Michèle Morgan
Michele Morgan (Simone Renee Russel, talaffuzi: „Simone Renee Russel“, 1920-yil 29-fevral — 2016-yil 20-dekabr) fransuz kino aktrisasi boʻlib, oʻttiz yil davomida fransuz kinosida va Gollivudda yetakchi ayol boʻlgan. U XX asrning buyuk fransuz aktrisalaridan biri hisoblanadi[1]. Morgan Kann kinofestivalida eng yaxshi ayol roli mukofotining ilk gʻolibi boʻldi. 1992-yilda u fransuz kinosiga qoʻshgan hissasi uchun faxriy Sezar mukofotiga sazovor boʻlgan.
| Michèle Morgan | |
|---|---|
 | |
| Tavalludi | Simone Renée Roussel 29-fevral 1920-yil Neuilly-sur-Seine, Hauts-de-Seine, Île-de-France, Fransiya |
| Vafoti | 20-dekabr 2016-yil (96 yoshda) Meudon, Hauts-de-Seine, Île-de-France, Fransiya |
| Fuqaroligi | Fransiya |
| Kasbi | Aktrisa |
| Faoliyat yillari | 1935-1999 |
| Turmush oʻrtogʻi | William Marshall (turm. 1942; ajr. 1948) Henri Vidal (turm. 1950; vafot 1959) Gérard Oury (turm. 1960; vafot 2006) |
| Bolalari | Mike Marshall |
Yoshligi
Morgan Simone Renee Russel [2] Parijning chekkasida joylashgan Hauts-de-Seine shahrida tugʻilgan[3][4]. U Fransiyaning Seine-Maritime, Dieppe shahrida oʻsgan[3][4].
Karyerasi
Morgan 15 yoshida uyini tark etib, Parijga aktrisa boʻlish ilinjida ravona boʻladi[3][5]. U drama darslarini olgani pul toʻlash uchun bir nechta filmlarda qoʻshimcha rol oʻynab, Rene Simondan aktyorlik saboqlarini oldi[3]. Oʻshanda u „Michèle Morgan“ sahna nomini oldi[3].
Morganni birinchi boʻlib rejissyor Mark Allegret payqab qoldi va unga Raymu qarshisida „Gribuille“ (1937) filmida bosh rolni taklif qildi[3]. Keyin Marcel Carne rejissyori (1938), Jan Gabin bilan birga „Le Quai des Brumes“ (1938) va Jan Gremillonning „Remorques“ (1941) filmlari rol oʻynashni taklif qildi[3].
1940-yilda nemislar Fransiyaga bostirib kirgach, Morgan AQSh va Gollivudga jo‘nab ketdi va u yerda 1941-yilda RKO Pictures bilan shartnoma tuzdi[3]. Uning u yerdagi karerasi, Joan of Parij (1942).
Urushdan soʻng, Morgan Fransiyaga qaytib keldi va oʻz faoliyatini Jan Delannoy tomonidan suratga olingan „La Symphonie Pastorale“ (1946) filmida davom ettirdi va bu unga Kann kinofestivalida „Eng yaxshi ayol roli“ mukofotiga sazovor boʻldi[3]. Uning ushbu davrdagi boshqa filmlariga: Carol Reedning „The Fallen Idol“ (1948), Iv Allegretning „The Proud and the Beautiful“ (1953), Rene Clair va Mari-Antuanetta reine de Fransiyaning „The Grand Maneuver“ (1955) (1955)[4] kiradi. U 1960-yillar davomida filmlarda ishlashni davom ettirdi, masalan, „Lost Command“ (1966), „Les Centurions“ versiyasi[4].
Shaxsiy hayoti va oʻlimi
Gollivudda boʻlganida, Morgan 1942-yilda William Marshallga (1917-1994) turmushga chiqdi va u bilan Mike Marshall (1944-2005) ismli oʻgʻil koʻrdi[4]. Morgan 10050 Cielo Drive -da uy qurgan va unga egalik qilgan. Morgan va Marshall 1948-yilda ajrashishdi. 1950-yilda fransuz aktyori HenryVidalga (1919-1959) turmushga chiqdi. U 1959-yilda vafotigacha u bilan qoldi.
Morgan 2016-yil 20-dekabrda 96 yoshida Fransiyaning Meudon shahrida tabiiy sabablar tufayli vafot etdi[3][4]. Uning dafn marosimi 2016-yil 23-dekabrda Neuilly-sur-Seine shahridagi Église Saint-Pierre da boʻlib oʻtdi va u Monparnas qabristoniga dafn qilindi[1][6].
96 yoshga toʻlganiga qaramay, u 29-fevralda tugʻilganligi sababli texnik jihatdan atigi 24 ta tugʻilgan kun nishonlagan edi.
Filmografiyasi
| Yil | Sarlavha | Rol | Rejissyor |
|---|---|---|---|
| 1935 | Mademoiselle Mozart[7] | Murabbiy | Yvan Noé |
| 1937 | Gribouille[8] | Nathalie Roguin | Marc Allégret |
| 1938 | Orage[8] | Françoise Massart | Marc Allégret |
| Port of Shadows[9] | Nelly | Marcel Carné | |
| Nightclub Hostess[10] | Suzy | Albert Valentin | |
| 1939 | Coral Reefs[3] | Lilian White | Maurice Gleize |
| Musicians of the Sky[11] | Lieutnant Saulnier | Georges Lacombe | |
| 1940 | Stormy Waters[3] | Catherine | Jean Grémillon |
| The Heart of a Nation[12] | Marie Froment-Léonard | Julien Duvivier | |
| 1941 | My Life with Caroline[13] | “Annette“ | Lewis Milestone |
| 1942 | La Loi du nord[14] | Jacqueline Bert | Jacques Feyder |
| Joan of Paris[15] | Joan | Robert Stevenson | |
| 1943 | Two Tickets to London[9] | Jeanne | Edwin L. Marin |
| Higher and Higher[9] | Millie Pico alias Paméla Drake | Tim Whelan | |
| 1944 | Passage to Marseille[15] | Paula | Michael Curtiz |
| 1946 | The Chase[15] | Lorna Roman | Arthur Ripley |
| Pastoral Symphony[3] | Gertrude | Jean Delannoy | |
| 1947 | The Fallen Idol[4] | Julie | Carol Reed |
| 1948 | To the Eyes of Memory[16] | Claire Magny | Jean Delannoy |
| 1949 | The Fighting Gladiator[17] | Fabiola | Alessandro Blasetti |
| Here Is the Beauty[18] | Jeanne Morel | Jean-Paul Le Chanois | |
| 1950 | The Glass Castle[8] | Evelyne Lorin-Bertal | René Clément |
| The Strange Madame X[19] | Irène Voisin-Larive | Jean Grémillon | |
| The Naked Heart[3] | Maria Chapdelaine | Marc Allégret | |
| 1951 | The Seven Deadly Sins[20] | Anne-Marie de Pallières | Claude Autant-Lara |
| 1952 | The Moment of Truth[21] | Madeleine Richard | Jean Delannoy |
| 1953 | The Proud and the Beautiful[22] | Nelly | Yves Allégret |
| 1954 | Love, Soldiers and Women[4] | Joan of Arc | Jean Delannoy |
| Obsession[23] | Hélène Giovanni | Jean Delannoy | |
| Napoléon[3] | Joséphine de Beauharnais | Sacha Guitry | |
| 1955 | The Grand Maneuver[3] | Marie-Louise Rivière | René Clair |
| Marguerite of the Night[24] | Marguerite | Claude Autant-Lara | |
| Marie Antoinette Queen of France[3] | Marie-Antoinette, Queen of France | Jean Delannoy | |
| If Paris Were Told to Us[25] | Gabrielle d’Estrées | Sacha Guitry | |
| 1956 | Oasis[26] | Françoise Lignières | Yves Allégret |
| 1957 | The Vintage[27] | Léonne Morel | Jeffrey Hayden |
| Thereʼs Always a Price Tag[28] | Hélène Fréminger | Denys de La Patellière | |
| 1958 | The Mirror Has Two Faces[29] | Marie-Josée | André Cayatte |
| Maxime[30] | Jacqueline Monneron | Henri Verneuil | |
| Girls for the Summer[31] | Micheline | Gianni Franciolini | |
| 1959 | Menschen im Hotel[32] | La Grusinskaïa | Gottfried Reinhardt |
| Winter Holidays[33] | Steffa Tardier | Camillo Mastrocinque | |
| The Wretches[34] | Thelma Rooland | Robert Hossein | |
| Why Do You Come So Late?[35] | Catherine Ferrer | Henri Decoin | |
| 1960 | Fortunat[36] | Juliette Valcourt | Alex Joffé |
| 1961 | Three Faces of Sin[37] | Renée Plège | François Villiers |
| The Lions Are Loose[38] | Cécile | Henri Verneuil | |
| 1962 | Landru[39] | Célestine Buisson | Claude Chabrol |
| Meetings[40] | Bella Krastner | Philippe Agostini | |
| Crime Does Not Pay[41] | Jeanne Hugues | Gérard Oury | |
| The Winner[42] | Oʻzi | François Reichenbach | |
| 1963 | Be Careful Ladies[43] | Denise Duparc | André Hunebelle |
| Web of Fear[44] | Constance | François Villiers | |
| 1964 | Marked Eyes[45] | Florence | Robert Hossein |
| The Last Steps[46] | Yolande Simonet | Jacques Robin | |
| The Scapegoat[47] | Princess Sofia | Duccio Tessari | |
| 1965 | Tell Me Whom to Kill[48] | Geneviève Montanet | Étienne Périer |
| 1966 | Lost Command[4] | The Countess of Clairfond | Mark Robson |
| 1967 | La Bien-aimée[49] | Fanny Dréal | Jacques Doniol-Valcroze |
| The Diary of an Innocent Boy[3] | Grafinya | Michel Deville | |
| 1975 | Cat and Mouse[3] | Madame Richard | Claude Lelouch |
| 1986 | Le Tiroir secret[50] | Colette Dutilleul-Lemarchand | Édouard Molinaro, Roger Gillioz, Michel Boisrond, Nadine Trintignant |
| 1990 | Everybody’s Fine[51] | Poyezddagi ayol | Giuseppe Tornatore |