a more formalized system. These changes were directed internally by the various clans frequently as a syncratic cultural event to outside influences. Eventually as the Yamato gained power a formalization process began. The genesis of the Imperial household helped facilitate the continuity needed for this long term development through modern history. There is today a balance between outside influences of Buddhist, Confucian, Daoist, Abrahamic, Hindu and secular beliefs that although has had conflicts, today appears very natural and inexclusive. In more modern times Shinto has developed new branches and forms on a regular basis, including leaving Japan and becoming a global religion.

Historical Records

There is no core sacred text in Shinto, as the Bible is in Christianity or Qur'an is in Islam. Instead there are books of lore and history which provide stories and background to many Shinto beliefs.

• The Kojiki (Record of Ancient Matters)
• The Shoku Nihongi and its Nihon Shoki (Continuing Chronicles of Japan)
• The Rikkokushi (Six National Histories)
• The Jinnō Shōtōki (a study of Shinto and Japanese politics and history) written in the 14th century

Jomon Period (Late and Final 2000 BCE - 400 BCE)

By the end of the Jōmon period, a dramatic shift had taken place according to archaeological studies. New arrivals from the continent seem to have invaded Japan from the West, bringing with them new technologies such as rice farming and metallurgy. The settlements of the new arrivals seem to have coexisted with those of the Jōmon for some time. Under these influences, the incipient cultivation of the Jōmon evolved into sophisticated rice-paddy farming and government control. Many other elements of Japanese culture also may date from this period and reflect a mingled migration from the northern Asian continent and the southern Pacific areas. Among these elements are Shinto mythology, marriage customs, architectural styles, and technological developments such as lacquerware, textiles, laminated bows, metalworking, and glass making. The Jōmon is succeeded by the Yayoi period.

Yayoi Period (400 BCE - 250)

Japanese culture begins to develop in no small part due to influences from mainland trade and immigration from north east China. During this time in the pre-writing historical period, objects from the mainland start appearing in large amounts, specifically mirrors, swords, and jewels. All three of these have a direct connection to the imperial divine status as they are the symbols of imperial divinity and are Shinto honorary objects. Also the rice culture begins to blossom throughout Japan and this leads to the settlement of society, and seasonal reliance of crops. Both of these changes are highly influential on the Japanese people's relationship to the natural world, and likely development of a more complex system of religion. This is also the period that is referenced as the beginning of the divine imperial family. The Yayoi culture was a clan based culture that lived in compounds with a defined leader who was the chief and head priest. They were responsible for the relationship with their "gods" Kami and if one clan conquered another, their "god" would be assimilated. The earliest records of Japanese culture were written by Chinese traders who described this land as "Wu". This time period led to the creation of the Yamato culture and development of formal Shinto practices.

The development of niiname or the (now) Shinto harvest festival is attributed to this period as offerings for good harvests of similar format (typically rice) become common.

Kofun Period (250-552)

The great bells and drums, Kofun burial mounds, and the founding of the imperial family are important to this period. This is the period of the development of the feudal state, and the Yamato and Izumo cultures. Both of these dominant cultures have a large and central shrine which still exists today, Ise Shrine in the South West and Izumo Taisha in the North East. This time period is defined by the increase of central power in Naniwa, now Osaka, of the feudal lord system. Also there was an increasing influence of Korean trade and culture which profoundly changed the practices of government structure, social structure, burial practices, and warfare. The Japanese also held land and sway in Korea as well. The Paekche kingdom in Korea has political alliances with Yamato, and in the 5th century imported the Chinese writing system to record Japanese names and events for trade and political records. In 513 they sent a Confucian scholar to the court to assist in the teachings of Confucian thought. In 552 or 538 a Buddha image was given to the Yamato leader which profoundly changed the course of Japanese religious history, especially in relation to the undeveloped native religious conglomeration that was Shinto. In the latter 6th century, there was a breakdown of the alliances between Japan and Korea but the influence led to the codification of Shinto as the native religion in opposition to the extreme outside influences of the mainland. Up to this time Shinto had been largely a clan ('uji') based religious practice, exclusive to each clan.

Asuka Period (552-645)

The introductions of writing in the 5th century from China and Buddhism in the 6th century via Korea had a profound impact on the development of a unified system of Shinto beliefs. In the early Nara period the Kojiki and the Nihon Shoki were written by compiling existing myths and legends into a unified account of Japanese mythology. These accounts were written with two purposes in mind: the introduction of Taoist (Daoist), Confucian, and Buddhist themes into Japanese religion; and garnering support for the legitimacy of the Imperial house, based on its lineage from the sun goddess, Amaterasu. Much of modern Japan was under only fragmentary control by the Imperial family, and rival ethnic groups. The mythological anthologies, along with other poetry anthologies like the Collection of Ten Thousand Leaves (Man'yōshū) and others, were intended to impress others with the worthiness of the Imperial family and their divine mandate to rule.

In particular the Asuka rulers of 552-645 saw disputes between the more major families of the clan Shinto families. There were disputes about who would ascend to power and support the imperial family between the Soga and Mononobe/Nakatomi Shinto families. The Soga family eventually prevailed and supported the famous Empress Suiko and Prince Shotoku, who helped impress Buddhist faith into Japan. However it was not until the Hakuho ruling period of 645-710 was Shinto installed at the imperial faith along with the Fujiwara Clan and reforms that followed.

Hakuho Period (645-710)

Beginning with Emperor Temmu (672-686), continuing through Empress Jito (686-697) and Emperor Mommu (697-707) Court Shinto rites are strengthened and made parallel to Buddhist beliefs in court life. Prior to this time clan Shinto had dominated and a codification of "Imperial Shinto" did not exist as such. The Nakatomi family are made the chief court Shinto chaplains and chief priests at Ise Daijingu which held until 1892. Also the practice of sending imperial princesses to the Ise shrine begins.^[2] This marks the rise of Ise Diajingu as the main imperial shrine historically. Due to increasing influence from Buddhism and mainland Asian thought, codification of the "Japanese" way of religion and laws begins in earnest. This culminates in three major outcomes: Taiho Code (701 but started earlier), The Kojiki (712),and the The Nihon Shoki (720).

The Taiho Code (also called Ritsuryō (律令?) was an attempt to create a bulwark to dynamic external influences and stabilize the society through imperial power. It was a liturgy of rules and codifications, primarily focused on regulation of religion, government structure, land codes, criminal and civil law. All priests, monks, and nuns were required to be registered, as were temples. The Shinto rites of the imperial line were codified, especially seasonal cycles, lunar calendar rituals, harvest festivals, and purification rites. The creation of the imperial Jingi-kan or Shinto Shrine office was completed.

Nara Period (710-794)

This period hosted many changes to the country, government, and religion. The capital is moved again to Heijō-kyō, or Nara, in AD 710 by Empress Gemmei due to the death of the Emperor. This practice was necessary due to the Shinto belief in the impurity of death and the need to avoid this pollution. However, this practice of moving the capital due to "death impurity" is then abolished by the Taihō Code and rise in Buddhist influence.^[2] The establishment of the imperial city in partnership with Taihō Code is important to Shinto as the office of the Shinto rites becomes more powerful in assimilating local clan shrines into the imperial fold. New shrines are built and assimilated each time the city is moved. All of the grand shrines are regulated under Taihō and are required to account for incomes, priests, and practices due to their national contributions.

During this time Buddhism becomes structurally established within Japan by Emperor Shōmu (reign 724-749), and several large building projects are undertaken. The Emperor lays out plans for the Buddha Dainichi (Great Sun Buddha), at Tōdai-ji assisted by the Priest Gyogi (or Gyoki) Bosatsu. The priest Gyogi went to Ise Daijingu Shrine for blessings to build the Buddha Dainichi. They identified the statue of Viarocana with Amatarasu (the sun goddess) as the manifestation of the supreme expression of universality.^[2]

The priest Gyogi is known for his belief in assimilation of Shinto Kami and Buddhas. Shinto kami are commonly being seen by Buddhist clergy as guardians of manifestation, guardians, or pupils of Buddhas and bodhisattvas.^[2] The priest Gyogi conferred boddhisattva precepts on the Emperor in 749 effectively making the Imperial line the head of state and divine to Shinto while beholden to Buddhism. ^[4]

To distinguish between these different focuses of emphasis within Shinto, many feel it is important to separate Shinto into different types of Shinto expression.

• Imperial Shinto (Kyūchū-shintō) is the religious rites performed exclusively by the Imperial Family at the three shrines on the Imperial grounds, including the Ancestral Spirits Sanctuary (Kōrei-den) and the Sanctuary of the Kami (Shin-den).^[1]
• Shrine Shinto (神社神道, jinja-shintō) is the most prevalent of the Shinto types. It has always been a part of Japan's history and constitutes the main current of Shinto tradition. The Association of Shinto Shrines oversees about 80,000 shrines nationwide.
• Folk Shinto (民俗神道, minzoku-shintō) includes the numerous but fragmented folk beliefs in deities and spirits. Practices include divination, spirit possession, and shamanic healing. Some of their practices come from Daoism, Buddhism, or Confucianism, but most come from ancient local traditions.
• Ko Shinto (古神道, ko-shintō) is the oldest line of Shinto branches, a tradition that values the systematic methods of exercise and training.^[5]
• Sect Shinto (宗派神道, shūha-shintō) comprises 13 groups formed during the 19th century. They do not have shrines, but conduct religious activities in meeting halls. Shinto sects include the mountain-worship sects, who focus on worshipping mountains like Mount Fuji, faith-healing sects, purification sects, Confucian sects, and Revival Shinto sects.

All these main types of Shinto and some subtypes have given birth to many and diverse schools and sects since medieval times to the present days. A list of the most relevant can be found at the article Shinto sects and schools.

Impurity

Shinto teaches that certain deeds create a kind of ritual impurity that one should want cleansed for one's own peace of mind and good fortune, not because impurity is wrong in and of itself. Wrong deeds are called "impurity" (穢れ, kegare), opposed to "purity" (清め, kiyome). Normal days are called "day" (ke), and festive days are called "sunny" or simply "good" (hare).^[6] Killing living beings should be done with reverence for taking a life to continue one's own and should be kept to a minimum.

Modern Japanese continue to place great emphasis on the importance of ritual phrases and greetings (挨拶, aisatsu). Before eating, many (though not all) Japanese say, "I will humbly receive" (戴きます, itadakimasu), to show proper thankfulness to the preparer of the meal in particular and more generally to all those living things that lost their lives to make the meal. Failure to show proper respect can be seen as a lack of concern for others, looked down on because it is believed to create problems for all. Those who fail to take into account the feelings of other people and kami will only bring ruin on themselves.

The worst expression of such an attitude is the taking of another's life for personal advancement or enjoyment. Those killed without being shown gratitude for their sacrifice will hold a grudge (怨み, urami) and become a powerful and evil kami that seeks revenge (aragami). This same emphasis on the need for cooperation and collaboration can be seen throughout Japanese culture today. Additionally, if anyone is injured on the grounds of a shrine, the area affected must be ritually purified.

Purification - Harai 祓い or Oharai お祓い

Purification rites are a vital part of Shinto. They are done on a daily, weekly, seasonal, lunar, and annual basis. In many ways these purification rituals are the lifeblood of the practice of Shinto. Such ceremonies have also been adapted to modern life. New buildings made in Japan are frequently blessed by a Shinto priest kannushi (神主) during the groundbreaking ceremony (Jichinsai 地鎮祭), and many cars made in Japan have been blessed as part of the assembly process. Moreover, almost every Japanese factory or international business built outside Japan has had a groundbreaking ceremony performed by a Shinto priest, with occasionally an annual visitation by the priest to re-purify.

Afterlife

Unlike many religions, one does not need to publicly profess belief in Shinto to be a believer. Whenever a child is born in Japan, a local Shinto shrine adds the child's name to a list kept at the shrine and declares him or her a "family child" (氏子, ujiko). After death an ujiko becomes a "family spirit", or "family kami" (氏神, ujigami). One may choose to have one's name added to another list when moving and then be listed at both places. Names can be added to the list without consent and regardless of the beliefs of the person added to the list. However, this is not considered an imposition of belief, but a sign of being welcomed by the local kami, with the promise of addition to the pantheon of kami after death. Those children who die before addition to the list are called "water children" (水子, mizuko), and are believed to cause troubles and plagues. Mizuko are often worshipped in a Shinto shrine dedicated to stilling their anger and sadness, called mizuko kuyō (水子供養).

Because Shinto has co-existed with Buddhism for well over a millennium, it is very difficult to untangle Shinto and Buddhist beliefs about the world. Though Buddhism and Shinto have very different perspectives on the world, most Japanese do not see any challenge in reconciling these two very different religions, and practice both. Thus it is common for people to practice Shinto in life yet have a Buddhist funeral. Their different perspectives on the afterlife are seen as complementing each other, and frequently the ritual practice of one will have an origin in the other.

Omairi - Visiting a Shrine

Any person may visit a shrine and need not be "Shinto" to do this. Typically there are a few basic steps to visiting a shrine.

• Approach the and bow respectfully before entering.
• If there is a hand washing basin provided, perform Temizu; wash your hands left first, then your right, then left, then rinse your mouth, (do not spit back into the water supply or drink), and sometimes your feet as well.
• Approach the shrine, if there is a bell you may ring the bell prior to prayers; if there is a box for donations, leave a modest one in relation to your means; normally there will be a sequence of bows, (commonly 2) and then claps (commonly 2), hold the second and put your hands together in front of your heart for and a closing bow after your prayers.

There is variation in how this basic visitation may go, and depending on the time of year and holidays it may also have other rituals attached to visitations.

Harae

The ritual prayers of offerings to Kami, usually done daily at a shrine and is an involved ceremony of offerings and prayers. Shinsen (food offerings of fruit, fish, vegetables), Tamagushi (Sakaki Tree Branches), Shio (salt), Gohan (rice), Mochi (rice paste), and Sake (rice wine) are all typical offerings. On holidays and other special occasions the inner shrine doors may be opened and special offerings made.

Harae - Offerings to Kami

Tamagushi Offering at Hachman Jinja

Shinsen Offerings at Tsubaki Grand Shrine of America

Mochi Shinsen offerend at Meiji Jingu

Sake Offerings at Itsukushima Jinja

Tamagushi and Shinsen offered at Katori-jingu

Misogi Harai 禊祓 - Water Purification

Also know as: Misogi Shūhō 禊修法

The practice of purification by ritual use of water while reciting prayers typically done daily by regular practitioners, and when possible by lay practitioners. There is a defined set of prayers and physical activities that precede and occur during the ritual. This will usually be performed at a shrine, in a natural setting, but can be done anywhere there is clean running water.

The basic performance of this is the hand and mouth washing (Temizu 手水) done at the entrance to a shrine. The more dedicated believer may purify by standing beneath a waterfall or performing ritual ablutions in a river or other running water. This practice comes from Shinto history, when the kami Izanagi-no-Mikoto first performed misogi after returning from the land of Yomi, where he was made impure by Izanami-no-Mikoto after her death.

Misogi Harai

Misogi Harai at Tsubaki Grand Shrine Mie, Japan

Yamamoto Yukiyasu Guji 97th High Priest of Tsubaki Grand Shrine in sacred waterfall of Tsubaki Grand Shrine

Imi - 忌

Another form of purification is avoidance, that is, the taboo placed on certain persons or acts. To illustrate, women were not allowed to climb Mount Fuji until 1872^[7], in the era of the Meiji Restoration. Although this aspect has decreased in recent years, religious Japanese will not use an inauspicious word like "cut" at a wedding, nor will they attend a wedding if they have recently been bereaved.

Amulets and protection

Ema are small wooden plaques that wishes or desires are written upon and left at a place in the shrine grounds so that one may get a wish or desire fulfilled. They have a picture on them and frequently associated with the larger Shrines.

Ofuda are a talisman issued by a Shinto shrine, made of paper, wood, or metal, inscribed with the name of a kami and used for protection in the home. The are typically placed in the home at a kamidana. They are also renewed annually.

Omamori are personal protection amulets, issued by a shrine and sold to individuals with a specific intent in mind. Frequently for warding off bad luck and for better health, more recently there are also ones for good driving, good business, and school success. Their history lies with Buddhist practices of selling amulets.

All of these items bring religious practice to daily life in modern Japan, are frequently seen in popular media today (manga and anime), and help to support the shinto shrine through annual income.

Kagura

Kagura is the ancient Shinto ritual dance of shamanic origin. The word "kagura" is thought to be a contracted form of kami no kura or "seat of the kami" or the "site where the kami is received."^[8] There is a mythological tale of how kagura dance came into existence. The sun goddess Amaterasu became very upset at her brother so she hid in a cave. All of the other gods and goddesses were concerned and wanted her to come outside. Ame-no-uzeme began to dance and create a noisy commotion in order to entice Amaterasu to come out. The kami (gods) tricked Amaterasu by telling her there was a better sun goddess in the heavens. Amaterasu came out and light returned to the universe.

Music plays a very important role in the kagura performance. Everything from the setup of the instruments to the most subtle sounds and the arrangement of the music is crucial to encouraging the kami to come down and dance. The songs are used as magical devices to summon the gods and as prayers for blessings. Rhythm patterns of five and seven are common, possibly relating to the Shinto belief of the twelve generations of heavenly and earthly deities. There is also vocal accompaniment called kami uta in which the drummer sings sacred songs to the gods. Often the vocal accompaniment is overshadowed by the drumming and instruments, reinforcing that the vocal aspect of the music is more for incantation rather than aesthetics.^[9]

In both ancient Japanese collections, the Nihongi and Kojiki, Ame-no-uzeme’s dance is described as asobi, which in old Japanese language means a ceremony that is designed to appease the spirits of the departed, and which was conducted at funeral ceremonies. Therefore, kagura is a rite of tama shizume, of pacifying the spirits of the departed. In the Heian period (8th-12th centuries) this was one of the important rites at the Imperial Court and had found its fixed place in the tama shizume festival in the eleventh month. At this festival people sing as accompaniment to the dance: “Depart! Depart! Be cleansed and go! Be purified and leave!”^[10]This rite of purification is also known as chinkon. It was used for securing and strengthening the soul of a dying person. It was closely related to the ritual of tama furi (shaking the spirit), to call back the departed soul of the dead or to energize a weakened spirit. Spirit pacification and rejuvenation were usually achieved by songs and dances, also called asobi. The ritual of chinkon continued to be performed on the emperors of Japan, thought to be descendents of Amaterasu. It is possible that this ritual is connected with the ritual to revive the sun goddess during the low point of the winter solstice.^[11]

There is a division between the kagura that is performed at the Imperial palace and the shrines related to it, and the kagura that is performed in the countryside. Folk kagura, or kagura from the countryside is divided according to region. The following descriptions relate to sato kagura, kagura that is from the countryside. The main types are: miko kagura, Ise kagura, Izumo kagura, and shishi kagura.

Miko kagura is the oldest type of kagura and is danced by women in Shinto shrines and during folk festivals. The ancient miko were shamanesses, but are now considered priestesses in the service of the Shinto Shrines. Miko kagura originally was a shamanic trance dance, but later, it became an art and was interpreted as a prayer dance. It is performed in many of the larger Shinto shrines and is characterized by slow, elegant, circular movements, by emphasis on the four directions and by the central use of torimono (objects dancers carry in their hands), especially the fan and bells.^[12]

Ise kagura is a collective name for rituals that are based upon the yudate (boiling water rites of Shugendō origin) ritual. It includes miko dances as well as dancing of the torimono type. The kami are believed to be present in the pot of boiling water, so the dancers dip their torimono in the water and sprinkle it in the four directions and on the observers for purification and blessing.^[13]

Izumo kagura is centered in the Sada shrine of Izumo, Shimane prefecture. It has two types: torimono ma, unmasked dances that include held objects, and shinno (sacred No), dramatic masked dances based on myths. Izumo kagura appears to be the most popular type of kagura.^[14]

Shishi kagura also known as the Shugen-No tradition, uses the dance of a shishi (lion or mountain animal) mask as the image and presence of the deity. It includes the Ise daikagura group and the yamabushi kagura and bangaku groups of the Tohoku area (Northeastern Japan). Ise daikagura employs a large red Chinese type of lion head which can move its ears. The lion head of the yamabushi kagura schools is black and can click its teeth. Unlike other kagura types in which the kami appear only temporarily, during the shishi kagura the kami is constantly present in the shishi head mask. During the Edo period, the lion dances became showy and acrobatic losing its touch with spirituality. However, the yamabushi kagura tradition has retained its ritualistic and religious nature.^[15]

Originally, the practice of kagura involved authentic possession by the kami invoked. In modern day Japan it appears to be difficult to find authentic ritual possession, called kamigakari, in kagura dance. However, it is common to see choreographed possession in the dances. Actual possession is not taking place but elements of possession such as losing control and high jumps are applied in the dance.

Main Article: Shinto Shrines

The principal worship of kami is done at public shrines (jinja), although home worship at small private shrines (kamidana) (sometimes only a high shelf with a few ritual objects) is also common. It is possible to worship objects or people while they are still living.

While a few of the public shrines are elaborate structures, most are small buildings in the characteristic Japanese architectural style. Shrines are commonly fronted by a distinctive Japanese gate (torii) made of two uprights and two crossbars. These gates are there as a part of the barrier to separate our living world and the world the kami live in. There are often statues of guardian lions may further protect the kami from evil intrusions, as do ropes with pendants hanging down.

In temple compounds, there is a public hall of worship, and behind it is an offering hall where priests conduct rites. Even further is the sacred sanctuary, which is entered only by the high priests. In the sacred sanctuary, the spirit of the kami is invited to dwell within a special natural object or a mirror which reflects light of brightness and purity.

There are well over 100,000 shrines in operation today, each with its retinue of priests. Shinto priests often wear a ceremonial robe called a jo-e. Kami are invoked at such important ceremonies as weddings and entry into university. The kami are commonly petitioned for earthly benefits: a child, a promotion, a happier life. While one may wish for ill fortune on others, this is believed to be possible only if the target has committed wrongs first or if one is willing to offer one's life. Though Shinto is popular for these occasions, when it comes to funerals most Japanese turn to Buddhist ceremonies, since the emphasis in Shinto is on this life and not the next. Almost all festivals in Japan are hosted by local Shinto shrines, and these festivals are open to all those who wish to attend. While these could be said to be religious events, Japanese do not regard these events as religious since everyone can attend, regardless of personal beliefs.

Of the many and diverse Shinto shrines in existence, some are more well known:

• Atsuta Shrine, Nagoya, shrine to the Imperial sword Kusanagi
• Chichibu Shrine, Saitama Prefecture, dedicated to Omoikane and Amenominakanushi Okami
• Heian Jingū, Kyoto, dedicated to Emperor Kammu and Emperor Kōmei
• Hikawa Shrine, Omiya district
• Hokkaido Shrine, Sapporo, Hokkaido
• The Grand Shrine of Ise, Ise, Mie, dedicated to Amaterasu Omikami
• The Gassan Hongu, Yamagata, dedicated to Tsukuyomi Okami
• Itsukushima Shrine, Hiroshima Prefecture, a World Heritage Site and one of the National Treasures of Japan
• Iwashimizu Shrine, Yawata, Kyoto
• Izumo Shrine, Izumo
• Kasuga Shrine, Nara
• Katori Shrine, Chiba Prefecture, dedicated to Futsunushi
• Kumano Shrines, Wakayama Prefecture
• Meiji Shrine, Tokyo, the shrine of Emperor Meiji
• Nikkō Tōshō-gū, Nikkō, Tochigi Prefecture
• Ōsaki Hachiman Shrine, Miyagi Prefecture
• Sendai Tōshō-gū, Sendai, Miyagi Prefecture
• Shiogama Shrine, Miyagi Prefecture
• Three Palace Sanctuaries, Kōkyo Imperial Palace, Tokyo
• Tsurugaoka Hachiman Shrine, Kamakura, Kanagawa
• Usa Hachiman Shrine, Ōita Prefecture, dedicated to Hachimanno-Mikoto
• Yasukuni Shrine (Tokyo), a shrine dedicated to Japan's war dead. The center of several controversies.

With the introduction of Buddhism and its rapid adoption by the court in the 6th century, it was necessary to explain the apparent differences between native Japanese beliefs and Buddhist teachings. One Buddhist explanation saw the kami as supernatural beings still caught in the cycle of birth and rebirth (reincarnation). The kami are born, live, die, and are reborn like all other beings in the karmic cycle. However, the kami played a special role in protecting Buddhism and allowing its teachings of compassion to flourish.

This explanation was later challenged by Kūkai (空海, 774–835), who saw the kami as different embodiments of the Buddhas themselves (honji suijaku theory). For example, he famously linked Amaterasu (the sun goddess and ancestor of the Imperial family) with Dainichi Nyorai, a central manifestation of the Buddhists, whose name means literally "Great Sun Buddha." In his view, the kami were just Buddhas by another name.

Buddhism and Shinto coexisted and were amalgamated in the shinbutsu shūgō and Kūkai's syncretic view held wide sway up until the end of the Edo period. At that time, there was a renewed interest in "Japanese studies" (kokugaku), perhaps as a result of the closed country policy.

In the 18th century, various Japanese scholars, in particular Motoori Norinaga (本居 宣長, 1730–1801), tried to tease apart the "real" Shinto from various foreign influences. The attempt was largely unsuccessful, since as early as the Nihon Shoki parts of the mythology were explicitly borrowed from Chinese doctrines. For example, the co-creator deities Izanami and Izanagi are explicitly compared to the Chinese concepts of yin and yang. However, the attempt did set the stage for the arrival of state Shinto, following the Meiji Restoration (c.1868), when Shinto and Buddhism were separated (shinbutsu bunri).

Following the Meiji Restoration, Shinto was made the state religion of the Empire of Japan, and in 1868 its combination with Buddhism was outlawed, in an attempt to purify Shinto by abolishing many Buddhist and Confucian ideals. During this period, numerous scholars of kokugaku believed that State Shinto could be the unifying agent of the country around the Emperor while the process of modernization was undertaken with all possible speed. The psychological shock of the Western "Black Ships" and the subsequent collapse of the shogunate convinced many that the nation needed to unify in order to resist being colonized by outside forces.

In 1871, a Ministry of Divinities was formed and Shinto shrines were divided into twelve levels with the Ise Shrine (dedicated to Amaterasu, and thus symbolic of the legitimacy of the Imperial family) at the peak and small sanctuaries of humble towns at the base. The following year, the ministry was replaced with a new Ministry of Religion, charged with leading instruction in "shushin" (moral courses). This was a major reversal from the Edo period, in which families were registered with Buddhist temples, rather than Shinto shrines. Priests were officially nominated and organized by the state, and they instructed the youth in a form of Shinto theology based on the official dogma of the divinity of Japan's national origins and its Emperor.

As time went on, Shinto was increasingly used in the advertising of nationalist popular sentiments. In 1890, the Imperial Rescript on Education was issued, and students were required to ritually recite its oath to "offer yourselves courageously to the State" as well as to protect the Imperial family. The practice of Emperor worship was further spread by distributing imperial portraits for esoteric veneration. All of these practices were used to fortify national solidarity through patriotic observance at shrines. This use of Shinto gave Japanese patriotism a special tint of mysticism and cultural introversion, which became more pronounced as time went on.

Such processes continued to deepen throughout the early Shōwa period, when State Shinto became a main force of militarism, finally coming to an abrupt end in August 1945 when Japan lost the war in the Pacific. On 1 January 1946, Emperor Shōwa issued the Ningen-sengen, in which he quoted the Five Charter Oath of Emperor Meiji and declared that he was not an akitsumikami.

Post-war

As the era of State Shinto came to a close with the end of World War II, most Japanese came to believe that the hubris of Empire had led to their downfall. In the post-war period, numerous "New Religions" cropped up, many of them ostensibly based on Shinto, but on the whole, Japanese religiosity may have decreased. However, the concept of religion in Japan is a complex one. A survey conducted in the mid 1970s indicated that of those participants who claimed not to believe in religion, one-third had a Buddhist or Shinto altar in their home, and about one quarter carried an omamori (an amulet to gain protection by kami) on their person. Following the war, Shinto has, for the most part, persisted with less importance placed on mythology or the divine mandate of the Imperial family. Instead, shrines tend to focus on helping ordinary people gain better fortunes for themselves through maintaining good relations with their ancestors and other kami. Shinto has largely reverted to its pre-imperial family state. Post-war, the number of Japanese citizens identifying their religious beliefs as Shinto has declined a great deal, yet the general practice of Shinto rituals has not decreased accordingly, and many practices have persisted as general cultural beliefs (such as ancestor worship, which is still very popular), and community festivals (matsuri) — focusing more on religious practices. The explanation generally given for this anomaly is that, following the demise of State Shinto, modern Shinto has reverted to its more traditional position as a traditional religion which is culturally ingrained, rather than enforced. In any case, Shinto and its values continue to be an important component of the Japanese cultural mindset.

Shinto has also spread abroad to a limited extent, and a few non-Japanese Shinto priests have been ordained. A relatively small number of people practice Shinto in America. There are, however, several Shinto shrines in Hawaii, which has a large number of people of Japanese descent. Outside the US, there are also Shinto shrines in Brazil, Canada and the Netherlands. Shrines were also established in Taiwan and Korea during the Japanese occupation of those areas, but following the war, they were either repurposed or destroyed.

Within Shinto, there are a variety of new sects outside Shrine Shinto and the officially defunct State Shinto. Sect Shinto, like Tenrikyo and Konkokyo, have a unique dogma or leader, with some exhibiting the influence of Messianic Christianity, in the 19th and 20th century, particularly the "New Religions" like (Shinshūkyō) that proliferated in the post-war era.

Shinto has been called "the religion of Japan", and the customs and values of Shinto are inseparable from those of Japanese culture. Many famously Japanese practices have origins either directly or indirectly rooted in Shinto. For example, it is clear that the Shinto ideal of harmony with nature underlies such typically Japanese arts as flower-arranging (生け花ikebana), traditional Japanese architecture, and garden design. A more explicit link to Shinto is seen in sumo wrestling, where, even in the modern version of the sport, many Shinto-inspired ceremonies must be performed before a bout, such as purifying the wrestling arena by sprinkling it with salt. The Japanese emphasis on proper greetings and respectful phrasings can be seen as a continuation of the ancient Shinto belief in kotodama (words with a magical effect on the world). Many Japanese cultural customs, like using wooden chopsticks and removing shoes before entering a building, have their origin in Shinto beliefs and practices. A number of other Japanese religions have originated from or been influenced by Shinto. Also, much of Japanese pop culture, especially anime and manga, draws from Shinto for inspiration and stories (e.g. Spirited Away, Amatsuki, InuYasha, Higurashi no naku koro ni, Hell Girl, Kamichu!, and Kannagi: Crazy Shrine Maidens).

• Kami
• Shinto Shrines
• Religion in Japan
• Shinto music
• Shinto sects and schools
• Culture of Japan
• History of Japan
• Japanese mythology
• Twenty-Two Shrines

Wikimedia Commons has media related to Shintō.

• Jinja Honcho - English - The Official Organization of 80,000 Shinto Shrines
• Kokugakuin University Encyclopedia of Shinto and its Japanese Shinto Jinja Database
• Tsubaki Grand Shrine of America - Tsubaki Grand Shrine of America: Jinja Shinto in North America, branch of Tsubaki Grand Shrine in Mie Japan
• Heian Jingu Shrine - Heian Shrine in Kyoto City was built in 1895 in commemoration of the 1100th anniversary of the move of Japanese Capital from Nara to Kyoto in 794.
• Meiji Jingu - Meiji Jingu Shrine in Yoyogi, Tokyo, commemorates Emperor Taisho and his wife Empress Shoken.
• Yasukuni Jinja - A shrine for the honoring of Japanese War Dead, english site.
• Shoin-Jinja - Shoin Shrine in Tokyo enshrines Yoshida Shoin, a spiritual leader of Meiji Restoration.
• Yushima Tenjin - A Tokyo Shrine with and english site - Shrine for Ameno-tajikaraono-mikoto and Sugawara Michizane.
• Chiga Yoshimi Gallery - The Scenery of Nara's Shrines and Temples which were drawn by Chiga Yoshimi.
• Internation Shinto Foundation - Dr. Carmen Blacker, University of Cambridge

[[Category:Folk religions]][[Category:Japanese religions terms]][[Category:Religion in Japan]][[Category:Shinto| ]][[Category:East Asian religions]][[Category:Spiritual theories]]