Parodia

Parodia,^[1]^[2] vel ridicula imitatio,^[3] vel exercitatio ludicra,^[4] vel fortasse cavillatio,^[5] est "carmen ad alterius similitudinem compositum,"^[6] sive quodlibet opus creativum quod per imitationem saturicam vel ironicam ad eius materiam subiectam imitandam, censendam, deridendam designatur et destinatur. Res saepe est opus originale vel eius proprietas (thema, auctor, modus), sed parodia etiam hominem vivum (e.g., civilitate peritum), casum, vel motum (e.g. Res Novas Francicas et contraculturam annorum 1960) tractare potest. Simon Dentith professor litterarum parodiam definit "quemlibet morem culturalem qui allusivam et polemicam alius productionis vel exercitationis culturalis imitationem praebet."^[7]^[8] Linda Hutcheon theorista litterarum dicit "parodiam . . . esse imitationem, quae non semper textus tractati detrimento est."^[9]^[10] Parodia in artibus et cultura inveni potest, inter litteras, musicam, hiphop, saltationem, theatrum, televisionem, cinematographiam, animationem, ludos televisificos.

Exempla

Scary Movie ('Pellicula Terrifica') est parodia pelliculae Scream ('Ululatus').
Spaceballs ('Globi caelestes') est parodia pelliculae Star Wars ('Bella Stellaria').
Young Frankenstein est parodia generis pellicularum horrificarum.

Dentith, Simon (2000). Parody (The New Critical Idiom). Routledge. ISBN 0-415-18221-2 .
Agudo, Elices, et Juan Francisco. 2004. Historical and theoretical approaches to English satire.
Hutcheon, Linda (1985). "3. The Pragmatic Range of Parody". A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Novi Eboraci: Methuen. ISBN 0-252-06938-2 .
Mary Louise Pratt (1991). "Arts of the Contact Zone". Profession (Novi Eboraci: Modern Language Association) 91: 33–40 . From Ways of Reading, ed. quinta, ed. David Bartholomae et Anthony Petroksky (Novi Eboraci: Bedford/St. Martin's, 1999.
Sangsue, Daniel. 2006. La parodia.
Sheinberg, Esti. 2000. Irony, Satire, Parody and the Grotesque in the Music of Shostakovich.
Stavans, Ilan, Jesse H. Lytle, et Jennifer A. Mattson. 1997. Antiheroes: Mexico and its detective novel.
Ore, Johnathan. 2014. "Youtuber Shane Dawsons fans revolt after Sony pulls his Taylor Swift parody video."

Bakhtin, Mikhail; Ed. Michael Holquist. Conv. Caryl Emerson et Michael Holquist (1981). The Dialogic Imagination: Four Essays. Austinopoli et Londinii: University of Texas Press. ISBN 0-292-71527-7 .
Gates, Henry Louis, Jr. (1988). The Signifying Monkey: A Theory of Afro-American Literary Criticism. Oxford University Press. ISBN 0-19-503463-5 .
Petrosky, Anthony; ed. David Bartholomae et Anthony Petroksky (1999). Ways of Reading (quinta ed.). Novi Eboraci: Bedford/St. Martin’s. ISBN 978-0-312-45413-5 .
Rose, Margaret (1993). Parody: Ancient, Modern and Post-Modern. Cantabrigiae: Cambridge University Press. ISBN 0-521-41860-7 .
Caponi, Gena Dagel (1999). Signifyin(g), Sanctifyin', & Slam Dunking: A Reader in African American Expressive Culture. University of Massachusetts Press. ISBN 1-55849-183-X .
Harries, Dan (2000). Film Parody. Londinii: BFI. ISBN 0-85170-802-1 .
Pueo, Juan Carlos (2002). Los reflejos en juego (Una teoría de la parodia). Valentiae (Hispaniae): Tirant lo Blanch. ISBN 84-8442-559-2 .
Gray, Jonathan (2006). Watching with The Simpsons: Television, Parody, and Intertextuality. Novi Eboraci: Routledge. ISBN 0-415-36202-4 .
John Gross, ed. (2010). The Oxford Book of Parodies. Oxford: Oxford University Press. ISBN 978-0-19-954882-8 .
Fain, Gordon L. (2010). Ancient Greek Epigrams: Major Poets in Verse Translation. Berkeleiae: University of California Press. ISBN 9780520265790 .

Vicimedia Communia plura habent quae ad parodiam spectant.